markiewicz filip (20 Ergebnisse)

hardcover. Zustand: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

Paperback. Zustand: New.

Taschenbuch. Zustand: Neu. Neu -Filip Markiewicz sees the Ultrasocial Pop project as a total work of art in which music,theater and fine arts penetrate and overlap each other. The ensemble of works producedfor the various exhibition locations is organized in the form of a visual essay, which in itsnon-linear form is based on the continuous changes occurring in social media news feeds.FILIP MARKIEWICZ (\*1980, Esch/Alzette, Luxembourg) is a visual artist who works with various media, such as painting, drawing, video and installation. Under the name RAFTSIDE, he has also been active as a composer for film and theater since 1999. In 2015 Markiewicz represented Luxembourg at the 56th Venice Biennale. 160 pp. Englisch.

Taschenbuch. Zustand: Sehr gut. Gebraucht - Sehr gut Ungelesenes, vollständiges Exemplar; in sehr gutem Zustand, leichte Lagerspuren, als Mängelexemplar gekennzeichnet -Filip Markiewicz sees the Ultrasocial Pop project as a total work of art in which music,theater and fine arts penetrate and overlap each other. The ensemble of works producedfor the various exhibition locations is organized in the form of a visual essay, which in itsnon-linear form is based on the continuous changes occurring in social media news feeds.FILIP MARKIEWICZ (\*1980, Esch/Alzette, Luxembourg) is a visual artist who works with various media, such as painting, drawing, video and installation. Under the name RAFTSIDE, he has also been active as a composer for film and theater since 1999. In 2015 Markiewicz represented Luxembourg at the 56th Venice Biennale. 160 pp. Englisch.

Hardcover. Zustand: New.

Zustand: New.

Paperback. Zustand: Brand New. 160 pages. 9.25x6.50x0.47 inches. In Stock.

Hardback. Zustand: New. While Europe and the world are entangled in their own contradictions in celebrating economic growth and technical progress as the salvation horizon of humanity, Filip Markiewicz proposes to dive into a universe of signs and images that reflect the emptiness of our current discourses. He imagines his exhibitions as stages on which individuals are invited to watch the decline of their own civilisation. The myth of the automobile ends in desolate cemeteries of rusted engines and useless tires; giant bank notes stand for the deceptive show of perverted politics and media (self-)representation. As the artist stated in his theatre performance Fake Fiction (Theater Basel, 2017): "Today, we have all somehow turned into Bela Lugosi. The dance of the vampires of the European image can begin. It's time to put on the masks and drink the digital blood until our hard drive is formatted for eternity.".

Taschenbuch. Zustand: Neu. Neuware -Filip Markiewicz sees the Ultrasocial Pop project as a total work of art in which music,theater and fine arts penetrate and overlap each other. The ensemble of works producedfor the various exhibition locations is organized in the form of a visual essay, which in itsnon-linear form is based on the continuous changes occurring in social media news feeds.FILIP MARKIEWICZ (\*1980, Esch/Alzette, Luxembourg) is a visual artist who works with various media, such as painting, drawing, video and installation. Under the name RAFTSIDE, he has also been active as a composer for film and theater since 1999. In 2015 Markiewicz represented Luxembourg at the 56th Venice Biennale. 160 pp. Englisch.

Taschenbuch. Zustand: Neu. Neuware -Filip Markiewicz sees the Ultrasocial Pop project as a total work of art in which music,theater and fine arts penetrate and overlap each other. The ensemble of works producedfor the various exhibition locations is organized in the form of a visual essay, which in itsnon-linear form is based on the continuous changes occurring in social media news feeds.FILIP MARKIEWICZ (\*1980, Esch/Alzette, Luxembourg) is a visual artist who works with various media, such as painting, drawing, video and installation. Under the name RAFTSIDE, he has also been active as a composer for film and theater since 1999. In 2015 Markiewicz represented Luxembourg at the 56th Venice Biennale. 160 pp. Englisch.

