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  • Sprache: Englisch

    Verlag: Wallflower Press, 2007

    1905674171 / 9781905674176

    Serie: Buch 16 von 52 - Directors' Cuts

    • Softcover

    Anbieter: Half Price Books Inc., Dallas, TX, USAHalf Price Books Inc.

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    paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

  • Sprache: Englisch

    Verlag: Wallflower Press, 2007

    1905674171 / 9781905674176

    Serie: Buch 16 von 52 - Directors' Cuts

    • Softcover

    Anbieter: Midtown Scholar Bookstore, Harrisburg, PA, USAMidtown Scholar Bookstore

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    paperback. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

  • Sprache: Englisch

    Verlag: Wayne State University Press, 2010

    081433377X / 9780814333778

    Serie: Buch 21 von 79 - Contemporary Approaches to Film and Media

    • Softcover

    Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes KönigreichBetter World Books Ltd

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    Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

  • Sprache: Englisch

    Verlag: Wayne State University Press, 2010

    081433377X / 9780814333778

    Serie: Buch 21 von 79 - Contemporary Approaches to Film and Media

    • Softcover

    Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes KönigreichBetter World Books Ltd

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    Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

  • Sprache: Englisch

    Verlag: Wallflower Press, 2007

    1905674171 / 9781905674176

    Serie: Buch 16 von 52 - Directors' Cuts

    • Softcover

    Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes KönigreichWorldofBooks

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    Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

  • Sprache: Englisch

    Verlag: Wallflower Press, 2007

    1905674171 / 9781905674176

    Serie: Buch 16 von 52 - Directors' Cuts

    • Softcover

    Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes KönigreichBetter World Books Ltd

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    Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

  • Sprache: Englisch

    Verlag: Wallflower Press, 2007

    1905674171 / 9781905674176

    Serie: Buch 16 von 52 - Directors' Cuts

    • Softcover

    Anbieter: HPB-Ruby, Dallas, TX, USAHPB-Ruby

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    paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

  • Sprache: Englisch

    Verlag: Wallflower Press, 2007

    1905674171 / 9781905674176

    Serie: Buch 16 von 52 - Directors' Cuts

    • Softcover

    Anbieter: Midtown Scholar Bookstore, Harrisburg, PA, USAMidtown Scholar Bookstore

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    paperback. Zustand: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

  • Sprache: Englisch

    Verlag: British Film Institute, 2023

    1839025417 / 9781839025419

    Serie: Buch 175 von 58 - BFI Film Classics

    • Softcover

    Anbieter: GreatBookPrices, Columbia, MD, USAGreatBookPrices

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    Zustand: Neu

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    Zustand: New.

  • Sprache: Englisch

    Verlag: Bloomsbury Publishing PLC, GB, 2023

    1839025417 / 9781839025419

    Serie: Buch 175 von 58 - BFI Film Classics

    • Softcover

    Anbieter: Rarewaves USA, HEBRON, KY, USARarewaves USA

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    Paperback. Zustand: New. Michael Cimino's The Deer Hunter was met with both critical and commercial success upon its release in 1978. However, it was also highly controversial and came to be seen as a powerful statement on the human cost of America's longest war and as a colonialist glorification of anti-Asian violence. Brad Prager's study of the film considers its significance as a war movie and contextualizes its critical reception. Drawing on an archive of contemporaneous materials, as well as an in-depth analysis of the film's lighting, mise-en-scène, multiple cameras and shifting depths of field, Prager examines how the film simultaneously presents itself as a work of cinematic realism, while problematically blurring the lines between fact and fiction. While Cimino felt he had no responsibility to historical truth, depicting a highly stylized version of his own fantasies about the Vietnam War, Prager argues that The Deer Hunter's formal elements were used to bolster his troubling depictions of war and race.Finally, comparing the film with later depictions of US-led intervention such as Albert and Allen Hughes's Dead Presidents (1995) and Spike Lee's Da Five Bloods (2020), Prager illuminates The Deer Hunter's major presumptions, blind spots and omissions, while also presenting a case for its classic status.

