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Paperback. Zustand: Very Good. 3-volume set with damaged box. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

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Zustand: New.

Zustand: New. SUPER FAST SHIPPING.

Zustand: As New. Unread book in perfect condition.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Zustand: New. Three paperback volumes in card slipcase.

Zustand: New.

Hardback. Zustand: New. Auf welche Art wirkt und überzeugt Design? Was wissen GestalterInnen von den Regeln, die sie, teilweise unbewusst, anwenden? Die zeitgenössische Designforschung entwickelt zunehmend ein Interesse an den rhetorischen Mechanismen der Design-Praxis. Der vorliegende Sammelband stellt die klassische Kommunikationslehre der Rhetorik als eine neue und umfassende Metatheorie des Designs vor. Sie betrifft prinzipiell alle Bereiche heutigen Designs - vom Grafik-Design über die Architektur bis zur Interfacegestaltung. "Design als Rhetorik" führt drei Bereiche zusammen: Das Buch stellt die historisch relevanten Texte vor und bildet als Positionsbestimmung die kontroverse zeitgenössische Diskussion ab. Zudem versammelt es in Fallstudien Beiträge zu den wichtigsten Forschungsfeldern wie etwa "Interaktive Rhetorik", "Rhetorik Design und Gender", "Rhetorik des World Wide Web".

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Zustand: Wie neu. Neu vom Verlag. Eingeschweißt. Sprache - Deutsch.

Zustand: fine. Broschiert. Sofortversand aus Deutschland. Artikel wiegt maximal 500g. 162 Seiten.

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Zustand: New. In.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: new. Paperback. Swiss Graphic Design Histories offers an entirely new redefinition of Switzerland's graphic design landscape. Based on extensive research by scholars of design history and with a multiple and inclusive approach, it reaches beyond the usual canon and the well-know epicentres Basel and Zurich with the germanophone fathers of what has become famous as the Swiss Style in the 1950s, 1960s and 1970s. In three volumes it features visual artefacts and archival documents, the majority published here for the first time, alongside likewise previously unpublished conversations with designers who have forged developments of the past decades, as well as new essays discussing key terms that refer to various design practices. The complexity of the undertaking is embraced through a system of keywords, thus enabling readers to connect contents within the individual volumes. A fourth volume comprising a glossary, bibliography, and an index of the keywords rounds out this long-awaited new survey of graphic design in multi-lingual Switzerland that sheds new light on networks, practices and media largely ignored so far. AUTHORS: Davide Fornari is associate professor at ECAL Lausanne, where he directs Research and Development. Robert Lzicar is professor of design history at Bern University of the Arts HKB. Sarah Owens is professor of design theory at Zurich University of the Arts ZHdK. Michael Renner is professor of visual communication and Director ad interim at FHNW Academy of Art and Design in Basel. Arne Scheuermann is professor of design theory at Bern University of the Arts HKB. Peter J. Schneemann is professor of modern and contemporary art history at University of Bern. SELLING POINTS: . An entirely new redefinition of Switzerland's graphic design landscape, based on extensive research by scholars of design history . Features rich and previously unpublished visual material and conversations with designers who have forged developments of the past decades alongside new scholarly essays . Sheds new light on networks, practices and media that have been largely ignored by previous books 200 colour, 30 b/w illustrations 4 volumes, paperback in slipcase An entirely new and richly illustrated redefinition of Switzerland's graphic design landscape with a multiple and inclusive approach, shedding new light also at networks, practices and media that have been largely ignored by previous books. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

4°, paperback. 814 pp Minimale Lagerspuren. Sprache: Englisch Gewicht in Gramm: 0.

Zustand: New. In.

Paperback. Zustand: Brand New. slp edition. 814 pages. 9.50x7.00x2.25 inches. In Stock.

Paperback. Zustand: new. Paperback. Swiss Graphic Design Histories offers an entirely new redefinition of Switzerland's graphic design landscape. Based on extensive research by scholars of design history and with a multiple and inclusive approach, it reaches beyond the usual canon and the well-know epicentres Basel and Zurich with the germanophone fathers of what has become famous as the Swiss Style in the 1950s, 1960s and 1970s. In three volumes it features visual artefacts and archival documents, the majority published here for the first time, alongside likewise previously unpublished conversations with designers who have forged developments of the past decades, as well as new essays discussing key terms that refer to various design practices. The complexity of the undertaking is embraced through a system of keywords, thus enabling readers to connect contents within the individual volumes. A fourth volume comprising a glossary, bibliography, and an index of the keywords rounds out this long-awaited new survey of graphic design in multi-lingual Switzerland that sheds new light on networks, practices and media largely ignored so far. AUTHORS: Davide Fornari is associate professor at ECAL Lausanne, where he directs Research and Development. Robert Lzicar is professor of design history at Bern University of the Arts HKB. Sarah Owens is professor of design theory at Zurich University of the Arts ZHdK. Michael Renner is professor of visual communication and Director ad interim at FHNW Academy of Art and Design in Basel. Arne Scheuermann is professor of design theory at Bern University of the Arts HKB. Peter J. Schneemann is professor of modern and contemporary art history at University of Bern. SELLING POINTS: . An entirely new redefinition of Switzerland's graphic design landscape, based on extensive research by scholars of design history . Features rich and previously unpublished visual material and conversations with designers who have forged developments of the past decades alongside new scholarly essays . Sheds new light on networks, practices and media that have been largely ignored by previous books 200 colour, 30 b/w illustrations 4 volumes, paperback in slipcase An entirely new and richly illustrated redefinition of Switzerland's graphic design landscape with a multiple and inclusive approach, shedding new light also at networks, practices and media that have been largely ignored by previous books. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: New. An entirely new and richly illustrated redefinition of Switzerland s graphic design landscape with a multiple and inclusive approach, shedding new light also at networks, practices and media that have been largely ignored by previous books.Schweizer Gra.

