Scarisbrick david (39 Ergebnisse)

Paperback. Zustand: New. Artists such as John Flaxman, Thomas Stothard, Edward Hodges Baily were among the many who designed and modelled silverware for Rundell and Bridge, the Royal Goldsmiths who served two monarchs - George III and his son the Prince Regent (later George IV). It was a period of unparalleled prosperity in Britain during which patrons, led by the colourful Prince Regent, commissioned objects of silver, silver-gilt and even gold in the finest taste. Philip Rundell and John Bridge were well placed to respond to this new fashion for opulence. Directing their workshops from 1802 were the silversmith Benjamin Smith and the designer Digby Scott; and after Paul Storr, the most celebrated English silversmith of the period, took charge in 1807, the workshop grew until it employed the talents of several hundred gifted designers, modellers, chasers and engravers. It was a successful blending of art and industry that remains unsurpassed in the decorative arts. The firm Rundell and Bridge were appointed Royal Goldsmiths, Silversmiths, Jewellers and Medallists in 1797 and held the Royal Warrant until 1830. Yet Rundell and Bridge did more than promote innovative styles; they marketed new types of tableware.Despite the threat of invasion by Napoleon, the British enthusiastically embraced not only new designs from France, such as those inspired by the surge of Egyptomania, but new customs of the tabletop. Tying in with an exhibition at Koopman Rare Art, London, the first ever to be devoted to the firm's achievement, the book shows the importance of the Prince Regent as a patron of goldsmiths and presents a fascinating portrait of London against the backdrop of the Napoleonic Wars. It features a wealth of magnificent silver and gold objects, snuff boxes, jewellery, medals and bejewelled swords from museums and private collections in the United Kingdom, United States, Canada and Australia. With a foreword by His Royal Highness The Prince of Wales, the book will be a valuable addition not only to art historical studies but also to the social and economic history of the period. Net proceeds of the sale of the book will benefit the Prince's Trust.…

Paperback. Zustand: New. Artists such as John Flaxman, Thomas Stothard, Edward Hodges Baily were among the many who designed and modelled silverware for Rundell and Bridge, the Royal Goldsmiths who served two monarchs - George III and his son the Prince Regent (later George IV). It was a period of unparalleled prosperity in Britain during which patrons, led by the colourful Prince Regent, commissioned objects of silver, silver-gilt and even gold in the finest taste. Philip Rundell and John Bridge were well placed to respond to this new fashion for opulence. Directing their workshops from 1802 were the silversmith Benjamin Smith and the designer Digby Scott; and after Paul Storr, the most celebrated English silversmith of the period, took charge in 1807, the workshop grew until it employed the talents of several hundred gifted designers, modellers, chasers and engravers. It was a successful blending of art and industry that remains unsurpassed in the decorative arts. The firm Rundell and Bridge were appointed Royal Goldsmiths, Silversmiths, Jewellers and Medallists in 1797 and held the Royal Warrant until 1830. Yet Rundell and Bridge did more than promote innovative styles; they marketed new types of tableware.Despite the threat of invasion by Napoleon, the British enthusiastically embraced not only new designs from France, such as those inspired by the surge of Egyptomania, but new customs of the tabletop. Tying in with an exhibition at Koopman Rare Art, London, the first ever to be devoted to the firm's achievement, the book shows the importance of the Prince Regent as a patron of goldsmiths and presents a fascinating portrait of London against the backdrop of the Napoleonic Wars. It features a wealth of magnificent silver and gold objects, snuff boxes, jewellery, medals and bejewelled swords from museums and private collections in the United Kingdom, United States, Canada and Australia. With a foreword by His Royal Highness The Prince of Wales, the book will be a valuable addition not only to art historical studies but also to the social and economic history of the period. Net proceeds of the sale of the book will benefit the Prince's Trust.…

Zustand: Very Good. 8vo.,pp. xviii,275, paperback, b/w frontispiece; light creasing to rear corners, a very good and clean copy.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Brand New. illustrated edition. 168 pages. 11.25x8.50x0.75 inches. In Stock.

paperback. Zustand: Good. Small amount of black pen throughout Orders shipped daily from the UK. Professional seller.

