Verlag: Ablex Publishing Corporation, 1989
ISBN 10: 0893915289 ISBN 13: 9780893915285
Sprache: Englisch
Anbieter: books4less (Versandantiquariat Petra Gros GmbH & Co. KG), Welling, Deutschland
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In den Warenkorbgebundene Ausgabe. Zustand: Gut. 310 Seiten Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber. Es befindet sich neben dem Rückenschild lediglich ein Bibliotheksstempel im Buch; ordnungsgemäß entwidmet. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 600.
Anbieter: Bahamut Media, Reading, Vereinigtes Königreich
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In den WarenkorbZustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.
Anbieter: Antiquariat Bookfarm, Löbnitz, Deutschland
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In den WarenkorbHardcover. Ex-library with stamp and library-signature. GOOD condition, some traces of use. Ancien Exemplaire de bibliothèque avec signature et cachet. BON état, quelques traces d'usure. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. C 667 9780863771798 Sprache: Englisch Gewicht in Gramm: 550.
Anbieter: Plurabelle Books Ltd, Cambridge, Vereinigtes Königreich
Verbandsmitglied: GIAQ
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In den WarenkorbPaperback. Zustand: Very Good. ix 375p paperback, collection of seventeen articles from Connection Science, index, clean unmarked pages, little used copy, a fresh and clean copy Language: English.
EUR 32,96
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In den WarenkorbZustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.
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In den WarenkorbZustand: New.
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In den WarenkorbTaschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Connection science is a new information-processing paradigm which attempts to imitate the architecture and process of the brain, and brings together researchers from disciplines as diverse as computer science, physics, psychology, philosophy, linguistics, biology, engineering, neuroscience and AI. Work in Connectionist Natural Language Processing (CNLP) is now expanding rapidly, yet much of the work is still only available in journals, some of them quite obscure. To make this research more accessible this book brings together an important and comprehensive set of articles from the journal CONNECTION SCIENCE which represent the state of the art in Connectionist natural language processing; from speech recognition to discourse comprehension. While it is quintessentially Connectionist, it also deals with hybrid systems, and will be of interest to both theoreticians as well as computer modellers. Range of topics covered: Connectionism and Cognitive Linguistics Motion, Chomsky's Government-binding Theory Syntactic Transformations on Distributed Representations Syntactic Neural Networks A Hybrid Symbolic/Connectionist Model for Understanding of Nouns Connectionism and Determinism in a Syntactic Parser Context Free Grammar Recognition Script Recognition with Hierarchical Feature Maps Attention Mechanisms in Language Script-Based Story Processing A Connectionist Account of Similarity in Vowel Harmony Learning Distributed Representations Connectionist Language Users Representation and Recognition of Temporal Patterns A Hybrid Model of Script Generation Networks that Learn about Phonological Features Pronunciation in Text-to-Speech Systems.
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In den WarenkorbPaperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days. 974.
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In den WarenkorbBuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Connection science is a new information-processing paradigm which attempts to imitate the architecture and process of the brain, and brings together researchers from disciplines as diverse as computer science, physics, psychology, philosophy, linguistics, biology, engineering, neuroscience and AI. Work in Connectionist Natural Language Processing (CNLP) is now expanding rapidly, yet much of the work is still only available in journals, some of them quite obscure. To make this research more accessible this book brings together an important and comprehensive set of articles from the journal CONNECTION SCIENCE which represent the state of the art in Connectionist natural language processing; from speech recognition to discourse comprehension. While it is quintessentially Connectionist, it also deals with hybrid systems, and will be of interest to both theoreticians as well as computer modellers. Range of topics covered: Connectionism and Cognitive Linguistics Motion, Chomsky's Government-binding Theory Syntactic Transformations on Distributed Representations Syntactic Neural Networks A Hybrid Symbolic/Connectionist Model for Understanding of Nouns Connectionism and Determinism in a Syntactic Parser Context Free Grammar Recognition Script Recognition with Hierarchical Feature Maps Attention Mechanisms in Language Script-Based Story Processing A Connectionist Account of Similarity in Vowel Harmony Learning Distributed Representations Connectionist Language Users Representation and Recognition of Temporal Patterns A Hybrid Model of Script Generation Networks that Learn about Phonological Features Pronunciation in Text-to-Speech Systems.
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In den WarenkorbZustand: New. pp. 488.
