swanevelt (52 Ergebnisse)

Zustand: Very good.

Zustand: Buono (Good). acquaforte inciso cm. 20 x 15,5 Buono (Good) Buon es., piccolo restauro sul margine destro al centro. Book.

Zustand: Buono (Good). Tiratura tarda di un'incisione del '600. acquaforte cm. 33 x 25 Buono (Good) Buon es. Book.

Softcover. Quarto. Softcover. Brown & color illus. wraps, 84 pp., many color & BW illus. Text is in Dutch, with a brief English summary at the rear. Issued in conjunction with a 2007 exhibition of artwork by Dutch painter and etcher Herman van Swanevelt. With six thematic essays, a catalogue of 52 items, a bibliography, and many fine examples of the artist's work. A nice introduction to someone you may not know. VG- (Top of outer spine has slight bend, otherwise good.).

P.S. Items / Stadsmuseum Woerden. 2007. 29 x 24,5 cm. Paperback / Softcover. Met illustraties in kleur en z/w. 84 pag. NIEUW EXEMPLAAR [Art / Dutch artist [Nederlandse Kunstenaars] ].

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Niederländisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Niederländisch | Produktart: Bücher | Keine Beschreibung verfügbar.

The Holy Family near a lake. Landscape with the Virgin holding the swaddled Christ Child as she sits on the ass, Joseph walking behind them at centre right, three cherubs among the three tall trees growing on the mound in left middle distance; copy in reverse after Herman van Swanevelt.Set title: The flight into Egypt.Traces of a collection mark on the upper left margin.The drawings of the complete series are in Florence.[NL] Maria zit op een ezel met Christus in haar armen. Jozef loopt achter de ezel. Etching on paper, trimmed within plate mark; total: 151 x 203 mm; traces of blue inked collector's mark on the above left margin and some pencil; Hollstein 6 (copy in reverse).

En feuilles. Zustand: Bon. édition originale. 2 planches de La fuite en Égypte (Bartsch 98 et 99) et 1 planche (B. 107) La Madeleine en pénitence. Tirage tardif sur vergé mécanique.

(um 1650). Plattenmaß: ca. 28 x 18 cm, auf Karton gezogen, (am Rand teils leicht berieben/gering fleckig)---- Herman van Swanevelt war ein holländischer Maler - 68 Gramm.

17,6 x 25,5 cm. (Schönes Exemplar). Herman van Swanevelt (* um 1600 bei Utrecht; + Paris 1655), Holländischer Landschafts- und Architekturmaler.

Zustand: Gut. Bildformat: 17,3 x 27,7 cm. Blattgröße: 27 x 38 cm. *Inventarnummer 123, rückseitig mit dem Stempel der Reichsdruckerei. - Die Reichsdruckerei wurde 1879 in Berlin gegründet für den hochwertigen Druck von Banknoten, Wechseln, Briefmarken, Aktien etc. Für Privatverlage druckte sie u.a. die als Reichsdrucke bekannten Wiedergaben von Grafiken alter Meister. Wegen der hohen Druckqualität von einer Kupferplatte und der täuschenden Ähnlichkeit dieser Drucke mit den entsprechenden Originalen wurden sie jeweils am rechten unteren Rand mit einem Blindstempel sowie mittig auf der Rückseite mit einem Rundstempel als Faksimile gekennzeichnet. - Ränder etwas gebräunt, sonst gut erhalten. Sprache: Deutsch Gewicht in Gramm: 800 Schöner Faksimiledruck auf Büttenpapier.

18,9 x 27,9 cm. (Ränder mit Knickfalten, sonst schönes Exemplar). Herman van Swanevelt (* um 1600 bei Utrecht; + Paris 1655), Holländischer Landschafts- und Architekturmaler.

18,7 x 27,8 cm. (Ränder mit Knickfalten, sonst schönes Exemplar). Herman van Swanevelt (* um 1600 bei Utrecht; + Paris 1655), Holländischer Landschafts- und Architekturmaler.

21,5 x 28 cm. (bis an den Plattenrand beschnitten, kräftiger Druck). Herman van Swanevelt (* um 1600 bei Utrecht; + Paris 1655), Holländischer Landschafts- und Architekturmaler.

