thomas ingmire (26 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover. Grubby book may have mild dirt or some staining, mostly on the edges of pages.

Paperback. Zustand: Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover.

paperback. Zustand: Very Good. [Scriptorium Saint Francis] Volume One, 2003. Softcover, 64 pp; 28 cm. No edition stated. Black and red printed wrappers with abstract typographic design. Black and white illustratios. In very good condition with a small 1/2" square chip to the paper over the bottom of the spine where a price sticker was removed taking the thin top layer with it. Light overall scuffing to covers as well. Binding tight. Pages clean and unmarked. Edited by Thomas Ingmire, a forerunner in the modern Western calligraphy movement, this volume represents the first in a planned series exploring contemporary visual language through calligraphy. Codici (Italian for "codes") is conceived as a "notebook" project combining Ingmire's teaching experiences with theoretical and experimental investigations. Contributions include essays and visual works by Manfredo Massironi, Christian Dotremont, Hans-Joachim Burgert, and Ingmire himself, exploring topics such as expressive line, illegibility, typographic psychology, and spatial rhythm. Contents include: The pleasure of showing and looking at words by Manfredo Massironi; Moving towards a 21st-century calligraphy: an introductory argument; The word as image: an assessment of a work by Christian Dotremont; The calligraphic line: a look at some of Hans-Joachim Burgert's ideas on calligraphy; The space of writing: the Ditchling commission; Notes and Acknowledgements.

Paperback. Zustand: Used; Very Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.

hardcover. Zustand: Very Good. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Wrappers. Zustand: Very Good. First Edition. 89 pp., color and b/w plates. Signed on halftitle page by both Gullick and Ingmire. Head and heel of spine and corners lightly bumped, light handling and edgewear to wrappers. Size: 4to. Signed by Author(s).

Zustand: New. Satisfaction Guaranteed or your money back.

Hardcover. Zustand: VHG+. Black cloth spine, yellowish boards with inset illustration on front board. xix, 411 pages : profuse color illustrations. Contents: Preface / Michael A. Keller -- Foreword / Roberto G. Trujillo -- Introduction : from a printer's point of view / Peter Rutledge Koch -- The books of Joseph Goldyne / Robert Bringhurst -- Artists' books : some remarks on a legacy of problems / Joseph Goldyne -- Colleagues and working relationships / Joseph Goldyne -- Proofing with Joseph Goldyne at Katherine Lincoln Press / Kay Bradner -- Matching the artist's hand : a Boston-West Coast partnership / Robert Townsend -- Collaboration : images and calligraphy / Thomas Ingmire -- Notes to the catalogue raisonné -- Presses and printers -- Binderies and binders -- Catalogue raisonné -- Limited-edition books -- Unique books -- Limited-edition portfolios -- Unique portfolios -- Unique sheets of calligraphy with prints -- Alphabetical index -- Chronological index -- Printmaking terms -- Illustrations -- Author biographies -- Selected public collections -- Index -- Colophon. "This catalogue is produced in conjunction with the exhibition, Joseph Goldyne: Books, Prints & Proofs presented at the Stanford University Libraries, September 14, 2015-January 31, 2016 . Copies of Joseph Goldyne's limited-edition artists' books and portfolios, as well as a selection of preparatory drawings and prints related to his artists' books, portfolios, and calligraphy sheets are in the Joseph R. Goldyne Collection, Special Collections and University Archives, Stanford University Libraries, Stanford, California".

Zustand: Good. Profusely Illustrated (illustrator). fo. 529 pp. Bound in blue cloth with gilt titles along the spine. Near Fine. Dust Jacket: VG. Color Plates; Brown End Pages. Features original paintings by Manuel Neri paired with poetry by Pablo Neruda and Federico Garcia Lorca.

