Rina youngner (38 Ergebnisse)

Zustand: Good. Copyright 1989. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover. Zustand: VG- but museum ex-lib. copy. Glossy white wraps with green lettering; 24-page booklet with 7 bw illustrations and 12 individual color plates in separate pocket at back. Includes an essay about Gorson and the mills of Pittsburgh and a second essay just about the artist. The color plates are reproductions of the ones on display and for sale at the gallery in January 1990. Includes a checklist with prices.…

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paper Back. Zustand: Very Good.

Pamphlet. Zustand: Very Good+. No Dust Jacket. First Edition; First Printing. Bound essay, very slight edge rubbing, minor vertical crease on cover. Errata, acknowledgement broadsides, 4 page checklist of exhibition, and 9 color plates, all in rear folder. LETTER FROM AUTHOR laid inside, on her personal stationery. ; Square 8vo 8" to 9" tall; 20 pages.…

Zustand: New.

Zustand: New. Brand New.

Zustand: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Softcover. Zustand: Fine. Cream stapled wraps. 24 pp. 8 bw illus. within text. 12 color plates tucked into pocket at rear. Consists of an illustrated essay by Rina Youngner. 12 color plates are tucked into pocket in rear.

Paperback. Zustand: new. Paperback. Industry in Art examines the artists, contexts, and societal factors that influenced the depiction of Pittsburgh industry and labor from the early nineteenth century to the early twentieth century through a variety of art forms that include illustration, painting, and graphic art. In the early nineteenth century, most fine artists avoided depicting industry, though David Gilmore Blythe and William C. Wall portrayed the environmental changes caused by industrial growth. By the last quarter of the century, however, national weekly magazines illustrated Pittsburgh's smoking industrial complexes as symbols of industrial might populated by stoic, working-class heroes working with fire. Commercial artists created graphic images of modern technology for topographic prints, advertising, and national magazines that helped shape America's perception of Pittsburgh as both an industrial giant and the City of the Future. Depictions in Harper's Weekly and Frank Leslie's Illustrated Newspaper renderings of the railroad strike of 1877 and the Homestead strike of 1892, and Joseph Stella's and Lewis Hine's portrayals of mill workers for the Pittsburgh Survey in the early twentieth century focused on industrial workers as angry strikers and as immigrants struggling to earn a living. It was not until the end of the century that industry became acceptable in high art, as the Carnegie Institute brought European art and artists to Pittsburgh with its yearly International exhibits and Aaron Gorson discovered the dramatic effect of steel mills at night. Industry in Art presents an in-depth analysis of how sociological elements affected both artists and imagery. As perceptions of industry changed over time, artists reflected and shaped America's attitudes toward industry and labor in the nineteenth century. Youngner examines the transformation of the depiction of industry in 19th century Pittsburgh from environmental nuisance to an idealized glorification of industrial might, in both fine art and illustration. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

soft. Zustand: fine. Zustand des Schutzumschlags: nj. looks unread.

Soft cover. Zustand: Very Good. Spanierman Gallery, New York, 1989. Softcover, 22 pp. plus enclosures. Small exhibition catalog with 12 loose color plates and an exhibition checklist tucked inside the rear pocket of the book. The art of Lithuania-born American artist Aaron Henry Gorson. Very good condition with faint spotting of wraps.…

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. 2006. Paperback. . . . . .

Soft cover. Zustand: Near Fine. 1st Edition. [20] pp. ; bw plates and frontis: folded gallery slip with list of works as well as full set of 10 color laid in plates included in rear sleeve. : Some bumping to wraps, else Fine and unmarked. Plates in excellent condition (one plate has several small scuffs to margins). : Well packaged, ships with tracking.…

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. PUBLISHER: University of Pittsburgh Press DATE/EDITION: 2006, First Edition (1-10) BINDING: Hardbound in blue cloth with gold lettering on the spine, 188 pages DUST JACKET: The jacket is in near fine condition, very bright and clean with no rips or chips and in a protective cover. BOOK CONDITION: The book is also near fine with sharp corners and bright lettering on very clean covers. The binding is tight and the interior is very clean and unmarked. DESCRIPTION: Illustrated throughout.…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition. 188pp. Illustrations in black and white throughout, some in color. A near fine copy in a near fine dust jacket. Size: Large 8vo (9.75" tall).

Paperback. Zustand: Brand New. 1st edition. 200 pages. 9.30x6.80x0.50 inches. In Stock.

Zustand: As New. Unread book in perfect condition.

Zustand: New. 2006. Paperback. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Very Good Plus. Near Fine. Jacket has some mild sunning and the spine has a slight lean.

Zustand: Good. Staple-bound 8vo. 24 pp. Ill. black & white, with 12 glossy color plates laid in (21 x 16 cm) printed by Waser Druck, Zurich. NF.

Zustand: New.

Zustand: New. pp. 200.

Zustand: New. pp. 200 94 Illus. (8 Col.).

hardcover. Zustand: Very Good. writing on first blank page in pen from prev owner. otherwise unmarked - rw.

Taschenbuch. Zustand: Neu. Neuware - Industry in Art examines the artists, contexts, and societal factors that influenced the depiction of Pittsburgh industry and labor from the early nineteenth century to the early twentieth century through a variety of art forms that include illustration, painting, and graphic art. In the early nineteenth century, most fine artists avoided depicting industry, though David Gilmore Blythe and William C. Wall portrayed the environmental changes caused by industrial growth. By the last quarter of the century, however, national weekly magazines illustrated Pittsburgh's smoking industrial complexes as symbols of industrial might populated by stoic, working-class heroes working with fire. Commercial artists created graphic images of modern technology for topographic prints, advertising, and national magazines that helped shape America's perception of Pittsburgh as both an industrial giant and the 'City of the Future.' Depictions in Harper's Weekly and Frank Leslie's Illustrated Newspaper renderings of the railroad strike of 1877 and the Homestead strike of 1892, and Joseph Stella's and Lewis Hine's portrayals of mill workers for the Pittsburgh Survey in the early twentieth century focused on industrial workers as angry strikers and as immigrants struggling to earn a living. It was not until the end of the century that industry became acceptable in high art, as the Carnegie Institute brought European art and artists to Pittsburgh with its yearly International exhibits and Aaron Gorson discovered the dramatic effect of steel mills at night. Industry in Art presents an in-depth analysis of how sociological elements affected both artists and imagery. As perceptions of industry changed over time, artists reflected and shaped America's attitudes toward industry and labor in the nineteenth century. …