Verlag: Cramer, Addison & Beale, London, 1830
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Softcover. Zustand: Good. Unknown edition. Folio. 5pp. Wrappers. Owner name on the front cover, nearly separated at the spine, notched in the spine from once being bound within an album, early tape repair to the verso of the front wrapper and along the spine on the rear wrapper, edgewear, and creasing to the top of the pages, a complete but good only copy. For voice and piano. Plate number 918. *OCLC* locates only one holding of this edition and dates it at 1830.
Verlag: J. A. & W. Geib, New York, 1821
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Erstausgabe
Softcover. Zustand: Good. First American edition. Folio. Single sheet printed on the recto only and folded in half creating two pages of content. Nearly separated at the fold, foxing, and edgewear, a complete but good only copy. For voice and piano. There appear to be a few different collections of Irish melodies by Stevenson, which include this title, released by different publishers during the first half of the 19th century. Given the presentation of this edition it's clear it was never part of a larger volume. *OCLC* locates no holdings of this edition published by J.A. & W. Geib.
Verlag: C. & E. W. Jackson, Boston, 1821
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Softcover. Zustand: Very Good. Unknown edition. Folio. Single bifolium making four pages. Notches in the spine from once being bound within a volume, offsetting, and some soiling, still a very good copy. For voice and piano. *OCLC* locates three holdings.
Verlag: Hewitt & Jaques, New York, 1841
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Erstausgabe
Softcover. Zustand: Good. Presumed first edition thus. Folio. Single sheet printed on the recto only, folded in half making two pages of content. Holes and tears along the fold (possibly from once being bound within an album) though the two halves remain connected, dampstains along the bottom, foxing, some writing on the verso, and edgewear, still a good and complete copy. For voice and piano. This poem by Moore was set to music by multiple composers. *OCLC* locates three holdings of this composition.