Zustand: Like New. Zustand des Schutzumschlags: Like New. Oversize hardcover with dustjacket with slipcase. Book and jacket in like-new condition. Slipcase in fine condition with slight scuffing. 170 pages; color. Book, jacket, and slipcase are dark blue. Text in English and Italian. Calligraphy art. Might cost extra for shipping. Size: Folio - over 12 - 15" tall Hard Cover with Dustjacket in Slipcase. Book.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. Quarto. 168 pages. Hardcover in a burgundy illustrated dust jacket and matching slipcase. There is a scuff mark on rear of slipcase. The jacket is in near fine condition. Text is clean. Illustrated in color.

fine. Zustand: Very Good. First edition. Whole text in English (and partly in Italian). Hardcover book . Black paper-covered boards , lettered in red to front, and pictorial dustjacket, in cardboard slip case with same design as dustjacket. 168pp. folio, 31 x 24.5 cm. With colour reproductions of artworks throughout, one per page in the main section, and within the introductory essays. Contemporary artists from round the world who feature calligraphy and lettering in their work. Introductory essays by Carlo Buffa, Thomas Ingmire (one of the artists featured), Tiziano Santi and Manfredo Massironi. Very nicely printed on Boldonia and Savile Row cream paper. This copy belonged to a British calligrapher who has inscribed his name and place in a fine hand on the front free endpaper. Fine book in Very Good jacket, which has very light rubbing to the edges, in similarly lightly rubbed slipcase. Pictures available.

Softcover. Zustand: Fine. #11 of 116 copies signed by both Annwn and Ingmire, printed letterpress using Tiepolo type on Frankfurt Cream and bound in hand-made Cave Paper, with hand-made Lokta endsheets. Fine copy. Publisher's description: "The piece of papyrus called the Saint John's Fragment was acquired in an Egyptian market in 1920 by Bernard Grenfell, an English scientist and Egyptologist. It now resides in the collection of the Rylands Library at the University of Manchester in England.This scrap of paper-like material, measuring only 3 ½ by 2 ½ inches, is made from the pith of the papyrus plant. It is dated from between 100 CE and 150 CE and is generally accepted as the earliest extant record of a canonical New Testament text. Written on both sides of the papyrus, it must have been part of a codex, that is, a collection of sewn and folded leaves, not a scroll or an isolated sheet. That being the case, it would be among the earliest surviving examples of a literary codex. It was written in Greek in a script known as Hadrianic, named after Hadrian (76 CE-138 CE), the Roman Emperor of that era.Anglo Welsh poet, critic and publisher David Annwn has responded to this fragment in a poem that always seems to bear just below the surface remembrance of a statement from the Rylands Library: 'The importance of this fragment is quite out of proportion to its size,.' And yet it exists, considering all which could have destroyed it, against the odds.Thomas Ingmire's calligraphy shows the image of the actual fragment, then the restored page, then the English translation of the restored page in flaps that extend the pages in order to allow for the missing text.".

Hardcover. Zustand: Fine. No jacket. Thomas Ingmire (illustrator). #47/90cc, signed by calligrapher Thomas Ingmire.

Hardcover. Zustand: Very fine. One of 500 copies. Octavo. 63pp. Printed in the very readable Deepdene type designed by Frederic Goudy and handset on handmade Twinrocker paper, the initial letters drawn and illuminated in red and blue with gold stars by calligrapher Thomas Ingmire. With a preface by Chief Justice Warren E. Burger and an Introduction by the former Librarian of Congress Daniel J. Boorstin. Very fine in full limp vellum with red-dyed vellum ribbons woven through the covers to create red stripes, the titling and stars in blue. Housed in a cloth chemise and matching slipcase, still retaining its original printed glassine wrapping, all still within publisher's cardboard shipping container. An exemplary copy of an elegant publicationâ"one of the more desirable productions of the Press.

