Verlag: Peter Lang AG, Internationaler Verlag der Wissenschaften, 2005
ISBN 10: 3039102923 ISBN 13: 9783039102921
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In den WarenkorbZustand: Very Good. Very Good condition. Volume 35. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
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Verlag: Peter Lang AG, Internationaler Verlag der Wissenschaften, 2005
ISBN 10: 3039102923 ISBN 13: 9783039102921
Sprache: Englisch
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Verlag: Peter Lang AG, Internationaler Verlag der Wissenschaften, 2005
ISBN 10: 3039102923 ISBN 13: 9783039102921
Sprache: Englisch
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Verlag: Peter Lang AG, Internationaler Verlag der Wissenschaften, 2005
ISBN 10: 3039102923 ISBN 13: 9783039102921
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Verlag: Peter Lang AG, Internationaler Verlag der Wissenschaften, 2005
ISBN 10: 3039102923 ISBN 13: 9783039102921
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Verlag: Peter Lang AG, Internationaler Verlag der Wissenschaften, 2005
ISBN 10: 3039102923 ISBN 13: 9783039102921
Sprache: Englisch
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Verlag: Peter Lang AG, Internationaler Verlag der Wissenschaften, 2005
ISBN 10: 3039102923 ISBN 13: 9783039102921
Sprache: Englisch
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ISBN 10: 3039102923 ISBN 13: 9783039102921
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In den WarenkorbTaschenbuch. Zustand: Neu. Neuware -During the mid-nineteenth century, Charlotte Birch-Pfeiffer pursued a fifty-year career as a playwright and theater manager in Germany, Austria, and Switzerland at a time of the transformation of court theaters and itinerant troupes into commercial establishments staffed by middle-class professionals and subject to market forces. Although she has been undervalued by some critics past and present who considered her mainly as an adapter of contemporary novels, this study shows that with her thorough knowledge of the European dramatic tradition, her skill as a playwright, and above all her professionalism she overcame institutional and gender bias to develop a form of drama that integrated the social and economic changes of her time. The analysis focuses on her use of the subversive genre of comedy, the strategies she used to evade the censor, and her employment of assertive female and working-class characters. She revived commedia dell¿arte techniques of the past while devising innovations that anticipated the subsequent course of drama as well as the film techniques of today. 244 pp. Englisch.
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In den WarenkorbTaschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - During the mid-nineteenth century, Charlotte Birch-Pfeiffer pursued a fifty-year career as a playwright and theater manager in Germany, Austria, and Switzerland at a time of the transformation of court theaters and itinerant troupes into commercial establishments staffed by middle-class professionals and subject to market forces. Although she has been undervalued by some critics past and present who considered her mainly as an adapter of contemporary novels, this study shows that with her thorough knowledge of the European dramatic tradition, her skill as a playwright, and above all her professionalism she overcame institutional and gender bias to develop a form of drama that integrated the social and economic changes of her time. The analysis focuses on her use of the subversive genre of comedy, the strategies she used to evade the censor, and her employment of assertive female and working-class characters. She revived commedia dell'arte techniques of the past while devising innovations that anticipated the subsequent course of drama as well as the film techniques of today.
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In den WarenkorbTaschenbuch. Zustand: Neu. The Art of Comedy and Social Critique in Nineteenth-Century Germany | Charlotte Birch-Pfeiffer (1800-1868) | Rinske Pritchett | Taschenbuch | Kartoniert / Broschiert | Englisch | 2005 | Peter Lang | EAN 9783039102921 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.
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In den WarenkorbTaschenbuch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -During the mid-nineteenth century, Charlotte Birch-Pfeiffer pursued a fifty-year career as a playwright and theater manager in Germany, Austria, and Switzerland at a time of the transformation of court theaters and itinerant troupes into commercial establishments staffed by middle-class professionals and subject to market forces. Although she has been undervalued by some critics past and present who considered her mainly as an adapter of contemporary novels, this study shows that with her thorough knowledge of the European dramatic tradition, her skill as a playwright, and above all her professionalism she overcame institutional and gender bias to develop a form of drama that integrated the social and economic changes of her time. The analysis focuses on her use of the subversive genre of comedy, the strategies she used to evade the censor, and her employment of assertive female and working-class characters. She revived commedia dell'arte techniques of the past while devising innovations that anticipated the subsequent course of drama as well as the film techniques of today. 244 pp. Englisch.
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In den WarenkorbKartoniert / Broschiert. Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. During the mid-nineteenth century, Charlotte Birch-Pfeiffer pursued a fifty-year career as a playwright and theater manager in Germany, Austria, and Switzerland at a time of the transformation of court theaters and itinerant troupes into commercial establis.