Stephen popper (32 Ergebnisse)
Sprache: Englisch
Verlag: University of California Press, Berkeley, 1961
- Softcover
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In den WarenkorbSoft cover. Zustand: Acceptable. Good clean tight condition. Text HAS UNDERLINING marks and marginalia from university philosophy professor. Professional book dealer since 1999. All orders are processed promptly and carefully packaged with tracking.
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Encounter Vol. XXI. Nº 3. September 1962 Gunter Grass "In The Onion Cellar" / Karl R Popper "On The Sources Of Knowledge And Of Ignorance" / Alastair Reid "Iberian Notebook" / Dan Jacobson "Time Of Arrival" / Sidney Hook "Revisionism At Bay" Anthony Hartley "Co=existing" / George Faludy "Poet's Return"
Stephen Spender & Melvin J Lasky (Editors) / Gunter Grass "In The Onion Cellar" / Karl R Popper "On The Sources Of Knowledge And Of Ignorance" / Alastair Reid "Iberian Notebook" / Dan Jacobson "Time Of Arrival" / Sidney Hook "Revisionism At Bay" Anthony Hartley "Co=existing" / George Faludy "Poet's Return"
Sprache: Englisch
Verlag: Encounter, London, 1962
- Softcover
- Magazine / Periodical
Anbieter: Shore Books, London, Vereinigtes KönigreichShore Books
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In den WarenkorbSoft cover. Zustand: Very Good. 96 pages. Gunter Grass "In The Onion Cellar" / Karl R Popper "On The Sources Of Knowledge And Of Ignorance" / Alastair Reid "Iberian Notebook" / Dan Jacobson "Time Of Arrival" / Sidney Hook "Revisionism At Bay" Anthony Hartley "Co=existing" / George Faludy "Poet's Return".
Verlag: Motion Books, 1966
- Softcover
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In den WarenkorbSoftcover, 70 pages; poor condition; moderate rubbing, stains and edgewear to covers; tear at top of spine and small crease to upper left corner of pages; half of the pages are loose from spine; no internal marks. As is. Foreign shipping may be extra.
Verlag: Motion Books, St. Albans UK, 1966
- Hardcover
- Erstausgabe
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In den WarenkorbHardcover. Zustand: Good. No Dust Jacket. First Edition. Hardcover. An ex-library copy bound in heavy red library cloth, with the usual ex-libris markings. Photo-illustrated. A clean/unmarked copy within. Thus, a sound hardcover reading/reference copy. No dust jacket. Book.
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Verlag: Motion Books, 1966
- Softcover
- Erstausgabe
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In den WarenkorbSoftcover. Zustand: Good. First Edition. First edition. Photographic wrappers with title to front cover and spine. Some wear and creasing to covers, and mild marking t top of front cover. Internally clean and well illustrated.
Verlag: Motion Books, London, 1966
- Softcover
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In den Warenkorb4to. 70 pp. Paperback. Black and white illustrations throughout. Slight smudge on front cover. Otherwise a good copy. Good copy.
- Hardcover
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Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Sprache: Englisch
Verlag: University of Michigan Press, 1984
- Softcover
Anbieter: Masalai Press, Oakland, CA, USAMasalai Press
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Paperback. Zustand: Very Good. Trade paperback (US). 228 p. Research Reports in Anthropology (i.e. Archaeology, 10. 0.0.
Verlag: New York Graphic Society, 1968
- Hardcover
Anbieter: Attic Books (ABAC, ILAB), London, ON, KanadaAttic Books (ABAC, ILAB)
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In den WarenkorbHardcover. Zustand: Fine. Near fine. 272 p. 25 cm. Mainly b&w illustrations with 14 few in colour. Orange hardocver in pictorial dustjacket. Light edge wear to jacket.
Vestibular System
Highstein, Stephen M. (EDT); Fay, Richard R. (EDT); Popper, Arthur N. (EDT); Popper, Arthur N.
Sprache: Englisch
Verlag: Springer, 2004
Serie: Buch 8 von 67 - Springer Handbook of Auditory Research
- Hardcover
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Vestibular System
Highstein, Stephen M. (EDT); Fay, Richard R. (EDT); Popper, Arthur N. (EDT); Popper, Arthur N.
Sprache: Englisch
Verlag: Springer, 2004
Serie: Buch 8 von 67 - Springer Handbook of Auditory Research
- Hardcover
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Sprache: Englisch
Verlag: Springer, 2019
Serie: Buch 62 von 67 - Springer Handbook of Auditory Research
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Vestibular System
Highstein, Stephen M. (EDT); Fay, Richard R. (EDT); Popper, Arthur N. (EDT); Popper, Arthur N.
