Rocca anthony (25 Ergebnisse)

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Taschenbuch. Zustand: Neu. Neuware - The central idea behind the disORDER series is guided by a simple question: How do people organize a seemingly disordered world Photographers hold a unique relationship to this question because they freeze moments in time. They isolate fragments of reality that would have otherwise disappeared. They preserve the brief interaction of light, space, emotion, time, and memory. In that act, something happens. As the shutter clicks, photographers decide which moments linger and which collapse into nothingness. But disORDER is not simply about documenting or organizing a world out of order. It is an exploration of the many ways people choose to see, interpret, or capture a moment. The series examines not only what creatives look at, but how they look, and the emotional kick those images can have. disORDER focuses on the visual impact of images through the spirit of are, bure, boke-'grainy, blurry, out-of-focus.' The aesthetic was pioneered by members of the Japanese Provoke movement in the late 1960s as both a rejection of rigid photographic conventions and a response to the political and social unrest of their time. Their work challenged the idea that photography needed to be technically perfect in order to be truthful. In the context of this book, are, bure, boke expands beyond style alone. It is a spectrum of approaches: artistic instinct, emotional distortion, raw documentation, experimentation, and resistance against the modern obsession with technical perfection. disORDER arrives at a time when camera technology increasingly pushes photographers toward faster speeds, sharper focus, and extreme resolution. Yet human experience itself is rarely so precise. We all see differently. We remember differently. We feel differently. This collection embraces images that disrupt visual expectation. Some photographs are grainy, blurred, fractured, or all three. Others appear unexpectedly clean or sharply in focus-almost out of place amongst the surrounding work. Together, they question what the concept of photographic 'norm' even is. The photographers included in this volume each lend their vision to shape the medium and challenge the boundaries of how a moment can be represented.…

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Quer-4°, 239 S., zahlr. Abb., Kart. m. OU, Tadell. Mt ausführlicher Widmung von Bundesrat Georges-André Chevallaz als Dank für die Einladung an das Sechseläuten 1996 durch die Zunft zur Meisen. (edion francais). 2200 gr. Schlagworte: Militaria-Waffen, Helvetica - Zürich.

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PML éditions - 1994 - In-4 à l'italienne couverture cartonnée marron avec titre en doré au dos, sous jaquette illustrée de l'éditeur - 239 pages - Nombreuses reproductions photographiques en couleurs et N&B, in et hors-texte, dans l'ouvrage Bon état - Frottements sur la jaquette avec de petites déchirures sans manque sur les tranches.…

