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SHAKESPEARE, William

Verlag: Bernard Lintot [1709], London (1709)

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Beschreibung: Bernard Lintot [1709], London, 1709. Hardcover. First Edition. The first issue, having the four sub-titles dated 1630, 1632, 1599, and 1599 respectively, of the Second Edition of Shakespeare's Poems after the very scarce 1640 edition and the first to include VENUS AND ADONIS and THE RAPE OF LUCRECE. Small octavo (4" x 6-3/4") bound by Riviere and Son in a full gilt-decorated early 20th century brown morocco original Cosway binding with recessed panels on front and rear with inset oval watercolor miniatures on ivory by C.B. Currie under glass (signed on the front pastedown) with the Henry Sotheran imprint at the bottom of the verso of the front free endpaper; (4), 155 pages. Inserted is a page with the following printed information: "This is No. 893 of the Cosway Bindings invented by J. H. Stonehouse, with Miniatures on Ivory by Miss Currie." Both Stonehouse and Currie have SIGNED the page at the bottom. The book was beautifully rebacked in the past decade or so with a new spine that blends quite well with the covers. The Currie miniature at the front is after the Droeshout Portrait (1622) of Shakespeare used as the frontispiece to the First Folio. The rear miniature is a depiction of Venus and Adonis. Cosway bindings--named after the leading miniaturist of the Regency period, Richard Cosway (1742-1821)--were introduced in the early 1900s by John H.Stonehouse of Henry Sotheran & Company who conceived embedding miniature paintings in the covers of elaborately-tooled bindings. Harrison teamed with the Riviere bindery to create the bindings after his designs. Riviere hired Miss C. B. Currie to create the delicate miniature paintings on ivory inset into the covers and protected by thin panes of glass. Much imitated since, original Cosway bindings such as this, particularly when on a book of some importance, are highly desired. At some point the volume suffered some water damage which is now most visible on the endpapers and first and last few pages of the text as well as slight damage to the portrait of Shakespeare. Still a beautiful binding on a rare and important book in overall Very Good condition. Bestandsnummer des Verkäufers 017373

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Beschreibung: Die schönste moderne Ausgabe von Shakespeares Komödie "The Tempest" mit 50 Orig.-Lithographien von Marc Chagall. Eines von 250 numerierten Exemplaren, im Druckvermerk von Chagall signiert. Tadellos in der Erhaltung. - Mourlot 846-895. Bestandsnummer des Verkäufers 11512AB

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GIELGUD, Sir John]. SHAKESPEARE.

Verlag: Im Inselverlag. MDCCCCXIII, Leipzig (1913)

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Beschreibung: Im Inselverlag. MDCCCCXIII, Leipzig, 1913. 1st Edition. [GIELGUD, Sir John]. SHAKESPEARE. HAMLET. Prinz Von Daenmark. Mit 16 Lictdrucktafeln nach den Lithographieen von Eugene Delacroix. First Edition Thus. Large Folio [13 inches wide by 18 inches tall]. Limited edition of 100 numbered copies on Van Gelder paper, this being copy Number 41. Full morocco, the spine elaborately decorated in gilt, front panel titled in gilt, all edges gilt, marbled endpapers. A very nice example. Presentation copy from Elisabeth Bergner to Sir John Gielgud. A preliminary blank bears an inscription presenting the Book to Bergner in Berlin, 1927, underneath this is an inscription which simply reads: "To John / from Elisabeth / London, Christmas 1973". Elisabeth Bergner (1900, Vienna -1986, London). Famous early German stage actress & film star, made her stage debut in Zurich in 1919, appeared in Vienna, Munich, Berlin, & later on Broadway. Big break in 1924 with stage production of Shaw's Saint Joan. Bergner made several films from 1933 in England & France. Her film Catherine the Great [1934] was banned in Germany for featuring "émigré Jews." At the height of her career, she was called by Alexander Woolcott, "probably the ablest actress living today". Nominated for an Oscar in 1935 for her performance in ESCAPE ME NEVER. A British Citizen since 1938. Sir John Gielgud's copy - completely appropriate & intriguing as Gielgud's career was distinguished by his numerous performances as Hamlet. An important association copy, inscribed to Gielgud from a close friend & important actress. Signed. Bestandsnummer des Verkäufers 20776

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The Sonnets of Shakespeare (Signed Limited Edition,: Photography by Flor

Photography by Flor Garduno, Sonnets by William Shakespeare

Verlag: 21st Editions, South Dennis, Massachusetts (2006)