Herman van Swanevelt (illustrator). This print shows a landscape with ruins behind some proper houses. In front a woman with parasol accompanied by entourage. Also a shepards with a herd of goats.Made by Herman van Swanevelt after own design.Medium: Etching on hand laid (verge) paper. Watermark: circle with grapes (Italian paper).Sheet size: 29 x 19.8 cm (11.42 x 7.8 inch). Image size: 27.5 x 17 cm. (10.83 x 6.69 inch).LANDSCAPE-RUINS-HOUSES-WOMAN WITH PARASOL-SHEPARD-GOATS | RBOS-A8-19BACKGROUND INFORMATIONThis attractive print was published in ca 1640.Biography engraver: Herman van Swanevelt (1600-1654) originated from Woerden, the Netherlands. He went to Italy around 1630 and was profoundly influenced by this trip. He is seen as one the maior Italianate artists from this period. Condition: good, given age. Creasing. Fold in lower and upper right corner. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Herman van Swanevelt (illustrator). '"HERMAN VAN SWANEVELT INVENTOR FECIT" (LOWER LEFT), "CUM PRIVILEGIO REGIS" (LOWER RIGHT)'A mountainous landscape with a waterfall cascading from large rock formations. To the left, a narrow path with travelers is visible, and more figures are seen near the water, including a donkey.Made by Herman van Swanevelt after own design.Medium: Etching on hand laid (verge) paper.Sheet size: 25.5 x 32.5 cm (10.04 x 12.8 inch). Image size: 24 x 30.9 cm. (9.45 x 12.17 inch).VAN SWANEVELT, LANDSCAPE, WATERFALL, MOUNTAIN, TRAVELERS, ETCHING, DUTCH ART, 17TH CENTURY | PCO-E21-06BACKGROUND INFORMATIONPart of Landschappen series (Hollstein Dutch 101-2(4)).State: Fourth state of 4.Reference: Hollstein Dutch 101-2(4), Lugt 240.Biography engraver: Herman van Swanevelt (c. 1600-1655) was a Dutch Golden Age painter and printmaker, best known for his landscape etchings. His work combined Italianate landscapes with a distinctly Dutch sensibility, depicting serene, often idealized, views of nature. Condition: very good, given age. Horizontal crase and old vertical fold line. Some paper loss in top right margin. Light soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Herman van Swanevelt (illustrator). '"HERMAN VAN SWANEVELT" (ON THE LOWER RIGHT CORNER, ARTIST SIGNATURE), "CUM PR RE"'A lush, natural scene with a rocky landscape, a small waterfall cascading into a stream, with trees framing the view. There is a distant structure seen across the valley, surrounded by foliage.Made by Herman van Swanevelt after own design.Medium: Etching on hand laid (verge) paper.Sheet size: 39 x 30 cm (15.35 x 11.81 inch). Image size: 27 x 18.5 cm. (10.63 x 7.28 inch).VAN SWANEVELT, WATERFALL, LANDSCAPE, ETCHING, DUTCH ART, 17TH CENTURY. | PCO-E21-07BACKGROUND INFORMATIONFrom the series Landscapes, [Hollstein 103-106], second state (ii/iv).State: Second state of four (ii/iv).Reference: Hollstein, no. 106.Biography engraver: Herman van Swanevelt (c. 1600-1655) was a Dutch Golden Age painter and printmaker, best known for his landscape etchings. His work combined Italianate landscapes with a distinctly Dutch sensibility, depicting serene, often idealized, views of nature. Condition: very good, given age. Slight toning on the edges, overall very good condition with a strong impression. