Marshall john georg (2 Ergebnisse)
- Softcover
Anbieter: moluna, Greven, Deutschlandmoluna
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 23,03
EUR 48,99 VersandVersand von Deutschland nach USAAnzahl: Mehr als 20 verfügbar
Zustand: New. KlappentextrnrnUnlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketc.
Verlag: Studio International London, United Kingdom, 1971
- Softcover
Anbieter: Specific Object / David Platzker, New York, NY, USASpecific Object / David Platzker
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht
EUR 66,21
EUR 7,28 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
In den Warenkorb282 pp.; 30.7 x 24.1 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; September 1971 issue of Studio International. Edited by Peter Townsend. Contents include: "Power without authority in art and design education," by R.H. Litherland; "British Sculptors '72;" "Brian Kneale;…" "Enemies of Art," by Jeremy Moon; "Correspondence;" "News and Notes;" "Newton Harrison: big fish in small pool," by Jonathan Benthall; "Atget and the City," by John Fraser; "Irish commentary," by Tim Hilton; "Section 10 from 'Mechanism of Meaning' (work in progress 1963-71)," Arakawa in collaboration with Madeline Gins; "Tantra Revealed," by Robert Fraser; "Anthony Caro at David Mirvish," by W. Neil Marshall; "Paris Biennale," by Virginia Whiles-Serreau; "Projection: the new trend at 'Prospect 71,' by Georg Jappe; "Prints supplement," articles by Charlotte Townsend and Chris Fox; "Directory of publishers and presses;" "Directory of galleries dealing in graphics;" "Inn70" "APG." Cover by Arakawa. Very Good. Light rubbing and bumping of cover edges and corners. 11.5 cm., 1.3 cm., and 4 cm. of soiling to verso edges with additional light scratching and rubbing. Contents clean and unmarked.
