Verlag: University of Exeter Press, 2007
ISBN 10: 0859897885 ISBN 13: 9780859897884
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Verlag: University of Exeter Press, 2014
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Verlag: University of Exeter Press, 2013
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Verlag: University of Exeter Press 2007-01, 2007
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In den WarenkorbPaperback. Zustand: New. Marking Time: Performance, archaeology and the city charts a genealogy of alternative practices of theatre-making since the 1960s in one particular city - Cardiff. In a series of five itineraries, it visits fifty sites where significant events occurred, setting performances within local topographical and social contexts, and in relation to a specific architecture and polity. These sites - from disused factories to scenes of crime, from auditoria to film sets - it regards as landmarks in the conception of a history of performance.Marking Time uses performance and places as a means to reflect on the character of the city itself - its history, its fabric and make-up, its cultural ecology and its changing nature. Weaving together personal recollections, dramatic scripts, archival records and documentary photographs, it suggests a new model for studying and for making performance.for other artistic practices.for other cities.Marking Time is an urban companion to the rural themes and fieldwork approaches considered in 'In Comes I': Performance, Memory and Landscape (University of Exeter Press, 2006).
Verlag: University Of Exeter Nov 2013, 2013
ISBN 10: 0859898768 ISBN 13: 9780859898768
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In den WarenkorbTaschenbuch. Zustand: Neu. Neuware - This book charts a genealogy of alternative practices of theatre-making since the 1960s in one particular city - Cardiff. In a series of five itineraries, it visits fifty sites where significant events occurred, setting performances within local topographical and social contexts, and in relation to a specific architecture and polity.
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In den WarenkorbPaperback. Zustand: New. Marking Time: Performance, archaeology and the city charts a genealogy of alternative practices of theatre-making since the 1960s in one particular city - Cardiff. In a series of five itineraries, it visits fifty sites where significant events occurred, setting performances within local topographical and social contexts, and in relation to a specific architecture and polity. These sites - from disused factories to scenes of crime, from auditoria to film sets - it regards as landmarks in the conception of a history of performance.Marking Time uses performance and places as a means to reflect on the character of the city itself - its history, its fabric and make-up, its cultural ecology and its changing nature. Weaving together personal recollections, dramatic scripts, archival records and documentary photographs, it suggests a new model for studying and for making performance.for other artistic practices.for other cities.Marking Time is an urban companion to the rural themes and fieldwork approaches considered in 'In Comes I': Performance, Memory and Landscape (University of Exeter Press, 2006).
Verlag: University of Exeter Press, 2013
ISBN 10: 085989875X ISBN 13: 9780859898751
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In den WarenkorbBuch. Zustand: Neu. Neuware - This book charts a genealogy of alternative practices of theatre-making since the 1960s in one particular city - Cardiff. In a series of five itineraries, it visits fifty sites where significant events occurred, setting performances within local topographical and social contexts, and in relation to a specific architecture and polity.
Verlag: University of Exeter Press, 2007
ISBN 10: 0859897885 ISBN 13: 9780859897884
Sprache: Englisch
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In den WarenkorbHardback. Zustand: New. Marking Time: Performance, archaeology and the city charts a genealogy of alternative practices of theatre-making since the 1960s in one particular city - Cardiff. In a series of five itineraries, it visits fifty sites where significant events occurred, setting performances within local topographical and social contexts, and in relation to a specific architecture and polity. These sites - from disused factories to scenes of crime, from auditoria to film sets - it regards as landmarks in the conception of a history of performance.Marking Time uses performance and places as a means to reflect on the character of the city itself - its history, its fabric and make-up, its cultural ecology and its changing nature. Weaving together personal recollections, dramatic scripts, archival records and documentary photographs, it suggests a new model for studying and for making performance.for other artistic practices.for other cities.Marking Time is an urban companion to the rural themes and fieldwork approaches considered in 'In Comes I': Performance, Memory and Landscape (University of Exeter Press, 2006).
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In den WarenkorbHardback. Zustand: New. Marking Time: Performance, archaeology and the city charts a genealogy of alternative practices of theatre-making since the 1960s in one particular city - Cardiff. In a series of five itineraries, it visits fifty sites where significant events occurred, setting performances within local topographical and social contexts, and in relation to a specific architecture and polity. These sites - from disused factories to scenes of crime, from auditoria to film sets - it regards as landmarks in the conception of a history of performance.Marking Time uses performance and places as a means to reflect on the character of the city itself - its history, its fabric and make-up, its cultural ecology and its changing nature. Weaving together personal recollections, dramatic scripts, archival records and documentary photographs, it suggests a new model for studying and for making performance.for other artistic practices.for other cities.Marking Time is an urban companion to the rural themes and fieldwork approaches considered in 'In Comes I': Performance, Memory and Landscape (University of Exeter Press, 2006).