peter tschmuck (193 Ergebnisse)

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Zustand: Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Softcover. Zustand: Fair. Sichtbare Flecken. In diesem Sammelband, herausgegeben von Mitarbeitern des Instituts für Kulturmanagement und Kulturwissenschaft (IKM), wird ein umfassender Einblick in den aktuellen Stand der Kulturstatistik auf internationaler, europäischer und österreichischer Ebene gegeben. Im Mittelpunkt stehen die Herausforderungen der Harmonisierung der Kulturstatistik, um eine solide Basis für den kulturpolitischen Diskurs und entsprechende Entscheidungen zu schaffen. Franz-Otto Hofecker beleuchtet das erfolgreich umgesetzte LIKUS-System der vergleichenden Kulturfinanzierungsstatistik in Österreich und zeigt, wie auf dieser Basis kulturpolitisch fundierte Entscheidungen, wie am Beispiel der Musikschulstatistik, getroffen werden können. Michael Söndermann thematisiert die Herausforderungen der Kulturstatistik im föderalen System Deutschlands und präsentiert Lösungsansätze für Sachsen. Ilkka Heiskanen diskutiert die Entwicklung einer EU-weiten vergleichenden Kulturstatistik anhand des finnischen Beispiels. Kevin Mulcahy analysiert kritisch das US-amerikanische System der Kulturförderung. Die Beiträge bieten einen internationalen Überblick über die Notwendigkeit kulturstatistischer Forschungsarbeit zur Unterstützung einer konsistenten Kulturpolitik. Themen umfassen unter anderem die Kulturstatistik in Österreich, die Kulturförderung in den USA und die Symbiose von Kulturstatistik und Kulturpolitik.

Zustand: as new. Wie neu/Like new.

hardcover. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Taschenbuch. Zustand: Neu. Neuware -Das Buch stellt die ökonomischen Zusammenhänge und Prozesse in der Musikwirtschaft dar und beleuchtet im Speziellen das Musikverlagswesen, die phonografische Industrie, den Live-Musiksektor, sekundäre Musikmärkte (Medien, Werbung, Branding, Merchandising, Games), Musikarbeitsmärkte sowie die ökonomischen Hintergründe des digitalen Musikbusiness.Springer VS in Springer Science + Business Media, Abraham-Lincoln-Straße 46, 65189 Wiesbaden 276 pp. Deutsch.

Taschenbuch. Zustand: Neu. Neuware -Die Musikwirtschaftsforschung versteht sich als Inter-Disziplin an der Schnittstelle wirtschaftlicher, künstlerischer, insbesondere musikalischer, kultureller, sozialer, rechtlicher, technologischer aber auch darüber hinausgehender Entwicklungen, die zur Entstehung, Verbreitung und Rezeption des Kulturgutes Musik beitragen. Der Sammelband beinhaltet Beiträge mit unterschiedlichen fachdisziplinären und methodischen Zugängen und ist Ergebnis eines Workshops, der Anfang Juli 2016 am Institut für Kulturmanagement und Kulturwissenschaft (IKM) der Universität für Musik und darstellende Kunst Wien stattgefunden hat.Springer VS in Springer Science + Business Media, Abraham-Lincoln-Straße 46, 65189 Wiesbaden 192 pp. Deutsch.

Zustand: Sehr gut. Gebraucht - Sehr gut * Aussen mit leichten Lagerspuren, sehr gut, Innen neuwertig * -Die Kulturbetriebsforschung befasst sich mit der Konzeption, Produktion, Distribution und Rezeption von Kulturgütern, die in einem dynamisch interagierenden und institutionell strukturierten Handlungsfeld stattfinden - nämlich im Kulturbetrieb. Die Komplexität des Forschungsgegenstandes, die Notwendigkeit praxisnaher Beobachtungen und die Vielfalt der theoretischen Ansätze, die oft im Hintergrund die Forschung beeinflussen, erzwingen eine ständige Reflexion der Entwicklung und Perspektiven der Kulturbetriebsforschung. Dieses Buch stellt aktuelle Ansätze und Konzeptionen der Kulturbetriebsforschung dar.

Taschenbuch. Zustand: Sehr gut. Gebraucht - Sehr gut sg - ungelesenes mängelexemplar, gestempelt, mit leichten lagerspuren - In Österreich wurde seit 1992 ein Großteil der bekannten und repräsentativen Kultureinrichtungen aus dem Budgetvollzug ausgegliedert. In den meisten Fällen hat man die daraus folgenden Auswirkungen entweder gar nicht oder nur in Form von der Öffentlichkeit nicht zugänglichen Studien evaluiert.

Taschenbuch. Zustand: Neu. Die höfische Musikpflege in Tirol im 16. und 17. Jahrhundert | Eine sozioökonomische Untersuchung | Peter Tschmuck | Taschenbuch | 392 S. | Deutsch | 2001 | StudienVerlag | EAN 9783706514224 | Verantwortliche Person für die EU: Studienverlag GmbH, Erlerstr. 10, 6020 INNSBRUCK, ÖSTERREICH, order[at]studienverlag[dot]at | Anbieter: preigu.