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Beschreibung: 21st Editions, South Dennis, Massachusetts, 2006. Hardcover. Zustand: Fine. Limited Edition. In 2006, fine press photography book publisher 21st Editions released The Sonnets of Shakespeare. Limited to 65 copies worldwide, the hand-bound collection contains 11 original platinum prints (ten bound and one free-standing platinum print entitled, El Mundo, Suiza that is suitable for framing). Each print is initialed by Flor Guarduno with the free standing photograph signed in full on the rectro. This copy, 4 of 65, was presented to Lance Speer, 21st Editions Contributing Editor and Director of Marketing, upon completion of the project. Each signed and numbered copy of The Sonnets of Shakespeare is hand-bound and printed in on hand-made paper. Measuring 16 x 16 inches, this gorgeous handmade volume is bound in hand-made paper with a leather spine and along with the free-standing platinum print is housed in a custom clamshell box. The book is signed and numbered by Flor Garduno, John Wood (who wrote the introduction), and the publisher, Steven Albahari on the limitation page. A Letter of Provenance from Lance Speer is included. The book, clamshell case, and prints are in pristine condition. From the introduction by John Wood, "Flor Garduño is most well-known for her intense, deeply moving images from Latin America and her elegant but erotic nudes. The most distinctive quality of her work is its genuine freshness. It is the mark of a great artist to be able to look at what we all know and have seen yet give us something new, something we have never seen before. To be able to do it with the nude and with native peoples, two of the most overworked and, therefore, most dif¿cult subjects in photography, demonstrates not only genius but an inventiveness seldom encountered. Most photographers do not see through their own eyes but create work that looks like the work of other photographers. They may possess considerable technique and craft, but what is missing is a distinct style, a singular voice, an original vision. Seeing with one¿s own eyes is one of the most difficult tasks for any artist but especially the photographic artist because every photographer's head is filled with tens of thousands of photographs she or he has seen. The question is how one can see afresh in the midst of so much visual clutter ¿ wonderful clutter, of course ¿ Le Gray, Le Secq, Watkins, O'Sullivan, Coburn, Kühn, Weston, Sudek, Hosoe, Witkin, and on and on ¿ but clutter none-the-less. There is, of course, no easy way to discover or shape an original Vision. That is the gift no teacher can give.". Signed by Author(s). Bestandsnummer des Verkäufers 000041

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The Works. The Text of the First: SHAKESPEARE, William.

SHAKESPEARE, William.

Verlag: London: Nonesuch Press, 1929-33 (1929)

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Beschreibung: London: Nonesuch Press, 1929-33, 1929. 7 volumes, large octavo. Original tan morocco, raised bands, gilt titles to compartments, gilt rules to boards and turn-ins, top edges gilt. Extremities a touch rubbed, spines slightly browned, light offsetting from turn-ins. An excellent set. One of 1,600 sets published, this set inscribed twice on the limitation page by the publisher Sir Francis Meynell (1891–1975) to Vivien Leigh (1913–1967). The initial inscription, in black ink, reads: "This copy inscribed for Vivien Holman by Francis Meynell". Below this Meynell has added a more extensive and affectionate inscription in pencil: "and now much less formally and much more warmly reinscribed to Giusta, Henriette, the divine Jenny and ? F.M. June 1937". Giusta, Henriette, and Jenny were among some of the first characters Leigh played on stage in London. Leigh played Giusta in "The Green Sash" at the Q Theatre in February 1935, Henriette in "The Mask of Virtue" at the Ambassadors Theatre in May 1935, and Jenny in "The Happy Hypocrite" at His Majesty's Theatre in April 1936. Bestandsnummer des Verkäufers 121607

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Designer Binding. Caliban Press. Shakespeare, William

Verlag: Caliban Press, Canton, NY (2001)

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Beschreibung: Caliban Press, Canton, NY, 2001. One of two copies in original designer binding by Donald Glaister, from an edition of 125 copies all on various handmade papers by Velma Bolyard, La Papeterie St. Armand, and Barcham Green, with Arches, Frankfurt and Mexican amate paper. The text is set in 14pt. Dante by M & W Bixler; rain cut by Greg Lago. The book was designed, printed and bound by Mark McMurray, using the text from the 1623 First Folio (with a few liberties). Page size: 8 x 12 inches. Bound by Donald Glaister: full grey morocco with deep blue morocco onlay cutout to reveal underlay of aluminum with onlays of mesh, copper, mylar, painted in silver, gold, red, and black, the cutouts, while seemingly abstract, spell out the title of the book, TEMPEST, on the front panel and the same on the back panel - but in reverse mirror writing, spine smooth with two sets of tooled red and gold-gilt vertical lines and one set of horizontal lines spelling out the word THE, cork endpapers, blue and grey silk headbands, top edge in palladium, original wrappers bound in, signed in blind stamp on inside back cover with date and gold dot, "Donald Glaister 2013." An ingenious binding perfectly executed and perfectly suiting this beautiful book. The text is illustrated with woodcuts, gatefolds, a volvelle, pop-ups, onlays, text printed on various papers in various shapes. This is a tour de force from master bookmaker, Mark McMurray. Certainly this is one of his most ambitious and satisfying books in his long and distinguished career. It is quite wonderful and a worthy vehicle for the Bard. With the extraordinary binding by Donald Glaister is a treasure for any library. Bestandsnummer des Verkäufers 10929

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William Shakespeare interest - Peter Kettle Original Painting