Paperback. Zustand: Brand New. illustrated edition. 168 pages. 11.25x8.50x0.75 inches. In Stock.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. Hard covers in bright condition with a very good dust jacket, first edition, 275pp, uncommon Size: 8vo - over 7¾" - 9¾" tall.

Zustand: New.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. Cambridge University Press, 1988. Hard Cover. Book Condition:Fine. Dust Jacket Condition:Fine. 1st Edition. Undamaged dark green boards, the spine printed in gilt on a red label. Near mint condition. Tight copy. Pages clean, crisp and pristine. A lovely preserved copy. …

Zustand: New. In.

Paperback. Zustand: New.

Zustand: New. This is a collection of specially commissioned research essays by scholars on the government of Tudor England. Editor(s): Cross, Claire C.; Loades, Professor David M.; Scarisbrick, J. J. Num Pages: 296 pages, black & white illustrations. BIC Classification: 1DBK; HBJD1; HBLH. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 17. Weight in Grams: 440. . 2010. paperback. . . . . …

Paperback. Zustand: Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority.

Kartoniert / Broschiert. Zustand: New. The partnership of Philip Rundell and John Bridge began in London toward the end of the eighteenth century and went on to become the greatest firm of goldsmiths, jewelers and medalists of the age. Its stable of distinguished artists, headed by the sculptor .

Paperback. Zustand: New. Artists such as John Flaxman, Thomas Stothard, Edward Hodges Baily were among the many who designed and modelled silverware for Rundell and Bridge, the Royal Goldsmiths who served two monarchs - George III and his son the Prince Regent (later George IV). It was a period of unparalleled prosperity in Britain during which patrons, led by the colourful Prince Regent, commissioned objects of silver, silver-gilt and even gold in the finest taste. Philip Rundell and John Bridge were well placed to respond to this new fashion for opulence. Directing their workshops from 1802 were the silversmith Benjamin Smith and the designer Digby Scott; and after Paul Storr, the most celebrated English silversmith of the period, took charge in 1807, the workshop grew until it employed the talents of several hundred gifted designers, modellers, chasers and engravers. It was a successful blending of art and industry that remains unsurpassed in the decorative arts. The firm Rundell and Bridge were appointed Royal Goldsmiths, Silversmiths, Jewellers and Medallists in 1797 and held the Royal Warrant until 1830. Yet Rundell and Bridge did more than promote innovative styles; they marketed new types of tableware.Despite the threat of invasion by Napoleon, the British enthusiastically embraced not only new designs from France, such as those inspired by the surge of Egyptomania, but new customs of the tabletop. Tying in with an exhibition at Koopman Rare Art, London, the first ever to be devoted to the firm's achievement, the book shows the importance of the Prince Regent as a patron of goldsmiths and presents a fascinating portrait of London against the backdrop of the Napoleonic Wars. It features a wealth of magnificent silver and gold objects, snuff boxes, jewellery, medals and bejewelled swords from museums and private collections in the United Kingdom, United States, Canada and Australia. With a foreword by His Royal Highness The Prince of Wales, the book will be a valuable addition not only to art historical studies but also to the social and economic history of the period. Net proceeds of the sale of the book will benefit the Prince's Trust.…

Zustand: New. This is a collection of specially commissioned research essays by scholars on the government of Tudor England. Editor(s): Cross, Claire C.; Loades, Professor David M.; Scarisbrick, J. J. Num Pages: 296 pages, black & white illustrations. BIC Classification: 1DBK; HBJD1; HBLH. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 17. Weight in Grams: 440. . 2010. paperback. . . . . Books ship from the US and Ireland. …

Zustand: New. In English.

Zustand: New. pp. 346.

