Lorz julienne (39 Ergebnisse)

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Hardcover. Zustand: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Taschenbuch. Zustand: Neu. Neuware -Since the 1960s, Joan Jonas (b. 1936 in New York) has been one of the pioneers of performance art. She was part of the New York art scene that included Richard Serra, Gordon Matta-Clark, John Cage, Philipp Glass, and Merce Cunningham. Her experimental installations involve projections, video, drawings, ambient sound, props, and masks. Based on a number of interviews, the volume provides insights into her artistic oeuvre. Ever since she represented the United States at the 2015 Venice Biennale, Joan Jonas has been known to a wider European public. In selected conversations she talks about her interdisciplinary approach and about the influences and impulses she absorbed from literature, music, traditional Japanese Noh theatre, and the rituals of foreign cultures. The discussions also touch on her collaborations with the experimental filmmaker Babette Mangolte and the Jazz musician Jason Moran. Yet another focus of this catalogue is on her new works and the live performances on the occasion of her exhibitions in London and Munich.; Einem größeren europäischen Publikum ist Joan Jonas durch die Bespielung des US Pavillons auf der Venedig Biennale 2015 bekannt. In ausgewählten Gesprächen berichtet sie über ihren interdisziplinären Ansatz, die Einflüsse und Anregungen aus Literatur, Musik, dem traditionellen japanischen Noh-Theater oder Ritualen fremder Kulturen. Auch die Zusammenarbeit mit der Experimentalfilmerin Babette Mangolte oder dem Jazzmusiker Jason Moran kommt zur Sprache. Ein weiterer Schwerpunkt des Kataloges liegt auf ihren neuen Werken und den Live-Darbietungen anlässlich der Ausstellungen in London und München. 288 pp. Englisch.…

Taschenbuch. Zustand: Neu. Neuware -Since the 1960s, Joan Jonas (b. 1936 in New York) has been one of the pioneers of performance art. She was part of the New York art scene that included Richard Serra, Gordon Matta-Clark, John Cage, Philipp Glass, and Merce Cunningham. Her experimental installations involve projections, video, drawings, ambient sound, props, and masks. Based on a number of interviews, the volume provides insights into her artistic oeuvre. Ever since she represented the United States at the 2015 Venice Biennale, Joan Jonas has been known to a wider European public. In selected conversations she talks about her interdisciplinary approach and about the influences and impulses she absorbed from literature, music, traditional Japanese Noh theatre, and the rituals of foreign cultures. The discussions also touch on her collaborations with the experimental filmmaker Babette Mangolte and the Jazz musician Jason Moran. Yet another focus of this catalogue is on her new works and the live performances on the occasion of her exhibitions in London and Munich.; Einem größeren europäischen Publikum ist Joan Jonas durch die Bespielung des US Pavillons auf der Venedig Biennale 2015 bekannt. In ausgewählten Gesprächen berichtet sie über ihren interdisziplinären Ansatz, die Einflüsse und Anregungen aus Literatur, Musik, dem traditionellen japanischen Noh-Theater oder Ritualen fremder Kulturen. Auch die Zusammenarbeit mit der Experimentalfilmerin Babette Mangolte oder dem Jazzmusiker Jason Moran kommt zur Sprache. Ein weiterer Schwerpunkt des Kataloges liegt auf ihren neuen Werken und den Live-Darbietungen anlässlich der Ausstellungen in London und München. 288 pp. Englisch.…

Paperback. Color-illustrated softcover with white lettering and white spine. 96 pp. Mainly color illustrations. Text in German. Published on the occasion of the exhibition "Haegue Yang. Accommodating the Epic Dispersion - On Non-cathartic Volume of Dispersion", held at Haus der Kunst, München, November 9, 2012 - September 22, 2013. VG- a bit of soiling to white spine, minor edge and corner wear. …

Hardcover without dustjacket as issued, 80 pages; in English and German; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Taschenbuch. Zustand: Neu. Neuware - Since the 1960s, Joan Jonas (b. 1936 in New York) has been one of the pioneers of performance art. She was part of the New York art scene that included Richard Serra, Gordon Matta-Clark, John Cage, Philipp Glass, and Merce Cunningham. Her experimental installations involve projections, video, drawings, ambient sound, props, and masks. Based on a number of interviews, the volume provides insights into her artistic oeuvre. Ever since she represented the United States at the 2015 Venice Biennale, Joan Jonas has been known to a wider European public. In selected conversations she talks about her interdisciplinary approach and about the influences and impulses she absorbed from literature, music, traditional Japanese Noh theatre, and the rituals of foreign cultures. The discussions also touch on her collaborations with the experimental filmmaker Babette Mangolte and the Jazz musician Jason Moran. Yet another focus of this catalogue is on her new works and the live performances on the occasion of her exhibitions in London and Munich.; Einem größeren europäischen Publikum ist Joan Jonas durch die Bespielung des US Pavillons auf der Venedig Biennale 2015 bekannt. In ausgewählten Gesprächen berichtet sie über ihren interdisziplinären Ansatz, die Einflüsse und Anregungen aus Literatur, Musik, dem traditionellen japanischen Noh-Theater oder Ritualen fremder Kulturen. Auch die Zusammenarbeit mit der Experimentalfilmerin Babette Mangolte oder dem Jazzmusiker Jason Moran kommt zur Sprache. Ein weiterer Schwerpunkt des Kataloges liegt auf ihren neuen Werken und den Live-Darbietungen anlässlich der Ausstellungen in London und München.…

Paperback. Zustand: New. 1.

hardcover. Zustand: As New.