Verlag: Peter Kettle

Neu Hardcover Signiert

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Beschreibung: Peter Kettle. Hardcover. Zustand: New. An original painting based on 'The Tempest' by William Shakespeare. This is an original painting in a frame by Peter Kettle who has regularly exhibited in London, and many times at the Royal Academy. This is a unique one off original painting on a gesso panel. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0. Signed by Illustrator(s). Bestandsnummer des Verkäufers ABE-4369644601

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William Shakespeare

Verlag: William Winter (1878)

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Beschreibung: William Winter, 1878. Hardcover. Zustand: Near Fine. 1st Edition. EDWIN BOOTH'S PERSONAL COPY WITH HIS SIGNED BOOKPLATE TO THE FRONT PASTE DOWN. The older brother of the infamous John Wilkes Booth. Edwin Booth has been recognized as America's greatest actor of the 19th century. Playing Richard II was the greatest of his performances. Original red three quarter calf. Marbled paper covered boards. Five raised bands with gilt decoration and titles to the compartments. Marbled paper paste downs and end papers. All page edges are gilt. Very light age toning to the pages. Mild edge wear to the corners. Appendices. This is volume three of the Prompt-Book series. The book consists of three plays: Richard II, Richard III and Henry VIII. AN EXTREMELY RARE BOOK IN IT'S OWN RIGHT. However made even more desirable being Booth's own signed copy. Size: 5.0" x 6.75" Language: eng. Signed by Author(s). Bestandsnummer des Verkäufers 010212

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SHAKESPEARE, William. RACKHAM, Arthur (illus.)

Verlag: William Heinemann, London (1911)

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Beschreibung: William Heinemann, London, 1911. Illustrated by Arthur Rackham. Folio, gilt illustrated and lettered cloth, in dust jacket (the jacket is lacking its spine). Second impression. Light foxing (including the half-title page with drawing and inscription); plates fine; slight rubbing to extremities of cloth; jacket chipped and edgeworn and lacking the spine. Inscribed and signed by Arthur Rackham, Christmas 1911, on the half-title page, with an original pen-and-ink sketch of Bottom, arms on hips, 4 x 2-1/2 inches. Laid in is a one page autograph letter signed by Rackham to the same recipient, a fellow painter, praising his work on a painting of his owned by Rackham, and presenting this book. Bestandsnummer des Verkäufers 61144

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Shakespeare's Comedy of A Midsummer-Night's Dream: ROBINSON, W. Heath,

ROBINSON, W. Heath, illustrator; SHAKESPEARE, William

Verlag: London: Constable & Co., 1914 (1914)

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Beschreibung: London: Constable & Co., 1914, 1914. "The Most Complete and Beautiful Specimen Before Us of an Illustrated Book as a Single Work of Art"(The Times Literary Supplement)[ROBINSON, W. Heath, illustrator]. SHAKESPEARE, [William]. Shakespeare's Comedy of A Midsummer-Night's Dream. With Illustrations by W. Heath Robinson. London: Constable & Co., 1914. Edition DeLuxe. 1/250 copies signed by W. Heath Robinson (this copy being #65). Quarto (11 3/8 x 9 inches; 289 x 230 mm.). xii, [iv], 185, [2], [1, printer's imprint] pp. Twelve mounted color plates, each with a titled tissue-guard, forty-six full-page and seventeen smaller black and white drawings. Publishers primary binding of full white vellum over boards. Front cover and spine pictorially stamped in gilt, top edge gilt, others uncut. Vellum very slightly dust soiled, light offsetting onto paste-downs, otherwise a spectacular copy of this very rare book. Housed in a blue cloth slipcase.Not all of the 250 copies were bound in the primary white vellum:"A signed limited edition of 250 copies printed on handmade paper of which only 100 were issued in 1914 bound in vellum gilt with a white silk marker? the balance of the signed, limited edition issued (in 1919) in quarter green cloth, green boards, paper label on spine." (Beare, 1983)."An unspecified number were bound in white vellum covered boards and the remainder with green paper-covered boards and green cloth-covered spine, with a printed label." (Lewis, 1973)."The streams of fairies and goblins floating across the woodland scenes in Heath Robinson's illustrations to A Midsummer Night's Dream are very much like Dicky Doyle's little figures on the cover of Punch, yet these illustrations are among the most personal and most successful that Heath Robinson ever drew." (Lewis)."There are several very pretty coloured plates, including one of a tree-lined river bank, with Heath Robinson's inevitable foxgloves in the foreground, a Greek temple across the river and the reclining figures of Hermia and Helena 'Emptying our bosoms of their counsel sweet', but the black-and-white drawings are the illustrations that add such distinction to this edition of A Midsummer Night's Dream, of which he was so justly proud." (Lewis)."At the height of his powers as an illustrator. this book was to be his finest achievement. In it he consolidated all that he had learnt during the past eighteen years. Heath Robinson considered [the] book to be his greatest achievement, and when it was published in October 1914 a reviewer [in the Times Literary Supplement, Dec. 10, 1914] described it as: 'The most complete and beautiful specimen before us of an illustrated book as a single work of art'" (W. Heath Robinson The Inventive Comic Genius of Our Age, p. 19).Geoffrey Beare, The Illustrations of W. Heath Robinson, p. 127John Lewis, Heath Robinson, p. 216Langston Day, The Life and Art of W. Heath Robinson, p. 269. Bestandsnummer des Verkäufers 03022

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Beschreibung: Eines von 275 Exemplaren auf handgeschöpftes Crisbrook-Bütten, im Druckvermerk von O. Kokoschka signiert. Tadellos erhalten. - Wingler/Welz 223-238. Bestandsnummer des Verkäufers 8433AB

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PETER JONES, designer bookbinder. OLD STILE PRESS. SHAKESPEARE, William.