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In den WarenkorbZustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some wear and internal barcode may have been clipped, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
Verlag: 0, London
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In den WarenkorbPaperback. Zustand: Near Fine. Book. Complete set of Stephen Willats' seminal periodical 'Control'. First 5 issues: 310 x 225 mm with screenprinted wrappers. Later issues have printed pictorial wrappers and are slightly smaller in format. Since 1965, this pioneering conceptual art magazine has published original artwork and writing from over 150 artists, alongside collectives and collaboratives such as Artists Placement Group. Issue 13 features an original work by Anish Kapoor of an insect-object sprayed blue; together with a photocopy collage intervention by Glenys Johnson entitled Agent Orange. Issue 3 comes complete with inserts: Poem-Blanc by John Sharkey and Peter Upward's untitled painting. This seminal publication is significant for its community-based approach, and its theories based on cybernetics and social science. Its content rejected a traditional mode of criticism and instead concentrated on theoretical ideas, technical models and artistic methods: Control is purely a magazine of art theory, in the sense that it presented text by artists looking at the thinking behind their work (Willats, Publishing Interventions, 2 in In Numbers: Serial Publications by artists since 1955, PPP Editions, Zurich, 1999, p. 129). While within the remit of the art magazine, Control is notable for its interdisciplinary reach. As the artist has commented, the magazine's origins were a reaction to a very strong inheritance from previous decades that constrained the artists into very set roles of painting, sculpture and traditional mediums (ibid). Contents - Issue 1, 1965, contributors (C): Loggie Barrow, Roy Ascot, Stephen Willats, Mark Boyle et al/No.2, 66, C: Stroud Cornock, Adrian Berg, Willats, Tom Phillips et al/ No.3, 67, C: Joe Tilson, Noel Forster, Peter Cook-Archigram Group, John Latham (Noit for Control), Willats, an original painted insert by Peter Upward, John Sharkey (Poem-Blanc) et al. Comes with a tipped-in envelope containing Three Light Modulators/No.4, 68, C: Victor Burgin, Norman Toynton, Sharkey, Willats, Douglas Sandle, et al/No.5, 69, C: Laurie Burt, Don Mason, Sharkey, Rick Oginz, Willats (on APG) et al/No.6, 71, C: Jan Kopinski, Willats, Sharkey, Ernest Edmonds, David Budgen et al/No.7, 73, C: Kevin Lole, Peter Smith, Willats, Howard O' Conner, John Stezaker/No.8, 74, C: Lole, Joe Wilson, Andrew Ironside, Willats, Gerald Laing, Stezaker et al/No.9, 75, C: Peter Smith, Dan Graham, Herve Fischer, Willats, Alan Sondheim et al / No.10, 77, C: Jon Bird, Peter Dunn & Loraine Leeson, Jane Kelly, Mary Kelly et al/ No.11, 79, C: Tony Rickaby, Willats, Ray Barrie, Kelly, Fern Tiger, Graham et al/No.12, 81, C: Lili Fisch, Willats, Helen Chadwick, Michael Peel, Bernhard Sandfort, Fred Forest et al/No.13, '82, C: Bill Woodrow (TV Blind), Glenys Johnson (Agent Orange), Jenny Holzer, Kate Blacker, Jean-Luc Vilmouth, Willats, Sue Arrowsmith, Tony Bevan, Tony Cragg and a blue sprayed insect work by Anish Kapoor: I once saw an insect in a pile of colour, it seemed to me that this was almost a work. (p32)/No.14, 90, C: Andrew Wilson, Lawrence Weiner, Rita Pacquee, Andreas Seltzer, Dennis Adams, Stephen Bann & Bob Chaplin, Martha Rosler, Willats, Michael Gibbs, Endre Tot, Simon Cutts & Colin Sackett et al/No.15, 96, C: Poster Studio, Alan Murray, Denise Hawrysio, Oliver Whitehead, Alan Kane & Jeremy Deller, Oliver Cieslik & Barbara Schenk, Les Levine, Liam Gillick, Willats et al/No.16, 01, C: Jakob Jakobsen, David Goldenberg, Art Lab, Nils Norman, Elinor Jansz, Christabel Stewart & Emily Pethick, Hamish Fulton, Sarah Staton, David Beech, Willats, et al / No.17, 07, C: French Mottershead, Jakobsen, Dan Kidner, Langlands & Bell, Nils Norman, Miriam Steinhauser, Willats, Chris Hammond et al/No.18, 09, C: Vito Acconci, Karolin Meunier, Willats, Erwin van Doorn, Dan Mitchell, Annette Krauss, Thomas Hirschhorn, Harmen de Hoop et al. / No.19, 14, C: Christian Nyampeta, Rosalie Schweiker, Ricardo Basbaum, Andrea Francke, Emma Smith, Willats, Eva Weinmayr, Taylor & Zaharia.