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Herman van Swanevelt (illustrator). '"HERMAN VAN SWANEVELT INVENTOR FECIT" (LOWER LEFT) "A PARIS CHEZ MONDHARE RUE ST. JACQUES CUM PRIVILEGIO REGIS" (LOWER RIGHT)'A pastoral landscape featuring a large rock with a castle at the top. The scene includes trees, rocky terrain, and distant hills. Small figures are seen walking along a path.Made by Herman van Swanevelt after own design.Medium: Etching on hand laid (verge) paper.Sheet size: 39 x 30 cm (15.35 x 11.81 inch). Image size: 27 x 18.5 cm. (10.63 x 7.28 inch).VAN SWANEVELT, CASTLE, ROCK FORMATION, LANDSCAPE, ETCHING, DUTCH ART, 17TH CENTURY, BARTSCH 94 | PCO-E21-07BACKGROUND INFORMATIONFrom a series of landscape prints by Herman van Swanevelt.Reference: Bartsch 94.Biography engraver: Herman van Swanevelt (c. 1600-1655) was a Dutch Golden Age painter and printmaker, best known for his landscape etchings. His work combined Italianate landscapes with a distinctly Dutch sensibility, depicting serene, often idealized, views of nature. Condition: very good, given age. Light foxing, creasing and soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Herman van Swanevelt (illustrator). '"HERMAN VAN SWANEVELT INVENTOR ET FECIT" (LOWER LEFT) "CUM PRIVILEGIO REGIS" (LOWER RIGHT)'The Holy Family rests in a forest clearing near a cave during their flight into Egypt. The surrounding landscape includes large trees, a distant view of hills and a village.Made by Herman van Swanevelt after own design.Medium: Etching on hand laid (verge) paper. Watermark: Lettering I . D.Sheet size: 39 x 30 cm (15.35 x 11.81 inch). Image size: 27 x 18.5 cm. (10.63 x 7.28 inch).VAN SWANEVELT, FLIGHT INTO EGYPT, PASTORAL LANDSCAPE, HOLY FAMILY, ETCHING, DUTCH ART, RELIGIOUS THEME | PCO-E21-07BACKGROUND INFORMATIONFrom a series of landscape prints by Herman van Swanevelt.Biography engraver: Herman van Swanevelt (c. 1600-1655) was a Dutch Golden Age painter and printmaker, best known for his landscape etchings. His work combined Italianate landscapes with a distinctly Dutch sensibility, depicting serene, often idealized, views of nature. Condition: very good, given age. Some light creasing and foxing. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Herman van Swanevelt (illustrator). '"HERMAN VAN SWANEVELT IN FE. CAMP." (ENGRAVED IN LOWER RIGHT CORNER, ARTIST SIGNATURE)'The print depicts a peaceful landscape with fishermen along a rocky riverbank. A large tree dominates the right side, and distant structures can be seen across the river.Made by Herman van Swanevelt after own design.Medium: Etching on hand laid (verge) paper.Sheet size: 39 x 30 cm (15.35 x 11.81 inch). Image size: 27 x 18.5 cm. (10.63 x 7.28 inch).VAN SWANEVELT, FISHING, LANDSCAPE, ETCHING, DUTCH ART, 17TH CENTURY | PCO-E21-07BACKGROUND INFORMATIONFrom a series of landscape prints by Herman van Swanevelt.Biography engraver: Herman van Swanevelt (c. 1600-1655) was a Dutch Golden Age painter and printmaker, best known for his landscape etchings. His work combined Italianate landscapes with a distinctly Dutch sensibility, depicting serene, often idealized, views of nature. Condition: very good, given age. Light foxing, soiling and creasing. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Etching on cream laid paper, 6 3/4 x 10 3/4 (172 x 273 mm); sheet 7 1/4 x 11 inches (185 x 280 mm), margins. In good condition with some minor skinning, toning and areas of light discoloration on the verso. All condition issues are consistent with age. Plate No. 10 from Twelve Landscapes. [Bartsch 93]. This landscape belongs to a suite of twelve landscape etchings featuring Roman ruins that the artist himself published. It features a monumental ruin, perhaps inspired by the Baths of Caracalla, but placed in a more bucolic setting. Van Swanevelt's handling of the etching needle is particularly lively. A rich play of light pervades the image: dark foreground shadows, sun-drenched walls, others in half light, and beautifully rendered atmospheric perspective in the sky and background.

