paperback. Zustand: Very Good. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting.
Paperback. Zustand: Acceptable. reading copy only - damaged /worn /marked. May be ex-libris Standard-sized.
Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
Sprache: Englisch
Verlag: Museu d'Art Contemporani de Barcelona, 2012
ISBN 10: 8492505575 ISBN 13: 9788492505579
Anbieter: ANARTIST, New York, NY, USA
Softcover, 190 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.
Sprache: Englisch
Verlag: Museu d'Art Contemporani de Barc, 2012
ISBN 10: 8492505575 ISBN 13: 9788492505579
Anbieter: Books From California, Simi Valley, CA, USA
Paperback. Zustand: Fine. Sealed in original shrinkwrap.
Sprache: Englisch
Verlag: D.A.P./Distributed Art Publishers, 2006
ISBN 10: 8472329526 ISBN 13: 9788472329522
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.
EUR 9,24
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. illustrated edition. 164 pages. 6.00x3.25x0.25 inches. In Stock.
Sprache: Englisch
Verlag: Museu d'Art Contemporani de Barc, 2012
ISBN 10: 8492505575 ISBN 13: 9788492505579
Anbieter: Books From California, Simi Valley, CA, USA
Paperback. Zustand: New.
Sprache: Englisch
Verlag: Ministerio de Cultura, Madrid, 1988
ISBN 10: 8475062199 ISBN 13: 9788475062198
Anbieter: Randall's Books, Cathedral City, CA, USA
Erstausgabe
Soft cover. Zustand: Near Fine. 1st Edition. Ministerio de Cultura, Madrid, 1988. Softcover, 1st edition. Illustrated in color and black & white. Half-paginated (approximately 110 pp.) Interdisciplinary and media artist Antoni Muntadas left Spain for New York in the early 1970s. This catalog documents his 1988 exhibition held in Madrid. The book is double-sided and has two covers (see photos), It can be started from either end. One side of the book has numbered pages up to 55. The other side is unpaginated. Text in Spanish. Near fine.
Paperback. Zustand: Fine. in plastic wrap.
Sprache: Englisch
Verlag: U.S.A.: ActarD Inc,EUROPE, 2001
ISBN 10: 8495273799 ISBN 13: 9788495273796
Anbieter: S.Carter, NEWPORT, Vereinigtes Königreich
Erstausgabe
EUR 7,10
Anzahl: 1 verfügbar
In den WarenkorbSoft cover. Zustand: Near Fine. No Jacket. 1st Edition. FIRST PRINTING.NEAR FINE GLOSSY SOFTWRAPS ORIGINAL.TEXT IN ENGLISH AND SPANISH.COLOUR GLOSSY PHOTOS OF TOILETS AROUND EUROPE.28 Language: eng Language: eng 0.0 Language: eng Language: eng.
Sprache: Englisch
Verlag: Museu D'Art Contemporani de Barcelona (MACBA), ES, 2011
ISBN 10: 8492505575 ISBN 13: 9788492505579
Anbieter: Rarewaves.com USA, London, LONDO, Vereinigtes Königreich
EUR 23,67
Anzahl: 9 verfügbar
In den WarenkorbPaperback. Zustand: New. Of Works B ed.
Sprache: Englisch
Verlag: Ministerio de Cultura, [Madrid], 1988
ISBN 10: 8475062199 ISBN 13: 9788475062198
Anbieter: Bolerium Books Inc., San Francisco, CA, USA
Manuskript / Papierantiquität
Pamphlet. 55p. of text and [56]p. of photographs, bound dos-a-dos, wraps, 8x9.25 inches, light handling wear else very good condition. Text in Spanish. Cover title: "Muntadas." Barcelona-born postconceptual multimedia artist.
