Marc bormand (100 Ergebnisse)
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paperback. Zustand: Very Good. ALBUM DE L EXPOSITION : LE PRINTEMPS DE LA RENAISSANCE: La sculpture et les arts à Florence 1400-1460 This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. T…his book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .
Desiderio Da Settignano: Sculptor of Renaissance Florence
(Artist) Desiderio Da Settignano, Marc Bormand, Beatrice Paolozzi Strozzi, Nicholas Penny
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Oversized Hardcover. Zustand: Good. Published to accompany the exhibition installing @National Gallery of Art, Washington, DC. (2007). Desiderio da Settignano (ca. 1429/30-1464), like most sculptors before Michelangelo, was long overlooked by scholars, who focused their attention almost exclusively on Donatello. His impact is cl…ear in the numerous replicas of his Virgin and Child reliefs as well as copies of the Bambino in the Basilica of San Lorenzo. His work, showing an early interest in sfumato, may even have influenced the paintings of Leonardo da Vinci. Glossary, Biblliography, Index. Hundreds of color/b&w illustrations. 287p.
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Un rêve d'Italie : La collection Campana
Collectif, Françoise Gaultier, Laurent Haumesser, Françoise Barbe et Marc Bormand
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Sculpter a La Renaissance : Un Art Pour Émouvoir, Renaissance Sculpture: an Art to Persuade
Bormand, Marc (EDT); Strozzi, Beatrice Paolozzi (EDT); Preti, Monica (EDT)
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Paperback. Zustand: New. This volume collects the papers presented at the international study conference Sculpting in the Renaissance: an art to (com)move / Sculpter à la Renaissance. Un art pour (é)mouvoir organised by the Musée du Louvre in Paris and the Castello Sforzesco in Milan to accompany the exhibition Le corps et l'âme…. De Donatello à Michel-Ange. Scultures italiennes de la Renaissance (Officina Libraria, 2020), held between 2020 and 2021. With the involvement of some of the most important specialists in Renaissance sculpture, the aim was to investigate the interactions, influences and exchanges between the plastic arts and other Renaissance art forms capable of revealing feelings through expressions of the body, through the works of Agostino di Duccio, Donatello, Michelangelo and other local sculptors. The aim is also to place within their social, devotional and intellectual context the different manifestations of feeling of which sculpture is one of the privileged media. Sacred art themes in particular were addressed, in an attempt to explain their formal evolution in relation to the socio-cultural transformations of the time, but also to local traditions and their dramatisation.Text in English, French and Italian.
Sculpter a La Renaissance : Un Art Pour Émouvoir, Renaissance Sculpture: an Art to Persuade
Bormand, Marc (EDT); Strozzi, Beatrice Paolozzi (EDT); Preti, Monica (EDT)
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Paperback. Zustand: new. Paperback. This volume collects the papers presented at the international study conference Sculpting in the Renaissance: an art to (com)move / Sculpter a la Renaissance. Un art pour (e)mouvoir organised by the Musee du Louvre in Paris and the Castello Sforzesco in Milan to accompany the exhibition Le cor…ps et l'ame. De Donatello a Michel-Ange. Scultures italiennes de la Renaissance (Officina Libraria, 2020), held between 2020 and 2021. With the involvement of some of the most important specialists in Renaissance sculpture, the aim was to investigate the interactions, influences and exchanges between the plastic arts and other Renaissance art forms capable of revealing feelings through expressions of the body, trough the works of Agostino di Duccio, Donatello, Michelangelo and other local sculptors. The aim is also to place within their social, devotional and intellectual context the different manifestations of feeling of which sculpture is one of the privileged media. Sacred art themes in particular were addressed, in an attempt to explain their formal evolution in relation to the socio-cultural transformations of the time, but also to local traditions and their dramatisation. Text in English, French and Italian. AUTHORS: Marc Bormand is the conservator of the Louvre sculpture department, responsible for the Italian sculpture of Moyen Age and the Renaissance. Co-commissaire, among others, of the exhibition Desiderio da Settignano - La decouverte de la grace dans la sculpture de la Renaissance (Paris, Louvre, 2006-2007; Florence, Bargello, 2007; Washington, National Gallery of Art, 2007). In 2013, the exhibition TLa primavera del Rinascimento. La scultura e le arti a Firenze 1400-1460 was organised with Beatrice Paolozzi Strozzi at the Bargello National Museum in Florence and, between 2013 and 2014, at the Louvre in Paris. Beatrice Paolozzi Strozzi descendant of the historical Florentine Strozzi family, was the director of the national museum of Bargello in Florence in 2014. She is an ordinary academic of the art of design. These scientific publications are well-known, both in the domain of the Renaissance and in the art of the 20th century. She currently collaborates with the Louvre Museum. Monica Preti is currently the scientific director of Pistoia Museums. Historian of modern art, she worked on the history of the collection and on the relationship between art and literature in the Renaissance era. Francesca Tasso is currently director of the civic museums of Castello Sforzesco in Milan. She studied in particular Late Gothic and Renaissance art and the formation of the collections of the Milan museums. The most recent publications include: Vetri contemporanei al Castello Sforzesco. La collezione Bellini-Pezzoli (with Claudio Salsi, Marsilio, 2017), Leonardo Da Vinci. La sala delle Asse del Castello Sforzesco (with Michela Palazzo, Silvana, 2017). SELLING POINTS: . Studies accompanying a highly successful exhibition at the Louvre in Paris and the Castello Sforzesco in Milan . Essays by eminent specialists in Renaissance sculpture . An international and interdisciplinary perspective that brings different art forms into dialogue, and new readings of a subject that has been very much in vogue in recent years 85 colour illustrations Collection of historical-critical studies on Italian Renaissance sculpture with attention to its meanings and a re-semantisation of its forms. Text in English, French and Italian. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Hardcover. Zustand: Near Fine. 100s of color illustrations. Clean and unmarked in the interior. 4to.
