Anbieter: S.P.Tuohy, Oxford, OXF, Vereinigtes Königreich
EUR 25,97
Währung umrechnenAnzahl: 1 verfügbar
In den WarenkorbSoft cover. Zustand: New. 8vo. 21 cm. Pp. 111. Figs. Illusts. Printed wrapper. New." 'Designing type revivals' is more than discourse on Latin typeface design: it is a model for thinking about typeface design.And a manual for teachers and self-directed learners. And a detailed documentation of practice for digital outputs.Not least, and despite its importance, it manages to be a pleasure to read." Gerry Leonidas.
Verlag: Lazy Dog Press, Italy, 2022
Anbieter: Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, USA
EUR 23,11
Währung umrechnenAnzahl: 19 verfügbar
In den Warenkorbsewn soft cover with flaps. 12.5 x 21 cm. sewn soft cover with flaps. 112 pages. Edited and foreword by Gerry Leonidas. Many typefaces created today are related to types of the past, and interest in older letterforms is stimulated by the great number of visual resources available. We are surrounded by digital fonts based in one way or another on historical models, but it is clear that we cannot consider all of them as revivals. So, how to distinguish a type revival from a typeface that is loosely based on historical forms? More reflection on the subject in necessary, both to help navigate the landscape of contemporary typefaces, and to give greater clarity to discussions on the history of type. A concise publication that will show a practical perspective and fresh content, fueling the conversation among and between designers and scholars. The content is organized into four parts. The authors begin by defining the theoretical ground, including a definition of revivals and a discussion on the boundaries of a revival project. The second part introduces the framework of analysis developed for recording the relevant design features of the type used as a model. In the third part, Olocco and Patané apply the framework to the roman type cut by Francesco Griffo for the De Aetna (1496). Based on this analysis, the fourth part showcases the process of reviving this historical type. Although the authors are focusing on defining a procedure to design a type revival, those suggestions can be adopted beyond the scope of a revival project. Their approach will ensure a strong connection with the original source and a substantial help towards understanding how to employ historical models in a today context.