professor carpenter (149 Ergebnisse)

Paperback. Zustand: Very Good. The two-and-a-half centuries after 1066 were momentous ones in the history of Britain. In 1066, England was conquered for the last time. The Anglo-Saxon ruling class was destroyed and and the English became a subject race, dominated by a Norman-French dynasty and aristocracy. This book shows how the English domination of the kingdom was by no means a foregone conclusion. The struggle for mastery in the book's title is in reality the struggle for different masteries within Great Britain. The book weaves together the histories of England, Scotland and Wales in a new way and argues that all three, in their different fashions, were competing for domination. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Zustand: Fine.

paperback. Zustand: Very Good.

paperback. Zustand: Good. Missmanufactored, with part of the cover bigger than the rest of the pages/ cover.

Hardcover. Zustand: Good. brown buff boards and red cloth spine, library stamped but little library wear and tear, some shelf wear, some minor wear to edges, cover and corners, few minor marks to cover, a good clean tight copy. the notes of a lectures delivered at Swansea university November 13th 1930. Ex-Library.

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Paperback. Zustand: New. The ludic element of drama in the Middle Ages - or drama with early subject matter - is here to the fore.Medieval English Theatre is the premier journal in early theatre studies. Its name belies its wide range of interest: it publishes articles on theatre and pageantry from across the British Isles up to the opening of the London playhouses and the suppression of the civic mystery cycles, and also includes contributions on European and Latin drama, together with analyses of modern survivals or equivalents, and of research productions of medieval plays.This edition combines, perhaps unexpectedly, royalty and games. Games of all kinds, from jousting and "Christmas games" to those usually associated with children, are shown, it is suggested, to be more than they at first appear. Apparently run-of-the-mill entertainments, when presented to the court by the Londoners, by the court to a visiting emperor , or by the retainers of royalty and nobility to the general public for commercial gain, turn out to have unexpected political resonances; while the potential underlying sadism of children's games gains a horrific immediacy when diverted to the torturing of Christ. Even today, the musical SIX says a great deal more about royalty and role-playing than initially might appear, especially when set against eye-witness accounts of the first meeting of Anna of Cleves with Henry VIII, and what modern novelists have made of it . In the process we learn a great deal more about the detail of these games, from the maskerie costumes of James VI and Anna of Denmark to the elaborate fantasy challenges of the jousters in 1400/1401, which incidentally suggest that fourteenth-century court culture, whose language was Anglo-French, is a major missing link in the history of what is usually treated as purely English literature.Contributors: Philip Bennett, Philip Butterworth, Sarah Carpenter, Elisabeth Dutton, James Forse, Gordon Kipling, Michael Pearce, Meg Twycross.

Paperback. Professor David Carpenter, Penguin Books Ltd. 'The Struggle for Mastery is a work of mature scholarship, which wears its learning lightly. Written with verve for specialist and non-specialist alike, it is a study that will last.' The Times Literary SupplementThe two-and-a-half centuries after 1066 were momentous ones in the history of Britain. In 1066, England was conquered for the last time. The Anglo-Saxon ruling class was destroyed and and the English became a subject race, dominated by a Norman-French dynasty and aristocracy. This book shows how the English domination of the kingdom was by no means a foregone conclusion.The struggle for mastery in the book's title is in reality the struggle for different masteries within Great Britain. The book weaves together the histories of England, Scotland and Wales in a new way and argues that all three, in their different fashions, were competing for domination. Paperback.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Facsimile reprint of an edition published in 1933. Jacket not price clipped with a little fading on the spine.

Paperback. Zustand: New. Newest research into drama and performance of the Middle Ages and Tudor period.Medieval English Theatre is the premier journal in early theatre studies. Its name belies its wide range of interest: it publishes articles on theatre and pageantry from across the British Isles up to the opening of the London playhouses and the suppression of the civic religious plays , and also includes contributions on European and Latin drama, together with analyses of modern survivals or equivalents, and of research productions of medieval plays.The papers in this volume explore richly interlocking topics. Themes of royalty and play continue from Volume 43. We have the first in-depth examination of the employment of the now-famous Black Tudor trumpeter, John Blanke, at the royal courts of Henry VII and Henry VIII. An entertaining survey of the popular European game of blanket-tossing accompanies the translation of a raucous, sophisticated, but surprisingly humane Dutch rederijkers farce. The Towneley plays remain fertile ground for further research, and this blanket-tossing farce illuminates a key scene of the well-known Second Shepherd's Play. New exploration of a colloquial reference to 'Stafford Blue' in another Towneley pageant, Noah, not only enlivens the play's social context but contributes to important current re-thinking of the manuscript's date. Two papers bring home the theatrical potential of food and eating. We learn how the Tudor interlude Jacob and Esau dramatises the preparation and provision of food from the Genesis story. Serving and eating meals becomes a means of social, theological, and theatrical manipulation. Contrastingly, in the N. Town Last Supper play and a French convent drama, we see how the bread of Passover, the Last Supper, and the Mass could be evoked, layered and shared in performance. In both these plays the audiences' experiences of theatre and of communion overlap and inform each other.

