schubert karsten (150 Ergebnisse)

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Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

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Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Zustand: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Paperback. Zustand: Fine.

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Softcover, 160 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover, 208 pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Zustand: As New. Unread book in perfect condition.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Paperback. Zustand: New. From the opening of The Louvre to the launch of Tate Modern and beyond, this accessible and succinct publication traces the development of the museum concept - encompassing curatorial, scholarly, political and cultural spheres - and its evolving role within society. In the first section, Schubert looks at the complex history of the museum in specific cities at critical moments, for instance New York between 1930 and 1950 as the Metropolitan Museum of Art expanded and the Museum of Modern Art was founded. The second section focuses on the success and unprecedented development of the museum in the 1980s and 1990s in Europe and the United States, highlighting the need for cities and institutions to revise their programmes in response to a surge of interest in the arts. The final section looks at the museum's predicament nearly a decade after The Curator's Egg was originally published in 2000, exploring the museum's evolution in a post-9/11 environment.

Zustand: New.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Zustand: Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Paperback. Zustand: Very Good. Dear Images: Art, Copyright and Culture This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

paperback. Zustand: very good. 8vo, pr. wrs. London: One-Off Press, (2000). Very good.

Paperback. Zustand: new. Paperback. From the opening of The Louvre to the launch of Tate Modern and beyond, this accessible and succinct publication traces the development of the museum concept encompassing curatorial, scholarly, political and cultural spheres and its evolving role within society. In the first section, Schubert looks at the complex history of the museum in specific cities at critical moments, for instance New York between 1930 and 1950 as the Metropolitan Museum of Art expanded and the Museum of Modern Art was founded. The second section focuses on the success and unprecedented development of the museum in the 1980s and 1990s in Europe and the United States, highlighting the need for cities and institutions to revise their programmes in response to a surge of interest in the arts. The final section looks at the museum's predicament nearly a decade after The Curator's Egg was originally published in 2000, exploring the museum's evolution in a post-9/11 environment. AUTHOR: Karsten Schubert was a Anglo-German art dealer, collector, writer and co-founder of art imprint Ridinghouse. Through his eponymous gallery, established in London in 1986, he represented artists such as Bridget Riley and Alison Wilding, and was an early champion of YBA artists Michael Landy, Rachel Whiteread, Ian Davenport and Gary Hume. He died in 2019. SELLING POINTS: . This is the 3rd edition (1st 2000, 2nd 2002). This edition features minor corrections and a new epilogue, "Democracy of Spectacle: The Museum Revisited". The Curator's Egg was first published in English in 2000; a second edition was printed in 2002 . With the Millennium triggering a host of museum (re)building projects globally, this publication reflecting on the role of the museum in society came at a seminal moment for the study of museums. In 2022, with constant museum expansion by now a given, this book is a more valuable guide than ever . Museology and the role of culture in society are currently hot topics in academia, and society as a whole From the opening of The Louvre to the launch of Tate Modern and beyond, this accessible publication traces the development of the museum and its evolving role within society. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: Brand New. 192 pages. 8.50x6.00x0.50 inches. In Stock.

Paperback. Zustand: New. From the opening of The Louvre to the launch of Tate Modern and beyond, this accessible and succinct publication traces the development of the museum concept - encompassing curatorial, scholarly, political and cultural spheres - and its evolving role within society. In the first section, Schubert looks at the complex history of the museum in specific cities at critical moments, for instance New York between 1930 and 1950 as the Metropolitan Museum of Art expanded and the Museum of Modern Art was founded. The second section focuses on the success and unprecedented development of the museum in the 1980s and 1990s in Europe and the United States, highlighting the need for cities and institutions to revise their programmes in response to a surge of interest in the arts. The final section looks at the museum's predicament nearly a decade after The Curator's Egg was originally published in 2000, exploring the museum's evolution in a post-9/11 environment.