Verlag: Old Stile Press, Monmouthshire (2003)

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Beschreibung: Old Stile Press, Monmouthshire, 2003. Woodcuts in one and two colours by Chris Nurse. One of 160 copies numbered and signed by the artist. Printed on Somerset paper in Bulmer type. Oblong 4to., 290 x 162 mms. Bound by Peter Jones in 2014 black, red , cream and grey morocco with an opaque acrylic 'crack' on the front cover and a wooden strip in the lower board. Housed in the original black cloth covered clamshell box. Bestandsnummer des Verkäufers 7520

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A Midsummer-Night's Dream.: Shakespeare, William.

Shakespeare, William.

Verlag: William Heinemann,, London: (1908)

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Beschreibung: William Heinemann,, London:, 1908. Forty full-page color illustrations by Arthur Rackham mounted on brown paper and thirty drawings in black & white. (illustrator). First Rackham edition, limited issue. One of 1000 copies, signed by Arthur Rackham. 11.25 x 9 inches. Full red crushed moroccor by J. May. Spine in six compartments titled in gilt and with remaining compartments stamped with corner and central devices surrounded by a gilt rule, boards with double rectangular panel design and corner devices. One half inch split to upper front joint, faint wear, still a fine copy. Bestandsnummer des Verkäufers Embry 87027

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Shakespeare, William (Rackham, Arthur)

Verlag: Heinemann (1908)

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Beschreibung: Heinemann, 1908. Hardcover. Zustand: Near Fine. 1st Edition. First Edition. A sharp copy of this limited edition of 1000 copies SIGNED by Arthur Rackham. The book is in nice shape. The binding is tight, and the boards are crisp with light wear to the spine and edges. The pages are clean with no writing, marks or bookplates in the book. Overall, a lovely copy SIGNED by Rackham in collector's condition. We buy First Editions of Children's books. Signed by Author(s). Bestandsnummer des Verkäufers ABE-5307430628

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Shakespeare, William

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Beschreibung: With illustrations by Arthur Rackham, R.W.S. William Heinemann, London; Doubleday, Page & Co., New York; 1908. Full crushed navy morocco by Bayntun of Bath with single gilt fillet to boards and inner panel comprising decorative floral cornerpieces; the spine is in gilt panels, separated by raised bands augmented with spherical tooling, each with a floral wreath; titles stamped direct in two compartments; inner dentelles wide and profusely gilt; 4to. A Limited Edition of 1000 numbered and signed copies, for sale in Great Britain and Ireland. This is No. 438. Signed by Arthur Rackham on the limitation page.Additional half title-page; woodcut vignette title-page; forty colour plates, of which one is the frontispiece, mounted on brown art paper and protected by captioned tissue guards; and thirty-three line drawings within the text of which five are full page.A stunning copy in excellent condition of the First Rackham Edition. Bestandsnummer des Verkäufers CB8625

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The Tempest. Illustrated by Arthur Rackham.: RACKHAM, Arthur.) SHAKESPEARE,

RACKHAM, Arthur.) SHAKESPEARE, William.

Verlag: London: William Heinemann / New York, Doubleday, Page & Co., [1926]. (1926)

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Beschreibung: London: William Heinemann / New York, Doubleday, Page & Co., [1926]., 1926. Quarto. Finely bound by the Chelsea Bindery in dark green morocco, titles and decoration to spine gilt, raised bands, single rule to boards gilt, pictorial title block to front board gilt, twin rule to turn-ins gilt, purple patterned endpapers, top edge gilt, others untrimmed. A fine copy. With 16 tipped-in colour plates. Signed limited edition, number 118 of 520 numbered copies signed by the artist. Bestandsnummer des Verkäufers 110585

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Cheloniidae Press. Shakespeare, William

Verlag: Cheloniidae Press, Easthampton, MA (1990)

