Verlag: SONY MASTERWORKS, 1997
Sprache: Englisch
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audioCD. Zustand: Good.
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Verlag: Routledge India, 2025
Sprache: Englisch
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Hardcover. Zustand: New. ISBN:9781041115632,278pp.
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Verlag: New York: Unmuzzled Ox, 1976
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Erstausgabe
Soft cover. Zustand: Very Good. 1st edition. Near VG (nice with sunning to spine). 8vo, 128pp, printed wrappers. Another excellent issue of this 1970s cultural magazine, featuring a cover photo of Hannah Wilke; interviews with Andy Warhol, Eugene McCarthy, and Robert Duncan (Bertholf C259ÐC260); poetry by Charleses Bukowski and Olson; art by Ray Johnson, Joe Brainard, Ron Padgett, Claes Oldenburg; etc. Unmarked copy, sunning to spine and back cover, light outer wear and soil, spine lightly sunned. Not Signed.
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Verlag: Taylor & Francis Ltd, London, 2025
ISBN 10: 1041013477 ISBN 13: 9781041013471
Sprache: Englisch
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Paperback. Zustand: new. Paperback. What could movies as diverse as The Last Samurai, Cleo from 5 to 7, or Dr. Strangelove have in common? Filmonomics has a simple yet intriguing answer: economics as the main driving force of the plot or as the main motivation of the characters actions.This book analyses how movie makers use economic and financial motives in their plots or to build their characters. Have they done it in line with economic theory? Or are they proposing a new angle, a new perspective, that economists should take note of? The authors here do not discuss wages in the film industry or the economics of movies. What interests them is the economic motivations underpinning the behaviour of fictional characters in their favourite films. They argue that credible movie characters can behave in irrational ways, and movie makers occasionally introduce new ideas that economists should take note of.A unique contribution, this book will be of interest to readers eager to discover what economists have to say about films and film directors. It will be indispensable for students and researchers of economics, media studies, film studies, and cultural studies. What could movies as diverse as The Last Samurai, Cleo from 5 to 7, or Dr. Strangelove have in common? Filmonomics has a simple yet intriguing answer: economics as the main driving force of the plot or as the main motivation of the characters actions. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Verlag: Taylor and Francis Ltd, GB, 2025
ISBN 10: 1041013477 ISBN 13: 9781041013471
Sprache: Englisch
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In den WarenkorbPaperback. Zustand: New. What could movies as diverse as The Last Samurai, Cléo from 5 to 7, or Dr. Strangelove have in common? Filmonomics has a simple yet intriguing answer: economics as the main driving force of the plot or as the main motivation of the characters' actions.This book analyses how movie makers use economic and financial motives in their plots or to build their characters. Have they done it in line with economic theory? Or are they proposing a new angle, a new perspective, that economists should take note of? The authors here do not discuss wages in the film industry or the economics of movies. What interests them is the economic motivations underpinning the behaviour of fictional characters in their favourite films. They argue that credible movie characters can behave in irrational ways, and movie makers occasionally introduce new ideas that economists should take note of.A unique contribution, this book will be of interest to readers eager to discover what economists have to say about films and film directors. It will be indispensable for students and researchers of economics, media studies, film studies, and cultural studies.
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Anbieter: Biblios, Frankfurt am main, HESSE, Deutschland
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1936 Les Illes d'or, Mallorca Col. Biblioteca Les Illes d'or; 14. 181 p. 16x11 cm. Enq. rústica Para ver o recibir fotografías de los libros puede ir a nuestra web o solicitarlas.(dret canònic dret internacional, dret civil, dret polític, pedagogia jurídica, dret canònic dret internacional, dret civil, dret polític, pedagogia jurídica).
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