Etching on cream laid paper, 6 3/4 x 10 3/4 (172 x 273 mm), the full sheet, thread margins (trimmed at the platemark). In good condition with some minor skinning, toning and areas of light discoloration on the verso. All condition issues are consistent with age. Plate No. 1 from Twelve Landscapes. [Bartsch 83]. Landscape with a Cardinal belongs to a suite of twelve landscape etchings featuring Roman ruins that the artist himself published. It features a monumental ruin, perhaps inspired by the Baths of Caracalla, but placed in a more bucolic setting. The title derives from a small, robed staffage figure with a broad-brimmed hat in the foreground, one of five men seen walking along a road and about to encounter a seated beggar. Van Swanevelt's handling of the etching needle is particularly lively. A rich play of light pervades the image: dark foreground shadows, sun-drenched walls, others in half light, and beautifully rendered atmospheric perspective in the background. The whole is evocative of a beautiful day's walk in the countryside. This is a very early impression of the first edition of the etching. -Minneapolis Institute of Art.

Herman Swanevelt (illustrator). 'H. VAN SWANEVELT INV. ET SCULP.'A finely detailed etching by Herman Swanevelt depicting an idealized classical landscape with an ancient sarcophagus elevated on a stone platform. The intricately decorated sarcophagus is adorned with relief figures, evoking classical antiquity. In the foreground, figures dressed in antique garments are seen engaging in conversation and contemplation, while others pass by, enhancing the scene's narrative depth. The composition is framed by lush foliage and rolling hills, creating a harmonious balance between nature and architecture. This print reflects the 17th-century fascination with antiquity and classical ruins. Originally sold by Pierre Mariette in Paris, as indicated by an erased inscription. Part of the Dutuit Collection at the Petit Palais.Made by Herman Swanevelt after own design.Medium: Etching (eau-forte) on wove (vellin) paper. Watermark: None visible.Sheet size: 25 x 16.7 cm (9.84 x 6.57 inch). Image size: 23 x 15 cm. (9.06 x 5.91 inch).HERMAN SWANEVELT, ANTIQUE SARCOPHAGUS, CLASSICAL LANDSCAPE, 17TH-CENTURY ETCHING, ARCHITECTURAL RUINS, IDEALIZED LANDSCAPE, PETIT PALAIS, PIERRE MARIETTE | PCO-EXPO-501 (DUTCH)BACKGROUND INFORMATIONOriginally sold by Pierre Mariette. A later ed. on wove paper.Reference: GDUT8986 (Petit Palais, musee des Beaux-arts de la Ville de Paris).Biography engraver: Herman Swanevelt (1600-1655) was a Dutch Golden Age painter and printmaker known for his idyllic Italianate landscapes. He worked in Rome and later in Paris, where he influenced the development of landscape painting with his atmospheric compositions. Condition: very good, given age. Minor toning and handling wear, well-preserved impression. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Ca. 107:80 mm. Radierung. Montiert auf Trägerpapier (480:320 mm). Bukolische Szene mit einem liegenden Esel, einem stehenden Esel und einem weiteren Esel, dessen Kopf seitlich in das Bild ragt; im Hintergrund ein lagernder Hirte. Die Platte gestochen von einem Mitglied der Künstlerfamilie Audran in Paris, signiert "Herman Swanevelt fecit". - Leicht braunfleckig, mit Lochspur alter Heftung. Mit Stempel der "Graphischen Sammlung" von Georg Denzel (1873-1959) unter Sammlungsnr. "2802 Nr. G" aufgenommen. Zudem verso mit Papiermarke und Sammlungsstempel "G + W D" des Prof. Wilhelm Denzel.

Zustand: Good. A suite of 8 original etchings. 27 x 33.3 cm. 28 x 45cm. sheet size. Wide margins. Laid paper. 7 with stains in upper left corner; one matted. Two with the name of the publisher: Paris, Mondhare.Swanevelt was a Dutch painter, etcher and draughtsman who worked mainly in Paris and Rome. His works were often landscapes that included religious and mythological themes. Painting at a time when the praise of landscapes grew, along with contemporary landscape artists such as Claude Lorrain (1600 - 1682), Swanevelt's style became popular in Italy. No doubt influenced by Lorrain's accomplishments at the time, Swanevelt also absorbed the landscape style of his fellow countryman visiting Italy, Cornelius van Poelenburgh (1590 - 1667).The painter's first documented works included two Views of Paris from 1623 during his time there and made his way to Rome in 1629, where he found much success. He received prominent patrons there including the noble Barberini Family, of who at the time was Maffeo Barberini, better known as Pope Urban VII (1568 - 1644). This also led to commissions from the Vatican itself, furthering Swanevelt's popularity in Rome. His works were also brought to Spain on commission from King Philip IV (1605 - 1665) for his Buen Retiro Palace in Madrid. He also returned to France, where his patrons were Cardinal-Duc de Richelieu (1585 - 1642) and King Louis XIV (1638 - 1715), additional to painting decorations for the Hôtel Lambert in Paris. He settled there in Paris, becoming a member of the Royal Academy of Painting and Sculpture, and sometimes traveling to his birthplace of Woerden in the Netherlands.

