shackelford george t m xavier rey (30 Ergebnisse)

Paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Zustand: Very Good. Very Good condition. French and English edition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Softcover. Zustand: Near fine. Color pictorial wraps. xxi + 241 pp. Many color and bw plates. Catalogue for "Degas and the Nude", which explores "the artist's treatment of the nude from his early years in the 1850s to his last decades when the theme reigned over his artistic production" and situates his work among his 19th century contemporaries.Softcover.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 3.9.

Softcover. Zustand: Fine. Boston: MFA Museum of Fine Arts, (2011). 10.75" x 9.75". xxi,242pp. Softcover issue, fine condition. With contributions by Lucian Freud with Martin Gayford, and Anne Roquebert. From flap: "new interpretation of Degas's evolving concepition of the nude, situating it in the subject's broader context among his peers.Also addressed are the incisive and ironic monotypes of the late 1870s, Degas's most explicitly sexual depictions of women in Parisian brothels, and later portrayals of the daily life of women wherever they may reside". With 256 full-color images. ISBN 978087467747; 8vo 8" - 9" tall.

Wrappers. Zustand: Near Fine. 241 pages. Paperback exhibition catalogue. Texts in English. Inscribed by one of the curator/authors to the previous owner on the half title page. There are no other internal markings and wear to the edges is minimal. Tight binding and uncreased spine. Bound in stiff illustrated French fold covers and published on the occasion of the exhibition held from October 9, 2011-February 5, 2012 in Boston, and subsequently in Paris. Additional contributions by Lucian Freud with Martin Gayford and Anne Roquebert. Inscribed by the Author.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Very good unmarked condition in dust wrapper.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Near Fine. 1st Edition. 241pp with 256 illustrations. The interior remains in pristine condition with no inscriptions and the binding firm. Very slight forward lean to upper section of text block. The navy blue cloth boards have a minor push to lower tip of front cover else excellent all round. The dust wrapper is very close to Fine with just a minor hint of edge-wear to crown of spine. Overall a very pleasing copy - see five pictures attached for a closer look. Note: Owing to 1.8+kg weight an adjustment to shipping charge may be requested for some International destinations.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: No Jacket As Issued. Binding tight and square. Pages clean and free of writing or marks. Faces of Impressionism explores the development of the portrait in French painting and sculpture between 1860 and 1910 as showcased in one of the world's greatest collections of Impressionist art?the Musée d'Orsay in Paris. Splendidly illustrated, this book assesses the portrait collection through the expert eyes of George T. M. Shackelford and Guy Cogeval, as well as from the perspective of a new generation of distinguished scholars, Isolde Pludermacher and Xavier Rey. Featuring some of the best-loved portraits in the history of art?Cézanne's Woman with a Coffee Pot, Degas's L'Absinthe?this handsome volume includes masters such as Denis, Gauguin, Van Gogh, Monet, Renoir, Seurat, Signac, and Toulouse-Lautrec, and a detailed discussion on Manet and his followers as depicted in Fantin-Latour's renowned group portrait A Studio in the Batignolles.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: Very Good. 1st Edition. Dustwrapper faded on spine.