Hardcover. Zustand: Good. No Jacket. Books would be very good or better but are somewhat soiled. Edward the Confessor front board is light faded and has some stains. Solid books.

Paperback. Zustand: New. Artists such as John Flaxman, Thomas Stothard, Edward Hodges Baily were among the many who designed and modelled silverware for Rundell and Bridge, the Royal Goldsmiths who served two monarchs - George III and his son the Prince Regent (later George IV). It was a period of unparalleled prosperity in Britain during which patrons, led by the colourful Prince Regent, commissioned objects of silver, silver-gilt and even gold in the finest taste. Philip Rundell and John Bridge were well placed to respond to this new fashion for opulence. Directing their workshops from 1802 were the silversmith Benjamin Smith and the designer Digby Scott; and after Paul Storr, the most celebrated English silversmith of the period, took charge in 1807, the workshop grew until it employed the talents of several hundred gifted designers, modellers, chasers and engravers. It was a successful blending of art and industry that remains unsurpassed in the decorative arts. The firm Rundell and Bridge were appointed Royal Goldsmiths, Silversmiths, Jewellers and Medallists in 1797 and held the Royal Warrant until 1830. Yet Rundell and Bridge did more than promote innovative styles; they marketed new types of tableware.Despite the threat of invasion by Napoleon, the British enthusiastically embraced not only new designs from France, such as those inspired by the surge of Egyptomania, but new customs of the tabletop. Tying in with an exhibition at Koopman Rare Art, London, the first ever to be devoted to the firm's achievement, the book shows the importance of the Prince Regent as a patron of goldsmiths and presents a fascinating portrait of London against the backdrop of the Napoleonic Wars. It features a wealth of magnificent silver and gold objects, snuff boxes, jewellery, medals and bejewelled swords from museums and private collections in the United Kingdom, United States, Canada and Australia. With a foreword by His Royal Highness The Prince of Wales, the book will be a valuable addition not only to art historical studies but also to the social and economic history of the period. Net proceeds of the sale of the book will benefit the Prince's Trust.…

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This is a collection of specially commissioned research essays by scholars on the government of Tudor England, designed as a tribute from a group of advanced students to their supervisor. Professor Sir Geoffrey Elton, to whom the volume is dedicated, is internationally celebrated, and the most influential living historian of the period. Each essay reflects the special interest of the author, within the broader theme of 'Law and Government'. The book will be read by many who have been influenced by Professor Elton's teaching, but who may not necessarily be students or historians of Tudor England.…

Paperback. Zustand: Brand New. 1st edition. 346 pages. 9.50x6.50x1.00 inches. In Stock.

Paperback. Zustand: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Zustand: New. New .Ships From Multiple Locations. book.

Zustand: New. In English.

Zustand: New. pp. 346.

Zustand: New. pp. 346.

Hardcover. Zustand: Brand New. 1st edition. 332 pages. 9.75x6.75x1.00 inches. In Stock.

Full-Leather. Zustand: Near Fine. Deep carmine red leather with an original stylized design embossed in gold and black, frontispiece in color with the king's or queen's portrait, exclusive illustrations and precious plates, the coat-of-arms of that monarch (or that monarch's house) engraved on the front board. Bound in premium full leathers, hubbed spine, distinctive cover design, beautiful illustrations, permanent satin ribbon page marker, gilded page edges, moire endsheets, thread-sewn pages for durability and strength. List of titles: 1. William the Conqueror, David Douglas./ 2. Henry II, W. L. Warren. / 3. Richard the Lionheart, Kate Norgate. / 4. Henry V, Desmond Seward. / 5. Richard III, Paul Kendall. / 6. Henry VIII, J. J. Scarisbrick. / 7. Elizabeth I, Anne Somerset. / 8. Charles I, Pauline Gregg. / 9. Charles II, Antonia Fraser. / 10. George III, John Brooke. / 11. Queen Victoria, Elizabeth Longford. / 12. George VI, Sarah Bradford. N/A (illustrator).…