taylor patrick r (82 Ergebnisse)

Paperback. Zustand: Very Good. Illustrated by MANCHESS, GREGORY COVER ART (illustrator). first edition,9p thus; 09p. VERY GOOD CONDITION, clean, solid.matt cover art; Cover art shows man & dog walking up steep hill, grey stone walls & green fields background.; 351 pages; charming and engrossing tale that will captivate readers from the very first page-and leave them yearning to visit the Irish countryside of days gone by.

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Journal. Zustand: Very Good. ***GREAT CONDITION***CLEAN PAGES*** light edge wear, signed by previous owner We specialize in non-fiction books. Follow us on Facebook and Instagram.

Zustand: Fine. 172 pp., paperback, BRAND NEW!! - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Hardcover. 246 p.; 18 cm. (Westminster books) VG leather-grained maroon cloth in creased and torn salmon dj.

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Hardcover. viii, 170 p.; 21.5 cm. `.he had not discovered any reason for parting with one word of the Creed, still less for abandoning it as a whole; that, on the contrary, he had come to value it more highly because he understood it better, and it had, once again, served the purpose of establishing a definite connection between the ideas of God, of man, and of Nature, which he had gained from various sources. He feels, therefore, that the book has a certain value, as showing that it is possible for one who is the child of his age not only to retain, but to use the Creed; to prize it, not only as a relic of the past but an instrument of thought in the present.' (p. vii) VG orig. scarlet cloth, spine stamping bright.

Audio CD. Zustand: Good.

Soft cover. Zustand: Fine. viii, 280 pages : illustrations ; 24 cm ; ISBN 9783540198994, 9780387198996, 3540198997, 0387198997 ; OCLC 32821150 ; LCCN 95032988 ; LOC No QB63 .O27 1995 ; Dewey 520 ; stiff paper wrappers ; Patrick Moore has pulled together a group of professional and amateur astronomers, each an expert in a particular field, to describe how to observe every category of object that is within reach of an astronomical telescope of modest size. ; Contents: The sun in white light / Bruce Hardie -- The sun in hydrogen-alpha / Bob Turner -- Eclipses / Michael Maunder -- The moon / Jeremy Cook -- Mercury and Venus / Richard M. Baum --Mars / Patrick Moore --Jupiter / Terry Moseley --Saturn / A.W. Heath --The asteroids and telescopic planets / Andrew J. Hollis --Meteors / Neil Bone --Comets / Jonathan Shanklin --Occultations / Alan Wells --Auroræ and noctilucent clouds / David Gavine --Variable stars / Melvyn D. Taylor --Supernovæ / R.W. Arbour --Deep sky observing / Bernard C. Abrams --Artificial satellites / Howard Miles --Annotated drawings / Paul Doherty ; Book.

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hardcover. Zustand: New. In shrink wrap. Looks like an interesting title!

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

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Zustand: Used. pp. 207 Index.

