Patricia railing (169 Ergebnisse)
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Paperback. Zustand: new. Paperback. Three texts by two Italian Renaissance painters Leonardo da Vinci and Gian Paolo Lomazzo and a compendium of the 53 standard pigments commonly found on artists' palettes for painting in oil on panel and on canvas as outlined by the writer, Raffaello Borghini, make up this 16th century collecti…on of pigments. Leonardo's studio advice on the use of colors for capturing light and dark picks up this theme from Italian 15th century and classical painting and lays the foundation for this practice as it would develop in European painting. The plates are of works by Titian found in the National Gallery in London, whose pigments have been identified and matched to the paintings. This book will be of interest to art historians, collectors, students, conservators, and museum-goers. AUTHOR: Patricia Railing (PhD, University of Paris ,Sorbonne, Philosophy of Art) is an art historian specialising in both the Russian Avant-Garde and the history of artists' pigments. She has compiled this collection, Colour Palettes, from treatises, 1st century B.C. to the 19th century, which culminates in the Documentary Dictionary of Historical Pigments. The series is complemented by a website, SELLING POINTS: . The 16th century palette was made up of 53 pigments, and was described in treatises by Leonardo da Vinci, Gian Paolo Lomazzo, and Raffaello Borghini . Plates are from paintings by Titian whose pigments have been identified Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Zustand: new. Paperback. The sources of pigments used in European painting are found in classical antiquity, and the over 40 pigments in use were described by Theophrastus, Vitruvius, Pliny the Elder, and Dioscorides. The principles of painting were also described by Pliny, to be picked up by Italian Renaissance paint…ers of the 15th century, and they are discussed by the Editor. The pigments in the four extant treatises are described in full which, together with the artistic principles, make this little book a basic primary source for both classical painting and subsequent European painting. This book will be of interest to art historians, collectors, students, conservators, and museum-goers. AUTHOR: Patricia Railing (PhD, University of Paris ,Sorbonne, Philosophy of Art) is an art historian specialising in both the Russian Avant-Garde and the history of artists' pigments. She has compiled this collection, Colour Palettes, from treatises, 1st century B.C. to the 19th century, which culminates in the Documentary Dictionary of Historical Pigments. The series is complemented by a website, The complete descriptions by Vitruvius, Pliny the Elder, Theophrastus and Dioscorides of the over 40 pigments used in classical antiquity Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Zustand: new. Paperback. Pigments described by the English chemist, Robert Dossie, the French artists' colourman, Jean Felix Watin, and the London-based pigment maker, Constant de Massoul. 18th century European painting saw the introduction of new pigments to the painters' palettes, from Prussian Blue to the early syn…thetics such as Patent Yellow. It was a century rich in pigments, the authors of the treatises listing over 150 pigments that could be bought in the shops in London and Paris. This book will be of interest to art historians, collectors, students, conservators, and museum-goers. AUTHOR: Patricia Railing (PhD, University of Paris ,Sorbonne, Philosophy of Art) is an art historian specialising in both the Russian Avant-Garde and the history of artists' pigments. She has compiled this collection, Colour Palettes, from treatises, 1st century B.C. to the 19th century, which culminates in the Documentary Dictionary of Historical Pigments. The series is complemented by a website, SELLING POINT: . 18the century palettes used in France and England described by a pigment maker (Constant de Missoula), an artist's colourman (Jean Felix Watin) and a scientist (Robert Dossie). 18th century European painting saw the introduction of new pigments, the descriptions here given by 3 18th century authors: a French colour merchant, an English scientist, and a London pigment maker. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Zustand: new. Paperback. 15th century Italian painting mastered the art of painting light in the world. As Leon Battista Alberti wrote in On Painting (1435), "light has the power to vary colour", hence a rich palette of pigments and how to mix colors was necessary to capture every nuance. Countless recipes are provide…d by the anonymous author of "Secrets for Colours" (c. 1450), called the Bolognese Manuscript, intended for use in fresco and in oil on panel, accompanied by instructions on how to make varnishes for paintings. This book will be of interest to art historians, collectors, students, conservators, and museum-goers. AUTHOR: Patricia Railing (PhD, University of Paris ,Sorbonne, Philosophy of Art) is an art historian specialising in both the Russian Avant-Garde and the history of artists' pigments. She has compiled this collection, Colour Palettes, from treatises, 1st century B.C. to the 19th century, which culminates in the Documentary Dictionary of Historical Pigments. The series is complemented by a website, SELLING POINT: . Many recipes from 15th century Italian treatises for painting in fresco and oil on panel are included in this handbook. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Zustand: new. Paperback. A companion volume to 14th Century Colour Palettes - Volume 2, this book covers painting on the wall and on wood panel from Cennino Cennini, The Book of Art, of the late 1390s (extracts). The pigments and methods are drawn from the practice of Giotto, as Cennino writes. AUTHOR: Patricia Railin…g (PhD, University of Paris ,Sorbonne, Philosophy of Art) is an art historian specialising in both the Russian Avant-Garde and the history of artists' pigments. She has compiled this collection, Colour Palettes, from treatises, 1st century B.C. to the 19th century, which culminates in the Documentary Dictionary of Historical Pigments. The series is complemented by a website, 16 colour plates, 6 mono illustrations Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Zustand: new. Paperback. From Italy to France to Flanders, the arts of painting in the 14th century were practised in manuscript illumination, on panel, and in fresco. Recipes for pigments appropriate to all these arts are included in this collection. "Experiments upon Colours" were dictated by painters to a Frenchman…, Jehan Alcherius, while the Italian artist, Cennino Cennini, was especially attentive to the practice and the pigments to be used in fresco painting in The Book of Art / Il Libro dell' Arte, of c. 1390. His descriptions reveal the craft of Giotto, whose works make up the plates in this collection. This book will be of interest to art historians, collectors, students, conservators, and museum-goers. AUTHOR: Patricia Railing (PhD, University of Paris ,Sorbonne, Philosophy of Art) is an art historian specialising in both the Russian Avant-Garde and the history of artists' pigments. She has compiled this collection, Colour Palettes, from treatises, 1st century B.C. to the 19th century, which culminates in the Documentary Dictionary of Historical Pigments. The series is complemented by a website, SELLING POINT: . 14th century pigments for use in manuscript illumination, on panel and in fresco are described in Italian treatisses, with plates by Giotto From Italy to France to Flanders, the art of painting in the 14th century was practiced in manuscript illumination, on panel, and in fresco. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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