peter reed editor (79 Ergebnisse)

Trade paperback. Trade paperback (US). Glued binding. 221 p. Contains: Illustrations. Approaches to Teaching World Literature. Audience: General/trade. Very good. like new but for stamp inside cover.

Zustand: very_good. David Warner, Peter Warner And Arthur Wolstenhome (illustrator). Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.

hardcover. Zustand: Very Good. David Warner, Peter Warner And Arthur Wolstenhome (illustrator). Doubleday & Company 1971 edges and endpapers foxed.

Hardcover. Zustand: Good. No Jacket. David Warner, Peter Warner And Arthur Wolstenhome (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Zustand: Fine. 1st Edition. First Edition, First Printing of this Collection of 11 Short Stories. Featured are The Novels of Ellery Queen by Edward D Hoch, Wolf Woman Bay by Doug Allyn, The Barber's Toe by Edward D Hoch, Cyclops by Ruth Francisco, Old Bones by Eileen Dewhurst, Vampire by Joseph Monninger, Why'd Your Bring Me Here? by Stanley Cohen, The Man Who Jumped for England by Peter Lovesey, Firebug by Annie Reed, Heroic Proportions by Daliso Chaponda and Sonnet Number 18.1 by Will Ryan. In Fine Condition.

Soft cover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. First Edition, First Printing of this collection of 11 Short Stories. Featured are Under Suspicion by Clark Howard, Unlucky in Love, Unlucky in Cards by Ian Rankin, The Problem of Annabel's Ark by Edward D. Hoch, Death on the Trans-Mongolian Railway by Mary Reed and Eric Mayer, In the Middle of Nowhere by Donald Olson, A Slow Way to Di by Robert Barnard, Nuntheless by John Dirckx, A Good Woman by Eileen Dewhurst, Vanished As She Sang by Clayton Emery, Showmen by Peter Lovesey and Caveman, Returning Home From Work, Asks Wife How Her Day Went by Katherine H Brooks. Price sticker on front cover. In Near Fine Condition.

Hardcover. Zustand: Good. No Jacket. David Warner, Peter Warner And Arthur Wolstenhome (illustrator). Dust jacket missing. Shelf and handling wear to cover and binding, with general signs of previous use. CLEAN COVER AND CONTENT PAGES. See photos for more information. Secure packaging for safe delivery.

Hardcover. Zustand: Near Fine. No Jacket. David Warner, Peter Warner And Arthur Wolstenhome (illustrator). 1st Edition. No jacket. Volume 1 only.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. David Warner, Peter Warner And Arthur Wolstenhome (illustrator). 1st Edition. Light age-toning around edges of book and DJ o/w tight, solid copy with firm hinges, sharp corners with clean, shiny boards. Crease to inside front flap, aforementioned toning. VG- condition. BP/Trains/Railroads.

Pictorial Wrappers. Zustand: Fine. No Jacket. First Edition. 1st ed. A fine, unread copy of this Trade Paperback Original. Seventeen original stories by: Stephen Rhodes, Twist Phelan, Tim Broderick, Jim Fusilli, David Noonan, Richard Aleas, Lawrence Light, James Hime, Peter Blauner, Mark Haskell Smith, Peter Spiegelman, Megan Abbott, Jason Starr, John Burdett, Henry Blodget, Lauren Sanders, and Reed Farrel Coleman. Paperback Original.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. David Warner, Peter Warner And Arthur Wolstenhome (illustrator). 1st Edition. B rr bf: This is a hard cover with 288 illustrated pages, lots of b&w photos. White, red black.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good+. First Edition. 318 pp. Original brown cloth covers w/ gilt title on spine. Binding very bright and clean. DJ lightly soiled w/ crease to rear panel. Illust. w/ b/w photos. Contents very nice.

Soft Cover. Zustand: Very Good. H.R. Van Dongen (front cover) (illustrator). First Edition. ----------pulp magazine, standard pulp size. Contains 2 stories by John D. MacDonald. Cover is somewhat misbound: it extends a quarter inch above the text block at the top, and leaves a similar amount uncovered at the bottom of the text block. Small edge tears, a VG copy. Back cover advertisement is for The Aladdin Company.

Soft cover. Zustand: Near Fine. 1st Edition. 88 Pp. Near Fine, With Loose Subscription Blank.

Soft cover. Zustand: As New. Museum of Modern Art softcover, 1994, unused and carefully stored, No marks/tears or other defects; as New. We will bubble wrap the book and ship it in a New BOX- Not a plastic bag like the zombie sellers.

