Produktart
Zustand
Einband
Weitere Eigenschaften
Land des Verkäufers
Verkäuferbewertung
Verlag: Angel Press,, Monterey CA, 1985
Anbieter: Ed Buryn Books, Nevada City, CA, USA
Erstausgabe Signiert
Presumed 1st. A small book intended for children (especially visitors to the Monterey Bay Aquarium) with poetic descriptions and drawings of water creatures such as bat ray, pipefish, innkeeper worm, ghost shrimp, sea slug, shore crab, sea hare. Scarce. 8-1/2 x 5-1/4, unnumbered pp. Fine unmarked, signed by both author and artist. Oblong Paperback in white wraps w blue illus print, saddle-stapled.
Verlag: Second Story Press, 2019
ISBN 10: 1772600997ISBN 13: 9781772600995
Anbieter: GreatBookPrices, Columbia, MD, USA
Buch
Zustand: As New. Newland, Gillian (illustrator). Unread book in perfect condition.
Mehr Angebote von anderen Verkäufern bei AbeBooks
Neu ab EUR 14,05
Gebraucht ab EUR 10,74
Mehr entdecken Softcover
Verlag: Literary Guild of America, Nyny, 1942
Anbieter: WONDERFUL BOOKS BY MAIL, Durham-CA, CA, USA
HARDCOVER. Zustand: Very Good. HARDCOVER. VERY GOOD Condition Red Clothbound.name ep "Jan 1943 Sara Franklin ." ; attractive gold spine titles on bright red hard covers. ; 356pg pages; 21 SHORT STORIES.
Verlag: Angel Press, Monterey, CA, 1985
Anbieter: Time Tested Books, Sacramento, CA, USA
Erstausgabe
Saddle-stitched. Zustand: Very Good. Muriel Hart (illustrator). First Edition. A children's book about nature life around Elkhorn Slough around Carmel, California. Light shelf wear. Sticker on back. Small spot on front. Time Tested Books has been located in the same place and owned by the same people for over 20 years. We have an excellent rep. We also have tens of thousands of titles in stock and are an open shop, so when in the Sacramento area, stop in.
Verlag: Tangier, Morocco: Antaeus, 1971
Anbieter: Philip Smith, Bookseller, Berkeley, CA, USA
Erstausgabe
Soft cover. Zustand: Fine. 1st edition. Near Fine. 8vo, 120pp, printed wrappers. Issue includes Robert Bly, Cesar Vallejo, other prime content. Tight and unmarked copy, light wear. Not Signed.
Verlag: Platoro Pr, 1992
ISBN 10: 0963175858ISBN 13: 9780963175854
Anbieter: Royal Oak Bookshop, Front Royal, VA, USA
Buch
plastic comb. Zustand: Good. Very mild wear to the bright cover, text is clean and unmarked, plastic comb binding is tight. Brick and mortar bookshop since 1975!.
Verlag: University of Pennsylvania Press, Philadelphia, 1949
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Erstausgabe
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First edition. A few pages roughly opened, endpapers slightly tanned, text block edges with a few small spots, very good in a spine-tanned very good dust jacket with a few small spots on the front panel, a 2" tear on the rear panel and modest wear to the extremities. Contains an early appearance by Richard Wilbur of a poem titled "Driftwood"; additional contributions by Judith Wright, Muriel Spark, Edith Henrich, Peter Viereck, Howard Nemerov, Kay Smith, Howard Sergeant, Dannie Abse and more.
Verlag: Mills & Boon, 1999
ISBN 10: 0373597150ISBN 13: 9780373597154
Anbieter: Goldstone Books, Llandybie, Vereinigtes Königreich
Buch
Paperback. Zustand: Good. All orders are dispatched the following working day from our UK warehouse. Established in 2004, we have over 500,000 books in stock. No quibble refund if not completely satisfied.
