stephen daiter (174 Ergebnisse)

Zustand: Very Good. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Paperback.

Zustand: good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Paperback.

Oversize Paperback. Zustand: Near Fine. No Jacket.

34pp. Prof. illus. 4to. Stiff wraps. D.j.

15pp. Prof. illus. 4to. Wraps.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Soft cover. Zustand: Fine. 1st Edition. 1st Printing. 74 pages. Published in 2012. Exhibition Catalog. One of the most important exhibition catalogs on its subject in our time. The first and only edition. Published in a small and limited print run as a softcover original only. The Exhibition Catalog is now scarce. A brilliant production by Adam Holtzman: Regular-sized volume format. Pictorial softcovers with titles on the cover and spine, as issued. Photographs and text by Samantha Appleton, Vincent Cianni, Ashley Gilbertson, and Stephanie Sinclair. Printed on pristine-white, thick coated stock paper in the United States to the highest standards. Without DJ, as issued. Published on the occasion of the exhibition of the same name held at the Stephen Daiter Gallery Chicago in 2012. Presents "Collateral Damage: The Human Face of War". Gripping images of war and its even more affecting aftermath. "Whether it is Vincent Cianni's black-and-white portraits of gay soldiers under the contradictory and compromised reign of 'Don't Ask, Don't Tell', Stephanie Sinclair's searing color scenes of Afghan women who have taken violence unto themselves and committed acts of self-immolation, or Samantha Appleton's war-zone shots, such as a jihadi in Iraq praying alone inside the walls of a bombed-out house, this powerful show fills in the picture of the realities of war beyond the battles. Collateral damage means much more than civilian casualties and properties destroyed. It is the effect of war on individuals that will last lifetimes" (Michael Weinstein). The book features a stunning multi-panel foldout of Ashley Gilbertson's panoramic photographs of empty rooms in American suburbia. They are the bedrooms of dead young American soldiers, in the homes where they were born and grew up, left "as is" by their grieving parents: An 18-year-old man's diplomas, awards, and trophies neatly and proudly on display. Another bedroom overflowing with yet another dead 18-year-old's regalia, sports posters, and girlie pin-ups, emblems of American adolescence and virility. A woman-soldier's room decorated with lush house plants. In a way that only photographs can evoke, they are about absence and presence at the same time: The young lives snuffed out and gone, their "human remains" left behind, helping keep their memory alive. An absolute "must-have" title for Samantha Appleton, Vincent Cianni, Ashley Gilbertson, and Stephanie Sinclair collectors. This title is a contemporary art photography classic. This is one of few copies of the Exhibition Catalog still available online and is in especially fine condition: Clean, crisp, and bright. Please note: Copies available online have serious flaws. This is surely an accessible and lovely alternative. A scarce copy thus. Lavishly illustrated with black-and-white and color plates. Four of the most brilliant American photographers of our time. A fine copy. (SEE ALSO PETER VAN AGTMAEL AND RYAN SPENCER REED TITLES IN OUR CATALOG) ISBN 0985952903. no.

Hardcover. Zustand: Near Fine. 1st Edition. 256 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Near fine dust jacket. No remainder mark. First Edition / First Printing. 10,9,8,7,6,5,4,3,2,1.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Oct 2008 oversize hardcover stated 1st edition 1st printing with full number line . Spine a little tilted, light denting on dj, sunning on edge of cover, foxing on dj, cover and edge, else text clean, binding tight. Oversize book extra shipping charges will apply for international and priority orders as this will not fit into a flat rate envelope.

First edition. Softcover. 67 pages. Edition of 1500. Terrific look at this important school which was initially directed by Laszlo Moholy-Nagy and had teachers like Harry Callahan, Aaron Siskind and many others. Includes numerous black and white illustrations. A very fine copy in wrappers. An important reference.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Very good condition. First Edition. Hardcover, black cloth, with dust jacket. Edited by Stephen Daiter essays by Kerry Tremain, introduction by Fred Ritchin, afterword by Paul Berlanga, additional commentary by Gordon Parks and Amy Dru Stanley. 256 pages, 190 photos, biography, quarto. Inventory #61410.