Sprache: Englisch
Verlag: Springer, 2004
Serie: Buch 8 von 67 - Springer Handbook of Auditory Research
- Hardcover
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Sprache: Englisch
Verlag: Springer, 2019
Serie: Buch 62 von 67 - Springer Handbook of Auditory Research
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Sprache: Englisch
Verlag: Springer Verlag, 2004
Serie: Buch 8 von 67 - Springer Handbook of Auditory Research
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Vestibular System
Highstein, Stephen M. (EDT); Fay, Richard R. (EDT); Popper, Arthur N. (EDT); Popper, Arthur N.
Sprache: Englisch
Verlag: Springer, 2004
Serie: Buch 8 von 67 - Springer Handbook of Auditory Research
- Hardcover
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Sprache: Englisch
Verlag: Springer, 2019
Serie: Buch 62 von 67 - Springer Handbook of Auditory Research
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Sprache: Englisch
Verlag: Springer, 2019
Serie: Buch 62 von 67 - Springer Handbook of Auditory Research
- Hardcover
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Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Roughly defined as any property other than pitch, duration, and loudness that allows two sounds to be distinguished, timbre is a foundational aspect of hearing. The remarkable ability of humans to recognize sound sources and events (e.g., glass breaking, a…friend's voice, a tone from a piano) stems primarily from a capacity to perceive and process differences in the timbre of sounds. Timbre raises many important issues in psychology and the cognitive sciences, musical acoustics, speech processing, medical engineering, and artificial intelligence. Current research on timbre perception unfolds along three main fronts: On the one hand, researchers explore the principal perceptual processes that orchestrate timbre processing, such as the structure of its perceptual representation, sound categorization and recognition, memory for timbre, and its ability to elicit rich semantic associations, as well as the underlying neural mechanisms. On the other hand, timbre is studied as part of specificscenarios, including the perception of the human voice, as a structuring force in music, as perceived with cochlear implants, and through its role in affecting sound quality and sound design. Finally, computational acoustic models are sought through prediction of psychophysical data, physiologically inspired representations, and audio analysis-synthesis techniques. Along these three scientific fronts, significant breakthroughs have been achieved during the last decade.This volume will be the first book dedicated to a comprehensive and authoritative presentation of timbre perception and cognition research and the acoustic modeling of timbre. The volume will serve as a natural complement to the SHAR volumes on the basic auditory parameters of Pitch edited by Plack, Oxenham, Popper, and Fay, and Loudness by Florentine, Popper, and Fay. Moreover, through the integration of complementary scientific methods ranging from signal processing to brain imaging, the book has the potential to leverage new interdisciplinary synergies in hearing science. For these reasons, the volume will be exceptionally valuable to various subfields of hearing science, including cognitive auditory neuroscience, psychoacoustics, music perception and cognition, but may even exert significant influence on fields such as musical acoustics, music information retrieval, and acoustic signal processing.It is expected that the volume will have broad appeal to psychologists, neuroscientists, and acousticians involved in research on auditory perception and cognition. Specifically, this book will have a strong impact on hearing researchers with interest in timbre and will serve as the key publication and up-to-date reference on timbre for graduate students, postdoctoral researchers, as well as established scholars.
Sprache: Englisch
Verlag: Springer, 2019
Serie: Buch 62 von 67 - Springer Handbook of Auditory Research
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Hardcover. Zustand: Brand New. 1st edition. 389 pages. 9.25x6.25x1.00 inches. In Stock.
Sprache: Englisch
Verlag: Springer, 2019
Serie: Buch 62 von 67 - Springer Handbook of Auditory Research
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Zustand: New.