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Beschreibung: Cheloniidae Press, Easthampton, MA, 1990. One of 125 copies, all on Cheloniidae Rag paper, the first book of the press with Cheloniidae watermark, each signed by the artist, Alan James Robinson from a total issue of 155 copies, with an extra suite of the woodengravings and etching laid in loose in tan cloth over boards folder housed in clamshell box with book. . Page size: 10-3/8 x 15- 7/8 x inches - the size of the first folio edition of Shakespeare - Dedication Page, Half-title, engraved frontispiece portrait of Shakespeare in rondel surrounded by the animals, Titlepage, i-iii [iv-v] 1-87 [88-92]pp. Bound: full tan morocco by Claudia Cohen and Sarah Creighton, title stamped in gold gilt on front panel within a blind rule at outer edge, spine panelled, marbled endpapers, housed in tan cloth over boards clamshell box with leather label on spine, title stamped in gold gilt. Illustrated with 54 woodengravings depicting the birds and beasts found in Shakespeare's plays and poems, plus two portraits of the Bard: one etching and one woodengraving. The woodengravings were accomplished by Robinson on end-grain English boxwood from T.N. Lawrence & Sons of London. The type was set at M & H Type Foundry of San Francisco and printed by Harold Patrick McGrath in black within a caramel-colored rule on each page with Shakespeare's own words in caramel ink. This book uses Shakespeare's original texts addressing the natural history, folklore, and mythology of the birds and beasts in his plays. The text was written by Arthur F. Kinney, Thomas W. Copeland Professor Literary History at the University of Massachusetts at Amherst. Certainly one of the most ambitious and most beautiful books of the Press, published to mark their tenth anniversary. Bestandsnummer des Verkäufers 10394

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The Tragedie of King Lear. Newly Printed: Shakespeare, William

Shakespeare, William

Verlag: Ernest Benn : The Shakespeare Head Press (1927)

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Beschreibung: Ernest Benn : The Shakespeare Head Press, 1927. Hardcover. Zustand: Near Fine. No Jacket. Special Edition. The First UK printing of this Deluxe illustrated edition published by Ernest Benn Limited and the Shakespeare Head Press in 1927. The BOOK is in near Fine condition. This is number 7 of only 100 signed copies for sale (there was also a trade edition of 450 copies on rag paper). It is printed on Batchelor's Kelmscott hand-made paper and hard-bound in brown oasis morocco. Light fading to the spine colouring but the gilt titling and inlays remain very bright. Five raised bands to the spine. Ornate gilt inlays to the covers. Rough cut pages with top edge gilt. Light toning to a few of the prelim page edges. Free from inscriptions and erasures. Housed in the original plain card slipcase which remains in Very Good ++ condition. 'The introductions are by Harley Granville-Barker. The volumes have been printed at the Shakespeare Head Press, under the direction of B.H. Newdigate, and the coloured illustrations have been carried out in facsimile collotype. The line blocks are by Messrs Emery Walker. The edition is under the art-editorship of Albert Rutherston. The volume is illustrated by Paul Nash.' The Book has been Signed by Harley Ganville-Barker, Albert Rutherston and Paul Nash to the verso of the title page. Nash contributes 6 pages of B/W 'Drawings' - some full page. He also contributes 5 'plates in colour'. The book has the Bookplate of 'E.J.P.B' to the front pastedown. 'E.J.P.B' was Sir Ernest John Pickstone Benn, 2nd Baronet CBE who was a British publisher, writer and political publicist. His father, John Benn, was a politician, who had been made a baronet in 1914. He was an uncle of the Labour politician Tony Benn. Ernest Benn Limited was a British publishing house. Founded by Sir John Benn as Benn Brothers in 1880. After Sir John was elected to Parliament in 1892, he passed control of the firm to his eldest son Ernest, who became managing director and started publishing more trade journals. In 1923, Ernest changed the name of the firm to Ernest Benn Limited. A wonderful association copy : the publisher's personal copy of an exquisite production. Scarce with such attributes. More images available on request. Ashton Rare Books welcomes direct contact. Signed by Illustrator(s). Bestandsnummer des Verkäufers ABE-1496845719794

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The Birds and Beasts of Shakespeare: Cheloniidae Press] Shakespeare,

Cheloniidae Press] Shakespeare, William; Alan James Robinson, design and illustrations; text by Arthur F. Kinney

Verlag: Cheloniidae Press, [Easthampton, MA] (1990)

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Beschreibung: Cheloniidae Press, [Easthampton, MA], 1990. Hardcover. Zustand: Fine. Hardcover. Number 41 of 100 copies. The final edition size was set at 155 copies. This beautiful copy was custom bound from loose sheets by the renowned Green Dragon Bindery. Also included is a clamshell box that houses the prospectus and a suite of 55 loose engravings each signed and numbered by Robinson. There are 54 engravings of the birds and beasts from the text and one of Shakespeare. This ambitious production was undertaken by the press as a celebration of its tenth anniversary. It was printed on special Cheloniidae Rag paper carrying the press watermark that is the exact size of the First Folio of 1623. The original text for this edition was written by Arthur F. Kinney, who was then the Thomas W. Copland Professor of Literary History at the University of Massachusetts and an extensive publisher and lecturer on Shakespeare. From the prospectus: this book "focuses on popular bird and animal lore and the way Shakespeare turns it into lines of haunting and indelible beauty by describing the familiar and unfamiliar ideas about [many creatures] and by showing how Shakespeare used these [ideas] to shape character and plot in his plays.Shakespeare's imaginative use of observed detail and magical fantasies is matched by the intricate and mysterious wood engravings of Robinson." Handsomely bound in brown morocco leather with darker brown rulings and small decorative gilt circles along edges of covers, with gilt title stamped on front cover. Brown, blue, and yellow marbled endpapers. The type is Centaur and Arrighi and the book was letter press printed by master printer Harold Patrick McGrath. In fine condition. iv + 87 single fold pages. Clamshell box is covered with beige linen with brown leather spine label. Also in fine condition. Book is 10.5 x 16 inches. Box is 11 x 17 inches. PRI/011118. Bestandsnummer des Verkäufers 31626

