Verlag: Black Dog Press, 2013
ISBN 10: 1908966106 ISBN 13: 9781908966100
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Paperback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.
Verlag: Afterall Books, 2019
ISBN 10: 1846381983 ISBN 13: 9781846381980
Anbieter: Bellwetherbooks, McKeesport, PA, USA
paperback. Zustand: Very Good. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting.
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Verlag: Black Dog Publishing London UK, 2012
ISBN 10: 1907317627 ISBN 13: 9781907317620
Anbieter: Y-Not-Books, Hereford, Vereinigtes Königreich
paperback. Zustand: Very Good. Bumped edges. Book is warped. Next day dispatch. International delivery available. 1000's of satisfied customers! Please contact us with any enquiries.
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Verlag: Steidl/Eskildsen, 2006
ISBN 10: 3865210910 ISBN 13: 9783865210913
Anbieter: medimops, Berlin, Deutschland
Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
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Mehr entdecken Hardcover Erstausgabe Signiert
Verlag: Cornerhouse Publications, Manchester, 1989
Anbieter: Derringer Books, Member ABAA, Avon, CT, USA
Erstausgabe
Paperback. Zustand: Near Fine. First edition. 4to. A near fine copy in bound wrappers. Collecting essays on photography by Anita Phillips, Karen Knorr, Yve Lomax and others.
Verlag: Association Musée d'Art Moderne, Geneva, 1982
Anbieter: The Glass Key, Montmorillon, Frankreich
Erstausgabe
Paperback. Zustand: Very Good. First edition. 4to (297 x 210mm). Unpaginated 40pp with text in English and French and b&w photographs throughout. A clean, unmarked copy in printed wrappers. The solid black wrappers are a touch scuffed and picked.
Verlag: Cornerhouse, Manchester, 1989
Anbieter: Antiquariat Das Zweitbuch Berlin-Wedding, Berlin-Wedding, Deutschland
Verbandsmitglied: GIAQ
Broschiert. Zustand: Sehr gut. 4°. Erste Auflage, Nicht paginiert. Original-Broschur. Sprache: Englisch, Mit zahlreichen Abbildungen. Frisches Exemplar. 600 Gramm.
Verlag: ROYAL COLLEGE OF ART,UK, 2005
Anbieter: S.Carter, NEWPORT, Vereinigtes Königreich
Erstausgabe
Soft cover. Zustand: Near Fine. 1st Edition. NEAR FINE COPY.VARIOUS ARTISTS WORKS AND ESSAY.3.
Verlag: Black Dog Press, 2014
ISBN 10: 1908966505 ISBN 13: 9781908966506
Anbieter: THE SAINT BOOKSTORE, Southport, Vereinigtes Königreich
Paperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days.
Verlag: Afterall, London, 2019
Anbieter: Antiquariat Alexander Kunz, Köln, Deutschland
1. Auflage. 94 Seiten. OBr., Oktav, 94 S.; tadellos erhaltenes Exemplar.
Paperback. Zustand: Near Fine. PAPERBACK. 700 copies. Pages are clean, binding is tight. Text block is clean. Spine is creased. Covers are clean and bright. Rubbing to corners, edges and ends of spine. Pictures available upon request.
Verlag: Society for Education in Film and Television, 1983
Anbieter: Shore Books, London, Vereinigtes Königreich
Magazin / Zeitschrift
Soft cover. Zustand: Very Good. 96 pages. Illustrated. Robert Stam and Louise Spence "Colonialism, Racism and Representation" / Irene Kotlarz "'The Birth Of A Notion' The Representation of Black People in Animated Vartoons" / Julianne Burton "The Politics Of Aesthetic Distance: The Presentation Of Representation in 'Sao Bernardo'" / Mick Eaton "Another Angle On Anthropological Film" / Teshome H Gabriel "Teaching Third World Cinema" / Janet Hawken and Chaim Litewski "Exploitation For Profit" / Sue Aspinall "A Weekend School On Cuban Cinema"Olivier Richon "Orientation" /George Foster "What Every 16 Year Old Should Know About The Mass Media" (BT#30).
