Verlag: Cambridge University Press, 2012
ISBN 10: 0521124301 ISBN 13: 9780521124300
Sprache: Englisch
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In den Warenkorbpaperback. Zustand: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
Verlag: Cambridge University Press, 2012
ISBN 10: 0521124301 ISBN 13: 9780521124300
Sprache: Englisch
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In den WarenkorbZustand: Good. Good condition ex-library book with usual library markings and stickers.
Verlag: Cambridge University Press, 2012
ISBN 10: 0521124301 ISBN 13: 9780521124300
Sprache: Englisch
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In den WarenkorbPaperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: Cambridge University Press, 2012
ISBN 10: 0521124301 ISBN 13: 9780521124300
Sprache: Englisch
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In den WarenkorbZustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:9780521124300.
Verlag: Cambridge University Press, 2012
ISBN 10: 0521124301 ISBN 13: 9780521124300
Sprache: Englisch
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
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In den WarenkorbZustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:9780521124300.
Verlag: Oxford University Press, Oxford, 2024
ISBN 10: 0192898558 ISBN 13: 9780192898555
Sprache: Englisch
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In den WarenkorbPaperback. Zustand: new. Paperback. As a figurehead for the literary humanities, and a dramatist whose plays feature fairies, ghosts, and spirits, Shakespeare may not be the first author that comes to mind when thinking about science. Tom Rutter shows, however, that in his plays and poetry Shakespeare made detailed use of the knowledge and theories of the cosmos, the natural world, and human biology that were available to him. These range from astronomical and anatomical ideas derived from medievalscholars, Islamic philosophers, and ancient Greek and Roman authorities, through to the challenges issued to those earlier models by more recent figures such as Copernicus and Vesalius. Shakespeare'streatment of these materials was informed by the poetic and dramatic media in which he worked; the dialogic nature of drama enabled an approach that could be provisional, exploratory, and tolerant of uncertainty and contradiction. Shakespeare made the early modern playhouse a venue for the production of scientific understanding through performance, illusion, and the creative use of space.As well as surveying current scholarship that contextualizes Shakespeare's work inrelation to histories of meteorology, matter theory, humoral physiology, racialization, mathematics, and more, Shakespeare and Science offers detailed original readings of a variety of texts including theHistories, Hamlet, Antony and Cleopatra, Othello, King Lear, The Tempest, the Sonnets, and Lucrece. It also makes extensive reference to works by Shakespeare's near-contemporaries such as Robert Recorde, William Fulke, Juan Huarte, and Thomas Elyot. Its four chapters focus on astronomy and meteorology, matter, the body, and mathematics. Rutter's overall approach is informed by recent studies that interrogate 'science' as a concept, and thatquestion both the boundary between literature and science and the idea of a seventeenth-century 'scientific revolution'. Tom Rutter examines how Shakespeare made use in his writings of the knowledge and theories of the cosmos, the natural world, and human biology that were available to him. The dialogic nature of drama enabled Shakespeare to develop an approach in the playhouse that could be provisional, exploratory, and tolerant of uncertainty and contradiction. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Verlag: Oxford University Press, GB, 2024
ISBN 10: 0192898558 ISBN 13: 9780192898555
Sprache: Englisch
Anbieter: Rarewaves USA, OSWEGO, IL, USA
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In den WarenkorbPaperback. Zustand: New. As a figurehead for the literary humanities, and a dramatist whose plays feature fairies, ghosts, and spirits, Shakespeare may not be the first author that comes to mind when thinking about science. Tom Rutter shows, however, that in his plays and poetry Shakespeare made detailed use of the knowledge and theories of the cosmos, the natural world, and human biology that were available to him. These range from astronomical and anatomical ideas derived from medieval scholars, Islamic philosophers, and ancient Greek and Roman authorities, through to the challenges issued to those earlier models by more recent figures such as Copernicus and Vesalius. Shakespeare's treatment of these materials was informed by the poetic and dramatic media in which he worked; the dialogic nature of drama enabled an approach that could be provisional, exploratory, and tolerant of uncertainty and contradiction. Shakespeare made the early modern playhouse a venue for the production of scientific understanding through performance, illusion, and the creative use of space.As well as surveying current scholarship that contextualizes Shakespeare's work in relation to histories of meteorology, matter theory, humoral physiology, racialization, mathematics, and more, Shakespeare and Science offers detailed original readings of a variety of texts including the Histories, Hamlet, Antony and Cleopatra, Othello, King Lear, The Tempest, the Sonnets, and Lucrece. It also makes extensive reference to works by Shakespeare's near-contemporaries such as Robert Recorde, William Fulke, Juan Huarte, and Thomas Elyot. Its four chapters focus on astronomy and meteorology, matter, the body, and mathematics. Rutter's overall approach is informed by recent studies that interrogate 'science' as a concept, and that question both the boundary between literature and science and the idea of a seventeenth-century 'scientific revolution'.