Hardcover. Zustand: As New. U.S. orders are shipped from Lewiston, NY location.

Cloth. Zustand: Fine. Zustand des Schutzumschlags: Very Good+ (in mylar). Arthur Wolstenholme (art editor); David Warner; Peter Warner (illustrator). Textblock and binding are extremely clean and tight. Lightly rubbed, price-clipped dust jacket with very light edge and spine wear. Illustrated by David Warner, Peter Warner and Arthur Wolstenholme. 288p. Size: 4to - over 9¾" - 12" tall. Hardcover.

Hard Cover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. David Warner; Peter Warner; Arthur Wolstenholme (illustrator). 288pp. Hardback with DJ, VG, owner name on front end page, nameplate on front end page, light brown foxing spots on end pages, b&w photos, charts tables, Locomotives in profile, featuring steam trains from British and North American origin,

Paperback. Zustand: Brand New. 2nd edition. 240 pages. 9.75x8.50x0.75 inches. In Stock.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good Dust Jacket. David Warner, Peter Warner And Arthur Wolstenhome (illustrator). First Edition. 1st printing, 1971, with 'first published' statement on CP. 292 pages, including 12 double-sided color plates and ~400 illustrations. Very good+/near fine hardcover with very good dust jacket, from a private home collection. Text, photos, and illustrations are unmarked and clean. Binding is tight, sturdy, and square. Corners sharp, cloth boards look great. Unclipped DJ has minor shelfwear. Ships same or next business day from Dinkytown in Minneapolis, Minnesota. Due to the size/weight of this book extra charges may apply for international shipping.

Zustand: Good. David Warner, Peter Warner And Arthur Wolstenhome (illustrator). Good condition. Good dust jacket. Volume 2. Gilt lettering on spine. Writing inside. Shelf worn. Book bowed. Rubbing on edges. Smudge on page edges. (locomotives, history, railroad).

Zustand: Very Good. Zustand des Schutzumschlags: None. 360 pages. Softcover with french flaps. Color and b/w illustrations throughout. Published with exhibition at MOMA, NY, Octobe 7, 1999-March 14, 2000. In excellent condition, clean inside and out. Record # 30917.

Paperback. Zustand: Brand New. 1st edition. 272 pages. 9.25x6.25x0.75 inches. In Stock.

Soft cover. Zustand: Near Fine. Zustand des Schutzumschlags: No Dust Jacket. First Edition. (1996) 244 pp. Original pictorial wraps w/ modest edge wear. INSCRIBED AND SIGNED BY CHARLES P. NEIMEYER ON HALF-TITLE PAGE. Contents very nice. Inscribed & Signed by Author.

Hardcover. Zustand: Very Good. Light shelfwear. Spine sunfaded. Text is pristine throughout. No writing or markings of any kind.

Soft cover. Zustand: Very Good. Innovative seventies magazine. This issue includes cover by Hans Feurer, Helen Lawrenson's underground hippy diary, fashion by Jeanloup Sieff and Hans Feurer, tourist street style by David Reed, British witches with photographs by C. Bruce Forster, plus many stunning period advertisements. Shelf wear to cover and edges. Photographs available on request. All books dispatched same or next working day in robust packaging.

Soft cover. Zustand: Very Good. Innovative seventies magazine. This issue includes cover with model wearing a Mr Freedom jacket photographed by Peter Knapp (more inside), two previously unpublished poems by Sylvia Plath, women in uniform by David Reed, Quintessence portrait, plus many stunning period advertisements. Shelf wear to cover and edges. Photographs available on request. All books dispatched same or next working day in robust packaging.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Presumed first edition. Bright, unmarked copy. The binding is tight, corners sharp. Tiny edge tear to top edge of four or five pages. Dust jacket in a mylar cover.

Soft cover. Zustand: Very Good. Innovative seventies magazine. This issue includes cover star Robert Redford by Hans Feurer, Frinton by Colin Jones, 'In praise of older women' photos by David Reed, what's in your handbag?, plus many stunning period advertisements. Shelf wear to cover and edges. Photographs available on request. All books dispatched same or next working day in robust packaging.

