robert rauschenberg (Mehr als 1.100 Ergebnisse)

Zustand: As New. Unread book in perfect condition.

Zustand: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.

paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

hardcover. Zustand: Very Good.

Hardcover. Zustand: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Hardcover. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Zustand: Acceptable. Damaged binding. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Softcover, 48 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

366 pp.; 25.3 x 20.3 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Critical theory text documenting "The New York School" by Irving Sandler. Artists include Elaine de Kooning, Robert Rauschenberg, Jasper Johns, Larry Rivers, Grace Hartigan, Alex Katz, Philip Pearlstein, Marcel Duchamp, John Cage, Allan Kaprow, Red Grooms, Claes Oldenburg, Jim Dine, Ellsworth Kelly, Morris Louis, Kenneth Noland, Al Held, Richard Stankiewicz, Joan Mitchell, John Chamberlain, and Mark di Suvero. Includes index, appendix, and bibliography. Good. Dusting and rubbing of covers and edge-wear including light bumping of corners. Previous owners name stamp on inside front cover. 4.5 cm. area of number stamping to first page. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New.

Paperback. Zustand: Good. Zustand des Schutzumschlags: No Jacket As Issued. Rauschenberg, Robert (illustrator). Second edition / 1st Printing. Second edition / First printing. Good, Old price sticker on front cover, slight over-all soiling to covers. 22 x 20cm. soft cover. 87pp. Size: 8vo - over 7¾" - 9¾". Book.

Softcover, 170 pages, very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Zustand: Very Good. American ed. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Trade Paperback. Zustand: Used Very Good. Light wear to cover, slightly bumped corners, pages clean and unmarked. Firefly sells new and used books through our store front. We try to add a detailed description to as many titles as possible. If you have questions regarding this title, please contact us. Photos available on request.

Trade Paperback. Zustand: Used - Very Good. Robert Rauschenberg made a tremendous impact on Modern art in the twentieth century. As a pioneer of Pop art, he was a key figure in the postwar tradition that brought American art to the forefront of the international scene. This new volume in the 'MoMA Artist Series,' which explores important artists and favorite works in the collection of The Museum of Modern Art, guides readers through a dozen of the artist's most memorable achievements. A short and lively essay by Carolyn Lanchner, a former curator of painting and sculpture at the Museum, accompanies each work, illuminating its significance and placing it in its historical moment in the development of Modern art and the artist's own life. This volume provides a unique overview of someone who shaped the development of American art since mid-century and is an excellent resource for readers interested in the stories behind the masterpieces of the Modern canon.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. xxv, 297p., prefce, reader's guide, prologue, network diagrams, narrators, notes, index, b&w photos and 15 color plates, very good first edition in boards and unclipped dj. The Columbia Oral History Series edited by Mary Marshal Clark, Amy Starecheski, Kimberly Springer & Peter Bearman.

Paperback. Zustand: Good. torn/chipped dj, some wear, still NICE - may have remainder mark or previous owner's name Oversized.

Paperback. First edition. Fine/As New paperback with a small abrasion at one tip of the back cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The catalogue for an exhibition of collaged photographs by Robert Rauschenberg, held at the PaceWildenstein Gallery, January 11 - February 16, 2008. Three statements by the artist. 46 pages; 18 full-page color plates; 11.25 x 9.25 inches. List of plates.