Zustand: New. 2008. 1st Edition. hardcover. . . . . .

Taschenbuch. Zustand: Neu. Neuware - In vier umfangreichen und reich illustrierten Bänden hinterfragt Swiss Graphic Design Histories bestehende Narrative zum Schweizer Grafikdesign und rückt zuvor übersehene Netzwerke, Praktiken und Medien erstmals ins Licht. «Visual Arguments» präsentiert und analysiert älteres und neueres Archivmaterial, von grafischen Artefakten bis hin zu schriftlichen Dokumenten. «Multiple Voices» versammelt Stellungnahmen und Ausschnitte aus Interviews mit Gestalterinnen und Gestaltern, die das Grafikdesign hierzulande mitprägten. Die Essays in «Tempting Terms» befassen sich anhand von Schlüsselbegriffen mit Phänomenen des Grafikdesigns in der Schweiz, die der etablierte Kanon bisher meist ignorierte, und werfen neue Fragen auf. Der letzte Band «Appendix» erschliesst die drei anderen mit einem Index aller Schlagworte, einem Glossar und einer Bibliografie und rundet diese umfassende Neueinordnung des Schweizer Grafikdesigns ab. Ausgezeichnet als eines der Schönsten Schweizer Bücher 2021.

Taschenbuch. Zustand: Neu. Swiss Graphic Design Histories | Davide Fornari (u. a.) | Taschenbuch | PBSCHU | 688 S. | Englisch | 2021 | Scheidegger & Spiess | EAN 9783858818683 | Verantwortliche Person für die EU: GVA Gemeinsame Verlagsauslieferung Göttingen GmbH & Co. KG, Carsten Schlieker, Postfach 20 21, 37010 Göttingen, info[at]gva-verlage[dot]de | Anbieter: preigu.

Paperback. Zustand: new. Paperback. Swiss Graphic Design Histories offers an entirely new redefinition of Switzerland's graphic design landscape. Based on extensive research by scholars of design history and with a multiple and inclusive approach, it reaches beyond the usual canon and the well-know epicentres Basel and Zurich with the germanophone fathers of what has become famous as the Swiss Style in the 1950s, 1960s and 1970s. In three volumes it features visual artefacts and archival documents, the majority published here for the first time, alongside likewise previously unpublished conversations with designers who have forged developments of the past decades, as well as new essays discussing key terms that refer to various design practices. The complexity of the undertaking is embraced through a system of keywords, thus enabling readers to connect contents within the individual volumes. A fourth volume comprising a glossary, bibliography, and an index of the keywords rounds out this long-awaited new survey of graphic design in multi-lingual Switzerland that sheds new light on networks, practices and media largely ignored so far. AUTHORS: Davide Fornari is associate professor at ECAL Lausanne, where he directs Research and Development. Robert Lzicar is professor of design history at Bern University of the Arts HKB. Sarah Owens is professor of design theory at Zurich University of the Arts ZHdK. Michael Renner is professor of visual communication and Director ad interim at FHNW Academy of Art and Design in Basel. Arne Scheuermann is professor of design theory at Bern University of the Arts HKB. Peter J. Schneemann is professor of modern and contemporary art history at University of Bern. SELLING POINTS: . An entirely new redefinition of Switzerland's graphic design landscape, based on extensive research by scholars of design history . Features rich and previously unpublished visual material and conversations with designers who have forged developments of the past decades alongside new scholarly essays . Sheds new light on networks, practices and media that have been largely ignored by previous books 200 colour, 30 b/w illustrations 4 volumes, paperback in slipcase An entirely new and richly illustrated redefinition of Switzerland's graphic design landscape with a multiple and inclusive approach, shedding new light also at networks, practices and media that have been largely ignored by previous books. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Zustand: New. 2008. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

Softcover. Zustand: Gut. 2008. 280 S. Gutes Exemplar, geringe Gebrauchsspuren, Cover/SU berieben/bestoßen, innen alles in Ordnung; Good copy, light signs of previous use, cover/dust jacket shows some rubbing/wear, interior in good condition. A241111ah42 ISBN: 9783764383459 Sprache: Deutsch Gewicht in Gramm: 4999.