Zustand: New.

Zustand: new.

paperback. Zustand: Very Good.

Hardcover. Zustand: Fair. No Jacket. with a frontispiece in colour and seventeen text figures (illustrator). 1st Edition. Firmly bound blue-green cloth boards without a jacket, some bubbling of the surface of the front and back cover, title on the spine heavily rubbed, some tape residue and scuffing on the front and back paste downs.

Zustand: new.

Zustand: new.

Paperback. Zustand: New. Essays on the performance of drama from the middle ages, ranging from the well-known cycles of York to matter from Iran.Medieval English Theatre is the premier journal in early theatre studies. Its name belies its wide range of interest: it publishes articles on theatre and pageantry from across the British Isles up to the opening of the London playhouses and the suppression of the civic mystery cycles, and also includes contributions on European and Latin drama, together with analyses of modern survivals or equivalents, and of research productions of medieval plays. The articles here focus on civic theatre and display. Chester, York, Durham and Newcastle, and London. Practicalities are to the fore: what the Drawers of Dee actually did, how the actors in the York Corpus Christi Play knewwhat time it was, the difficulties presented to London pageantry by unauthorised house-extensions and horse-droppings. Even the stately entertainments of a royal tour by James VI and I featured (in Newcastle, of course) negotiationover the monopoly on coal disguised as a historical event in a play about King Alfred and Canute. Ranging further afield is an introduction to the living tradition of Iranian mystery plays, whose history and development have somethought-provoking parallels with those of medieval waggon plays in the West. Finally, the director and producer discuss their 2019 production of John Redford's Wit and Science by Edward's Boys, the first to be played by aboys' company since the sixteenth century.

Zustand: New.

Paperback. Zustand: New. Essays on aspects of early drama.Medieval English Theatre is the premier journal in early theatre studies. Its name belies its wide range of interest: it publishes articles on theatre and pageantry from across the British Isles up to the opening of the London playhouses and the suppression of the civic mystery cycles, and also includes contributions on European and Latin drama, together with analyses of modern survivals or equivalents, and of research productions of medieval plays. The articles in this fortieth volume engage with the key communities for early theatre: royalty, city and household, and religious institutions. Topics include the Royal Entry of Elizabeth Woodville into Norwich (1469); Henry VIII's Robin Hood entertainment for Catherine of Aragon; the sun's contribution to stage effects in the York Corpus Christi Play: the engagement with local worthies in Mankind; and the convent drama of Huy, in the Low Countries. Contributors: Aurélie Blanc, Philip Butterworth, Clare Egan, John Marshall, Olivia Robinson, Michael Spence, Meg Twycross.

Zustand: New.

Paperback. Zustand: New. Newest research into drama and performance of the middle ages.Medieval English Theatre is the premier journal in early theatre studies. Its name belies its wide range of interest: it publishes articles on theatre and pageantry from across the British Isles up to the opening of the London playhouses and the suppression of the civic mystery cycles, and also includes contributions on European and Latin drama, together with analyses of modern survivals or equivalents, and of research productions of medieval plays. This volume features essays on stagecraft, performance, and reception across a wide range of theatrical genres. Overlapping themes include a return to the York Corpus Christi Play, the practicalities of pageant waggon construction and maintenance, mechanical stage effects, international influences, East Anglian theatre and "folk" happenings, academic Latin drama, and private gentry festivities. Contributors include Jamie Beckett, Phil Butterworth, Peter Happé, James McBain, Tom Pettitt, James Stokes, and Diana Wyatt.

Zustand: New.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Shows some signs of wear but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.