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Shakespeare, William (Rackham, Arthur)

Verlag: Heinemann (1926)

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Beschreibung: Heinemann, 1926. Hardcover. Zustand: Near Fine. 1st Edition. First Edition. A sharp copy of this limited edition of 520 copies SIGNED by Arthur Rackham. The book is in nice shape. The binding is tight, and the boards are crisp with light wear to the spine and edges. The pages are clean with no writing, marks or bookplates in the book. Overall, a lovely copy SIGNED by Rackham in collector's condition. We buy First Editions of Children's books. Signed by Author(s). Bestandsnummer des Verkäufers ABE-5307429057

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SHAKESPEARE, William.

Verlag: Kegan Paul, Trench & Co. 1882-83 (1882)

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Beschreibung: Kegan Paul, Trench & Co. 1882-83, 1882. Limitation leaves, half titles, engr. titles in red & black. Contemp. half brown crushed morocco by Morrell, raised bands, gilt compartments. Armorial bookplates of Michael Tomkinson. A fine set. Copy number 23 of only 50 printed; all volumes are signed Charles Whittingham & Co. Bestandsnummer des Verkäufers 57087

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The Spirit of the Plays of Shakspeare,: Shakespeare, William; Frank

Shakespeare, William; Frank Howard

Verlag: London: Printed for T. Cadell (1833)

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Beschreibung: London: Printed for T. Cadell, 1833. Hardcover. Zustand: Fine. 1st Edition. Six volumes, 8vo (volumes 1-5) and small 4to (volume 6), bound in later 3/4 morocco and marble boards, raised bands, lettered in gilt. First edition of Howard's definitive series of engraved drawings of Shakespeare's works. Volume 6 contains 254 original pen-and-pencil drawings by Howard that were printed in volumes 1-5. The drawings, which measure 4 1/2 by 7 inches, are on Japan paper mounted on card stock, with occasional foxing. They include "Tempest" (20), "Two Gentlemen of Verona" (12), "Measure For Measure" (12), "Midsummer Night's Dream" (18), "Merchant of Venice" (18), "As You Like It" (20), "All's Well That Ends Well" (10), "Taming of the Shrew" (20), "Much Ado About Nothing" (12), "Love's Labour's Lost" (8), "Richard the Second" (10), "Merry Wives of Windsor" (10), "Julius Caesar" (9), "Twelfth Night" (20), "Macbeth" (20), "Anthony and Cleopatra" (13), "Hamlet" (12), and "Othello" (10). A unique and significant Shakespeare association. Shipping extra. Signed by Illustrator(s). Bestandsnummer des Verkäufers ABE-3464688952

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Midsummer-Night's Dream, A.: RACKHAM, Arthur, illustrator;

RACKHAM, Arthur, illustrator; Shakespeare, William

Verlag: London: William Heinemann, 1908 (1908)

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Beschreibung: London: William Heinemann, 1908, 1908. "An Almost Perfect Setting for Rackham's Devic Imagination"Edition de Luxe Signed by Arthur Rackham[RACKHAM, Arthur, illustrator]. SHAKESPEARE, William. A Midsummer-Night's Dream. With Illustrations by Arthur Rackham. London: William Heinemann, 1908. Edition de Luxe, limited to 1,000 numbered copies signed by the artist, this being copy No. 926. Large quarto (11 1/2 x 9 1/16 inches; 292 x 231 mm.). [6], 134, [1, blank], [1, printer's slug] pp. Forty color plates mounted on brown art paper, with descriptive tissue guards. Original vellum over boards pictorially stamped and lettered in gilt. Top edge gilt, others untrimmed. Later silk ties. Bookplate of Agnes Marion Armitage. A bit of mild toning to vellum at edges. Spine a little 'mottled'. Still an excellent copy."Within twelve months appeared Shakespeare's A Midsummer-Night's Dream, De la Motte Fouqué's Undine, and the Grimm brothers' Fairy Tales, all very different in quality and feeling, as demanded by the texts, but all of extremely high quality. The Dream was, of course, an almost perfect setting for Rackham's devic imagination -- perhaps only bettered by the opportunity of The Tempest -- with the result that some of the fairies, elves and goblins he created for this play are among his finest colour images, and almost all the plates echo perfectly the mysterious interweaving of lightness and depth in this great work. Many of the formal plates are exquisite, whether they depict the principal events of the main theme of the story, such as the translated Bottom with his ass-head mocked by tree sprites, or the night-rule of Titania's haunted grove, those incidents within the subsidiary action, with details hardly dreamed of by Shakespeare, such as the gnomish knife-grinder in a motley group of fairies. Some of the floriated headings for the Dream are the finest of Rackham's line at the time, as for example the heading vignette for Act One, Scene One, which with typical Rackham irrelevance spreads its tendrils over the page, and into the text, ignoring the fact that the setting is supposed, according to Shakespeare, to be the Palace of Theseus, and throwing us immediately into a tangle-wood Rackhamerie, with mice, pixies and a sleeping maiden." (Fred Gettings. Arthur Rackham, pp. 117-123).Latimore and Haskell, p. 32. Gettings, p. 177. Riall, p. 87. Bestandsnummer des Verkäufers 01984