Verlag: Mnchester Cornerhouse Publications ohne Jahr [], 1989
ISBN 10: 0948797355 ISBN 13: 9780948797354
Farbig illustriert originl-kartoniert; 4°; 112 unpaginierte Seiten; überwiegend farbig bebildert. Der Text mit farbigen Anstreichungen; sonst gutes Exemplar. Sprache: Englisch 620 gr.
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Verlag: Kehrer Verlag, 2019
ISBN 10: 3868289461 ISBN 13: 9783868289466
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: As New. Unread book in perfect condition.
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Verlag: Cornerhouse Publications/Aperture, 1990
ISBN 10: 0893814377 ISBN 13: 9780893814373
Anbieter: The Warm Springs Book Company, Fremont, CA, USA
Erstausgabe
Soft cover. Zustand: Good. 1st Edition. A good reading copy in pictorial wraps. Probable 1st printing with no additional printings listed. Some underlining and highlighting to several pages. Covers have general wear and creasing to the bottom front corner edge and the corresponding first pages of the text block. Some light fading to the book spine and the corresponding ~1/2 inch edge of the back cover. Overall, still a good reading copy with tight binding. Extensively illustrated. 4to; Unpaginated.
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Verlag: Stop 1995, 1995
Anbieter: Peter J. Hadley Bookseller ABA ILAB, Ludlow, Vereinigtes Königreich
Erstausgabe
Near Fine in publishers decorated wrappers. 1st edition. Illustrated throughout. ISBN 390050816X.
Verlag: Göttingen : Steidl, 2005
ISBN 10: 3865210910 ISBN 13: 9783865210913
Anbieter: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Deutschland
Erstausgabe
Zustand: Gut. 1. ed. 208 S. : überw. Ill. ; 29 cm. Sehr gutes Ex. - Englisch. - In his Little History of Photography, Walter Benjamin writes: 'No matter how artful the photographer, no matter how carefully posed his subject, the beholder feels an irresistible urge to search such a picture for the tiny spark of contingency, of the here and now, with which reality has (so to speak) seared the subject, to find the inconspicuous spot where in the immediacy of that long-forgotten moment the future nests so eloquently that we, looking back, may rediscover it. The 'inconspicuous spot' splits history open, exposing a lining of another time, an elsewhere, already seen. It's the after blow, the apres-coup, or in the original German nachträglichkeit, an inscription of the future re-reading of the past. This is the palimpsest: the overlay of nets of meaning, the unfolding of implication and significance. Meanings change; what was once immediately obvious becomes obscure, and other meanings accrue (pearl in the oyster), gradually, or else overtake the object, seizing it, in a sudden transformation. Something is preserved in these photographs, rescued from inevitable rot, but it's not whatever it was that these things once signified, imagining for the moment that a stable meaning may once have attached to these elements, these various and multiple things in the world. The residue of such transformations posits a time when these very photographs, no longer new, will themselves be regarded as old, a time when the multiple times and places of signification will be superimposed in the reading of the image. The question remains: what is the relation of that little reality (cepeu de realite) which sears the image, and what Barthes calls the third meaning? What does the inscription of time within the image have to do with the 'obtuse meaning', a meaning so recalcitrant, so awkward, so stupid, even? Maybe Benjamin's 'inconspicuous spot' of time is connected to the fetish, that insubstantial mark of a double movement, a double moment, moving towards representation (this takes the place of that) and at the same time, in the same movement, towards petrification (the memorial). Benjamin insists that 'any person, any object, any relationship can mean absolutely anything else', and these photographs are a monument to this idea. Olivier Richon produces a future out of the past, as his photographs move, like a pendulum, between representation and deathliness. The memorial stone covers up the scandal of a body, rotting, replacing putrid dissolution with smooth, unchanging stone. These photographs move in both directions at the same time: something is preserved and undone in the same moment. The excess, the supplement, the edge of the yellow velvet, the gleam on the knife, are as if ground out of the pressure of this double movement, extruded by the photograph. The edge of the velvet continues its lure, perpetually pulling the eye in to the image, producing a curiosity that doesn't end, a pleasure that remains. (Vorwort) ISBN 9783865210913 Sprache: Englisch Gewicht in Gramm: 1300 Originalleinen mit farb. illustr. Schutzumschlag.
Verlag: Kerber, 2020
ISBN 10: 373560613X ISBN 13: 9783735606136
Anbieter: booksXpress, Bayonne, NJ, USA
Hardcover. Zustand: new.
