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Paperback. Zustand: new. Paperback. The underexplored significance of Austrian art historian Ernst Gombrich. Ernst Gombrich can be considered one of the most influential art historians of the twentieth century. Until now, however, the global impact of his work has been underappreciated. Global Culture after Gombrich presents essays on the scholar and his body of work by historians of art and culturethemselves students of Gombrich or associated with his scholarly home, the Warburg Institutefrom Asia, North America, and Europe. Contributors include Carlo Ginzburg, Peter Burke, John Onians, Nicolas Penny, Cao Yiqiang, and more. Subjects range from picture-making's place in human evolution to the visual marginalia of the Renaissance and from nineteenth-century modernism to the implications of the latest neuroscience for cultural history. Ranging from theoretical broadsides to intricate reflections, other chapters explore fundamental issues like the notion of connoisseurship, the fate of the idea of culture, and the cultural specificity of modernism. In showing how Gombrich initiated inquiries that have spread in numerous global directions, this book makes a vital contribution to contemporary debates around the languages of art history and showcases the range of approaches and methods by which art history isand has yet to bewritten. The volume presents essays by 10 eminent historians of art and culture provoked by the work of Ernst Gombrich. The collection shows Gombrichs concerns to have initiated lines of enquiry that spread beyond Europe and across the globe, and makes a vital contribution to the contemporary debate around the languages of art history. 76 col. illus. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Paperback. Zustand: New. Ernst Gombrich can be considered the most influential art historian of the 20th-century. Until now, however, the global impact of his work has been under-appreciated. Global Culture after Gombrich: Art, Mind, World presents essays by historians of art and culture - themselves students of Gombrich or associated with his scholarly home, the Warburg Institute - from Asia, the USA, and Europe.Subjects range from picture-making's place in human evolution to the visual marginalia of the Renaissance, and from nineteenth-century modernism to the implications of the latest neuroscience for cultural history. Other chapters treat fundamental issues, such as the notion of connoisseurship, the fate of the idea of 'culture', or the cultural specificity of modernism. They range from theoretical broadsides - notably, a defence of the 'intelligence' of art - to intricate reflections - for example on caricature as a style.In showing how Gombrich initiated enquiries that have spread in numerous - and global - directions, Global Culture after Gombrich: Art, Mind, World makes a vital contribution to contemporary debates around the languages of art history and showcases the range of approaches and methods by which art history is, and has yet to be, written. …

Paperback. Zustand: New. Ernst Gombrich can be considered the most influential art historian of the 20th-century. Until now, however, the global impact of his work has been under-appreciated. Global Culture after Gombrich: Art, Mind, World presents essays by historians of art and culture - themselves students of Gombrich or associated with his scholarly home, the Warburg Institute - from Asia, the USA, and Europe.Subjects range from picture-making's place in human evolution to the visual marginalia of the Renaissance, and from nineteenth-century modernism to the implications of the latest neuroscience for cultural history. Other chapters treat fundamental issues, such as the notion of connoisseurship, the fate of the idea of 'culture', or the cultural specificity of modernism. They range from theoretical broadsides - notably, a defence of the 'intelligence' of art - to intricate reflections - for example on caricature as a style.In showing how Gombrich initiated enquiries that have spread in numerous - and global - directions, Global Culture after Gombrich: Art, Mind, World makes a vital contribution to contemporary debates around the languages of art history and showcases the range of approaches and methods by which art history is, and has yet to be, written. …

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Paperback. Zustand: new. Paperback. The underexplored significance of Austrian art historian Ernst Gombrich. Ernst Gombrich can be considered one of the most influential art historians of the twentieth century. Until now, however, the global impact of his work has been underappreciated. Global Culture after Gombrich presents essays on the scholar and his body of work by historians of art and culturethemselves students of Gombrich or associated with his scholarly home, the Warburg Institutefrom Asia, North America, and Europe. Contributors include Carlo Ginzburg, Peter Burke, John Onians, Nicolas Penny, Cao Yiqiang, and more. Subjects range from picture-making's place in human evolution to the visual marginalia of the Renaissance and from nineteenth-century modernism to the implications of the latest neuroscience for cultural history. Ranging from theoretical broadsides to intricate reflections, other chapters explore fundamental issues like the notion of connoisseurship, the fate of the idea of culture, and the cultural specificity of modernism. In showing how Gombrich initiated inquiries that have spread in numerous global directions, this book makes a vital contribution to contemporary debates around the languages of art history and showcases the range of approaches and methods by which art history isand has yet to bewritten. The volume presents essays by 10 eminent historians of art and culture provoked by the work of Ernst Gombrich. The collection shows Gombrichs concerns to have initiated lines of enquiry that spread beyond Europe and across the globe, and makes a vital contribution to the contemporary debate around the languages of art history. 76 col. illus. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