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TEMPEST: SHAKESPEARE

SHAKESPEARE

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Beschreibung: RACKHAM (illustrator). (RACKHAM,ARTHUR)illus. THE TEMPEST by William Shakespeare. London & NY: Heinemann & Doubleday [1926]. 4to (9 1/2 x 11 3/4"), 1/4 vellum, white gilt pictorial boards, top edge gilt. Fine IN ORIGINAL DUST WRAPPER! LIMITED TO ONLY 520 COPIES (260 for U.K.,260 for U.S.) SIGNED BY RACKHAM WITH AN EXTRA COLOR PLATE NOT IN THE TRADE EDITION. Illustrated by Rackham with 21 magnificent tipped-in color plates plus pictorial title page and several black and white devices, printed on hand-made paper. This is a magnificent copy. Bestandsnummer des Verkäufers 16869

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Tempest, The: RACKHAM, Arthur, illustrator;

RACKHAM, Arthur, illustrator; SHAKESPEARE, William

Verlag: London: William Heinemann, 1926 (1926)

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Beschreibung: London: William Heinemann, 1926, 1926. A Fine Copy, in the Original Dust Jacket[RACKHAM, Arthur, illustrator]. SHAKESPEARE, William. The Tempest. Illustrated by Arthur Rackham. London: William Heinemann Ltd. [and] New York: Doubleday, Page & Company, [1926].Edition de Luxe. Limited to 520 copies (this copy being No. 285), numbered and signed by the artist. (Nos. 1 to 260 are for sale in Great Britain and Ireland and Nos. 261 to 520 in the United States.) Large quarto (11 1/2 x 9 inches; 290 x 230 mm.). [2, blank] xiii, [1], 185, [3, blank] pp. Twenty-one mounted color plates (including frontispiece) and twenty-five drawings in black and white.Original quarter vellum over cream-colored vellum-style boards. Front cover and spine pictorially stamped and lettered in gilt. Top edge gilt, others uncut. An exceptionally fine copy. Partially uncut. In the original cream-colored pictorial dust jacket (different from the trade edition dust jacket) printed in red. Jacket spine very slightly darkened and with a couple of very light stains. Housed in the original (repaired) cardboard slipcase. Certainly one of the best copies that we have ever seen. "There is an extra coloured plate in this edition that is not in the trade edition, this is the frontispiece titled 'Sea-nymphs hourly ring his knell: [Burthen. Ding-dong. Ariel. Hark! now I hear them,-Ding-dong, bell]'" (Riall).Latimore and Haskell, pp. 61-62. Riall, p. 161. Bestandsnummer des Verkäufers 02732

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A Midsummer Night's Dream; Signed by Heath: Shakespeare, Illustrations by

Shakespeare, Illustrations by Heath Robinson

Verlag: Constable and Co, London (1914)

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Beschreibung: Constable and Co, London, 1914. HardBack. Zustand: Good. First edition. 1st and Limited Edition, this being number 100 of 250 copies, Signed and Numbered by the Illustrator, Heath Robinson, to the Limitation Page. Superb and increasingly uncommon Full White Vellum Edition. Of the 250 copies printed for this limited Edition, not all were vellum bound, and it is thought that not all were signed. The copy in hand is thus doubly desirable.Thick Royal 4to. [ii] + xii + [iv] + 185pp. + [iii]. Profuse and lavish illustrations by the magnificent Heath Robinson, who was justly proud of them, including; twelve wonderful full-page tipped-in coloured plates with frontispiece, collated excellent all present and correct with 5 of 12 intact captioned tissueguards remaining. Also stunning and abundant black and white line-drawn illustrations, including 32 full-page plate illustrations as called for, collated excellent all present, and in addition, vignette front free endpaper illustration, illustrated title-page, vignette and full-page illustration to preliminary leaves, illustrated full-page Act commencements, sign offs and valeditctions. Printed with wide margins on handmade deckle edged paper, with ‘Van Gelder’ watermark, silk ribbon bookmark. Excellent internally, good clean tight sound square, no bookplate, inscriptions or ownership marks of any kind. Offset to endpapers not intruding or detracting, otherwise remarkably free from foxing and browning, cracked to upper hinge with webbing visible to head, holding firm. Beautifully bound in bright gilt ruled and illustrated full white vellum leather, featuring an illustration from the text, Titania, Queen of the Fairies, and her train, embossed in gilt to spine and upper. Antiquarian vellum seldom escapes dustsoiling, as is the case here, and is fragile, here with 2 closed tears, 2 and 3cm to head of spine, easily glued but left for purposes of full disclosure to the purchaser, lower board is gently bowed. Top edge bright gilt, rest untrimmed deckle edged. Vellum is made from calf skin, and increasingly rare. Acts of Parliament are written upon vellum as it stands the test of time, unlike any other written media. The oldest extant law dates from 1497, and was written on vellum; the Magna Carta was written on vellum 800 years ago, and is still clearly legible. Vellum making upholds a tradition over 2,000 years old. Only a single vellum maker remains in Britain. Paul wright, manager of William Cowley says; ‘The only reason we know as much as we do about previous civilisations is because they scribbled on vellum.’ The volume in hand is a delight for reader, scholar and collector alike, fit to grace any library and of interest for four reasons; the lavish illustrations, the signature of their creator Heath Robinson, the Limited and Numbered Edition, and the Vellum binding. Incurs additional postage charge due to price and weight, for safe delivery. signed by author. Bestandsnummer des Verkäufers 100092816