Ohne Stempel, keine An-und Unterstreichungen, sehr guter Zustand. Softcover. Original geheftet.

No Binding. Zustand: Fine. Announcement. Card size: 21 x 15 cm. Recto: color photograph. Back: text FR. New. Ephemera.

Hardcover. Zustand: Brand New. 01 edition. 218 pages. French language. 11.00x9.25x1.00 inches. In Stock.

Gr. 8°, 153 S. durchgehend mit farbigen Abbildungen, Orig.-Karton mit ausgestanztem Vorderdeckel. Book published in conjunction with EURO HAMLET Lausitz Festival 27.8.2021 - 29.8.2021, ULTASOCIAL POP Mudam, Luxembourg 11.11.2021 - 27.2.2022, INSTANT COMEDY Konschthal Esch 26.2.2022 - 22.5.2022 und ULTRASOCIAL POP Haus am Lützowplatz, Berlin 8.4.2022 - 12.6.2022.- Gutes Exemplar.

Taschenbuch. Zustand: Neu. Neuware - Filip Markiewicz sees the Ultrasocial Pop project as a total work of art in which music,theater and fine arts penetrate and overlap each other. The ensemble of works producedfor the various exhibition locations is organized in the form of a visual essay, which in itsnon-linear form is based on the continuous changes occurring in social media news feeds.FILIP MARKIEWICZ (\*1980, Esch/Alzette, Luxembourg) is a visual artist who works with various media, such as painting, drawing, video and installation. Under the name RAFTSIDE, he has also been active as a composer for film and theater since 1999. In 2015 Markiewicz represented Luxembourg at the 56th Venice Biennale.

Paperback. Zustand: New.

Zustand: Hervorragend. Zustand: Hervorragend | Seiten: 122 | Sprache: Englisch | Produktart: Bücher.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 122 | Sprache: Englisch | Produktart: Bücher.

Hardback. Zustand: New. While Europe and the world are entangled in their own contradictions in celebrating economic growth and technical progress as the salvation horizon of humanity, Filip Markiewicz proposes to dive into a universe of signs and images that reflect the emptiness of our current discourses. He imagines his exhibitions as stages on which individuals are invited to watch the decline of their own civilisation. The myth of the automobile ends in desolate cemeteries of rusted engines and useless tires; giant bank notes stand for the deceptive show of perverted politics and media (self-)representation. As the artist stated in his theatre performance Fake Fiction (Theater Basel, 2017): "Today, we have all somehow turned into Bela Lugosi. The dance of the vampires of the European image can begin. It's time to put on the masks and drink the digital blood until our hard drive is formatted for eternity.".

Taschenbuch. Zustand: Neu. Neuware - Ein bildender Künstler begibt sich ins Theater: Ein Jahr lang hat Filip Markiewicz das Theater Basel besucht, das Ensemble interviewt und ist gemeinsam mit den Schauspieler:innen und der Kamera durch die Stadt gestreift. Die Ereignisse in der Welt, die Nachrichten haben sich in die Texte, die während dieser Zeit entstanden sind, eingeschrieben. Ebenso wurde das Schaffen von Oskar Schlemmer, von dem Werke im Kunstmuseum Basel ausgestellt sind, zu einem kunsthistorischen Echo für die Entwicklung von Fake Fiction. Die Performance auf der Bühne des Schauspielhauses ist Fake Theater: Markiewicz setzt sich mit den Mitteln des Theaters auseinander und betrachtet es als Factory à la Warhol, deren Stars im Mittelpunkt stehen. Die Mittel und Genres des Theaters, die Spielweisen der Schauspieler:innen werden hier zu flüchtigen Repräsentationen der fragwürdigen Realität außerhalb des Theaters - der Populärkultur, der sozialen Netzwerke, der Politik, der Kunstwelt und der Geschichte.