Paperback. Zustand: Fine. 1st. 383 pages; 21 cm. Tight, clean copy. *** CONTENTS: Robert Ryman: Critical texts since 1967: The Silent Art, 1967, by Lucy R. Lippard; Review. Robert Ryman: Paul Bianchini Gallery, 1967, by Joseph Kosuth; New York Commentary, 1969, by Dore Ashton; Robert Ryman's Double Positive, 1971, by Carter Ratcliff; Robert Ryman, 1971, by Willis Domingo; Review. Robert Ryman at Fischbach Gallery and Dwan Gallery, 1971, by Kenneth Baker; Review. Art: Ryman's White-on-White Oeuvre, 1972, by John Canaday; "Ryman" Brand Paintings, 1972, by Naomi Spector; Ryman, Marden, Manzoni: Theory, Sensibility, Mediation, 1972, by Robert Pincus-Witten; Opaque Surfaces, 1973, by Douglas Crimp; Robert Ryman, John Weber Gallery, 1973, by Bruce Boice; Review. Strata: paintings, drawings and prints by Ellsworth Kelly, Brice Marden, Agnes Martin, Robert Ryman and Cy Twombly, 1974, by Lynda Morris; Robert Ryman: Unfinished III (Position), 1974, by Barbara R. Reise; Review. Robert Ryman: John Weber Gallery, 1974, by Ellen Lubell Note continued: Robert Ryman; active painting, 1975, by Catherine Millet; Review. Robert Ryman: John Weber Gallery, 1975, by Hilton Kramer; Appreciating Ryman, 1975, by Jeremy Gilbert-Rolfe; Ryman Dossier: About the destruction of the surface entity, 1978, by Christian Bonnefoi; Review. Robert Ryman: Sidney Janis Gallery, 1979, by Jeff Perrone; Robert Ryman: Reductionism [actual symbol not reproducible] Entropy, 1979, by Donald B. Kuspit; Robert Ryman: Another View, 1979, by Marcia Hafif; Irreproducible Ryman, 1980, by Thierry de Duve; Painting in Shreds, 1981, by Jean Clay; The End of Painting, 1981, by Douglas Crimp; Ryman's Tact, 1981, by Yve-Alain Bois; Review. Robert Ryman: Bonnier Gallery, 1983, by Stephen L. Kaplan; Review. Robert Ryman: Maeght Lelong, 1984, by Gerrit Henry; This Is Not a White Square, 1984, by Jean Fremon; Review. Robert Ryman: Leo Castelli Gallery, 1986, by Ellen Handy; Art at the Edge: Ryman's Vector and Cezanne, 1986, by Walter Thompson Note continued: Robert Ryman: The Charter Series: A Meditative Room for the Collection of Gerald S. Elliott, 1987, by Neal Benezra; Nonrepresentation in 1988: Meaning; production beyond the Scope of the Pious, 1988, by Jeremy Gilbert-Rolfe; Review. Robert Ryman: Dia Art Foundation, 1989, by Meyer Raphael Rubinstein, by Daniel Wiener; Red Desert and Arctic Dreams, 1989, by Donald B. Kuspit; Signed Ryman, 1990, by Jean-Pierre Criqui; Surprise and Equanimity, 1990, by Yve-Alain Bois; Robert Ryman: Ode to a Clean Slate, 1991, by Dan Cameron; Review. Robert Ryman: Pace Wildenstein, 1991, by Franklin Sirmans; Absence Made Visible: Robert Ryman's "Realist" Painting, 1992, by Thomas McEvilley; Interpretation or projection? Robert Ryman; after-thoughts on the retrospective in Schaffhausen, 1992, by Laura Arici; Robert Ryman Prints 1969-1993, 1993, by Amy Baker Sandback; Simple Gifts, 1993, by Robert Storr; A Paler Shade of White, 1993, by Robert Hughes Note continued: Ryman, 1993, by Arthur Coleman Danto; Review. New York, Museum of Modern Art: Robert Ryman, 1993, by David Carrier; Ryman's Poetics, 1994, by Christopher S. Wood; Review. Robert Ryman: Pace Wildenstein, 1996, by Lee Siegel; Robert Ryman: "Standard," 1967, 1996, by Klaus Kertess; The Ineffable; About Ryman's Work, 1999, by Daniel Buren; About Robert Ryman, 1999, by Christel Sauer; Notes on Obsessive Whiteness (Ethnic Identities Of Whites), 2000, by Ernesto Pujol; Painting as space of experience, 2000, by Christoph Schreier; Boundary, 2000, by Volker Adolphs; About Hand-writing, 2000, by Bernhart Schwenk; Taking Care of Painting, 2000, by Thierry De Duve; Radiant Dispersion: Robert Ryman's Philadelphia Prototype, 2002, 2002, by Jeffrey Weiss; Robert Ryman: Works On Paper 1957-1964, 2004, by Joseph Marioni; The Education of Robert Ryman, 2004, by John Yau; Review. Robert Ryman: PaceWildenstein, 2005, by Roberta Smith; Robert Ryman, 2005, by Jan Dibbets Note continued: Interview. Ryman Paintings and Ryman Exhibitions, 2006, by Urs Raussmuller; Abstraction Problem: Two new shows on an old idea, 2007, by Peter Schjeldahl. Size: 8vo. Collectible.

Paperback. Zustand: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.