Sprache: Englisch
Verlag: Cambridge University Press, 2024
ISBN 10: 1009446223 ISBN 13: 9781009446228
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Sprache: Englisch
Verlag: Cambridge University Press, 2024
ISBN 10: 1009446223 ISBN 13: 9781009446228
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Sprache: Englisch
Verlag: Cambridge University Press, 2024
ISBN 10: 1009446223 ISBN 13: 9781009446228
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Sprache: Englisch
Verlag: Cambridge University Press, Cambridge, 2024
ISBN 10: 1009446223 ISBN 13: 9781009446228
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Paperback. Zustand: new. Paperback. This Element considers the concept of performance diagrams and shows their historical, epistemic and aesthetic functions in theatre and dance. In three sections, the author surveys the architectural model of theatre by Vitruvius, the woodcut of Marlow's Doctor Faustus, Aby Warburg's Mnemosyne-Atlas, the spells and drawings of Antonin Artaud, the performance Paradise Now (the Living Theatre) and the choreography I am 1984 (Barbara Matijevic). Demonstrating that diagrams can be applied to multiply dramaturgical trajectories, the text reviews their relevance for performance-making, analysis and documentation. The author argues that diagrams provide new tools for theory, practice and archiving, while at the same time enabling reflection on the intersections between poetics and politics. Focusing on the potentiality of diagrams to cut through representation and dichotomies, this Element affirms the visual, corporeal and spatial dimensions of performance-making. In doing so, it elucidates the significance of diagrammatic thinking for performance studies. This Element considers the concept of performance diagrams and shows their historical, epistemic and aesthetic functions in theatre and dance. The Element reviews the relevance of diagrams for performance-making, analysis and documentation, and also elucidates the significance of diagrammatic thinking for performance studies. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Sprache: Englisch
Verlag: Cambridge University Press, 2024
ISBN 10: 1009446223 ISBN 13: 9781009446228
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Sprache: Englisch
Verlag: Cambridge University Press, 2024
ISBN 10: 1009446223 ISBN 13: 9781009446228
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Sprache: Englisch
Verlag: Cambridge University Press, 2024
ISBN 10: 1009446223 ISBN 13: 9781009446228
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Verlag: Cambridge University Press, 2024
ISBN 10: 1009446223 ISBN 13: 9781009446228
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Verlag: Cambridge University Press, 2024
ISBN 10: 1009446223 ISBN 13: 9781009446228
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Verlag: Cambridge University Press, 2024
ISBN 10: 1009446223 ISBN 13: 9781009446228
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In den WarenkorbPaperback. Zustand: New. A collection of essays that offer an understanding of how performance art can be a tool for dissent against power structures and a means to reach a broad audience outside informed art circles. Challenging dominant histories of the genre, this book focuses on trans-local and transcultural connections and seeks to generate and expand knowledge on different narrations of the beginnings of performance art. It brings together essays by leading international scholars, curators, archivists, and artists to explore the strategies and tools which museums, galleries, theorists, and artists use to understand artistic and activist practice. Written from different perspectives and thus offering multiple methodological frameworks, the publication comes as a result of an intensive dialogue between authors coming from various cultural contexts, including contributions from Switzerland, Slovakia, the United States, Israel, Germany, former Yugoslavia, the United Kingdom, and Italy.
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Paperback. Zustand: new. Paperback. A collection of essays that offer an understanding of how performance art can be a tool for dissent against power structures and a means to reach a broad audience outside informed art circles. Challenging dominant histories of the genre, this book focuses on trans-local and transcultural connections and seeks to generate and expand knowledge on different narrations of the beginnings of performance art. It brings together essays by leading international scholars, curators, archivists, and artists to explore the strategies and tools which museums, galleries, theorists, and artists use to understand artistic and activist practice. Written from different perspectives and thus offering multiple methodological frameworks, the publication comes as a result of an intensive dialogue between authors coming from various cultural contexts, including contributions from Switzerland, Slovakia, the United States, Israel, Germany, former Yugoslavia, the United Kingdom, and Italy. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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