Sculpter a La Renaissance : Un Art Pour Émouvoir, Renaissance Sculpture: an Art to Persuade
Bormand, Marc (EDT); Strozzi, Beatrice Paolozzi (EDT); Preti, Monica (EDT)
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Brossura. Zustand: new. A cura di Beatrice Paolozzi Strozzi, Marc Bormand, Francesca Tasso e Monica Preti.Testo Italiano, Inglese e Francese.Milano, 2024; br., pp. 224, 85 ill. col., cm 16,5x24.(Saggi in Officina). Nella mostra e nel catalogo "Il Corpo e l'anima" si era cercato di sintetizzare la complessa storia della scultura…in Italia a cavallo del Cinquecento, raccontata attraverso l'alternanza proposta da Aby Warburg tra l'ethos «apollineo» e il pathos «dionisiaco». Le giornate di studio che l'hanno accompagnata, tenutesi a Parigi e a Milano, hanno offerto l'opportunità a numerosi storici dell'arte e studiosi di approfondire alcuni argomenti e hanno dato vita a questo libro. Philippe Toussaint, prendendo spunto dalle interpretazioni warburghiane sull'antica figura del centauro, analizza il rito funebre nel rilievo della tomba di Francesco Sassetti in Santa Trinita a Firenze, evidenziandone il sincretismo tra mondo pagano e cristiano che ha dato origine a una «immortalità scolpita». Ulrich Pfisterer esplora la scultura come veicolo di piacere, sensualità ed emozione negli studioli, i luoghi in cui gli umanisti e i letterati si dedicavano allo studio, mentre Philippe Morel mostra come la figura della menade, in preda all'antica trance dionisiaca, sintetizzi dolore ed erotismo nell'opera di Agostino di Duccio e Bertoldo di Giovanni. Patricia Lee Rubin si concentra sulla scultura come espressione della malinconia associata alla morte a Roma, sia negli Schiavi per la tomba di Giulio II di Michelangelo sia nella tomba Tornabuoni di Andrea del Verrocchio. La rappresentazione del pathos e il tema dell'obbedienza a Dio e dell'atteggiamento nei confronti della morte sono i temi al centro dello studio di Gabriela Mazzon sul sacrificio di Isacco. Ludmila Acone, dal canto suo, mostra la natura virtuosa della danza nell'Italia del Quattrocento, dove l'immaginazione del movimento coreutico permetteva di dar forma a un mondo ideale. Nel suo studio sul teatro sacro nella Firenze del Quattrocento, Paola Ventrone dimostra come le innovazioni spaziali di Brunelleschi abbiano reso possibile una nuova efficacia espressiva del messaggio visivo per gli spettatori/credenti. Infine, Anne Lepoittevin mette in luce i legami tra il teatro sacro e i gruppi scultorei del Sacro Monte di Varallo. Libro.
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Verlag: Gênes Sagep editori, 2011
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In den Warenkorb. In-4. Broché. Couverture illustrée à rabats. 135 pages. Illustrations in et hors texte NB et couleurs. Texte en français, anglais et italien. Bon état.
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Sculpter a La Renaissance: Un Art Pour (E)mouvoir; Scolpire nel rinascimento, un'arte per (com)muovere
Bormand, Marc (Editor)/ Strozzi, Beatrice Paolozzi (Editor)/ Preti, Monica (Editor)
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Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: No Dust Jacket As Issued. Edited by Marc Bormand, Beatrice Strozzi, and Nicholas Penny. Washington: National Gallery of Art, (2007). 11.5 x 8.5 in. 287pp, Index, Bibliography, Glossary. Illustrated blue boards, near fine condition (miniscule brief wear to an edge). ISBN… 9788874393657. Catalogue for the first exhibition devoted the work of Desiderio da Settignano, one of the finest sculptors of 15th century Florence. Illustrated in full color and b&w. ; 11.5 x 9.75 inches; 288 pages.
