Sprache: Englisch
Verlag: Columbia University Press, 2020
ISBN 10: 0231192215 ISBN 13: 9780231192217
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: As New. Unread book in perfect condition.
Sprache: Englisch
Verlag: Harvard University Asia Center, 2014
ISBN 10: 0674726677 ISBN 13: 9780674726673
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Zustand: good. Supports Goodwill of Silicon Valley job training programs. The cover and pages are in Good condition! Any other included accessories are also in Good condition showing use. Use can include some highlighting and writing, page and cover creases as well as other types visible wear.
Sprache: Englisch
Verlag: Columbia University Press, 2020
ISBN 10: 0231192215 ISBN 13: 9780231192217
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: New.
Sprache: Englisch
Verlag: Columbia University Press 12/8/2020, 2020
ISBN 10: 0231192215 ISBN 13: 9780231192217
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Paperback or Softback. Zustand: New. Photo Poetics: Chinese Lyricism and Modern Media Culture. Book.
Sprache: Englisch
Verlag: Columbia University Press, US, 2020
ISBN 10: 0231192215 ISBN 13: 9780231192217
Anbieter: Rarewaves USA, OSWEGO, IL, USA
Paperback. Zustand: New. Chinese poetry has a long history of interaction with the visual arts. Classical aesthetic thought held that painting, calligraphy, and poetry were cross-fertilizing and mutually enriching. What happened when the Chinese poetic tradition encountered photography, a transformative technology and presumably realistic medium that reshaped seeing and representing the world?Shengqing Wu explores how the new medium of photography was transformed by Chinese aesthetic culture. She details the complex negotiations between poetry and photography in the late Qing and early Republican eras, examining the ways traditional textual forms collaborated with the new visual culture. Drawing on extensive archival research into illustrated magazines, poetry collections, and vintage photographs, Photo Poetics analyzes a wide range of practices and genres, including self-representation in portrait photography; gifts of inscribed photographs; mass-media circulation of images of beautiful women; and photography of ghosts, immortals, and imagined landscapes. Wu argues that the Chinese lyrical tradition provided rich resources for artistic creativity, self-expression, and embodied experience in the face of an increasingly technological and image-oriented society. An interdisciplinary study spanning literary studies, visual culture, and media history, Photo Poetics is an original account of media culture in early twentieth-century China and the formation of Chinese literary and visual modernities.
Sprache: Englisch
Verlag: Harvard University Asia Center, 2014
ISBN 10: 0674726677 ISBN 13: 9780674726673
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: As New. Unread book in perfect condition.
Sprache: Englisch
Verlag: Harvard University, Asia Center, US, 2014
ISBN 10: 0674726677 ISBN 13: 9780674726673
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In den WarenkorbHardback. Zustand: New. After the collapse of the Qing dynasty in 1911 and the rise of a vernacular language movement, most scholars and writers declared the classical Chinese poetic tradition to be dead. But how could a longstanding high poetic form simply grind to a halt, even in the face of tumultuous social change? In this groundbreaking book, Shengqing Wu explores the transformation of Chinese classical-style poetry in the early twentieth century. Drawing on extensive archival research into the poetry collections and literary journals of two generations of poets and critics, Wu discusses the continuing significance of the classical form with its densely allusive and intricately wrought style. She combines close readings of poems with a depiction of the cultural practices their authors participated in, including poetry gatherings, the use of mass media, international travel, and translation, to show how the lyrical tradition was a dynamic force fully capable of engaging with modernity. By examining the works and activities of previously neglected poets who maintained their commitment to traditional aesthetic ideals, Modern Archaics illuminates the splendor of Chinese lyricism and highlights the mutually transformative power of the modern and the archaic.
Sprache: Englisch
Verlag: Harvard University Asia Center, 2014
ISBN 10: 0674726677 ISBN 13: 9780674726673
Anbieter: GreatBookPrices, Columbia, MD, USA
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Sprache: Englisch
Verlag: Harvard University, Asia Center, 2014
ISBN 10: 0674726677 ISBN 13: 9780674726673
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Hardcover. Zustand: new. Hardcover. After the collapse of the Qing dynasty in 1911 and the rise of a vernacular language movement, most scholars and writers declared the classical Chinese poetic tradition to be dead. But how could a longstanding high poetic form simply grind to a halt, even in the face of tumultuous social change? In this groundbreaking book, Shengqing Wu explores the transformation of Chinese classical-style poetry in the early twentieth century. Drawing on extensive archival research into the poetry collections and literary journals of two generations of poets and critics, Wu discusses the continuing significance of the classical form with its densely allusive and intricately wrought style. She combines close readings of poems with a depiction of the cultural practices their authors participated in, including poetry gatherings, the use of mass media, international travel, and translation, to show how the lyrical tradition was a dynamic force fully capable of engaging with modernity. By examining the works and activities of previously neglected poets who maintained their commitment to traditional aesthetic ideals, Modern Archaics illuminates the splendor of Chinese lyricism and highlights the mutually transformative power of the modern and the archaic. After the 1911 fall of the Qing dynasty, many declared the classical Chinese poetic tradition dead. In Modern Archaics, Shengqing Wu draws on extensive archival research into the poetry collections and literary journals of two generations of writers to challenge this claim and demonstrate the continuing significance of the classical form. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: As New. Unread book in perfect condition.
