Suner suna (23 Ergebnisse)
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Buch. Zustand: Neu. Neuware -On 29 November 1807, on the eve before Napoleon's army occupied Lisbon,the Portuguese court set sail for Brazil. Rio de Janeiro became the newcapital of the Império Português, which led to profound social and culturaltransformations in the city and a redefinition of the colony's political framework.F…ive months before the premiere of Da Ponte's and Mozart's Don Giovannion 20 September 1821, King John VI returned to Lisbon, appointing his sonPedro as Prince Regent. Pedro remained in Brazil with his wife, Leopoldina, thedaughter of Emperor Francis I. Little more than a year later, on 2 September1822, under the presidency of Pedro's wife Leopoldina, the Council of Stateapproved Brazil's secession from Portugal, paving the way for independenceand the rise of a new empire.Against this historical background, this volume traces the development ofopera in Brazil from the mid-eighteenth century to the reign of Emperor Pedro I,situating it within its wider cultural and political context. The analysis of the1821 Rio premiere of Don Giovanni is complemented by examinations of thework's subsequent American debuts in Buenos Aires (1827) and Mexico City (1828). 444 pp. Englisch.
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Buch. Zustand: Neu. Neuware -On 29 November 1807, on the eve before Napoleon's army occupied Lisbon,the Portuguese court set sail for Brazil. Rio de Janeiro became the newcapital of the Império Português, which led to profound social and culturaltransformations in the city and a redefinition of the colony's political framework.F…ive months before the premiere of Da Ponte's and Mozart's Don Giovannion 20 September 1821, King John VI returned to Lisbon, appointing his sonPedro as Prince Regent. Pedro remained in Brazil with his wife, Leopoldina, thedaughter of Emperor Francis I. Little more than a year later, on 2 September1822, under the presidency of Pedro's wife Leopoldina, the Council of Stateapproved Brazil's secession from Portugal, paving the way for independenceand the rise of a new empire.Against this historical background, this volume traces the development ofopera in Brazil from the mid-eighteenth century to the reign of Emperor Pedro I,situating it within its wider cultural and political context. The analysis of the1821 Rio premiere of Don Giovanni is complemented by examinations of thework's subsequent American debuts in Buenos Aires (1827) and Mexico City (1828). 444 pp. Englisch.
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Buch. Zustand: Neu. Neuware -On 29 November 1807, on the eve before Napoleon's army occupied Lisbon,the Portuguese court set sail for Brazil. Rio de Janeiro became the newcapital of the Império Português, which led to profound social and culturaltransformations in the city and a redefinition of the colony's political framework.F…ive months before the premiere of Da Ponte's and Mozart's Don Giovannion 20 September 1821, King John VI returned to Lisbon, appointing his sonPedro as Prince Regent. Pedro remained in Brazil with his wife, Leopoldina, thedaughter of Emperor Francis I. Little more than a year later, on 2 September1822, under the presidency of Pedro's wife Leopoldina, the Council of Stateapproved Brazil's secession from Portugal, paving the way for independenceand the rise of a new empire.Against this historical background, this volume traces the development ofopera in Brazil from the mid-eighteenth century to the reign of Emperor Pedro I,situating it within its wider cultural and political context. The analysis of the1821 Rio premiere of Don Giovanni is complemented by examinations of thework's subsequent American debuts in Buenos Aires (1827) and Mexico City (1828).
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Buch. Zustand: Neu. Neuware -Diplomacy is a performance. The stage is set on the streets and palaces that centre upon the spaces of political power. As this volume explores, diplomacy as 'spectacle' is no mere metaphor for political interaction, but an elevation of how it was practiced as performance.No other activity in the ear…ly modern world yielded to such an intensive flow of cultural exchange, artistic endeavour to be patronised, orexpense to be lavished on the aggrandisement of events, entertainments, and festivities. Indeed, these efforts were orchestrated: theambassadors were both impresarii and lead actors. Understanding the ambassador as a cultural mediator is the recognition of the power of diplomatic activity to transform culture through the process of mediation, and more, the appreciation of the sphere of diplomatic mediation as a most fertile ground for cultural invention. 731 pp. Englisch.
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Buch. Zustand: Neu. Neuware -Diplomacy is a performance. The stage is set on the streets and palaces that centre upon the spaces of political power. As this volume explores, diplomacy as 'spectacle' is no mere metaphor for political interaction, but an elevation of how it was practiced as performance.No other activity in the ear…ly modern world yielded to such an intensive flow of cultural exchange, artistic endeavour to be patronised, orexpense to be lavished on the aggrandisement of events, entertainments, and festivities. Indeed, these efforts were orchestrated: theambassadors were both impresarii and lead actors. Understanding the ambassador as a cultural mediator is the recognition of the power of diplomatic activity to transform culture through the process of mediation, and more, the appreciation of the sphere of diplomatic mediation as a most fertile ground for cultural invention. 731 pp. Englisch.
Gender and Diplomacy: Women and Men in European Embassies from the 15th to the 18th Century
Anderson, Roberta (Editor) / Santaliestra, Laura Oliván (Editor) / Suner, Suna (Editor)
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Buch. Zustand: Neu. Neuware -Diplomacy is a performance. The stage is set on the streets and palaces that centre upon the spaces of political power. As this volume explores, diplomacy as 'spectacle' is no mere metaphor for political interaction, but an elevation of how it was practiced as performance.No other activity in the ear…ly modern world yielded to such an intensive flow of cultural exchange, artistic endeavour to be patronised, orexpense to be lavished on the aggrandisement of events, entertainments, and festivities. Indeed, these efforts were orchestrated: theambassadors were both impresarii and lead actors. Understanding the ambassador as a cultural mediator is the recognition of the power of diplomatic activity to transform culture through the process of mediation, and more, the appreciation of the sphere of diplomatic mediation as a most fertile ground for cultural invention.