Unknown Binding. Zustand: New. BRAND NEW SHRINK WRAPPED, Perfect Shape, No Black Remainder Mark,Fast Shipping With Online Tracking, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction!

Paperback. The catalogue for an exhibition of work by Aaron Siskind titled "Order With the Tensions Continuing" and held at the Stephen Daiter Gallery, Chicago, May 2 - June 28, 2003. Photographs by Aaron Siskind; rembrances by Joseph Sterling, Barbara Crane, Kenneth Josephson, Jed Fielding, Joe Jachna, and Kazimir Karpuszko; introduction by Stephen Daiter. First edition. Staple-bound card wraps; 32 pages; 20 duo-toned b&w plates; 8.5 x 10.5 inches. Condition: Fine/As New paperback in stiff dust jacket. Ships the next business day, wrapped in padding, in a box.

First edition and first printing. Hardcover. 255 pages. Edited by gallerist Stephen Daiter. Features an introduction by Fred Ritchin along with an essay by Kerry Tremain. Includes a wide ranging collection of 190 duotone images by Miller from throughout his long, but underappreciated career as well as a checklist and a bibliography. A fine copy in black cloth boards and in a very near fine dust jacket.

Soft Cover. Zustand: Near Fine. First Edition; First Printing. Illustrated with 110 full-page plates. Introduction by James Danziger and Stephen Daiter. Published on the occasion of the exhibition, September - October, 1998. Tight, clean and crisp. Previous owner's initials embossed to top right corner of front endpaper, otherwise As New. No inscriptions. No remainder mark. Not ex-library. An excellent copy of the First Printing of the First Edition. ; 4to.

First edition. Softcover. Includes numerous illustrations. A very near fine copy in wrappers and still in the publisher's shrinkwrap.

Hardbound. Zustand: NF. Black wraps with embossed lettering, bw illustrated DJ, 256 pp, From the publisher: This book chronicles the evolution of a largely self-taught photographer who, fresh from art school, enlisted in the Navy in 1942 and spent four years capturing compelling, memorable images from the Second World War. Miller's work always contained a peculiar empathy, whether he was photographing American servicemen, Italian street urchins, or Japanese survivors of the atomic bomb, and that ethos extends to his subsequent landmark studies of the famous Bronzeville neighborhood in postwar Chicago and of the daily lives of an American family's children.

softcover. Profusely illustrated (illustrator). exhib. cat. 4to, 32 pp., With contributions by Joe Jachna, Joseph Sterling, Kenneth Josephson, Barbara Crane & Jed Fielding Fine copy in fine cardstock dust jacket.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Very good condition. Forward by Stephen Daiter. 176 pages, 169 illustrations., biography, bibliography, hardcover black cloth with silver lettering on cover and spine, dust jacket. Inventory #22154.

Paperback. Zustand: Near Fine. First Edition. 4to. 70 pp. Near Fine. Slight shelfwear and toning to wraps.

Paperback. Zustand: Near Fine. First Edition. 4to. 110 pp. Near Fine. Slightest wear to wraps.

NY. Very Good; Softcover; James Danziger Gallery; 1997. 0965983501 . James Danziger & Stephem Daiter [Curators]. The American Century Photographs and Visions Part I: 1900-1935. New York: James Danziger Gallery, 1997, unpaginated. Black and white pictorial softcover wraps, very good. Light rubbing to edges of the wraps. Includes 70 black and white plates from various artist including Man Ray, Ansel Adams, and Alfred Stieglitz. Index of artists and introduction by James Danziger. ; 4to 11" - 13" tall; Unpaginated pages . Very Good; Softcover; James Danziger Gallery; 1997.

Soft cover. Zustand: New. No Jacket. First edition 1998. Published on occasion of the exhibition at James Danziger Gallery September-October 1998 by James Danziger Gallery / Stephen Daiter Photography. Softcover without DJ as issued. Condition new, square tight and clean book, spine not creased, no edgewear, sharp corners, no tears, no chips, no names, no underlinings no highlights, no bent page corners, not a reminder. 4to, 230 pages, 110 full page plates. Heavy book will require additional postage for international orders. ASIN: B000JD5J04.