Sprache: Englisch
Verlag: Museu D'Art Contemporani de Barcelona (MACBA), 2011
ISBN 10: 8492505575 ISBN 13: 9788492505579
Anbieter: PBShop.store US, Wood Dale, IL, USA
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Softcover, 304 pages; in Spanish; very good condition; except light rubbing to covers; and small waterstain to lower right corner of rear cover at spine edge and last couple pages; no internal marks. Foreign shipping may be extra.
Sprache: Englisch
Verlag: La Fábrica Editorial, España, 2010
ISBN 10: 8496466329 ISBN 13: 9788496466326
Anbieter: Carmen Alonso Libros, Santander, S, Spanien
Zustand: Bueno. 13.5x24.5. 208pp. Castellano.
Softcover, 288 pages, in English; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.
Sprache: Englisch
Verlag: Museo Nacional Centro de Arte Reina Sofia & ACTAR, Madrid, 2012
ISBN 10: 8492861894 ISBN 13: 9788492861897
Anbieter: The Paper Hound Bookshop, Vancouver, BC, Kanada
Trade paperback. 4to. 301pp. Printed wrappers with French flaps. Exhibition catalogue. Colour and B&W illustrations/photos throughout. Vancouver Art Gallery exhbition brochure laid in. Very good. Binding is tight and square; text is clean and unmarked. Only very light wear to covers.
Verlag: Vancouver Art Gallery, 1979
Anbieter: ANARTIST, New York, NY, USA
Softcover, staple-bound, 16 pages; good condition; scattered scuffs to covers with heavy yellowing to inside front cover; no internal marks.
Sprache: Englisch
Verlag: Museu D'Art Contemporani de Barcelona (MACBA), 2011
ISBN 10: 8492505575 ISBN 13: 9788492505579
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 23,06
Anzahl: 15 verfügbar
In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Verlag: Capc Musee d'art Contemporain de Bordeaux, Bordeaux, 1994
Anbieter: Kenneth Mallory Bookseller ABAA, Decatur, GA, USA
Paperback. Zustand: Good. Paperback. 98pp. Lightly edgeworn, 'Discard/ Solomon Guggenheim Library' stamp on front free endpaper, else good. Text in French.
Verlag: Kent, New York, 2007
Anbieter: A&D Books, South Orange, NJ, USA
Manuskript / Papierantiquität Erstausgabe
Exhibition Announcement Cards. The original announcement card/exhibition brochure for a group show titled "Close Looking" and held at Kent gallery, NYC, October 25 - December 21, 2007. The exhibition was curated by Ayesha Williams and included Dennis Adams, John Brill, Heide Fasnacht, Elizabeth King, Antoni Muntadas, and Emily Prince. Thin card, double-parallel-fold pamphlet; 8 pages; 13 color illustrations; 5.5 x 8.5 inches. Condition: Fine. Laid-in is the gallery press release. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.
Sprache: Französisch
Verlag: Capc Musee d'Art Contemporain de Bordeaux, 1994
ISBN 10: 2877211045 ISBN 13: 9782877211048
Anbieter: ANARTIST, New York, NY, USA
Softcover, 112 pages, in French; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.
Sprache: Englisch
Verlag: Museu D'Art Contemporani de Barcelona (MACBA), Barcelona, 2011
ISBN 10: 8492505575 ISBN 13: 9788492505579
Anbieter: Grand Eagle Retail, Bensenville, IL, USA
Paperback. Zustand: new. Paperback. Between the Frames: The Forum (1983-93) is the result of Muntadas's interest in understanding why the intermediaries between the artist, the artwork and the public gained so much power in the 1980s. The installation comprises eight sections, each corresponding to an intermediary - dealers, collectors, galleries, museums, docents, critics, media and artists - arranged in a circular structure that evokes the form of a Panopticon. By means of a critical essay and an interview with Muntadas, Anne Benichou, the editor of this publication, reveals how the artist's working process is more archaeological than documentary in its approach. The emphasis is not so much on what is said or on who says it, but on allowing the public to use this space to construct their own narratives." Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Zustand: As New. Unread book in perfect condition.