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Taschenbuch. Zustand: Neu. Neuware - The underexplored significance of Austrian art historian Ernst Gombrich. Ernst Gombrich can be considered one of the most influential art historians of the twentieth century. Until now, however, the global impact of his work has been underappreciated. Global Culture after Gombrich presents essays on the scholar and his body of work by historians of art and culture--themselves students of Gombrich or associated with his scholarly home, the Warburg Institute--from Asia, North America, and Europe. Contributors include Carlo Ginzburg, Peter Burke, John Onians, Nicolas Penny, Cao Yiqiang, and more. Subjects range from picture-making's place in human evolution to the visual marginalia of the Renaissance and from nineteenth-century modernism to the implications of the latest neuroscience for cultural history. Ranging from theoretical broadsides to intricate reflections, other chapters explore fundamental issues like the notion of connoisseurship, the fate of the idea of culture, and the cultural specificity of modernism. In showing how Gombrich initiated inquiries that have spread in numerous global directions, this book makes a vital contribution to contemporary debates around the languages of art history and showcases the range of approaches and methods by which art history is--and has yet to be--written.…

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Paperback. Zustand: new. Paperback. The underexplored significance of Austrian art historian Ernst Gombrich. Ernst Gombrich can be considered one of the most influential art historians of the twentieth century. Until now, however, the global impact of his work has been underappreciated. Global Culture after Gombrich presents essays on the scholar and his body of work by historians of art and culturethemselves students of Gombrich or associated with his scholarly home, the Warburg Institutefrom Asia, North America, and Europe. Contributors include Carlo Ginzburg, Peter Burke, John Onians, Nicolas Penny, Cao Yiqiang, and more. Subjects range from picture-making's place in human evolution to the visual marginalia of the Renaissance and from nineteenth-century modernism to the implications of the latest neuroscience for cultural history. Ranging from theoretical broadsides to intricate reflections, other chapters explore fundamental issues like the notion of connoisseurship, the fate of the idea of culture, and the cultural specificity of modernism. In showing how Gombrich initiated inquiries that have spread in numerous global directions, this book makes a vital contribution to contemporary debates around the languages of art history and showcases the range of approaches and methods by which art history isand has yet to bewritten. The volume presents essays by 10 eminent historians of art and culture provoked by the work of Ernst Gombrich. The collection shows Gombrichs concerns to have initiated lines of enquiry that spread beyond Europe and across the globe, and makes a vital contribution to the contemporary debate around the languages of art history. 76 col. illus. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Paperback. Zustand: New. Ernst Gombrich can be considered the most influential art historian of the 20th-century. Until now, however, the global impact of his work has been under-appreciated. Global Culture after Gombrich: Art, Mind, World presents essays by historians of art and culture - themselves students of Gombrich or associated with his scholarly home, the Warburg Institute - from Asia, the USA, and Europe.Subjects range from picture-making's place in human evolution to the visual marginalia of the Renaissance, and from nineteenth-century modernism to the implications of the latest neuroscience for cultural history. Other chapters treat fundamental issues, such as the notion of connoisseurship, the fate of the idea of 'culture', or the cultural specificity of modernism. They range from theoretical broadsides - notably, a defence of the 'intelligence' of art - to intricate reflections - for example on caricature as a style.In showing how Gombrich initiated enquiries that have spread in numerous - and global - directions, Global Culture after Gombrich: Art, Mind, World makes a vital contribution to contemporary debates around the languages of art history and showcases the range of approaches and methods by which art history is, and has yet to be, written. …

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Paperback. Zustand: New. Ernst Gombrich can be considered the most influential art historian of the 20th-century. Until now, however, the global impact of his work has been under-appreciated. Global Culture after Gombrich: Art, Mind, World presents essays by historians of art and culture - themselves students of Gombrich or associated with his scholarly home, the Warburg Institute - from Asia, the USA, and Europe.Subjects range from picture-making's place in human evolution to the visual marginalia of the Renaissance, and from nineteenth-century modernism to the implications of the latest neuroscience for cultural history. Other chapters treat fundamental issues, such as the notion of connoisseurship, the fate of the idea of 'culture', or the cultural specificity of modernism. They range from theoretical broadsides - notably, a defence of the 'intelligence' of art - to intricate reflections - for example on caricature as a style.In showing how Gombrich initiated enquiries that have spread in numerous - and global - directions, Global Culture after Gombrich: Art, Mind, World makes a vital contribution to contemporary debates around the languages of art history and showcases the range of approaches and methods by which art history is, and has yet to be, written. …

Hardcover. Zustand: Brand New. 216 pages. 9.60x6.69x9.61 inches. In Stock.

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Hardback. Zustand: New. Ernst Gombrich can be considered the most influential art historian of the 20th-century. Until now, however, the global impact of his work has been under-appreciated. Global Culture after Gombrich: Art, Mind, World presents essays by historians of art and culture - themselves students of Gombrich or associated with his scholarly home, the Warburg Institute - from Asia, the USA, and Europe.Subjects range from picture-making's place in human evolution to the visual marginalia of the Renaissance, and from nineteenth-century modernism to the implications of the latest neuroscience for cultural history. Other chapters treat fundamental issues, such as the notion of connoisseurship, the fate of the idea of 'culture', or the cultural specificity of modernism. They range from theoretical broadsides - notably, a defence of the 'intelligence' of art - to intricate reflections - for example on caricature as a style.In showing how Gombrich initiated enquiries that have spread in numerous - and global - directions, Global Culture after Gombrich: Art, Mind, World makes a vital contribution to contemporary debates around the languages of art history and showcases the range of approaches and methods by which art history is, and has yet to be, written.…