Brossura. Zustand: come nuovo. Zustand des Schutzumschlags: ottimo. prima edizione. Offering unique insight into the world of contemporary art, this book looks at four generations of artists, from the established to the newly emerged. Photographs of each of the artists, taken by Amanda Eliasch during 2002 in the artists' studios, are set alongside examples of their work. The text by Gemma de Cruz provides a brief overview of who the artists are, what they do and how their work and ideas fit into the art world at this time. This book draws attention to a particular selection of artists who together form a strong idea of what is happening now in contemporary art in London, featuring artists who are influential alongside those they have influenced. Descrizione bibliografica Title: British Artists at Work Author: Gemma De Cruz (Texts by) Other Authors: with additional material by Kay Hartenstein-Saatchi and Martin Maloney Photographs by: Amanda Eliasch Original concept by: Franca Sozzani Publisher: New York: Assouline, 2003 Physical Description: 192 pagine; 28 cm; Fully illustrated; In shrink wrap (In pellicola termoretraibile) Weight: 2,4 Kilograms; hundreds of b/w and colour illustrations ISBN: 2843235057, 9782843235054 Language: English Soggetti: Arte contemporanea, Young British Artists, Concettuale, Collezionismo, Libri illustrati, Artisti emergenti, Opere, Collezioni, Installazioni, Mostre, Astrattismo, Pittura, Scultura, Plastica, Esposizioni, Personali, Trend, Cultura, Edizioni pregiate, Moda, Fotografia, Inghilterra, Gran Bretagna, Various, Contemporary British Painting, Modern Art, Peter Thomas Blake, Britannique, Groupe d'artistes, Peintures, Aquarelles, Dessins, Gravures, Dipinti, Acquerelli, Disegni, Incisioni, Olio, Tele, Ritratti, Paesaggio, Video, Cinema, Sessualità, Pop, Fumetti, Postmoderno, Giovani, Quotazioni, Oggetti, Kartell, Design, Monument, Incisioni, Incisori, Sculture geometriche, Biomorfiche, Granito, Pietra calcarea, Marmo, Pigmenti, Malta, Acciaio inossidabile, Colori, Decorazioni, Progetti architettonici, Scenografie, Testi, Frasi, Superblack, Nero, Vantablack, Damien Hirst, Formaldeide, Stile, Prêt-à-porter, YBAs, Brit Pack, Britart, Visual, Goldsmiths College, Tattiche shock, Materiali di recupero, Charles Saatchi, Tracey Emin, Fine Art, Freeze, Videoarte, Immagini, Readymade, Turner Prize, Sensation, Biennale, Venezia, Vogue Italia, Vitrine, Tate, Anni Ottanta, Anni Novanta, Anni Duemila, Gallerie commerciali, My Bed, Femminismo, The Physical Impossibility Of Death In the Mind Of Someone Living, Libri fuori catalogo, Contemporary art, Conceptual, Collecting, Illustrated books, Emerging artists, Works, Collections, Installations, Exhibitions, Abstractionism, Painting, Sculpture, Plastic, Exhibitions, Personal, Culture, Fine editions, Fashion, Photography, England, Great Britain, Paintings, Watercolors, Drawings, Engravings, Oil, Canvases, Portraits, Landscape, Video, Cinema, Sexuality, Comics, Postmodern, Young people, Quotes, Objects, Engravings, Engravers, Geometric sculptures, Biomorphic, Granite, Limestone, Marble, Pigments, Mortar, Steel stainless steel, Colors, Decorations, Architectural projects, Scenography, Texts, Phrases, Black, Formaldehyde, Style, Shocking tactics, Recycled materials, Video art, Images, Venice, Italy, Eighties, Nineties, Years 2000, Commercial galleries, Feminism, Out of print books Parole e frasi comuni abstract painting ACRYLIC ON CANVAS ANTONY GORMLEY history world body CHANTAL JOFFE colour contemporary create D.J. SIMPSON Damien decorative DETAIL DEXTER DALWOOD dress emotional exhibition feel figures film FIONA RAE Gagosian GARY HUME GAVIN TURK gestures GILBERT & GEORGE GILLIAN WEARING girl Goldsmiths College GRAYSON PERRY HOUSEHOLD GLOSS PAINT HOWARD HODGKIN huge IAN DAVENPORT images installation Jay Jopling White Cube JENNY SAVILLE JIM LAMBIE JUN HASEGAWA KIRSTEN GLASS landscape LISA MILROY look magazines MARC QUINN MARTIN MALONEY MARTIN MCGINN MAT COLLISHAW MICHAEL CRAIG-MARTIN MICHAEL RAEDECKER NEIL RUMMING objects OIL BOARD White Cube I know nothing about the art world but I have been involved in making a book for Italian Vogue for Franca Sozzani, the editor. I suppose I became interested in art about ten years ago when I met Charles Saatchi at the Amanpuri Hotel in Thailand. I was sitting by the swimming pool and he was sitting with the film director David Puttnam. He asked me where I lived and I told him in Chester Square. "Well, introduce me to your husband because we need clever young people like him." So we became friends, but not within the art world. Johan was his "cleaner," as he called him, he'd clean up his mess and he cleaned up the Saatchi deal between the old and new companies. I really appreciated Charles's help recently as he assisted me with my photographic shows of nudes. The last one he came to he said, "Oh, definitely, definitely commercial, stick to 1930s Paris." I had been working with Martin Maloney and doing some colour photographs, and Martin said, "Keep on with them." Charles said, "If you keep on with them you'd better go into magazines." So I went to New York and took my book round and I got a call back from Visionaire. I then telephoned Katy Barker who was the only photographic agent I knew and asked her advice. She told me that I couldn't show nudes and that I should do some fashion photographs. So I was introduced to a girl named Rushka Bergman who helped me take the correct photographs for my book. I showed them to the photographer Michel Comte, who took me to Italian Vogue. I then did one or two jobs for Franca, including the Kartell Catalogue, which many photographers did. It showed artists in their chairs. She liked the pictures and suggested I do a book on artists in their studios. I asked for a writer, and Martin suggested Gemma de Cruz, and we drew up a list together. The list in the book is quite varied: It is Young British Artists and a few of the Establishment who actually made the young artists or helped to make them. I liked the older guys because I think as a cu.

Zustand: Used. pp. 207.

PAP. Zustand: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Zustand: As New. Unread book in perfect condition.

Zustand: Used. pp. 207.

Zustand: New. Editor(s): Taylor, Sophia B.; Young, Patrick R. Num Pages: 165 pages. BIC Classification: TH. Category: (G) General (US: Trade). Dimension: 230 x 155 x 17. Weight in Grams: 416. . 2013. UK ed. Hardcover. . . . .

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Hardback. Zustand: New. New copy - Usually dispatched within 4 working days.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

PAP. Zustand: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.