Verlag: Madrid: Galeria Moises Perez de Albeniz, 2013
Anbieter: Dave's Books, Brooklyn, NY, USA
Erstausgabe
Soft cover. Zustand: Near Fine. 1st Edition. Text in Spanish . Small format paperback, not paginated. A hint of rubbing and soil but essentially in fine condition .
Sprache: Katalanisch
Verlag: Generalitat de Catalunya, Departament de Cultura, 1996
ISBN 10: 8439338627 ISBN 13: 9788439338628
Anbieter: Raritan River Books, Philadelphia, PA, USA
Paperback. Zustand: Very Good+. Binding sound, text clean, very light shelf wear. Spanish and some English texts. Illustrated. 128 pages. Folio (oversize) paperback. Heavy item: priority or international shipping may require additional charges. Book.
Hardcover. Zustand: new. Hardcover. In a year when Spanish curators directed the Venice Biennale for the first time, Antoni Muntadas, representing Spain in the Spanish pavilion, told a reporter that the Biennale "takes its ideas from international fairs. It connotes the theme park. There was exoticism, invention, the new. but by now it is an obsolete structure." Muntadas's On Translation: I Giardini, the latest in a series of often site-specific On Translation projects completed over the last 10 years, is here documented from its inception. Translation is a metaphor, as Muntadas states, "I am not talking about translation in a literal sense, but in a cultural sense--how the world we live in is a totally translated world, everything is always filtered by some social, political, cultural and economic factor. by the media, of course, by context and by history." Accordingly, I Giardini looks into the context and history of the Biennale's Giardini del Castello, delving into the transformations and "translations" it has undergone over time, and investigating Venice's status and the space that frames the Biennale. Muntadas notes, for instance, that a new Italian pavilion built on Mussolini's orders was replaced again after the war. In a year when Spanish curators directed the Venice Biennale for the first time, Antoni Muntadas, representing Spain in the Spanish pavilion, told a reporter that the Biennale "takes its ideas from international fairs. It connotes the theme park. There was exoticism, invention, the new. but by now it is an obsolete structure." Muntadas's On Translation: I Giardini, the latest in a series of often site-specific On Translation projects completed over the last 10 years, is here documented from its inception. Translation is a metaphor, as Muntadas states, "I am not talking about translation in a literal sense, but in a cultural sense—how the world we live in is a totally translated world, everything is always filtered by some social, political, cultural and economic factor. by the media, of course, by context and by history." Accordingly, I Giardini looks into the context and history of the Biennale's Giardini del Castello, delving into the transformations and "translations" it has undergone over time, and investigating Venice's status and the space that frames the Biennale. Muntadas notes, for instance, that a new Italian pavilion built on Mussolini's orders was replaced again after the war. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Sprache: Englisch
Verlag: La Fabrica Editoirial April 2010, 2010
ISBN 10: 8496466329 ISBN 13: 9788496466326
Anbieter: Hennessey + Ingalls, Los Angeles, CA, USA
Hardcover. Zustand: New. In a year when Spanish curators directed the Venice Biennale for the first time, Antoni Muntadas, representing Spain in the Spanish pavilion, told a reporter that the Biennale 'takes its ideas from international fairs. It connotes the theme park. There was exoticism, invention, the new. but by now it is an obsolete structure.' Muntadas's On Translation: I Giardini, the latest in a series of often site-specific On Translation projects completed over the last 10 years, is here documented from its inception. Translation is a metaphor, as Muntadas states, 'I am not talking about translation in a literal sense, but in a cultural sense--how the world we live in is a totally translated world, everything is always filtered by some social, political, cultural and economic factor. by the media, of course, by context and by history.' Accordingly, I Giardini looks into the context and history of the Biennale's Giardini del Castello, delving into the transformations and 'translations' it has undergone over time, and investigating Venice's status and the space that frames the Biennale. Muntadas notes, for instance, that a new Italian pavilion built on Mussolini's orders was replaced again after the war.