  • Sprache: Englisch

    Verlag: British Film Institute, 2023

    1839025417 / 9781839025419

    Serie: Buch 175 von 58 - BFI Film Classics

    • Softcover

    Anbieter: INDOO, Avenel, NJ, USAINDOO

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  • Sprache: Englisch

    Verlag: Bloomsbury Publishing PLC, 2023

    1839025417 / 9781839025419

    Serie: Buch 175 von 58 - BFI Film Classics

    • Softcover

    Anbieter: PBShop.store US, Wood Dale, IL, USAPBShop.store US

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    PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

  • Sprache: Englisch

    Verlag: British Film Institute, 2023

    1839025417 / 9781839025419

    Serie: Buch 175 von 58 - BFI Film Classics

    • Softcover

    Anbieter: GreatBookPrices, Columbia, MD, USAGreatBookPrices

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    Zustand: As New. Unread book in perfect condition.

  • Sprache: Englisch

    Verlag: Bloomsbury Publishing PLC, GB, 2023

    1839025417 / 9781839025419

    Serie: Buch 175 von 58 - BFI Film Classics

    • Softcover

    Anbieter: Rarewaves.com USA, London, LONDO, Vereinigtes KönigreichRarewaves.com USA

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    Paperback. Zustand: New. Michael Cimino's The Deer Hunter was met with both critical and commercial success upon its release in 1978. However, it was also highly controversial and came to be seen as a powerful statement on the human cost of America's longest war and as a colonialist glorification of anti-Asian violence. Brad Prager's study of the film considers its significance as a war movie and contextualizes its critical reception. Drawing on an archive of contemporaneous materials, as well as an in-depth analysis of the film's lighting, mise-en-scène, multiple cameras and shifting depths of field, Prager examines how the film simultaneously presents itself as a work of cinematic realism, while problematically blurring the lines between fact and fiction. While Cimino felt he had no responsibility to historical truth, depicting a highly stylized version of his own fantasies about the Vietnam War, Prager argues that The Deer Hunter's formal elements were used to bolster his troubling depictions of war and race.Finally, comparing the film with later depictions of US-led intervention such as Albert and Allen Hughes's Dead Presidents (1995) and Spike Lee's Da Five Bloods (2020), Prager illuminates The Deer Hunter's major presumptions, blind spots and omissions, while also presenting a case for its classic status.

  • Sprache: Englisch

    Verlag: Intellect Ltd, 2013

    1841505765 / 9781841505763

    • Softcover

    Anbieter: Midtown Scholar Bookstore, Harrisburg, PA, USAMidtown Scholar Bookstore

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    Paperback. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

  • Sprache: Englisch

    Verlag: British Film Institute, 2023

    1839025417 / 9781839025419

    Serie: Buch 175 von 58 - BFI Film Classics

    • Softcover

    Anbieter: Chiron Media, Wallingford, Vereinigtes KönigreichChiron Media

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    paperback. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

  • Sprache: Englisch

    Verlag: British Film Institute, 2023

    1839025417 / 9781839025419

    Serie: Buch 175 von 58 - BFI Film Classics

    • Softcover

    Anbieter: Majestic Books, Hounslow, Vereinigtes KönigreichMajestic Books

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  • Sprache: Englisch

    Verlag: Paragon House, 2019

    1557789363 / 9781557789365

    • Softcover

    Anbieter: GreatBookPrices, Columbia, MD, USAGreatBookPrices

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    Zustand: As New. Unread book in perfect condition.

  • Sprache: Englisch

    Verlag: Bloomsbury Publishing PLC, 2023

    1839025417 / 9781839025419

    Serie: Buch 175 von 58 - BFI Film Classics

    • Softcover

    Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes KönigreichPBShop.store UK

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    PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

  • Sprache: Englisch

    Verlag: Wallflower Press, London, 2007

    1905674171 / 9781905674176

    Serie: Buch 16 von 52 - Directors' Cuts

    • Softcover

    Anbieter: Fahrenheit's Books, Denver, CO, USAFahrenheit's Books

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    Verbandsmitglied: RMABA

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    Trade Paperback. Zustand: Very Good. Presumed First. Presumed first trade paperback w/FPu & NAP, has a tiny skew to the binding, slight bumps to spine ends and corners with a touch of creasing to corners, and some faint rubbing with a touch of edgewear to the covers, otherwise a solid, tight VG copy.