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KINETIC ART - Four Essays by Stephen Bann, Reg Gadney, Frank Popper and Philip Steadman
Stephen Bann, Reg Gadney, Frank Popper and Philip Steadman (ed.); Contributors: Stephen Bann, Reg Gadney, Frank Popper and Philip Steadman / Featuring artists: Vasarely, Tomasello, Tinguely, Kosice, Von Graevenitz, Alexander Calder, Kenneth Martin, Nino Calos, John Healey, Sandu Darie, Frank Malina, Agam, Schoffer, Joel Stein, Andree Dantu, Martha Boto, Vardanega, Carlos Cruz-Diez, Auguste Herbin, GRAV, Francois Morellet
Verlag: Motion Books, London, 1966
- Softcover
Anbieter: William Allen Word & Image, London, Vereinigtes KönigreichWilliam Allen Word & Image
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In den WarenkorbPaperback. Zustand: Near fine. Book. 265 x 210 mm, 70 pp., invisible bound printed wraps - with a front cover image of Alexander Schoffer's Chronus sculpture. Printed by the Highbury Press, London; typographical design by Philip Steadman. Features: an essay by Frank Popper entitled 'Kinetic Art - Yesterday, Today and Tomorrow',…extensively illustrated with works by Vasarely, Tomasello, Tinguely, Kosice, Von Graevenitz, Alexander Calder, Kenneth Martin, Nino Calos, John Healey, Sandu Darie, Frank Malina and Agam; text by Stephen Bann entitled 'Colour Music'; an essay by Reg Gadney entitled 'Aspects of Kinetic Art and Emotion', with 'lumidyne' works by Frank Malina featured alongside the text, as well as 'Spatiodynamic' works by Nicolas Schoffer, and works by Joel Stein, GRAV, Andree Dantu and Martha Boto. The final essay by Stephen Bann is entitled 'Unity and Diversity in Kinetic Art', which focusses on the work of GRAV, Vardanega, Agam, Carlos Cruz-Diez, Auguste Herbin, Victor Vasarely and Francois Morellet. Condition: Near fine.
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Image - Kinetic Art: Concrete Poetry
Philip Steadman (ed.); Stephen Bann, Martha Boto, Nino Calos, J-M. Cruxent, Andree Dantu, Ian Hamilton Finlay, Reg Gadney, Eugen Gomringer, Richard Hardwick, Knud Hvidberg, David Larcher, Frank Malina, Frank Popper, Mike Weaver (contributors); featuring: Ian Hamilton Finlay, Pierre Garier, Augusto de Campos, Decio Pignatari, Haraldo de Campos, Eugen Gomringer, Dom Sylvester Houedard, Nicolas Schoffer, Frank Malina, Gregorio Vardanega, Martha Boto, J-M. Cruxent, Andree Dantu, Knud Hvidberg, William Soya, Nino Calos
Verlag: Kingsland Prospect Press, 1964
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- Magazine / Periodical
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In den WarenkorbSoft cover. Zustand: Very Good. 1st Edition. Superb copy of a well done and thorough magazine on kinetic art and concrete poetry. One page dog-eared else excellent with slightest handling and shelfwear.
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Image - Kinetic Art: Concrete Poetry
Philip Steadman (ed.); Stephen Bann, Martha Boto, Nino Calos, Jose Maria Cruxent, Andree Dantu, Ian Hamilton Finlay, Reg Gadney, Eugen Gomringer, Richard Hardwick, Knud Hvidberg, David Larcher, Frank Malina, Frank Popper, Mike Weaver (contributors); featuring: Ian Hamilton Finlay, Pierre Garier, Augusto de Campos, Decio Pignatari, Haroldo de Campos, Eugen Gomringer, Dom Sylvester Houedard, Nicolas Schoffer, Frank Malina, Gregorio Vardanega, Martha Boto, J-M. Cruxent, Andree Dantu, Knud Hvidberg, William Soya, Nino Calos
Verlag: Kingsland Prospect Press Ltd., London, 1964
- Softcover
Anbieter: William Allen Word & Image, London, Vereinigtes KönigreichWilliam Allen Word & Image
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In den WarenkorbPaperback. Zustand: Near fine. Book. 265 x 210 mm, 64 pp. in printed stapled wraps. Front cover image ('Portrait of Andree Dantu by Richard Hardwick: three phases of a Dantu polaroid light mobile') in colour, contents illustrated with both colour and b/w images. Three issues of Image (usually a 'careers' magazine for young gradu…ates) were effectively taken over by important Cambridge academics of the day, all with a specific interest in concrete poetry and kinetic art: Philip Steadman, Stephen Bann and Reg Gadney. The issues of Image dedicated to kinetic and concrete poetry were particularly noteworthy for their commitment to translation and reprinting 'lost' texts, an imaginative use of layout and photography, and enlightening academic essays on their given subjects. This particular issue is entirely dedicated to kinetic art and concrete poetry (as the title suggests), and the editorial (which is idiosyncratically placed in the middle of the publication) reads: 'This issue of IMAGE is largely devoted to Kinetic Art: art, that is, incorporating real movement as opposed to the painted or static illusion of movement.' It is illustrated with a photograph of the editors and contributors - Stephen Bann, Reg Gadney, Frank Popper, Phil Steadman and Citroen - strolling through Paris. The issue features an essay by the concrete poetry specialist Stephen Bann, entitled 'Communication and Structure in Concrete Poetry', which comes with a reprinted letter from Ian Hamilton Finlay to Pierre Garnier, dated September 17th 1963. Translated by Bann are extracts from 'Manifesto for a new poetry, visual and phonic' by the concrete poet Pierre Garnier: 'The word is an element. / The word is a material. / The word is an object.' Also included in this section is a manifesto by Eugen Gomringer, entitled 'from line to consideration', and translated by Mike Weaver. It was 'first printed in augenblick no 2 agis verlag baden-baden 1954'. Works by Augusto de Campos, Ronaldo Azeredo, Decio Pignatari and Haraldo de Campos are also reprinted here. The second academic essay featured is a text by Mike Weaver entitled 'Concrete and Kinetic: the poem as Functional Object', which is illustrated with reproduced typestracts by Dom Sylvester Houedard. Also featured is a text by the editor Philip Steadman, entitled 'Colour Music and the Art of Lumia, and an essay by Reg Gadney entitled 'An Introduction: Kinetic Art', which is illustrated with images of works by Alexander Calder and Alexander Schoffer's Chronus sculptures. There are artist profiles of Frank Malina (by Reg Gadney); Gregoria Vardanega (by Stephen Bann); Martha Boto (by R.G); J-M. Cruxent (by S.B); Andree Dantu (by R.G); Knud Hvidberg and William Soya (by R.G); Nino Calos (by R.G). Condition: near fine (contents fine minor rubbing to covers).
