Murphy margueritte (13 Ergebnisse)

paperback. Zustand: Very Good. Excellent condition, dust jacket included when applicable, no markings in text.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9789042035263.

Zustand: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Very Good. Minor shelf wear to book and dust jacket. Some pencil MARKINGS in text. Otherwise a nice solid book. Index. ix, 246 pp.

Zustand: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

8vo. pp 252. Colour illustrated wraps. ISBN: 9789042035263 Fine.

252 pp., binding partly sunned, else good and clean, text in English, Sprache: Englisch Gewicht in Gramm: 400 original softcover (no dust jacket).

paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

Hardcover in dust jacket. dj. First edition, first printing. Fine in fine dust jacket, in mylar cover.

Hardcover. Zustand: Brand New. 244 pages. 9.10x6.00x0.90 inches. In Stock.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - Ideological debates about economics and aesthetics raged hotly in nineteenth-century France. French political economy was taking shape as a discipline that would support free-market liberalism, while l'art pour l'art theories circulated, and utopian systems with aesthetic and economic agendas proliferated. Yet, as this book argues, the discourses of art and literature worked in tandem with market discourses to generate theories of economic and social order, of the model of the self-individuating and desiring subject of modernity, and of this individual's relationship to a new world of objects. Baudelaire as a poet and art critic is exemplary: Rather than a disaffected artist, Baudelaire is shown to be a spectator desirous of both art and goods whose sensibilities reflect transformations in habits of perception. The book includes chapters on equilibrium and utility in economic and aesthetic theory, on the place of the aesthetic in press coverage of the industrial exhibitions, on the harmonic theories of Baudelaire's early art criticism, aimed at a bourgeois audience, on Baudelaire's radical cosmopolitanism learned through viewing 'objects' on display at the Universal Exhibition of 1855, and on Les Fleurs du Mal and Le Spleen de Paris, where language makes visible the traits of a new material world.…

Zustand: new. Questo è un articolo print on demand.