  • Sprache: Englisch

    Verlag: Intellect, Limited, 2013

    1841505765 / 9781841505763

    • Softcover

    Anbieter: Better World Books, Mishawaka, IN, USABetter World Books

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    Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

  • Sprache: Englisch

    Verlag: British Film Institute, 2023

    1839025417 / 9781839025419

    Serie: Buch 175 von 58 - BFI Film Classics

    • Softcover

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  • Sprache: Englisch

    Verlag: British Film Institute 2013-10-25, 2013

    1844576531 / 9781844576531

    Serie: Buch 89 von 58 - BFI Film Classics

    • Softcover

    Anbieter: Chiron Media, Wallingford, Vereinigtes KönigreichChiron Media

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    Paperback. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 5-6 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

  • Sprache: Englisch

    Verlag: Bloomsbury Publishing PLC, 2023

    1839025417 / 9781839025419

    Serie: Buch 175 von 58 - BFI Film Classics

    • Softcover

    Anbieter: Grand Eagle Retail, Bensenville, IL, USAGrand Eagle Retail

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    Paperback. Zustand: new. Paperback. Michael Ciminos The Deer Hunter was met with both critical and commercial success upon its release in 1978. However, it was also highly controversial and came to be seen as a powerful statement on the human cost of America's longest war and as a colonialist glorification of anti-Asian violence. Brad Prager's study of the film considers its significance as a war movie and contextualizes its critical reception. Drawing on an archive of contemporaneous materials, as well as an in-depth analysis of the films lighting, mise-en-scene, multiple cameras and shifting depths of field, Prager examines how the film simultaneously presents itself as a work of cinematic realism, while problematically blurring the lines between fact and fiction. While Cimino felt he had no responsibility to historical truth, depicting a highly stylized version of his own fantasies about the Vietnam War, Prager argues that The Deer Hunters formal elements were used to bolster his troubling depictions of war and race.Finally, comparing the film with later depictions of US-led intervention such as Albert and Allen Hughess Dead Presidents (1995) and Spike Lees Da Five Bloods (2020), Prager illuminates The Deer Hunters major presumptions, blind spots and omissions, while also presenting a case for its classic status. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

  • Sprache: Englisch

    Verlag: Boydell & Brewer/Camden House, 2019

    1640140387 / 9781640140387

    • Softcover
    • Erstausgabe

    Anbieter: zenosbooks, San Francisco, CA, USAzenosbooks

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    paperback. Zustand: Very Good in Wrappers. No Jacket. First Edition. Rochester. 2019. September 2019. Boydell & Brewer/Camden House. 1st American Edition. Very Good in Wrappers. 9781640140387. Camden House German Film Classics Volume 3. 30 color illustrations. 96 pages. paperback. keywords: Film Germany. DESCRIPTION - Christian Petzold's Phoenix (2014), a contemporary masterpiece from one of Germany's leading contemporary filmmakers, portrays a death-camp survivor's return to occupied Berlin just after the war has come to an end. Nelly, played by German film star Nina Hoss, returns badly wounded, her face covered in bandages, hoping that her German husband will still love her. Johnny fails to recognize her and instead offers her a role in an intricate criminal scheme. Petzold's film, which he scripted together with his frequent collaborator Harun Farocki, was an international success that has been widely compared with works by Alfred Hitchcock and Rainer Werner Fassbinder. This study explores the film's unique array of influences including the astonishingly wide range of films, novels, and memoirs on which its screenwriters drew. Its central argument concerns the film's integration of a long history of German-Jewish works and ideas-its attempt to confront its audience with a neglected tradition that included figures as diverse as Peter Lorre, Fred Zinnemann, and Hannah Arendt. Offering a close reading of the film's themes, compositions, and music alongside a film-historical contextualization, this book constitutes the most significant and thorough study of Phoenix to date. inventory #44786.