Wraps. Zustand: Good. 344 pages. 484 illustrations (183 in color). Index. Decorative covers. The cover has some edgewear and soiling. The contents include a Foreword by Richard E. Oldenburg; Inconstant Unity: The Passion of Frank Lloyd Wright by William Cronon; Frank Lloyd Wright and Modernism by Anthony Alofsin; Modernization and Mediation: Frank Lloyd Wright and the Impact of Technology by Kenneth Frampton; Frank Lloyd Wright and the Domestic Landscape by Gwendolyn Wright; and The Landscapes of Frank Lloyd Wright: A Pattern of Work by Terence Riley. Terence Riley (November 6, 1954 May 17, 2021) was an American architect and museum curator. He was the chief curator of architecture and design at the Museum of Modern Art from 1992 to 2006. In 1984, Riley formed the firm Keenen/Riley in 1984 with John Keenen. As a member of ACT UP, Riley worked on Let The Record Show, a window installation that opened at the New Museum in 1987. In 1990, he opened the Arthur Ross Architecture Gallery at Columbia, and was recruited by Philip Johnson a year later to work at the Museum of Modern Art, becoming Philip Johnson Chief Curator for architecture and design in 1992. He helped to found the MoMA/P.S.1 Young Architects Program. In 2006 he became director of the Miami Art Museum, leaving in 2009 to return to architectural practice in Miami. At MoMA, he curated a number of important shows during his 14-year tenure. Glenn Lowry, the museum's director since 1995, said that his work on "Frank Lloyd Wright: Architect" (1994), and "Mies in Berlin" (2001) "reflected a high level of scholarship." Undeniably the greatest architectural genius of his time, Frank Lloyd Wright produced a vast body of work that defined and redefined American architecture. This book, published to accompany a retrospective exhibition at The Museum of Modern Art, New York, presents a comprehensive summary of his vision--from the turn of the century until his death in1959--and a new assessment of his a rmarkable achievement. The Museum of Modern Art included Frank Lloyd Wright's work in its inaugural architectural exhibition, Modern Architecture, International Exhibition, in 1932. The inclusion was an uneasy one. Organizers Philip Johnson and Henry-Russell Hitchcock acknowledged the genius of Wright's earlier work, but saw Europe as the cutting edge of architectural innovation. Wright himself rejected the International Style and was offended by being grouped with other architects. Wright's achievements of the late 1930s forced a re-evaluation of his position. In 1940, the Museum mounted Frank Lloyd Wright: American Architect, a major retrospective of his work to date. Wright himself arrived with an entourage of apprentices, amid a fanfare of publicity, to supervise the installation of the one-man show. In 1962, three years after his death, the architect's lifetime achievements were surveyed in Frank Lloyd Wright Drawings. Individual Wright projects were the subject of a series of focused exhibitions during the 1930s, 1940s, and 1950s. The single-project exhibitions began in 1938, with Fallingwater. This was followed by A New Country House (1946), featuring Wright's model for the then-unbuilt G.M. Loeb House in Redding, Connecticut; Frank Lloyd Wright: Taliesin and Taliesin West (1947); and Frank Lloyd Wright: A New Theatre (1949). In 1952, Frank Lloyd Wright: Building for Johnson's Wax Company was installed as a peep show of three-dimensional slides in individual viewers. This book is published in conjunction with the exhibition Frank Lloyd Wright: Architect, a comprehensive retrospective of the achievement of this genius of American architecture. Coming thirty-five years after his death, this exhibition presents a new generational view of Wright and his architecture, as the Museum's first retrospective of his work, presented in 1940, reflected that of an earlier generation. Developed from a broad cultural perspective, Frank Lloyd Wright: Architect addresses critical contemporary issues: the architect and society, the nature and character of domestic space and expression, the relationship of architecture and the environment, particularly in the design of communities. The exhibition has benefited enormously from the unprecedented access to its archives granted to the Museum by The Frank Lloyd Wright Foundation. This cooperation was critical to the exhibition's inception, and it was provided graciously and most professionally by the Foundation. We are also very grateful to the other lenders, public and private, whose generosity helped to make this exhibition possible. Terence Riley, the director of the exhibition and contributor to this volume, ably assisted by Peter Reed, deserves our warm gratitude and admiration for the energy and insight he has brought to bear on Frank Lloyd Wright: Architect over the past two and a half years. Building on the initiatives of his predecessor as head of the Museum's Department of Architecture and Design, Stuart Wrede, he has ensured that this unusually ambitious project is stimulating both aesthetically and intellectually and will have lasting value and importance. Richard E. Oldenburg Director The Museum of Modern Art. Presumed First Paperback Edition, First printing.