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Verlag: Steidl März 2006., 2006
ISBN 10: 3865210910 ISBN 13: 9783865210913
Anbieter: Antiquariat Michael Solder, Münster, NRW, Deutschland
Erstausgabe
4°, Olwd Ou. Zustand: Gut. 175 S. Erste Ausgabe ,- Druckfrisches Exemplar Sprache: Deutsch Gewicht in Gramm: 1200.
Gottingen, 2006. 175 pp. Col. photography. Hardcover, d./j.Signed by Olivier Richon.
Verlag: Groupe Lhoist Limelette, Belgium, 1995
Anbieter: Specific Object / David Platzker, New York, NY, USA
183 pp.; 30 x 27.3 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph on the photography collection of Groupe Lhoist in Belgium. Edited by Pauline de Laboulaye and Jacqueline de Ponton D'Amécourt. Introduction by Pierre Apraxine. Artists include Mac Adams, John Baldessari, Lothar Baumgarten, Bernd & Hilla Becher, Max Becher, Andrea Robbins, Barbara Bloom, Christian Boltanski, Rudolph Bonvie, Denis Brihat, Ellen Brooks, Victor Burgin, Jean-Marc Bustamante, Sophie Calle, Sarah Charlesworth, Pierre Cordier, Lili Dujourie, Jeanne Dunning, Sylvie Eyberg, Patrick Faigenbaum, Peter Fischli/David Weiss, Gunther Förg, Michel François, Peter Fraser, Adam Fuss, Lynn Geesaman, Gilbert & George, Nan Goldin, Rodney Graham, Andreas Gursky, Jan Henle, Craigie Horsfield, Alfredo Jaar, Louis Jammes, Jürgen Klauke, Karen Knorr, Wilmar Koenig, Suzanne Lafont, Marie-Jo Lafontaine, Louise Lawler, Richard Long, Urs Luthi, Robert Mapplethorpe, Guy Mees, Hélène Mugot, Vic Muniz, Bruce Nauman, Luigi Ontani, Pierre & Gilles, Sigmar Polke, Richard Prince, Olivier Richon, Gerhard Richter, David Robbins, Michal Rovner, Thomas Ruff, Andres Serrano, Cindy Sherman, Laurie Simmons, Seton Smith, Thomas Struth, Hiroshi Sugimoto, jan Vercruysse, Didier Vermeiren, Not Vital, Jeff Wall, Boyd Webb, William Wegman, and James Welling. Text in French. Good. Moderate sunning and discoloration of covers, rubbing of cover edges, and bumping of bottom right corner. Light dust soiling of text block edge, contents clean and unmarked.
cartonato illustrato. Zustand: in ottimo stato. testi di Luca Massimo Barbero, Walter Guadagnini e Filippo Maggia. Pagine: 64 a colori. Lingua: ital./ingl.
Verlag: Gost Books, 2013
ISBN 10: 0957427263 ISBN 13: 9780957427266
Anbieter: ANARTIST, New York, NY, USA
Hardcover without dustjacket as issued, unpaginated, in English, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.
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Mehr entdecken Hardcover Erstausgabe
Verlag: Block Collective, Middlesex Polytechnic (London and Hertfordshire), 1985
Anbieter: David Bunnett Books, London, Vereinigtes Königreich
Erstausgabe
SOFTCOVER. 1st Edition. Quarto size (4to) in photo illustrated wrappers, 62pp, illustrations in text, etc CONDITION: A well preserved very clean and tight FINE copy ] ._ ._We Ship in PROTECTIVE CARD PARCELS.
Verlag: Göttingen. Steidl. 2006., 2006
Anbieter: Buch + Foto Marie-Luise Platow, Hilden, Deutschland
Leineneinband mit illustriertem OSchutzumschlag. 176 Seiten mit zahlreichen Farbfotoabbildungen. Format 24,5 x 28,5 cm. Sehr gutes Exemplar, wie unbenutzt. Edited by Ute Eskildsen. "Olivier Richon beschäftigt sich mit Themen wie der Sehnsucht nach dem Exotischen, der Freude am Nachahmen, der Bedeutung eines Gegenstands im Stilleben, Zitaten und Aneignungen aus der Kunstgeschichte. Auf seinen anti-naturalistischen Bildern ist die Zeit stehengeblieben. Sie widmen sich dem traumartigen Wesen der Darstellung als gleichsam gefrorene Tableaus. Sie wollen langsam, wie Hieroglyphen entziffert werden und verweigern sich doch einer bestimmten Interpretation. Dieses Buch zieht die Summe aus Richons Schaffen der letzten zwanzig Jahre". (Der Verleger).