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Buch. Zustand: Neu. Neuware -On 29 November 1807, on the eve before Napoleon's army occupied Lisbon,the Portuguese court set sail for Brazil. Rio de Janeiro became the newcapital of the Império Português, which led to profound social and culturaltransformations in the city and a redefinition of the colony's political framework.F…ive months before the premiere of Da Ponte's and Mozart's Don Giovannion 20 September 1821, King John VI returned to Lisbon, appointing his sonPedro as Prince Regent. Pedro remained in Brazil with his wife, Leopoldina, thedaughter of Emperor Francis I. Little more than a year later, on 2 September1822, under the presidency of Pedro's wife Leopoldina, the Council of Stateapproved Brazil's secession from Portugal, paving the way for independenceand the rise of a new empire.Against this historical background, this volume traces the development ofopera in Brazil from the mid-eighteenth century to the reign of Emperor Pedro I,situating it within its wider cultural and political context. The analysis of the1821 Rio premiere of Don Giovanni is complemented by examinations of thework's subsequent American debuts in Buenos Aires (1827) and Mexico City (1828).Hollitzer Wissenschaftsverlag, Trautsongasse 6/6, 1080 Wien 444 pp. Englisch.
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Buch. Zustand: Neu. Neuware - On 29 November 1807, on the eve before Napoleon's army occupied Lisbon,the Portuguese court set sail for Brazil. Rio de Janeiro became the newcapital of the Império Português, which led to profound social and culturaltransformations in the city and a redefinition of the colony's political framework.…Five months before the premiere of Da Ponte's and Mozart's Don Giovannion 20 September 1821, King John VI returned to Lisbon, appointing his sonPedro as Prince Regent. Pedro remained in Brazil with his wife, Leopoldina, thedaughter of Emperor Francis I. Little more than a year later, on 2 September1822, under the presidency of Pedro's wife Leopoldina, the Council of Stateapproved Brazil's secession from Portugal, paving the way for independenceand the rise of a new empire.Against this historical background, this volume traces the development ofopera in Brazil from the mid-eighteenth century to the reign of Emperor Pedro I,situating it within its wider cultural and political context. The analysis of the1821 Rio premiere of Don Giovanni is complemented by examinations of thework's subsequent American debuts in Buenos Aires (1827) and Mexico City (1828).
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Buch. Zustand: Neu. Don Giovanni in Rio De Janeiro | The Opera's First Performance Beyond Europe (1821) and Its Cultural-Political Context | Reinhard Eisendle (u. a.) | Buch | 444 S. | Englisch | 2026 | Hollitzer Wissenschaftsv. | EAN 9783990942611 | Verantwortliche Person für die EU: Hollitzer Wissenschaftsverlag, Trautsongasse… 6/6, 1080 WIEN, ÖSTERREICH, kontakt[at]hollitzer[dot]at | Anbieter: preigu.
Performing Diplomacy in the Early Modern World
Anderson, Roberta (Editor)/ Eisendle, Reinhard (Editor)/ Suner, Suna (Editor)
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Buch. Zustand: Neu. Neuware -Diplomacy is a performance. The stage is set on the streets and palaces that centre upon the spaces of political power. As this volume explores, diplomacy as 'spectacle' is no mere metaphor for political interaction, but an elevation of how it was practiced as performance.No other activity in the ear…ly modern world yielded to such an intensive flow of cultural exchange, artistic endeavour to be patronised, orexpense to be lavished on the aggrandisement of events, entertainments, and festivities. Indeed, these efforts were orchestrated: theambassadors were both impresarii and lead actors. Understanding the ambassador as a cultural mediator is the recognition of the power of diplomatic activity to transform culture through the process of mediation, and more, the appreciation of the sphere of diplomatic mediation as a most fertile ground for cultural invention.Hollitzer Wissenschaftsv., Stadiongasse 6-8, 1010 Wien 731 pp. Englisch.
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Buch. Zustand: Neu. Performing Diplomacy in the Early Modern World | Roberta Anderson (u. a.) | Buch | XXXVII | Englisch | 2025 | Hollitzer Wissenschaftsv. | EAN 9783990941454 | Verantwortliche Person für die EU: Hollitzer Wissenschaftsverlag, Trautsongasse 6/6, 1080 WIEN, ÖSTERREICH, kontakt[at]hollitzer[dot]at | Anbieter: prei…gu.
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Buch. Zustand: Neu. Neuware - Diplomacy is a performance. The stage is set on the streets and palaces that centre upon the spaces of political power. As this volume explores, diplomacy as 'spectacle' is no mere metaphor for political interaction, but an elevation of how it was practiced as performance.No other activity in the ea…rly modern world yielded to such an intensive flow of cultural exchange, artistic endeavour to be patronised, orexpense to be lavished on the aggrandisement of events, entertainments, and festivities. Indeed, these efforts were orchestrated: theambassadors were both impresarii and lead actors. Understanding the ambassador as a cultural mediator is the recognition of the power of diplomatic activity to transform culture through the process of mediation, and more, the appreciation of the sphere of diplomatic mediation as a most fertile ground for cultural invention.