Sprache: Englisch
Verlag: Harvard University Asia Center, 2014
ISBN 10: 0674726677 ISBN 13: 9780674726673
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Sprache: Englisch
Verlag: Columbia University Press, 2020
ISBN 10: 0231192215 ISBN 13: 9780231192217
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In den WarenkorbZustand: As New. Unread book in perfect condition.
Sprache: Englisch
Verlag: Columbia University Press, 2020
ISBN 10: 0231192215 ISBN 13: 9780231192217
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Sprache: Englisch
Verlag: Harvard University, Asia Center, 2014
ISBN 10: 0674726677 ISBN 13: 9780674726673
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Erstausgabe
Zustand: New. After the 1911 fall of the Qing dynasty, many declared the classical Chinese poetic tradition dead. In this book, the author draws on extensive archival research into the poetry collections and literary journals of two generations of writers to challenge this claim and demonstrate the continuing significance of the classical form. Series: Harvard-Yenching Institute Monograph Series. Num Pages: 488 pages, Illustrations. BIC Classification: 2GDC; 3JJ; DSBH; DSC. Category: (G) General (US: Trade). Dimension: 233 x 155 x 36. Weight in Grams: 788. . 2014. First Edition. Hardcover. . . . .
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In den WarenkorbZustand: New. pp. 488.
Sprache: Englisch
Verlag: Harvard University Asia Center, 2014
ISBN 10: 0674726677 ISBN 13: 9780674726673
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In den WarenkorbZustand: As New. Unread book in perfect condition.
Sprache: Englisch
Verlag: Harvard University Asia Center, 2014
ISBN 10: 0674726677 ISBN 13: 9780674726673
Anbieter: GreatBookPricesUK, Woodford Green, Vereinigtes Königreich
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In den WarenkorbZustand: New.
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In den WarenkorbZustand: As New. Unread book in perfect condition.
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In den WarenkorbPaperback. Zustand: Brand New. 424 pages. 9.00x6.00x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Harvard University, Asia Center, 2014
ISBN 10: 0674726677 ISBN 13: 9780674726673
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. After the 1911 fall of the Qing dynasty, many declared the classical Chinese poetic tradition dead. In this book, the author draws on extensive archival research into the poetry collections and literary journals of two generations of writers to challenge this claim and demonstrate the continuing significance of the classical form. Series: Harvard-Yenching Institute Monograph Series. Num Pages: 488 pages, Illustrations. BIC Classification: 2GDC; 3JJ; DSBH; DSC. Category: (G) General (US: Trade). Dimension: 233 x 155 x 36. Weight in Grams: 788. . 2014. First Edition. Hardcover. . . . . Books ship from the US and Ireland.
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Anbieter: Sigrun Wuertele buchgenie_de, Altenburg, Deutschland
Erstausgabe
Zustand: Sehr gut - gebraucht. 1. Aufl. Gebundene Ausgabe 143 S. Sehr guter Zustand, ohne Namenseintrag, Original-Schutzumschlag Zustand: 2, Sehr gut - gebraucht, Gebundene Ausgabe Diederichs 1. Aufl., 1985 143 S. , Sprichwörter und Lehrgeschichten der Chinesen, Gu, Shengqing.
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EUR 57,95
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In den WarenkorbPaperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days.
Zustand: New. pp. 488.
Sprache: Englisch
Verlag: Harvard Univ Council on East Asian, 2014
ISBN 10: 0674726677 ISBN 13: 9780674726673
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 63,50
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In den WarenkorbHardcover. Zustand: Brand New. 456 pages. 9.25x6.35x1.35 inches. In Stock.
Sprache: Englisch
Verlag: Harvard University, Asia Center, 2014
ISBN 10: 0674726677 ISBN 13: 9780674726673
Anbieter: THE SAINT BOOKSTORE, Southport, Vereinigtes Königreich
EUR 64,72
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In den WarenkorbHardback. Zustand: New. New copy - Usually dispatched within 4 working days.
Sprache: Englisch
Verlag: Columbia University Press, US, 2020
ISBN 10: 0231192215 ISBN 13: 9780231192217
Anbieter: Rarewaves USA United, OSWEGO, IL, USA
EUR 45,19
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In den WarenkorbPaperback. Zustand: New. Chinese poetry has a long history of interaction with the visual arts. Classical aesthetic thought held that painting, calligraphy, and poetry were cross-fertilizing and mutually enriching. What happened when the Chinese poetic tradition encountered photography, a transformative technology and presumably realistic medium that reshaped seeing and representing the world?Shengqing Wu explores how the new medium of photography was transformed by Chinese aesthetic culture. She details the complex negotiations between poetry and photography in the late Qing and early Republican eras, examining the ways traditional textual forms collaborated with the new visual culture. Drawing on extensive archival research into illustrated magazines, poetry collections, and vintage photographs, Photo Poetics analyzes a wide range of practices and genres, including self-representation in portrait photography; gifts of inscribed photographs; mass-media circulation of images of beautiful women; and photography of ghosts, immortals, and imagined landscapes. Wu argues that the Chinese lyrical tradition provided rich resources for artistic creativity, self-expression, and embodied experience in the face of an increasingly technological and image-oriented society. An interdisciplinary study spanning literary studies, visual culture, and media history, Photo Poetics is an original account of media culture in early twentieth-century China and the formation of Chinese literary and visual modernities.