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In den WarenkorbZustand: new.
Verlag: Cambridge University Press 3/19/2012, 2012
ISBN 10: 0521124301 ISBN 13: 9780521124300
Sprache: Englisch
Anbieter: BargainBookStores, Grand Rapids, MI, USA
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In den WarenkorbPaperback or Softback. Zustand: New. The Cambridge Introduction to Christopher Marlowe 0.6. Book.
Verlag: Cambridge University Press, 2012
ISBN 10: 0521124301 ISBN 13: 9780521124300
Sprache: Englisch
Anbieter: California Books, Miami, FL, USA
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Verlag: Oxford University Press, GB, 2024
ISBN 10: 0192898558 ISBN 13: 9780192898555
Sprache: Englisch
Anbieter: Rarewaves.com USA, London, LONDO, Vereinigtes Königreich
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In den WarenkorbPaperback. Zustand: New. As a figurehead for the literary humanities, and a dramatist whose plays feature fairies, ghosts, and spirits, Shakespeare may not be the first author that comes to mind when thinking about science. Tom Rutter shows, however, that in his plays and poetry Shakespeare made detailed use of the knowledge and theories of the cosmos, the natural world, and human biology that were available to him. These range from astronomical and anatomical ideas derived from medieval scholars, Islamic philosophers, and ancient Greek and Roman authorities, through to the challenges issued to those earlier models by more recent figures such as Copernicus and Vesalius. Shakespeare's treatment of these materials was informed by the poetic and dramatic media in which he worked; the dialogic nature of drama enabled an approach that could be provisional, exploratory, and tolerant of uncertainty and contradiction. Shakespeare made the early modern playhouse a venue for the production of scientific understanding through performance, illusion, and the creative use of space.As well as surveying current scholarship that contextualizes Shakespeare's work in relation to histories of meteorology, matter theory, humoral physiology, racialization, mathematics, and more, Shakespeare and Science offers detailed original readings of a variety of texts including the Histories, Hamlet, Antony and Cleopatra, Othello, King Lear, The Tempest, the Sonnets, and Lucrece. It also makes extensive reference to works by Shakespeare's near-contemporaries such as Robert Recorde, William Fulke, Juan Huarte, and Thomas Elyot. Its four chapters focus on astronomy and meteorology, matter, the body, and mathematics. Rutter's overall approach is informed by recent studies that interrogate 'science' as a concept, and that question both the boundary between literature and science and the idea of a seventeenth-century 'scientific revolution'.
Verlag: Cambridge University Press, 2012
ISBN 10: 0521124301 ISBN 13: 9780521124300
Sprache: Englisch
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Verlag: Cambridge University Press, Cambridge, 2012
ISBN 10: 0521124301 ISBN 13: 9780521124300
Sprache: Englisch
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In den WarenkorbPaperback. Zustand: new. Paperback. Providing a comprehensive survey of Christopher Marlowe's literary career, this Introduction presents an approachable account of the life, works and influence of the groundbreaking Elizabethan dramatist and poet. It includes in-depth discussions of all of Marlowe's plays, stressing what was new and revolutionary about them as well as how they made use of existing dramatic models. Marlowe's poems and translations, sometimes marginalised in discussions of his work, are analysed to emphasise their literary importance and political resonances. The book presents a balanced discussion of Marlowe's turbulent life and considers his afterlives: the influence of his work on other writers and examples of how his plays have been performed. In addition to introducing the reader to the historical and religious contexts within which Marlowe wrote, the Introduction stresses the qualities that continue to make his work fascinating: intellectual range, radical irony and an awareness of the dangerously compelling power of theatre. The major Elizabethan dramatist and poet Christopher Marlowe is widely studied but his work is often seen as challenging. This Introduction provides approachable and explanatory discussions of all of Marlowe's plays and considers Marlowe's turbulent life, his poems and translations, performances of his plays and his influence on other writers. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Verlag: Cambridge University Press, 2008
ISBN 10: 0521884861 ISBN 13: 9780521884860
Sprache: Englisch
Anbieter: Labyrinth Books, Princeton, NJ, USA
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In den WarenkorbPaperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days. 244.
Verlag: Cambridge University Press (edition ), 2017
ISBN 10: 1107077435 ISBN 13: 9781107077430
Sprache: Englisch
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In den WarenkorbHardcover. Zustand: Good. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.
Verlag: Cambridge University Press, 2017
ISBN 10: 1107077435 ISBN 13: 9781107077430
Sprache: Englisch
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In den WarenkorbZustand: Good. Item in good condition and has highlighting/writing on text. Used texts may not contain supplemental items such as CDs, info-trac etc.
Verlag: Cambridge University Press, 2017
ISBN 10: 1107077435 ISBN 13: 9781107077430
Sprache: Englisch
Anbieter: SecondSale, Montgomery, IL, USA
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In den WarenkorbZustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
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