Zustand: Sehr gut. 4°. 28 x 21 cm. 200 Seiten. Original-Klappenbroschur. 1. Auflage. Zweisprachige Ausgabe in Englisch und Deutsch. Mit zahlreichen Abbildungen in Farbe. Publikation anläßlich der Ausstellung Bild-Gegen-Bild, Image Counter Image, 10. Juni - 16. September im Haus der Kunst. Sehr gutes Exemplar. Original softcover with flaps. First edition. Bilingual edition in English and German. With numerous colour illustrations. Published on the occasion of the exhibition Bild-Gegen-Bild / Image Counter Image, held at Haus der Kunst, June 10 September 16. Fine copy. Sprache: Deutsch und Englisch.…

Taschenbuch. Zustand: Neu. Joan Jonas | Katalog zur Ausstellung in der Tate London und im Haus der Kunst, München, 2018 | Julienne Lorz | Taschenbuch | 288 S. | Englisch | 2018 | Hirmer | EAN 9783777429793 | Verantwortliche Person für die EU: Hirmer Verlag GmbH, Bayerstr. 57-59, 80335 München, mail[at]hirmerverlag[dot]de | Anbieter: preigu. …

Hardcover. Zustand: VG-/VG-. Quarto. Hardcover. White boards with illustrated spine and black/red titles. 456 pages : illustrations (chiefly color) ; 33 cm. Catalogue raisonné of the complete editions published by Editions Schellmann, Munich-New York, from 1969-2009: prints, objects and installations.…

Couverture souple. Zustand: Neuf.

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Paperback. Zustand: New. 1.

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 128 Seiten/pages, zahlreiche farbige Abbildungen - Tilo Schulz has developed a new, site specific installation which breaks the linearity of the circular course of the exhibition spaces and occupies the passages between the exhibition rooms. The sculptures and architectural interventions can be walked through and form the transition into the next room. The last room is blocked, can not be entered but looked into; this forces the visitors to walk through the whole exhibition again. The sculptural interventions contrast not only the reserved, functional architecture of the exhibition rooms in the Kunstverein, but also reverse the behaviour and function of exhibition space and the transition from one room to the other: the exhibition space becomes a passageway and the spaces between the rooms becomes a space for art and experience.…

Hardcover. Zustand: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Erste Auflage. 4°. 200 S. Mit zahlreichen Abbildungen. Illustrierter Orig.-Karton Katalog anlässlich der Ausstellung / Catalogue on the occasion of the exhibition 10. Juni - 16. September 2012, Haus der Kunst München. Text: deutsch-englisch Tadelloses Exemplar.

Erste Auflage. 4°. 200 S. Mit zahlreichen Abbildungen. Illustrierter Orig.-Karton Katalog anlässlich der Ausstellung / Catalogue on the occasion of the exhibition 10. Juni - 16. September 2012, Haus der Kunst München. Text: deutsch-englisch Tadelloses Exemplar.

4°. 79 S. zahlr. Ill. OPp. Text Deutsch/Englisch.

Hardcover. Zustand: new. New Copy. Customer Service Guaranteed.

hardcover. Zustand: new.

Paperback. Zustand: New. Der Offentlichkeit-Von Den Fueunden Haus Der Kunst.

Hardcover. Zustand: New.

Paperback. Zustand: New.

Paperback. Zustand: New. Countering the Becher School's emphasis on crisp execution, German photographer Stefan Heyne (born 1965) embraces more fugitive effects of shadow play and hazy light. This volume looks at his most recent works, which press this tendency even further, forgoing depiction in an attempt to "paint with light.".…

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 96 Pages/Seiten. - Under the auspices of the exhibition series "Der Öffentlichkeit Von den Freunden Haus der Kunst", South Korean artist Haegue Yang created an expansive installation of three independent yet simultaneously connected parts: A complex scenery of hanging blinds that blurs the boundaries between inside and outside and no longer allows a differentiation between open and closed. The installation was especially conceived for the Haus der Kunst's Middle Hall.…

Hardcover. Zustand: Sehr gut. 1. Auflage. Z : 80 Seiten/pages with 22 color & 27 bw. illustrations - The official anthem of the European Union, heard at numerous political, cultural and public sporting events, is the Ode to Joy melody from the last movement of Beethoven's Ninth Symphony, "a true 'empty signifier' that can stand for anything," begins noted theorist Slavoj Zizek in his essay for this well-designed artist's book in which the American and Cuban Conceptual artist collaborators Jennifer Allora and Guillermo Calzadilla present their reflections on this ubiquitous masterwork. Modified classical instruments, scribbled musical notations, Nazi concerts, historical Turkish musical groups, the pope, Communist propaganda and other archival images are used to great effect.…