Tenenbaum tamara (231 Ergebnisse)
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Paperback. Zustand: new. Paperback. La esperada primera novela de Tamara Tenenbaum, un coming of age tan personal como generacional sobre el despertar a la vida adulta de una joven millennial.Todas nuestras maldiciones se cumplieron narra el transito de la infancia a la madurez de una chica que crecio en una comunidad judia orto…doxa hasta que, una manana de invierno, cuando apenas contaba con 5 anos, una bomba se llevo la vida de su padre e hizo estallar todas sus certezas. Sin una figura paterna, la protagonista crece en un ambiente dominado por mujeres fuertes, lo que le dara la determinacion necesaria para cuestionar los mandatos religiosos que la rodean y las limitaciones impuestas por su genero.Tamara Tenenbaum narra una historia personal que es tambien generacional, atravesada por una tension latente que moldea todos los vinculos. Mediante un estilo seco, ironico, con destellos inteligentes de humor, la autora describe el clima de su infancia y su adolescencia dentro de la ortodoxia y su ruptura simbolica y real en busca de horizontes menos asfixiantes. Esa busqueda traera la promesa de la libertad sexual y del amor, pero tambien el desconcierto, la inadecuacion a un mundo que ya no viene disenado de antemano.ENGLISH DESCRIPTIONThe eagerly awaited first novel by Tamara Tenenbaum, a coming of age story as personal as it is generational, about a young millennial's awakening to adulthood.Todas nuestras maldiciones se cumplieron (All Our Curses Came True) tells the journey from childhood to maturity of a girl who grew up in an Orthodox Jewish community until, one winter morning, when she was barely 5 years old, a bomb took her father's life and shattered all her certainties. Without a father figure, the protagonist grows up in an environment dominated by strong women, which gives her the determination to question the religious mandates around her and the limitations imposed by her gender.Tamara Tenenbaum tells a personal story that is also generational, permeated by a latent tension that shapes all relationships. With a dry, ironic style and intelligent flashes of humor, the author describes the atmosphere of her childhood and adolescence within orthodoxy and her symbolic and real break in search of less suffocating horizons. This search will bring the promise of sexual freedom and love, but also bewilderment, a feeling of not fitting into a world that is no longer pre-designed. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Zustand: New. "A feast for the mind." -PUBLISHER'S WEEKLY"A contemporary voice with the ease of Natalia Ginzburg's or Irene Nemirovsky's." -GUADALUPE NETTEL, author of Still Born"Nuanced, deeply rich, and a joy to read." -CHARLOTTE FOX-WEBER, author of What We Want In the twenty-first century, our romantic ambitions…are intrepid. We want egalitarian and honest bonds, and we are eager to understand what that means. We also want to fall in love, to have sex, and to be loved; we want stability and adrenaline-the lifeboat and the open sea-, we want everything at the same time. But is it possible to have all of that? Or is this a recipe for frustration? Is this an honest yearning or a mere aspiration, a desire for completeness? Am I an idiot if I pursue it? Am I a cynic if I give up on it?Born and raised in an Orthodox Jewish community in the heart of Buenos Aires, Tenenbaum learned about the sexual and emotional habits of the secular world like an anthropologist discovering an unknown civilisation. Drawing from philosophy, feminist activism, conversations with friends, and from an attempt to turn her own experience into a laboratory for personal and collective reflection, Tenenbaum dives into the universe of affection, celebrates the end of romantic love as we know it, and proposes the eroticization of consent.The End of Love is a tool for the creative destruction of romantic love and the principles that sustain it so that, from its ashes, a better love?one that makes men and women freer in their relationships?can rise.
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Sprache: Spanisch
Verlag: Editorial Planeta Mexicana S.A. de C.V., MX, 2024
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Paperback or Softback. Zustand: New. Un Mill�n de Cuartos Propios: Ensayo Para Un Tiempo Ajeno. Premio Paid�s 2025 / A Million Rooms of One's Own (an Essay). Book.