Verlag: Göttingen. Steidl u. Eskildsen., 2006
Anbieter: Antiquariat Querido - Frank Hermann, Düsseldorf, NRW, Deutschland
Erste Auflage. 4°. 175 S. OLeinen mit OUmschlag. Verlagsfrisches, neuwertiges Exemplar. Mit einem Text von Leslie Dick (in Englisch). Durchgehend mit farbigen Abbildungen versehen.
Verlag: Exit, 2006
Anbieter: castlebooksbcn, Barcelona, Spanien
Magazin / Zeitschrift
Encuadernación de tapa blanda. Zustand: Muy bien. Zustand des Schutzumschlags: Muy bien. "Todos los animales habitamos un mismo mundo, pero los hombres estamos expulsando, humillando y destruyendo, a los animales de este mundo ideal". EXIT #22 Viviendo con animales, es un homenaje fotográfico al mundo animal ya que, los animales, no sólo han sido fieles compañeros a lo largo de la historia sino un motivo iconográfico constante en la historia del arte. Avestruces, perros, zorros, elefantes, leones, gorilas y otros muchos animales más son los protagonistas esta vez. El editorial Viviendo con animales y los cuentos de Javier Tomeo (Matías y su león, Andrés y sus focas, La gallina contestataria o Mastines y cucarachas, entre otros) son los textos que articulan este número en el que destacan los dossieres de Karen Knorr, Sugimoto, William Wegman, Mireya Masó, Richard Billingham, Roger Ballen, Jochen Lempert y Richard Ross. Otros artistas participantes son: Eduardo Balanza, James Balog, Valérie Belin, Nick Brandt, Balthasar Burkhard, Charlotte Dumas, Manel Esclusa, Maria Friberg, Amparo Garrido, Robert Gligorov, Jack Goldstein, Iosif Kiraly, Oleg Kulik, Óscar Molina, Javier Morán, Jean Luc Mylaine, Paloma Navares, Paola Pivi, Bettina Rheims, Olivier Richon, Richard Ross, Eduardo Sourrouille, João Tabarra, Rosemarie Trockel y Alexandra Vogt.
Verlag: Salvo, London, England, 2000
ISBN 10: 1902303075 ISBN 13: 9781902303079
Anbieter: Read Books, Los Angeles, CA, USA
Erstausgabe
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition. Printed in a limited edition of 300 copies. 88 pages. Text in English & French. Beautiful color photographs of animals in English countryside. An allegory of representation where animals become models & actors. Dust jacket, protected by mylar cover, is bright & unclipped. Red/pink cloth boards are clean & square. Binding tight. Text clean & unmarked. No rips or tears. Lovely, scarce copy. Looks almost new.
Verlag: Steidl, Gottingen, Germany, 2006
Anbieter: Karol Krysik Books ABAC/ILAB, IOBA, PBFA, Toronto, ON, Kanada
Signiert
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Hardcover. Autographed. Fine in a Fine dust jacket. Signed by Olivier Richon.
Verlag: Kehrer Verlag, 2019
Anbieter: Collectors Bookstore, Antwerpen, Belgien
Erstausgabe
Hardcover. Zustand: Fine. First Edition. First Edition thus. I like you, I like you a lot Special Collection by Alicja Dobrucka; Olivier Richon. Published by Kehrer Verlag in 2019. Hardcover. I like you, I like you a lot is a personal work about family and the experience of death and mourning. It responds to the tragic loss of the photographer's 13-year-old brother Maks, who drowned while on a scout's trip in 2008 in Poland. The pictures reveal the sequence of events in the aftermath of the tragedy. Alicja Dobrucka's camera became a protecting shield from the brutal reality of a helpless situation. The deceased brother and his closest friends formed a small group. Dressed in uniforms o. Collectible item in very fine condition.