Soft cover. Zustand: As New. 1st Edition. 1st Printing. 100 pages. Published in 2014. Exhibition Catalog. The first and only edition. Published in a small and limited print run as a softcover original only. None of the copies was sold to the public. There is no ISBN. The Exhibition Catalog is now scarce. An austerely elegant production by Stephen Daiter Gallery: Regular-sized volume format. Glossy black softcovers with white titles on the cover and spine, as issued. Photographs by Andre Kertesz. Essay by Robert Gurbo. Printed on pristine-white, thick coated stock paper in the United States to the highest standards. Without DJ, as issued. Published on the occasion of the landmark exhibition of the same name held at Stephen Daiter Gallery Chicago from March 7 through May 24, 2014. Presents "Andre Kertesz: 'Raison d'Etre': Photographs From The Concerned Photographer Exhibitions 1967-69". The fifth, and most comprehensive, publication by Stephen Daiter Gallery on the photographic art and achievement of Andre Kertesz. His participation in the eponymous - and eleemosynary: The Concerned Photographer shows helped establish the International Center for Photography (ICP) - exhibitions was sweet confirmation of the photographer's stature as one of the greatest photographers of the time. By the time Kertesz immigrated to the United States in 1937, he was already a well-known artist/photographer in Europe, and (rightly) expected to be greeted with the critical acclaim and financial success that a figure of his stature deserved. Instead, his work was completely ignored. Kertesz was forced to eke out a living by doing commercial work for House & Garden Magazine. It was not until the prescient John Szarkowski gave him a one-man show at the Museum of Modern Art (MOMA) in 1964, a posthumous-like, twenty-seven years later, that he finally achieved the recognition that he enjoys to this day. There are critics, scholars, dealers, and collectors who consider Kertesz to be the greatest photographer of the 20th century. Full stop. "The camera is my tool through which I try to give a reason to everything and to every happening around me. Every subject has a rhythm. To feel this rhythm is the raison d'etre" (Andre Kertesz). All great art compels us to slow down, tarry, take our time; transports us to another temporal reality and immerses us in it, which Andre Kertesz's best photographs do. An absolute "must-have" title for Andre Kertesz collectors. This title is a contemporary art photography classic. This is one of few copies of the Exhibition Catalog still available online and is in especially fine condition: Clean, crisp, and bright. Please note: This Exhibition Catalog was not sold to the public. It was given as a keepsake/souvenir to Andre Kertesz print collectors only. A scarce copy thus. 97 plates. Andre Kertesz's "Day of Paris" was selected as one of the greatest photography books in "The Photobook". One of the greatest photographers of the 20th century. A fine copy. (SEE ALSO OTHER ANDRE KERTESZ TITLES IN OUR CATALOG). no.

Soft cover. Zustand: As New. 1st Edition. 1st Printing. 20 pages. Published in 2019. Exhibition Catalog. The first and only edition. Published in a small and limited print run as a softcover original only. There is no ISBN. The Exhibition Catalog is now scarce. An austerely elegant production by Stephen Daiter Gallery: Small-size volume format. Wraparound pictorial softcovers, as issued. Photographs by Joseph Sterling. Text by Stephen Daiter. Printed on pristine-white, thick coated paper in the United States to the highest standards. Without DJ, as issued. Published on the occasion of the landmark retrospective exhibition of the same name held at Stephen Daiter Gallery Chicago from December 10, 2019 through February 29, 2020, the last show that the gallery held before temporarily closing its doors due to the coronavirus lockdown. Presents "Early And Unknown: Photographs From The Archive of Joseph Sterling". Some of the photographer's earliest work that demonstrate a level of technical and expressive accomplishment: Abstract studies, landscape, street photography, and portrait. Joseph Sterling hid them from public view. They were discovered only after his widow (Sterling died unexpectedly on November 12, 2010) finally showed them to Stephen Daiter Gallery. Closely identified with the Institute of Design (ID), Sterling's work is characterized by the technical perfection and formal experimentation identified with the Bauhaus-inspired Institute. His best-known work, "The Adolescent Comedy", departs from Bauhaus aesthetics, and the result is simply wonderful. An absolute "must-have" title for Joseph Sterling collectors. This title is a contemporary art photography classic. As far as we know, this is the only copy of the Exhibition Catalog available online and is in especially fine condition: Clean, crisp, and bright. A scarce copy thus. 18 duotone plates. One of the finest American photographers of our time. A fine copy. (SEE ALSO OTHER JOSEPH STERLING TITLES IN OUR CATALOG). no.