Sprache: Spanisch
Verlag: Editorial Planeta Mexicana S.A. de C.V., MX, 2025
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Paperback. Zustand: new. Paperback. A bold manifesto by a brilliant young mind on our contemporary understanding of romantic love and how the contradictions of inherited traditions and technology affect the way we build relationships.In the twenty-first century, our romantic ambitions are intrepid. We want egalitarian and honest… bonds, and we are eager to understand what that means. We also want to fall in love, to have sex, and to be loved; we want stability and adrenaline-the lifeboat and the open sea-, we want everything at the same time. But is it possible to have all of that? Or is this a recipe for frustration? Is this an honest yearning or a mere aspiration, a desire for completeness? Am I an idiot if I pursue it? Am I a cynic if I give up on it?Born and raised in an Orthodox Jewish community in the heart of Buenos Aires, Tamara Tenenbaum learned about the sexual and emotional habits of the secular world like an anthropologist discovering an unknown civilisation.Drawing from philosophy, feminist activism, conversations with friends, and from an attempt to turn her own experience into a laboratory for personal and collective reflection, Tenenbaum dives into the universe of affection, celebrates the end of romantic love as we know it, and proposes the eroticization of consent.The End of Love is a tool for the creative destruction of romantic love and the principles that sustain it so that, from its ashes, a better loveone that makes men and women freer in their relationshipscan rise. A feminist manifesto on how we understand romantic love today Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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paperback. Zustand: Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mi…ll. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.
Sprache: Spanisch
Verlag: Editorial Planeta Mexicana S.A. de C.V., MX, 2024
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Paperback. Zustand: new. Paperback. PREMIO PAIDOS 2025 La aclamada autora argentina Tamara Tenenbaum nos propone un ensayo brillante que reflexiona sobre otras formas posibles de vivir en el siglo XXI y que declara la importancia de la belleza y el trabajo como productores de igualdad y libertad. A mediados de 2022, Tamara Tenen…baum recibio el encargo de traducir Un cuarto propio, de Virginia Woolf. Tomando como punto de partida las cuestiones que le suscito dicho encargo, Tenenbaum nos propone una relectura del libro de Woolf para reflexionar sobre la situacion actual de las mujeres (aunque no solo de ellas), abordando los temas que le interesan: la precariedad laboral, el amor desaparecido en la era de Tinder, la comida, el dinero, el resentimiento como respuesta politica o la nostalgia y el poder de la tradicion. Con una prosa lucida y fluida, a lo largo de este texto, rico en referencias literarias y filosoficas, pero tambien de la cultura pop, Tenenbaum dialoga con el clasico de Virginia Woolf y nos propone un ensayo que busca ir mas alla de un manifiesto y que quiere ser una propuesta de contramundo plebeya y feminista basada en la importancia de la belleza y el trabajo como [.] productores de igualdad y libertad. A Tenenbaum, a quien le interesa escribir sobre su tiempo, Un cuarto propio le funciona como inspiracion y oraculo, y le ofrece la oportunidad de pensar en otras formas posibles de vivir en el siglo XXI que se opongan al discurso neoconservador circundante y que sean modernas y posmodernas a la vez, pero, sobre todo, que nos ayuden a transitar la incertidumbre sin caer en un optimismo ingenuo ni en un pesimismo reaccionario. En palabras de la propia autora: Estoy yendo a Un cuarto propio a hacer lo que Virginia decia que hacemos con los clasicos griegos: a buscar, mas que lo que Virginia tenia, lo que a nosotras nos falta. La fuerza del libro radica en su capacidad para abrir horizontes. No pretende ofrecer respuestas definitivas, sino plantear preguntas relevantes y actuales, lo que la convierte en una obra indispensable para comprender mejor el mundo en que vivimos. -- Gonzalo Celorio, miembro del jurado del Premio Paidos ENGLISH DESCRIPTION PAIDOS PRIZE 2025 Acclaimed Argentine author Tamara Tenenbaum presents a brilliant essay that explores new ways of living in the 21st century while emphasizing the importance