Paperback. Zustand: Fine. 163 pages, illustrations; 24 cm. October Files 4. Tight, clean copy. *** "Critical essays on the artist Robert Rauschenberg, focusing on the important period of his development in the 1950s and 1960s. From the moment art historian Leo Steinberg championed his work in opposition to Clement Greenberg's rigid formalism, Robert Rauschenberg has played a pivotal role in the development and understanding of postmodern art. Challenging nearly all the prevailing assumptions about the visual arts of his time, he pioneered the postwar revival of collage, photography, silkscreen, technology, and performance. This book focuses on Rauschenberg's work during the critical period of the 1950s and 1960s. It opens with a newly prefaced version of Leo Steinberg's 'Reflections on the State of Criticism,' the first published version of his famous 1972 essay, 'Other Criteria,' which remains the single most important text on Rauschenberg. Rosalind Krauss's 'Rauschenberg and the Materialized Image' builds on Steinberg's essay, arguing that Rauschenberg's work represents a decisive shift in contemporary art. Douglas Crimp's 'On the Museum's Ruins' examines Rauschenberg's silkscreens in the context of the modern museum. Helen Molesworth's 'Before Bed' uses psychoanalytic and economic structures to examine the artist's Black Paintings of the early 1950s. A second essay by Krauss, 'Perpetual Inventory,' revisits both her and Steinberg's articles of nearly twenty-five years earlier. Finally, Branden Joseph's 'A Duplication Containing Duplications' views Rauschenberg's silkscreens in relation to the artist's interests in technology, particularly television." - Publisher. *** CONTENTS: Preface to "Reflections . . .", by Branden W. Joseph; Reflections on the state of criticism (1972), by Leo Steinberg; Rauschenberg and the materialized image (1974), by Rosalind Krauss; On the museum's ruins (1980), by Douglas Crimp; Before Bed (1993), by Helen Molesworth; Perpetual inventory (1997), by Rosalind Krauss; A duplication containing duplications (2001), by Branden W. Joseph. Size: 8vo.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st. xxv, 297 pages, [16] pages of plates, illustrations (chiefly colour); 25 cm. The Columbia Oral History Series. Tight, clean copy. Dust jacket protected in a mylar cover. A fine copy of the first printing. *** "Robert Rauschenberg (1925-2008) was a breaker of boundaries and a consummate collaborator. He used silk-screen prints to reflect on American promise and failure, melded sculpture and painting in works called combines, and collaborated with engineers and scientists to challenge our thinking about art. Through collaborations with John Cage, Merce Cunningham, and others, Rauschenberg bridged the music, dance, and visual-art worlds, inventing a new art for the last half of the twentieth century. Robert Rauschenberg is a work of collaborative oral biography that tells the story of one of the twentieth century's great artists through a series of interviews with key figures in his life--family, friends, former lovers, professional associates, studio assistants, and collaborators. The oral historian Sara Sinclair artfully puts the narrators' reminiscences in conversation, with a focus on the relationship between Rauschenberg's intense social life and his art. The book opens with a prologue by Rauschenberg's sister and then shifts to New York City's 1950s and '60s art scene, populated by the luminaries of abstract expressionism. It follows Rauschenberg's eventual move to Florida's Captiva Island and his trips across the globe, illuminating his inner life and its effect on his and others' art. The narrators share their views on Rauschenberg's work, explore the curatorial thinking behind exhibitions of his art, and reflect on the impact of the influx of money into the contemporary art market. Included are artists famous in the own right, such as Laurie Anderson and Brice Marden, as well as art-world insiders and lesser-known figures who were part of Rauschenberg's inner circle." - Publisher. *** CONTENTS: Small world; Collaborations; 381 lafayette street; Captiva; Travelogue; Rauschenberg overseas culture interchange [ROCI]; Curating and installations; An expanding American art market; No one wanted it to end. Size: 8vo. Collectible.

Soft cover. Zustand: Very Good. 1st Edition. A lovely clean crisp uncracked softcover copy in very good condition; mild edgewear at spine and corners. PLEASE NOTE: OVERSIZED ITEM, NO INTERNATIONAL SHIPPING ON AMAZON, INTERNATIONAL CUSTOMERS PLEASE ORDER THROUGH ABEBOOKS.COM.

No Binding. Zustand: Good. Postcard in good condition, unmailed, with a little writing on reverse. Cards are sent in stiff mailers. Postcard.

No Binding. Zustand: Very Good. Postcard in Very Good condition, with minor marks on reverse. Unmailed. Cards are sent in stiff mailers. Postcard.

No Binding. Zustand: Very Good. Postcard in Very Good condition, with minor marks on reverse. Unmailed. Cards are sent in stiff mailers. Postcard.

No Binding. Zustand: Very Good. Postcard in Very Good condition, with minor marks on reverse. Unmailed. Cards are sent in stiff mailers. Postcard.

No Binding. Zustand: Very Good. Postcard in Very Good condition, with minor marks on reverse. Unmailed. Cards are sent in stiff mailers. Postcard.

No Binding. Zustand: Very Good. Postcard in Very Good condition, with minor marks on reverse. Unmailed. Cards are sent in stiff mailers. Postcard.