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SHAKESPEARE, William

Verlag: Heinemann, London (1926)

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Beschreibung: Heinemann, London, 1926. hardcover. Zustand: near fine. Zustand des Schutzumschlags: very good(+). Limited. Illustrated by Arthur Rackham with 21 tipped-in color plates plus pictorial title page and several small black and white illustrations, printed on hand-made paper. 4to, 1/4 vellum, white gilt pictorial boards, original dust wrapper (browned and slightly rubbed). Signed by Rackham with an extra color plate not in the trade edition. London & New York: Heinemann & Doubleday. (1926). A beautiful clean crisp copy with 2 small chips on the bottom of the fly leaves & endpapers. Limited to only 520 hand numbered copies (260 for the U.K. ans 260 for the U.S.). Bestandsnummer des Verkäufers 249553

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William Shakespeare, Talbot Jennings

Verlag: MGM (1935)

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Beschreibung: MGM, 1935. Paperback. Zustand: Good. Signed. Original screenplay for the 1936 MGM film, signed by the entire cast and most of the production personal: signed by Irving Thalberg (producer), George Cukor (director); Norma Shearer (Juliet), Leslie Howard (Romeo), John Barrymore (Mercutio), Edna May Oliver (Nurse to Juliet), C. Aubrey Smith (Lord Capulet), Basil Rathbone (Tybalt), Andy Devine (Peter), Reginald Denny (Benvolio), Ralph Forbes (Paris), Conway Tearle (Prince of Verona), Katherine De Mille (Rosaline), Henry Kolker (Friar Laurence), Violet Kembel-Cooper (Lady Capulet), Maurice Murphy (Balthasar), Talbot Jennings (screenplay), Agnes De Mille (choreographer), Cedric Gibbons (art direction), Adrian (costume design), Doug Shearer (sound), Margaret Booth (editor), Herbert Stothart (music), William Strunk Jr. (literary consultant), Edwin B. Willis (set decorations), Oliver Messell (settings), Wm Daniels (Camera). The front cover (where the signatures are) is detached and worn around the edges; overall a very remarkable ite. Bestandsnummer des Verkäufers mon0000269214

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SHAKESPEARE, William

Verlag: London Ganymed Original Editions Limited (1963)

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Beschreibung: London Ganymed Original Editions Limited, 1963. "King Lear," Limited to 279 Copies, Signed by Kokoschka KOKOSCHKA, Oskar, [illustrator]. SHAKESPEARE, William. King Lear. With lithographs by Oskar Kokoschka. London: Ganymed Original Editions Limited, 1963. Folio. Limited to 279 copies signed by the artist, of which this is number 87. Beautifully illustrated with sixteen lithographs by Oskar Kokoschka. Original full vellum, gilt-stamped on spine, marbled endpapers. Gray cloth slipcase, slightly frayed. Vellum a little soiled, otherwise fine. HBS 66415. $3,000. Bestandsnummer des Verkäufers 66415

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Tempest Illustrated by Arthur Rackham.: SHAKESPEARE, William

SHAKESPEARE, William

Verlag: London William Heinemann (1926)

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Beschreibung: London William Heinemann, 1926. A Beautiful Copy, in the Original Dust Jacket [RACKHAM, Arthur, illustrator]. SHAKESPEARE, William. The Tempest. Illustrated by Arthur Rackham. London: William Heinemann, 1926. Edition de Luxe. Limited to 520 copies, numbered and signed by the artist, this is copy number 222. Large quarto. [2, blank] xiii, [1], 185, [3, blank] pp. Twenty-one mounted color plates, with descriptive tissue guards, and twenty-five drawings in black and white. Original quarter vellum over white boards. Front cover and spine pictorially stamped and lettered in gilt. Top edge gilt, others uncut. In the original tan dust jacket printed in red, endpapers a bit foxed, (jacket a little browned), original glassine, very chipped. A fine copy. "There is an extra coloured plate in this edition that is not in the trade edition, this is the frontispiece titled ‘Sea-nymphs hourly ring his knell:‘" (Riall). Latimore and Haskell, pp. 61-62. Riall, p. 161. HBS 67589. $3,000. Bestandsnummer des Verkäufers 67589

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