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Image : Groupe Recherche d'art Visuel Issue 6
Philip Steadman (ed.), Stephen Bann; Frank Popper; Groupe Recherche d'art Visuel (La Parc, Garcia Rossi, Garcia Miranda, Stein, Yvaral, Sobrino and Morellet); Reg Gadney (contributors); featuring: Ian Hamilton Finlay; Pierre Garnier; Morellet; Hans-Walter Mueller; La Parc; Christian Sidenius; Sobrino; Stein; Garcia Rossi; Yvaral
Verlag: Ian Duncan Ltd., London, 1966
- Softcover
Anbieter: William Allen Word & Image, London, Vereinigtes KönigreichWilliam Allen Word & Image
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In den WarenkorbPaperback. Zustand: Very Good +. Book. 265 x 210 mm, 36 pp. in printed stapled wraps. Winter/Spring 1966. Front cover image in colour, contents illustrated with both colour and b/w images. Three issues of Image (usually a 'careers' magazine for young graduates) were effectively taken over by important Cambridge academics of the…day, all with a specific interest in concrete poetry and kinetic art: Philip Steadman, Stephen Bann and Reg Gadney. The issues of Image dedicated to kinetic and concrete poetry were particularly noteworthy for their commitment to translation and reprinting 'lost' texts, an imaginative use of layout and photography, and enlightening academic essays on their given subjects. Symbiotic of its artistic agenda, this issue brings together a comprehensive, edited selection of the writings of the Groupe Recherche d'art Visuel (Paris, 1960-65) - many of which had hitherto never been published in translation, and the majority of which were first published in ephemeral catalogues or leaflets. Edited and translated by Stephen Bann and Reg Gadney, their introduction to the manifesto-texts of the Groupe Recherche d'art Visuel reads: 'These writings are not a prescription for kinetic art, nor are they sufficient to define the position of the GRAV on the modern scene. They are the product of a radical reappraisal of the relationship between artist, work and spectator and as such they have a unique interest.' From 1960 is a text declaring the aims of the GRAV, entitled 'Act of Foundation'; from 1961: a statement made by GRAV on the occasion of an exhibition of kinetic art at the Museum of Modern Art in Stockholm ('We prefer to consider the artistic phenomenon as an exclusively visual experience on the level of physiology rather than of emotion'); from September 1961: a secondary manifesto entitled 'Enough of Mystification', from 1962: extracts from 'Individual Declarations' by the artists of GRAV; from 1962/3: an extract from a text by Le Parc, entitled 'On the Subject of Art-Spectacle', and a text distributed for the opening of the 3rd Paris Biennale in October 1963; also from 1963, a text entitled ''Instability'-The Labyrith' and a talk by Le Parc at Rimini Congress. A series of questionnaires, from Bann, Gadney and Ohio University, conducted in 1965 (and translated by Annette Kobak), is also included. This issue also features an essay by the art historian and Image contributing editor, Stephen Bann, entitled 'Kinetic Art and Poetry' (a particular attention is given to Ian Hamilton Finlay's kinetic poetry); together with a text by Frank Popper entitled 'Mueller's Machine 'M'', examining the work by Hans-Walter Mueller Machine M, that was shown at the Fourth Biennale of Paris, as well as photographs of Edina Ronay, young actress-daughter of Hungarian gourmet, Egon Ronay. Rare, our last copy. Condition: light wear to front cover, light soiling to left edge of cover and crease to bottom corner, internally fine. Overall: Very good+.