  • Sprache: Englisch

    Verlag: Wallflower Press, 2007

    1905674171 / 9781905674176

    Serie: Buch 16 von 52 - Directors' Cuts

    • Softcover

    Anbieter: MyLibraryMarket, Waynesville, OH, USAMyLibraryMarket

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    paperback. Zustand: As New. ***Please Read*** 2011 Reprinting - No marks on text - My shelf location - 16-e-19*.

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    Soft cover. Zustand: Near Fine. Near fine copy in softcover. Blue spine with white titles.

  • Sprache: Englisch

    Verlag: British Film Institute, 2023

    1839025417 / 9781839025419

    Serie: Buch 175 von 58 - BFI Film Classics

    • Softcover

    Anbieter: Brook Bookstore On Demand, Napoli, NA, ItalienBrook Bookstore On Demand

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  • Sprache: Englisch

    Verlag: Boydell and Brewer Ltd, US, 2019

    1640140387 / 9781640140387

    • Softcover

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    Paperback. Zustand: New. Offers not only a close reading but also a film-historical contextualization of Phoenix, constituting the most significant and thorough study of Petzold's film to date.Christian Petzold's Phoenix (2014), a masterpiece from one of Germany's leading contemporary filmmakers, portrays a death-camp survivor's return to occupied Berlin just after the war has come to an end. Nelly, played by German film star Nina Hoss, returns badly wounded, her face covered in bandages, hoping that her German husband will still love her. Johnny fails to recognize her and instead offers her a role in an intricate criminal scheme. Petzold's film, which he scripted together with his frequent collaborator Harun Farocki, was an international success that has been widely compared with works by Alfred Hitchcock and Rainer Werner Fassbinder. This study explores the film's unique array of influences including the vast range of films, novels, and memoirs on which its screenwriters drew. Its central argument concerns the film's integration of a long history of German-Jewish works and ideas-its attempt to confront its audience with a neglected tradition that included figures as diverse as Peter Lorre, Fred Zinnemann, and Hannah Arendt. Offering a close reading of the film's themes, compositions, and music alongside a film-historical contextualization, this book constitutes the most significant and thorough study of Phoenix to date. Brad Prager is Professor of German and Film Studies at the University of Missouri.

  • Sprache: Englisch

    Verlag: Boydell and Brewer Ltd, US, 2019

    1640140387 / 9781640140387

    • Softcover

    Anbieter: Rarewaves USA, HEBRON, KY, USARarewaves USA

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    Paperback. Zustand: New. Offers not only a close reading but also a film-historical contextualization of Phoenix, constituting the most significant and thorough study of Petzold's film to date.Christian Petzold's Phoenix (2014), a masterpiece from one of Germany's leading contemporary filmmakers, portrays a death-camp survivor's return to occupied Berlin just after the war has come to an end. Nelly, played by German film star Nina Hoss, returns badly wounded, her face covered in bandages, hoping that her German husband will still love her. Johnny fails to recognize her and instead offers her a role in an intricate criminal scheme. Petzold's film, which he scripted together with his frequent collaborator Harun Farocki, was an international success that has been widely compared with works by Alfred Hitchcock and Rainer Werner Fassbinder. This study explores the film's unique array of influences including the vast range of films, novels, and memoirs on which its screenwriters drew. Its central argument concerns the film's integration of a long history of German-Jewish works and ideas-its attempt to confront its audience with a neglected tradition that included figures as diverse as Peter Lorre, Fred Zinnemann, and Hannah Arendt. Offering a close reading of the film's themes, compositions, and music alongside a film-historical contextualization, this book constitutes the most significant and thorough study of Phoenix to date. Brad Prager is Professor of German and Film Studies at the University of Missouri.