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Hardcover. Zustand: As new. Five Coninents, c2007. 287pp., index, color illustrations throughout. 4to. As new unread hardcover.
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Taschenbuch. Zustand: Wie neu. Musà e du Louvre Ãditions - 1. Auf. 2008 : Donatello - tb 5P-K90O-F6JT Sprache: Französisch Gewicht in Gramm: 59.
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Sprache: Englisch
Verlag: 5 Continents/National Gallery of Art, Milano/Washington, 2007
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Hardcover. Pale blue paper illustrated boards with white lettering, 287 pp, profusely illustrated in bw and color. Published to accompany the exhibition organized by Musée du Louvre, Paris, Oct. 27, 2006-Jan. 22, 2007, by the Museo nazionale del Bargello, Florence, Feb. 22, 2007-June 3, 2007, and by the National Gallery of Art,…Washington, July 1, 2007-Oct. 8, 2007. Includes bibliographical references (pages 257-271) and index. VG (top corner of boards bumped).
Donatello Sculpting the Renaissance
Motture, Peta (and) Tristram Hunt; Amy R Bloch; Marc Bormand; John T Paoletti; Alison Wright; Whitney Kerr-Lewis; Timothy Verdon
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Hardcover. Zustand: VG+. Hardcover white with image of a marble relief and gold embossed title 288 pages with a generous number of color reproductions. Director's Foreword / Tristram Hunt -- Contributors -- Editor's Preface / Peta Motture -- Introduction / Peta Motture -- Donatello's Origins : Sculpture and Goldsmithing / Amy R.… Bloch -- Making and Viewing : Encountering Donatello's Scultpure / Alison Wright -- Devotion and Emotion in the Art of Donatello / Timothy Verdon -- Donatello : Past to Present / Marc Bormand -- The Many Faces of Patronage / John T. Paoletti -- Imitators, Copyists, Forgers : Emulating Donatello in the Nineteenth Century / Whitney Kerr-Lewis -- Catalogue -- Florentine Foundations -- Tradition and Innovation -- Bronzes : Sacred and Secular -- Padua and Northern Italy -- Devotion and Emotion -- Homage to Donatello -- Timeline / Laura Chase -- Notes -- Bibliography -- Picture Credits -- Acknowledgements -- Index. "Arguably the greatest sculptor of all time, Donatello (c. 1386-1466) was at the vanguard of a revolution in sculptural practice in the early Renaissance. Combining ideas from classical and medieval sculpture to create innovative sculptural forms, Donatello had an unparalleled ability to portray emotions in works intended to inspire spiritual devotion. Pieces such as the penitent St. Mary Magdalene and the bronze of David remain deeply affecting to audiences today. Working in marble, bronze, wood, terracotta, and stucco, he contributed to major commissions of church and state, was an intimate of the Medici family and their circle in Florence, and was highly sought after in other Italian cities. This book explores Donatello's extraordinary creativity within the vibrant artistic and cultural context of 15th-century Italy, surveying his early connection with goldsmiths' work and the collaborative nature of his workshop and processes. It also reflects on Donatello's legacy, reviewing how his sculpture inspired subsequent generations in the later Renaissance and beyond." Texts written by Amy R. Bloch, Alison Wright, Timothy Verdon, Marc Bormand, John T. Paoletti, Whitney Kerr-Lewis with a foreword by Tristram Hunt./ Published in conjunction with the exhibition Donatello: sculpting the Renaissance, 11 February - 11 June 2023, at the Victoria and Albert Museum, London./ Includes bibliographical references (pages 269-281) and index. Class Descriptors: LC: NB623.D7; Dewey: 730.92.
Desiderio da Settignano: Sculptor of Renaissance Florence
Exhibition Curated and Catalogue Edited with Acknowledgments by Marc Bormand, Beatrice Paolozzi Strozzi, and Nicholas Penny; Foreward by Earl Powell, Henri Loyrette, and Cristina Acidini; Essays and Catalogue Entries by Andrea Baldinotti, Marc Bormand, Francesco Caglioti, Jean-Rene Gaborit, Giancarlo Gentilini, Tommaso Mozzati, Beatrice Paolozzi Strozzi, and Nicholas Penny; Excursus by Agnes Cascio and Juliette Levy; Catalogue entries by Claudia Kryza-Gersch, Pierre-Yves Le Pogam, Alison Luchs, and Maria Grazia Vaccari.
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Hardcover. Zustand: Very good condition. Translated by Timothy Stroud. 287 pp.