Sprache: Englisch
Verlag: Springer, 2019
Serie: Buch 62 von 67 - Springer Handbook of Auditory Research
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Zustand: Brand New. New. US edition. Print on demand title. Delivery takes 20-25 days. Excellent Customer Service.
Sprache: Englisch
Verlag: Springer, 2019
Serie: Buch 62 von 67 - Springer Handbook of Auditory Research
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Sprache: Englisch
Verlag: Springer New York, 2004
Serie: Buch 8 von 67 - Springer Handbook of Auditory Research
- Hardcover
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Gebunden. Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The Springer Handbook of Auditory Research presents a series of comp- hensive and synthetic reviews of the fundamental topics in modern au- tory research.The volumes are aimed at all individuals with interests… in hearing research, including advanced graduat.
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Timbre: Acoustics, Perception, and Cognition
Siedenburg, Kai|Saitis, Charalampos|McAdams, Stephen|Popper, Arthur N.|Fay, Richard R.
Sprache: Englisch
Verlag: Springer International Publishing, 2019
Serie: Buch 62 von 67 - Springer Handbook of Auditory Research
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Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Outlines the principal perceptual processes that orchestrate timbre processingExplores timbre as part of specific scenarios, including the perception of the human voiceDetails computational ac.
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Sprache: Englisch
Verlag: Springer, Springer Mai 2019, 2019
Serie: Buch 62 von 67 - Springer Handbook of Auditory Research
- Hardcover
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Buch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Roughly defined as any property other than pitch, duration, and loudness that allows two sounds to be distinguished, timbre is a foundational aspect of hearing. The remarkable ability of humans to recognize sound sources and events (e.g., gl…ass breaking, a friend's voice, a tone from a piano) stems primarily from a capacity to perceive and process differences in the timbre of sounds. Timbre raises many important issues in psychology and the cognitive sciences, musical acoustics, speech processing, medical engineering, and artificial intelligence. Current research on timbre perception unfolds along three main fronts: On the one hand, researchers explore the principal perceptual processes that orchestrate timbre processing, such as the structure of its perceptual representation, sound categorization and recognition, memory for timbre, and its ability to elicit rich semantic associations, as well as the underlying neural mechanisms. On the other hand, timbre is studied as part of specificscenarios, including the perception of the human voice, as a structuring force in music, as perceived with cochlear implants, and through its role in affecting sound quality and sound design. Finally, computational acoustic models are sought through prediction of psychophysical data, physiologically inspired representations, and audio analysis-synthesis techniques. Along these three scientific fronts, significant breakthroughs have been achieved during the last decade.This volume will be the first book dedicated to a comprehensive and authoritative presentation of timbre perception and cognition research and the acoustic modeling of timbre. The volume will serve as a natural complement to the SHAR volumes on the basic auditory parameters of Pitch edited by Plack, Oxenham, Popper, and Fay, and Loudness by Florentine, Popper, and Fay. Moreover, through the integration of complementary scientific methods ranging from signal processing to brain imaging, the book has the potential to leverage new interdisciplinary synergies in hearing science. For these reasons, the volume will be exceptionally valuable to various subfields of hearing science, including cognitive auditory neuroscience, psychoacoustics, music perception and cognition, but may even exert significant influence on fields such as musical acoustics, music information retrieval, and acoustic signal processing.It is expected that the volume will have broad appeal to psychologists, neuroscientists, and acousticians involved in research on auditory perception and cognition. Specifically, this book will have a strong impact on hearing researchers with interest in timbre and will serve as the key publication and up-to-date reference on timbre for graduate students, postdoctoral researchers, as well as established scholars. 408 pp. Englisch.
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Sprache: Englisch
Verlag: Springer, Springer Mai 2019, 2019
Serie: Buch 62 von 67 - Springer Handbook of Auditory Research
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EUR 213,99
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Buch. Zustand: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Preface.- The Present, Past, and Future of Timbre Research.- The Perceptual Representation of Timbre.- Timbre Recognition and Sound Source Identification.- Memory for Timbre.- The Semantics of Timbre.- Neural Correlates of Timbre Processing.- Vo…ice Processing and Voice-Identity Recognition.- Timbre as a Structuring Force in Music.- Timbre, Sound Quality, and Sound Design.- Timbre Perception with Cochlear Implants.- Audio Content Descriptors of Timbre.- Modulation Representations for Speech and Music.- Timbre from Sound Synthesis and High-level Control Perspectives.Springer-Verlag KG, Sachsenplatz 4-6, 1201 Wien 408 pp. Englisch.