Mehr Angebote von anderen Verkäufern bei AbeBooks
Gebraucht ab EUR 39,22
Verlag: Heresies Collective, Inc. New York, NY, 1981
Anbieter: Specific Object / David Platzker, New York, NY, USA
95 pp.; 27.7 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Quarterly feminist publication on art and politics. Issue edited by The Sexuality Issue Collective : Hannah Alderfer, Sandra De Sando, Beth Jaker, Kay Kenny, Suzanne Kessler, Wendy McKenna, Marybeth Nelson, Eddie M. Serlis, Sylvia Witts Vitale, Paula Webster and Leanna Wolfe. Essays "Typical Week and a Half," by Anonymous; "The Dilemma of the One Who Wants Both and Neither." by Su Friedrich; "The Mother-Daughter Relationship and Sexual Ambivalence," by Helle Thorning; "Ann's Dream I and II," by Mary Clare Powell; "The Book of Love." by Vanalyne Green; "Anatomies and Destinies (Fragments)," by Nancy Huston; "Vini," by Summer Brenner; "The Babyman," by Sondra Segal; "Post-Partum Depression," by Mary Kelly; "Interviews with Five Faghagging Women," by Camilla Decarnin; "intro & 10 takes," by Hattie Gossett; "yo daddy! - an 80s version of the dozens," by Hattie Gossett; "Photos," by Diane Meyers; "Simple Truths," Corbett with help from the criplets; "Study for a Book of Lesbian Erotic Images," by Tee Corinne; "Butch-Fem Relationships," by Joan Nestle; "Impersonals"; "Editorials"; "The Celibacy Letters," by Sandra M. Whisler; "Susan and Nancy," by Nancy Fried; "Photo," by Kay Kenny; "Feminism and Sadomasochism," by Pat Califia; "Jersey Shore Women's Wrestling"; "Venus," by Seph Weene; "Stripper," by Coreen Simpson; "The Male Nude in Women's Art," by Eunice Golden; "A Sense of Touch," by Harmony Hammond; "Island Cabin," by Irare Sabásu; "Gently Stalking Solitude," by Betye Saar; "Pornography and Pleasure," by Paula Webster; "Tits & Clits Comix," by Cory; "Purity pink and everything neat," by Glenda Hydler; "Mustang Ranch," by Sandi Fellman; "Oh Yes Come In," by Batya Weinbaum; "True Life Novelette," by Barbara DeGenevieve; "A Father's Influence on the Sexuality of a Young Woman," by Mary Winston; "What We're Rollin Around in Bed With," by Amber Hollibaugh and Cherríe Moraga; "A Herstorical Look at Some Aspects of Black Sexuality," by Sylvia Witts Vitale; "Variety Is the Spice of Life," by Muriel Dimen; "SSSexuality," by Diane Sipprelle; "Odalisque," by Lyn Hughes; "Photo," by Carol Harmel; "The Kiss," by Fran Winant; "Sexual Imperialism," by Rekha Basu; "Photos," by Doranne Jacobson; "I Hear Voices But See No Faces," by Vickie M. Mays; "I Met a Woman," by Alesia Kunz; "Lust Is Just a Four-Letter Word," by J. Lee Lehman; "Lovenotes II and IV," by Janet Ruth Heller; "Confessions of a Quiltist," by Radka Donnell; "Counterpoint," by Leslie Simon; "Leg over Cactus," by Linda Troeller; "Narcissism, Feminism, and Video Art," by Micki McGee; "Perfect," by Barbara Kruger; "News Flash: People Organize to Protest Recent NOW Resolution on Lesbian and Gay Rights" and "Burnout," by Laura Sky Brown. Cover fragments taken from "Blue Confessions: A Fantasy," by Martha Balsam. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 264. Good / Very Good. Sunning of spine and of covers at spine edge, with light curve to publication, 12.4 cm. circular moisture stain, light rubbing of cover edges, and light yellow soiling of covers and text block edge. Contents clean and unmarked.
Verlag: Pollock-Krasner House and Study Center / Peggy Guggenheim Collection East Hampton / Venice, NY / Italy, 1997
Anbieter: Specific Object / David Platzker, New York, NY, USA
48 pp.; 22.5 x 22.8 cm.; glue bound; black-and-white & color; edition size 2000 (1250 in English, and 750 in Italian text); unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at the Pollock-Krasner House and Study Center, East Hampton, NY, July 31 - October 31, 1997. Traveled to The Peggy Guggenheim Collection, Venice, Italy, February 8 - May 17, 1998. Guest curated by Siobhán M. Conaty. Texts by Philip Rylands, Siobhán M. Conaty, Buffie Johnson, and Fannie Hillsmith. Artists include Virginia Admiral, Nell Blaine, Leonora Carrington, Ronnie Elliott, Perle Fine, Leonor Fini, Suzy Frelinghuysen, Fannie Hillsmith, Valentine Hugo, Buffie Johnson, Frida Kahlo, Lee Krasner, Jacqueline Lamba, Muriel Streeter Levy, Loren MacIver, Hazel McKinley, Alice Trumbull Mason, Louise Nevelson, Alice Rahon Paalen, Irene Rice Pereira, Barbara Reis, Kay Sage, Esphyr Slobodkina, Hedda Sterne, Dorothea Tanning, Julia Thecla, Pegeen Vail, and Charmion von Wiegand. Includes exhibition rosters for "Exhibition by 31 Women," 1943, and "The Women," 1945. "This show was based on two all-women exhibitions organized by Peggy Guggenheim at Art of This Century, her gallery in New York: Exhibition by 31 Women (1943) and The Women (1945). Bringing together the art that was presented in those two shows, the curatorial aim was to offer an insight into the achievements of female artists, emphasizing their role in modern avant-garde. Art of this Century. The Women posited Peggy Guggenheim as a crucial figure in twentieth-century art not only because she supported the burgeoning New York School but because her exhibitions targeted crucial issues that are still at stake today in contemporary culture."?from Peggy Guggenheim Collection website Very Good. Rubbing of covers and cover edges and 3.1 cm. dog-ear to bottom left corner of verso. Contents clean and unmarked.