perloff nancy (120 Ergebnisse)

Zustand: Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

paperback. Zustand: Very Good.

Zustand: Like New. Used - Like New. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Zustand: NEW.

Zustand: New. 2024. paperback. . . . . .

Soft cover. Zustand: Very Good. No Jacket. Clarendon Press, Oxford, 1994. Pictorial soft cover. Book Condition : Very good appears little read. Previous owners pastedown inside cover. Book will be sent by UK postal service. Inventory #016468.

Hard Cover. Zustand: Good. No Jacket. First Edition. From an academic library with the usual stamps etc.

paperback. Zustand: New.

hardcover. Zustand: Very Good. Hardcover with no markings in good clean condition.

Zustand: New.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

First edition. Softcover. 275 pages. Review copy with laid in publisher sheet. Features text contributions by Nancy Perloff, Christina Lodder, Eva Forgacs, Maria Gough, John E. Bowlt, Leah Dicerkman, Margarita Tupitsyn, T.J. Clark, and Peter Nisbet. Includes some illustrations and other information. From the library of the Visual Studies Workshop with their sticker to the rear free endpaper but otherwise free of marks. A near fine copy in wrappers otherwise.

Softcover, staple-bound, 20 pages; very good condition; small scuffs to covers with old price sticker in upper right corner; no internal marks.

Zustand: Good. 4to. Soft cover, Very good, some spots on cover, 21pp. Color plates.

Hardcover. Zustand: Fine. Color illustrated boards, square quarto. 199 pages, illustrated throughout in color. Fine copy.

Encuadernación de tapa blanda. Zustand: Muy bien. 1ª Edición. Los Angeles, Getty Research Institute Publications, 2003, 275 pp. Muy ilustrado con fotografías,dibujos, facsimiles, etc. Estudios sobre la personalidad y el arte de El Lissitzky. Composiciones , retratos negro y color. Idioma inglés. Rústica ilustrada original de editor. Espléndida edición. Situating El Lissitzky reassesses the complex career of one of the most influential and controversial experimental artists of the early twentieth century. A prolific painter, designer, architect, and photographer, El Lissitzky (1890-1941) worked with the Soviet and the European artistic avant-gardes in the 1920s and as a propagandist for the Stalinist regime in the following decade. Taking readers into the thick of current debates about Lissitzky's artistic personae, Situating El Lissitzky reconstructs aspects of his elusive identity across different periods, places, and media. Following an introduction in which Nancy Perloff distills and draws together the volume's eight essays, Christina Lodder, Eva Forgacs, and Maria Gough offer revisionist accounts of Lissitzky's years as an international constructivist and exhibition designer in Europe. John E. Bowlt then investigates the role of handcraft and the symbol of the hand in Lissitzky's artistic production, and Leah Dickerman and Margarita Tupitsyn elucidate the interplay between physicality and opticality at different stages in Lissitzky's development as a photographer. Finally, T. J. Clark and Peter Nisbet address the disconcerting balance of aesthetic value and political experiency in Lissitzky's overtly Communist art. The result is a kaleidoscopic portrait of Lissitzky as Bolshevik visionary, craftsman, modernist, internationalist, and Soviet propagandist. Situating El Lissitzky reassesses the complex career of one of the most influential yet controversial experimental artists of the early twentieth century. A prolific painter, designer, architect, and photographer. Muy buen estado. 4to mayor.

Near Fine in publishers decorated wrappers. 277pp. Illustrated. 1st edition.Reassessing the complex career of one of the most influential yet controversial experimental artists of the early 20th century, this volume of essays looks at the prolific painter, designer, architect and photographer, El Lissitzky (1890-1941), who worked with the Soviet and the European artistic avant-gardes in the 1920s and as a propagandist for the Stalinist regime in the following decade. Taking readers into the thick of debates about Lissitzky's artistic personae, this work reconstructs aspects of his elusive identity across different periods, places and media. Following an introduction in which Nancy Perloff distills and draws together the volume's eight essays, Christina Lodder, Eva Forgacs and Maria Gough offer revisionist accounts of Lissitzky's years as an international constructivist and exhibition designer in Europe. John E. Bowlt then investigates the role of handicraft and the symbol of the hand in Lissitzky's artistic production, and Leah Dickerman and Margarita Tupitsyn elucidate the interplay between physicality and opticality at different stages in Lissitzky's development as a photographer. Finally, T.J. Clark and Peter Nisbet address the disconcerting balance of aesthetic value and political expediency in Lissitzky's overtly Communist art. The result is a kaleidoscopic portrait of Lissitzky as Bolshevik visionary, craftsman, modernist, internationalist and Soviet propagandist. ISBN 089236677X.

Stapled Pictorial Wrappers. Zustand: Fine. First Edition. 22pp, profusely illustrated in duotone. With an exhibition checklist and chronology. This is the slender twenty-two page catalogue issued in conjunction with a 1999 Getty Research Institute presentation entitled "Monuments of the Future: Designs by El Lissitzky". The exhibition contained one hundred and thirty-three objects produced by the great Russian Constructivist pioneer during his twenty-five years as a typographer, book designer, architect and designer. A most handsome example of this exceedingly uncommon ephemeral item - the only printed documentation of the event. Artist Monograph.