of beauty and work as forces that foster equality and freedom. In mid-2022, Tenenbaum was commissioned to translate A Room of One's Own by Virginia Woolf. Using the questions that arose from that project as a starting point, she offers a reinterpretation of Woolf's book to examine the current situation of women (though not only them), addressing topics that interest her: job insecurity, love fading in the Tinder era, food, money, resentment as a political response, nostalgia, and the power of tradition. With lucid and fluid prose, this text--rich in literary, philosophical, and pop culture references--engages in a dialogue with Virginia Woolf's classic. Tenenbaum delivers an essay that goes beyond a manifesto, striving to be "a plebeian and feminist counterworld proposal based on the importance of beauty and work as. producers of equality and freedom." For Tenenbaum, who is keen on writing about her time, A Room of One's Own serves as both inspiration and oracle, giving her the chance to envision alternative ways of living in the 21st century--ones that resist the surrounding neoconservative discourse whil Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Zustand: new. Paperback. Dos mujeres, dos epocas. Una novela que explora la identidad femenina a traves del tiempo y la memoria.Aunque sonaba con ser actriz, Sabrina termino por estudiar Artes. Impulsada por Gabriel --su director de tesis y su amante--, decide investigar las huellas del teatro judio en la Argentina. P…ara eso recurre a Jaim, un viejo profesor que le sugiere revisar los restos de los archivos de la AMIA, la mutual que sufrio un atentado terrorista en 1994. "Fue en ese momento que decidi que yo me iba a dedicar a ese pasado. No es que me llamara la atencion ese mundo, no mas que cualquier mundo: lo que me convocaba era que hubiera desaparecido".La investigacion resulta trabada y dificil porque la mayoria de los documentos volaron con la bomba. Hasta que un coleccionista le ofrece una caja y alli descubre el diario de Jana, una actriz del teatro idish en la Buenos Aires de 1960. Su figura es una suerte de espejo magico para Sabrina. Seguir sus huellas se vuelve una obsesion y todo lo demas --su familia, su carrera academica, su relacion con Gabriel-- pasa a segundo plano.En La ultima actriz, Tamara Tenenbaum demuestra una inteligencia narrativa excepcional. Con dos personajes femeninos perturbadores y una trama tan elusiva como hipnotica, esta novela trata acerca de ser mujer, del deseo y la realizacion, del mito del dibuk y la posesion del cuerpo, de la tradicion y la modernidad, de la ciudad de Buenos Aires y de la busqueda de una clave existencial entre un monton de papeles quemados.ENGLISH DESCRIPTION Two women, two eras. A novel that explores female identity through time and memory. Although she dreamed of becoming an actress, Sabrina ended up studying Arts. Encouraged by Gabriel--her thesis advisor and lover--she decides to investigate the traces of Jewish theater in Argentina. To do this, she turns to Jaim, an old professor who suggests she review the remnants of the AMIA archives, the mutual society that suffered a terrorist attack in 1994. "It was at that moment that I decided I would dedicate myself to that past. It wasn't that I was particularly drawn to that world, no more than any other world: what called to me was that it had disappeared."The investigation proves to be difficult and obstructed because most of the documents were destroyed in the explosion. Until a collector offers her a box, and there she discovers the diary of Jana, an actress in the Yiddish theater in Buenos Aires in the 1960s. Her figure becomes a sort of magical mirror for Sabrina. Following her traces becomes an obsession, and everything else--her family, her academic career, her relationship with Gabriel--takes a back seat. In La ultima actriz, Tamara Tenenbaum demonstrates exceptional narrative intelligence. With two disturbing female characters and a plot as elusive as it is hypnotic, this novel is about being a woman, desire and fulfillment, the myth of the dybbuk and body possession, tradition and modernity, the city of Buenos Aires, and the search for an existential key among a pile of burnt papers. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Sprache: Spanisch
Verlag: Editorial Planeta Mexicana S.A. de C.V., MX, 2025
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Paperback. Zustand: New.