Paris, All published between 1655 and ca. 1760. 7 complete series compromising 38 original etchings (most in third or fourth state, with the exception of two that are possibly second or first and therefor published in the 17th century). Various sizes. All etchings bound in a half cloth oblong album, with the exception of the two 17th century versions that have no margins and are tipped-in. - Generally in very good condition, wide margins, clear impressions, minimal foxing (ocassionally affecting the outer-margins). * Attractive collection from the library of French etcher: Octave De Rochebrune (1824-1900), with his bookplate pasted on first endpaper. List of etchings :Serie of four landscape prints.1.The Mule Driver. Hollstein 99-VI2.A Group of Trees. Hollstein 102-IV3.The Mountain. Hollstein 100-V4.The large Cascade. Hollstein 101-IVSix Prints: The Story of Adonis.5.Birth of Adonis. Hollstein 18-IV6.Venus Abducting Adonis. Hollstein 19-IV7.Venus Offering Diana a choice between Cupid and Adonis. Hollstein 20-III8.Venus and Adonis Hunting. Hollstein 21 (unknown state)9.Death of Adonis. Hollstein 22-III10.Venus Lamenting over Adonis' death. Hollstein 23-II11.Devil Tempting S. Anthony. Hollstein 13-IV (From serie: Penitent Saints in Landscapes #2)12.S. Magdalene Repentant. Hollstein 12-IV (From serie: Penitent Saints in Landscapes #1)13.The Fisherman. Hollstein 103-III. (number one of a serie of four landscapes)14.S. Jerome in the Wilderniss. Hollstein 14-VI (From serie: Penitent Saints in Landscapes #3)15.Saints Paul and Anthony by the entrance to a cave. Hollstein 15-III (From serie: Penitent Saints in Landscapes #4)16.The Two Horsemen. Hollstein 105-IV (number three of a serie of four landscapes)17.The Grotto of the Nymph Egeria. Hollstein 95-III (number nine of twelve landscapes)18.Landscape with a Hospital. Hollstein 91-IV (number five of a serie of twelve landscapes)19.The Cave. Hollstein 9-II (From the serie: The Flight into Egypt #4.)20.Ibidem. Hollstein 9-IV (From serie: The Flight into Egypt #3.)21.The Spinner and Four Cows. Hollstein 104-IV (number two of a serie of four landscapes)22.Antique Ruin of an Amphitheatre. Hollstein 88-III (number two of a serie of twelve landscapes)23.Jeux de Boules near the City Gate. Hollstein 96-IV (number ten of a serie of twelve landscapes)24.Landscape with the Cardinal. Hollstein 87-III (number one of a serie of twelve landscapes)25.The Small Waterfall. Hollstein 106-IV (number four of a serie of four landscapes)26.The Small Wooden Bridge. Hollstein 108-IV (number two of a serie of two landscapes)27.House on a Rock. Hollstein Hollstein 98-IV (number twelve of a serie of twelve landscapes)28.Distribution of Bread to the Poor. Hollstein 97-IV (number eleven of a serie of twelve landscapes)29.Landscape with Sunset. Hollstein 107-III (number one of a serie of two landscapes)30.Woods bordered by a Stream. Hollstein 93-IV (number seven of a serie of twelve landscapes)31.The Little Angels on the Hill. Hollstein 6-IV (From serie: The Flight into Egypt #1.)32.Travellers on Road to Left of a Stream. Hollstein 92-IV (number six of a serie of twelve landscapes)33.The Donkey led to the River. Hollstein 8-V (From serie: The Flight into Egypt #3.)34.Landscape with Laundresses. Hollstein 94-V (number eight of a serie of twelve landscapes)35.The large tree and the Cascade. Hollstein 7-II? (From serie: The Flight into Egypt #2.)36.Ibidem. Hollstein 7-IV (From serie: The Flight into Egypt #2.)37.Landscape with Ruins and a Woman with a Parasol. Hollstein 89-III (number three of a serie of twelve landscapes)38.Landscape with an Artist sketching. Hollstein 90-III (number four of a serie of twelve landscapes).

Zustand: Gut. Format: 198 x 271 mm (bis auf oder nahe an die Plattenkante geschnitten). *Bartsch 95. Nagler 95, V. Abdruck aus einer in Holland verlegten Folge. Enthält die Numerierung "4", aber ohne die vorigen italienischen Verlegeradressen Valour oder Mariette. - Zeigt die Prüfung der Verschwiegenheit eines Hirten durch Merkur, eine Szene aus der griechischen Mythologie des Ovid. (Es erschien ein weiteres Blatt mit der Verwandlung des Hirten in einen Stein). - Gut erhalten. Sprache: Deutsch Gewicht in Gramm: 100.

Zustand: Gut. Format (Platte): 25,5 x 33,2 cm. Blatt: 29,5 x 44 cm. *Unterrand leicht fingerfleckig, insgesamt gut erhalten. Sprache: Deutsch Gewicht in Gramm: 800.

View on a hill on the top of which is a house. On the right hand side a large tree. A mountain in the distance. Two walking figures are approaching the building from a path. Some water on the front, to the left.Inscribed at the bottom left: HBonnart ex au Coq. avec privil.This etching belongs to a set of twelve views of Rome and beyonds.The original drawings are in Florence.[NL] Naast het huis of boerderij staat een grote boom en voor het huis scharrelen enkele dieren. Op het pad dat naar het huis leidt bevinden zich twee wandelaars. Etching on paper; trimmed within plate mark; total: 93 x 142 mm; state II/3, tiny brown stains; mounted on cardboard, in large passepartout. Hollstein 42, Bartsch 41. Made between 1600-1650.