Soft cover. Zustand: As New. 1st Edition. 1st Printing. 60 pages. Published in 2011. Memorial Exhibition Catalog. The first and only edition. Published in a small and limited print run as a softcover original only. There is no ISBN. The Exhibition Catalog is now scarce. An austerely elegant production by Stephen Daiter Gallery: Small-size volume format. Pictorial softcovers with white titles on the cover and spine, as issued. Photographs by Joseph Sterling. Text by Bob Tanner and Sterling's family. Printed on pristine-white, thick coated paper in the United States to the highest standards. Without DJ, as issued. Published on the occasion of the AIPAD Photography Show in 2011. Presents "Joseph Sterling". Some of the photographer's finest and most representative images in a tribute to his life-work. Sterling died unexpectedly on November 12, 2010. Closely identified with the Institute of Design (ID), his work is characterized by the technical perfection and formal experimentation identified with the Bauhaus-inspired Institute. His best-known work, "The Adolescent Comedy", departs from Bauhaus aesthetics, and the result is simply wonderful. An absolute "must-have" title for Joseph Sterling collectors. This title is now collectible. As far as we know, this is the only copy of the Memorial Exhibition Catalog available online and is in especially fine condition: Clean, crisp, and bright. A scarce copy thus. 28 duotone plates. One of the finest American photographers of our time. A fine copy. (SEE ALSO OTHER JOSEPH STERLING TITLES IN OUR CATALOG). no.

Soft cover. Zustand: As New. 1st Edition. 1st Printing. 15 pages. Published in 2000. Exhibition Catalog. The first and only edition. Published in a small and limited print run as a softcover original only. There is no ISBN. The Exhibition Catalog is now scarce. An austerely elegant production by David W. Williams: Regular-sized volume format. Pictorial softcovers with titles on the cover, as issued. Photographs by Andre Kertesz. Essay, "The Mirror As Muse", by Robert Gurbo, Curator of the Andre Kertesz Estate. Printed on pristine-white, thick coated stock paper in the United States to the highest standards. Without DJ, as issued. Published on the occasion of the exhibition of the same name held at the Stephen Daiter Gallery Chicago from November 26, 1999 through January 15, 2000. Presents "Andre Kertesz: The Mirror As Muse". Some of the photographer's celebrated portraits using a distorted mirror. They are among the most sensuous and elegant female nude photographs ever taken in the medium's history. The remarkable achievement of Andre Kertesz's "Distortion Series" is that the resulting images make one forget about the technical feat involved and is transported to another world, as the photographer intended, the closest any 20th-century artist/photographer has come to an Adult Wonderland Through A Looking Glass. An absolute "must-have" title for Andre Kertesz collectors. This title is a contemporary art photography classic. This is one of few copies of the Exhibition Catalog still available online and is in especially fine condition: Clean, crisp, and bright. Please note: This is a Catalog, not a monograph or full-fledged book. But it is a beauty and rarity for Andre Kertesz completists, plus an original Essay by Robert Gurbo, the Curator of the Andre Kertesz estate. A scarce copy thus. 13 duotone plates. Andre Kertesz's "Day of Paris" was selected as one of the greatest photography books in "The Photobook". One of the greatest photographers of the 20th century. A fine copy. (SEE ALSO OTHER ANDRE KERTESZ TITLES IN OUR CATALOG). no.