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Hardcover. Zustand: new. Hardcover. 'To err is human'. As a material and mechanical process, early printing made no exception to this general rule. Against the conventional wisdom of a technological triumph spreading freedom and knowledge, the history of the book is largely a story of errors and adjustments. Various mistakes normally crept in while texts were transferred from manuscript to printing formes and different emendation strategies were adopted when errors were spotted. In this regard, the'Gutenberg galaxy' provides an unrivalled example of how scholars, publishers, authors and readers reacted to failure: they increasingly aimed at impeccability in both style and content, developed timeand money-efficient ways to cope with mistakes, and ultimately came to link formal accuracy with authoritative and reliable information. Most of these features shaped the publishing industry until the present day, in spite of mounting issues related to false news and approximation in the digital age.Early modern misprinting, however, has so far received only passing mentions in scholarship and has never been treated together with proofreading in a complementary fashion.Correction benefited from a somewhat higher degree of attention, though check procedures in print shops have often been idealised as smooth and consistent. Furthermore, the emphasis has fallen on thepeople involved and their intervention in the linguistic and stylistic domains, rather than on their methodologies for dealing with typographical and textual mistakes.This book seeks to fill this gap in literature, providing the first comprehensive and interdisciplinary guide into the complex relationship between textual production in print, technical and human faults and more or less successful attempts at emendation. The 24 carefully selected contributors present newevidence on what we can learn from misprints in relation to publishers' practices, printing and pre-publication procedures, and editorial strategies between 1450 and 1650. They focus on texts, images andthe layout of incunabula, sixteenth- and early seventeenth-century books issued throughout Europe, stretching from the output of humanist printers to wide-ranging vernacular publications. The history of the book may be a technological triumph, spreading freedom and knowledge, but it also a story of errors and adjustments. When printing runs flawlessly, we see little of its process. But misprints and in-house corrections offer us the unique chance to witness aspects of the printing process that would otherwise remain invisible. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Zustand: new. Hardcover. 'To err is human'. As a material and mechanical process, early printing made no exception to this general rule. Against the conventional wisdom of a technological triumph spreading freedom and knowledge, the history of the book is largely a story of errors and adjustments. Various mistakes normally crept in while texts were transferred from manuscript to printing formes and different emendation strategies were adopted when errors were spotted. In this regard, the'Gutenberg galaxy' provides an unrivalled example of how scholars, publishers, authors and readers reacted to failure: they increasingly aimed at impeccability in both style and content, developed timeand money-efficient ways to cope with mistakes, and ultimately came to link formal accuracy with authoritative and reliable information. Most of these features shaped the publishing industry until the present day, in spite of mounting issues related to false news and approximation in the digital age.Early modern misprinting, however, has so far received only passing mentions in scholarship and has never been treated together with proofreading in a complementary fashion.Correction benefited from a somewhat higher degree of attention, though check procedures in print shops have often been idealised as smooth and consistent. Furthermore, the emphasis has fallen on thepeople involved and their intervention in the linguistic and stylistic domains, rather than on their methodologies for dealing with typographical and textual mistakes.This book seeks to fill this gap in literature, providing the first comprehensive and interdisciplinary guide into the complex relationship between textual production in print, technical and human faults and more or less successful attempts at emendation. The 24 carefully selected contributors present newevidence on what we can learn from misprints in relation to publishers' practices, printing and pre-publication procedures, and editorial strategies between 1450 and 1650. They focus on texts, images andthe layout of incunabula, sixteenth- and early seventeenth-century books issued throughout Europe, stretching from the output of humanist printers to wide-ranging vernacular publications. The history of the book may be a technological triumph, spreading freedom and knowledge, but it also a story of errors and adjustments. When printing runs flawlessly, we see little of its process. But misprints and in-house corrections offer us the unique chance to witness aspects of the printing process that would otherwise remain invisible. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Buch. Zustand: Neu. Printing and Misprinting | A Companion to Mistakes and In-House Corrections in Renaissance Europe (1450-1650) | Geri Della Rocca de Candal | Buch | Gebunden | Englisch | 2023 | Oxford University Press(UK) | EAN 9780198863045 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. …

Buch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - 'To err is human'. As a material and mechanical process, early printing made no exception to this general rule. Against the conventional wisdom of a technological triumph spreading freedom and knowledge, the history of the book is largely a story of errors and adjustments. Various mistakes normally crept in while texts were transferred from manuscript to printing formes and different emendation strategies were adopted when errors were spotted. In this regard, the 'Gutenberg galaxy' provides an unrivalled example of how scholars, publishers, authors and readers reacted to failure: they increasingly aimed at impeccability in both style and content, developed time and money-efficient ways to cope with mistakes, and ultimately came to link formal accuracy with authoritative and reliable information. Most of these features shaped the publishing industry until the present day, in spite of mounting issues related to false news and approximation in the digital age. Early modern misprinting, however, has so far received only passing mentions in scholarship and has never been treated together with proofreading in a complementary fashion. Correction benefited from a somewhat higher degree of attention, though check procedures in print shops have often been idealised as smooth and consistent. Furthermore, the emphasis has fallen on the people involved and their intervention in the linguistic and stylistic domains, rather than on their methodologies for dealing with typographical and textual mistakes. This book seeks to fill this gap in literature, providing the first comprehensive and interdisciplinary guide into the complex relationship between textual production in print, technical and human faults and more or less successful attempts at emendation. The 24 carefully selected contributors present new evidence on what we can learn from misprints in relation to publishers' practices, printing and pre-publication procedures, and editorial strategies between 1450 and 1650. They focus on texts, images and the layout of incunabula, sixteenth- and early seventeenth-century books issued throughout Europe, stretching from the output of humanist printers to wide-ranging vernacular publications.…