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Verlag: Art in America, Inc., New York, 1971
Anbieter: Argyl Houser, Bookseller, Turlock, CA, USA
Buch
Soft cover. Zustand: Good. Zustand des Schutzumschlags: No Jacket As Issued. Good condition magazine. Handwritten initials in upper right corner of first page, otherwise pages are a little toned but completely clean. Very small and slight bend to upper right corner of all pages. Upper right corner of front cover is lightly creased. Some wear and a scrape to top of spine. Light wear to edges, surfaces of covers. Will be backed with cardboard and shipped in a sturdy box to ensure safe delivery. This issue includes: "Sexual Politics, Art Style" by Lucy R. Lippard; "The National Art Workers Community" by Alex Gross; "The Art Critic as Social Reformer--with a Question Mark" by Gregory Battcock; "An Expensive Nineteenth Century" by Geraldine Keen; "Volunteer Lawyers for the Arts" by Molly Siple; "Earthscapes, Landworks and Oz" by Dave Hickey; "A Conversation with Philip Pearlstein" by Ellen Schwartz; "Balboa and the Fun Zone" by Thomas H. Garver; "The Hopper Bequest at the Whitney" by Brian O'Doherty; "Who Was Sonia Sekula?" by Nancy Foote; "Post-Judson Dance" by Deborah Jowitt; "Toronto: Vuillard's Housebroken Muse" by Mario Amaya; "London: Migrant Masterpieces" by John Russell; "Iran: Ceremonies and Celebrations" by John Russell; "New York: Trendless buy Varied, the Season Starts" by Grace Glueck; "Letters to the Editor"; "Books: Elusive Characters" by Jay Jacobs; "Music: Joplin and Hendrix--A Note on the Rhetoric of Death" by Mary Josephson; "Architecture: Masked Ball at the Power Station" by George McCue; "In the Next Issue"; and "Contributors".
Verlag: Art Workers Coalition New York, NY, 1969
Anbieter: Specific Object / David Platzker, New York, NY, USA
Erstausgabe
142 pp.; 28 x 20.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed The report from the Art Workers Coalition hearing on April 10, 1969, printed in order to bring each artist's opinion on museum reform to the attention of all art workers and all art institutions in New York City and elsewhere. Includes contributions in the form of statements by Carl Andre, Architects Resistance, Robert Barry, Gregory Battcock, Jon Bauch, Ernst Benkert, Don Bernshouse, Gloria Greenberg Bressler, Selma Brody, Bruce Brown, Bob Carter, Fredrick Castle, Rosemarie Castoro, Michael Chapman, Iris Crump, John Denmark, Joseph Di Donato, Mark Di Suvero, George Dworzan, Farman, Hollis Frampton, Dan Graham, Chuck Ginnever, Bill Gordy, Alex Gross, Hans Haacke, Clarence Hagin, Harvey, Gerry Herman, Frank Hewitt, D. Holmes, Robert Huot, Ken Jacobs, Joseph Kosuth, David Lee, Naomi Levine, Sol LeWitt, Lucy Lippard, Tom Lloyd, Lee Lozano, Len Lye, James McDonald, Edwin Mieczkowski, Vernita Nemec, Barnett Newman, John Perreault, Stephen Phillips, Lil Picard, Peter Pinchbeck, Joanna Pousette-Dart, Barbara Reise, Faith Ringold, Steve Rosenthal, Theresa Schwarz, Seth Siegelaub, Gary Smith, Michael Snow, Anita Steckel, Carl Strueckland, Gene Swenson, Julius Tobias, Jean Toche, Ruth Vollimer, Iain Whitecross, Jay Wholly, Ann Wilson, and Wilbur Woods. Reference : "Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art" by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson. Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012, pp. 72. Fine. First printing, clean and unmarked as issued.