Paperback. Zustand: Brand New. 2009 edition. 340 pages. German language. 8.27x5.83x0.87 inches. In Stock.

Hardcover. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Buch. Zustand: Neu. Neuware -Why did jazz become a dominant popular music genre in the 1920s and rock 'n' roll in the 1950s Why did heavy metal, punk rock and hiphop find their way from sub-cultures to the established music industry What are the effects of new communication technologies and the Internet on the creation of music in the early 21st century These and other questions are answered by Peter Tschmuck through an integrated model of creativity and innovation that is based on an international history of music industry since Thomas A. Edison invented the phonograph in 1877. Thus, the history of the music industry is described in full detail. By discussing the historic process of music production, distribution and reception the author highlights several revolutions in the music industry that were caused by the inference of aesthetic, technological, legal, economic, social and political processes of change. On the basis of an integrated model of creativity and innovation, an explanation is given on how the processes and structures of the present music industry will be altered by the ongoing digital revolution, which totally changed the value-added network of the production, dissemination and use of music. For the second edition, the author has reworked chapter 9 in order to include all the developments which shaped the music industry in the first decade of the 21st century ¿ from Napster to cloud-based music services and even beyond.Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 316 pp. Englisch.

Taschenbuch. Zustand: Neu. Neuware -Music Business and the Experience Economy is the first book on the music business in Australasia from an academic perspective. In a cross-disciplinary approach, the contributions deal with a wide-range of topics concerning the production, distribution and consumption of music in the digital age. The interrelationship of legal, aesthetic and economic aspects in the production of music in Australasia is also highlighted as well as the emergence of new business models, the role of P2P file sharing, and the live music sector. In addition, the impact of the digital revolution on music experience and valuation, the role of music for tourism and for branding, and last but not least the developments of higher music education, are discussed from different perspectives.Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 240 pp. Englisch.

Taschenbuch. Zustand: Neu. Neuware -Why did jazz become a dominant popular music genre in the 1920s and rock 'n' roll in the 1950s Why did heavy metal, punk rock and hiphop find their way from sub-cultures to the established music industry What are the effects of new communication technologies and the Internet on the creation of music in the early 21st century These and other questions are answered by Peter Tschmuck through an integrated model of creativity and innovation that is based on an international history of music industry since Thomas A. Edison invented the phonograph in 1877. Thus, the history of the music industry is described in full detail. By discussing the historic process of music production, distribution and reception the author highlights several revolutions in the music industry that were caused by the inference of aesthetic, technological, legal, economic, social and political processes of change. On the basis of an integrated model of creativity and innovation, an explanation is given on how the processes and structures of the present music industry will be altered by the ongoing digital revolution, which totally changed the value-added network of the production, dissemination and use of music. For the second edition, the author has reworked chapter 9 in order to include all the developments which shaped the music industry in the first decade of the 21st century ¿ from Napster to cloud-based music services and even beyond.Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 316 pp. Englisch.

Buch. Zustand: Neu. Neuware -COVID-19 had a global impact on health, communities, and the economy. As a result of COVID-19, music festivals, gigs, and events were canceled or postponed across the world. This directly affected the incomes and practices of many artists and the revenue for many entities in the music business. Despite this crisis, however, there are pre-existing trends in the music business ¿ the rise of the streaming economy, technological change (virtual and augmented reality, blockchain, etc.), and new copyright legislation. Some of these trends were impacted by the COVID-19 crisis while others were not.This book addresses these challenges and trends by following a two-pronged approach: the first part focuses on the impact of COVID-19 on the music business, and the second features general perspectives. Throughout both parts, case studies bring various themes to life. The contributors address issues within the music business before and during COVID-19. Using various critical approaches for studying the music business, this research-based book addresses key questions concerning music contexts, rights, data, and COVID-19. Rethinking the music business is a valuable study aid for undergraduate and postgraduate students in subjects including the music business, cultural economics, cultural management, creative and cultural industries studies, business and management studies, and media and communications.Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 272 pp. Englisch.

Taschenbuch. Zustand: Neu. Neuware -COVID-19 had a global impact on health, communities, and the economy. As a result of COVID-19, music festivals, gigs, and events were canceled or postponed across the world. This directly affected the incomes and practices of many artists and the revenue for many entities in the music business. Despite this crisis, however, there are pre-existing trends in the music business ¿ the rise of the streaming economy, technological change (virtual and augmented reality, blockchain, etc.), and new copyright legislation. Some of these trends were impacted by the COVID-19 crisis while others were not.This book addresses these challenges and trends by following a two-pronged approach: the first part focuses on the impact of COVID-19 on the music business, and the second features general perspectives. Throughout both parts, case studies bring various themes to life. The contributors address issues within the music business before and during COVID-19. Using various critical approaches for studying the music business, this research-based book addresses key questions concerning music contexts, rights, data, and COVID-19. Rethinking the music business is a valuable study aid for undergraduate and postgraduate students in subjects including the music business, cultural economics, cultural management, creative and cultural industries studies, business and management studies, and media and communications.Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 272 pp. Englisch.

Paperback. Zustand: Good. 2006. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.