Original Wraps. Zustand: Fine in Fine Plexiglass Box. Unique. Unique. Original Wraps. A unique lettered and painted manuscript heightened with gold. There are 9 double spreads and a colophon. "The text is a reassembled collection of words and phrases taken from Georg Trakl's col- lection of poetry titled Song of the West (translated by Robert Firmage)." This is not a Trakl poem, but rather Thomas Ing-mire's visual interpretation of Georg Trakl's verbal poems. It is Calligraphy and Poetry in collaboration. The blacks, greys, and deep blues explode at the end in a splendor of yellow and orange. Tight, bright, and unmarred. Covers are lettered and painted, ink and watercolor decorated inblacks and blues for the upper cover, reds and yellows for lower, textblock mss, watercolor, and gilt; housed in a black plexiglass case with a clear lid. np. [eleven leaves]. Hand lettered and colored. Signed by the calligrapher/artist.

San Francisco: 2016 11 x 8.5 ins. Calligraphed in several colors and heightened with gold, numbered 7/50, signed and dated. § Thomas Ingmire (San Francisco) was the first American to be elected a Fellow of the prestigious Society of Scribes and Illuminators, London. A vivid expression of the modern calligraphy movement, his work can be found in public and private collections around the world; it is the subject of Michael Gullick's Words of Risk: The Art of Thomas Ingmire (1989) and codici 1: a teacher's notebook on modern calligraphy & lettering art (2003). His teaching experience and influence extends throughout the United States to Canada, Europe, Australia, Japan and Hong Kong. His first commission in 1972 was from John Windle for a book of Blake's Poems; 45 years later we are still presenting Blake calligraphically.

San Francisco: 2016 8.5 x 11 ins. Calligraphed in several colors and heightened with gold, numbered 5/50, signed and dated. § Thomas Ingmire (San Francisco) was the first American to be elected a Fellow of the prestigious Society of Scribes and Illuminators, London. A vivid expression of the modern calligraphy movement, his work can be found in public and private collections around the world; it is the subject of Michael Gullick's Words of Risk: The Art of Thomas Ingmire (1989) and codici 1: a teacher's notebook on modern calligraphy & lettering art (2003). His teaching experience and influence extends throughout the United States to Canada, Europe, Australia, Japan and Hong Kong. His first commission in 1972 was from John Windle for a book of Blake's Poems; 45 years later we are still presenting Blake calligraphically.

San Francisco: 2016. 8.5 x 11 ins. Calligraphic print in several colors, numbered 4/25, signed and dated. § Thomas Ingmire (San Francisco) was the first American to be elected a Fellow of the prestigious Society of Scribes and Illuminators, London. A vivid expression of the modern calligraphy movement, his work can be found in public and private collections around the world; it is the subject of Michael Gullick's Words of Risk: The Art of Thomas Ingmire (1989) and codici 1: a teacher's notebook on modern calligraphy & lettering art (2003). His teaching experience and influence extends throughout the United States to Canada, Europe, Australia, Japan and Hong Kong. His first commission in 1972 was from John Windle for a book of Blake's Poems; 45 years later we are still presenting Blake calligraphically.

San Francisco: 2016. 11 x 8.5 ins. Calligraphed in several colors and heightened with gold, numbered 5/25, signed and dated. § Thomas Ingmire (San Francisco) was the first American to be elected a Fellow of the prestigious Society of Scribes and Illuminators, London. A vivid expression of the modern calligraphy movement, his work can be found in public and private collections around the world; it is the subject of Michael Gullick's Words of Risk: The Art of Thomas Ingmire (1989) and codici 1: a teacher's notebook on modern calligraphy & lettering art (2003). His teaching experience and influence extends throughout the United States to Canada, Europe, Australia, Japan and Hong Kong. His first commission in 1972 was from John Windle for a book of Blake's Poems; 45 years later we are still presenting Blake calligraphically.

San Francisco: 2016. 8.5 x 11 ins. Calligraphic print in several colors, numbered 2/25, signed and dated. § Thomas Ingmire (San Francisco) was the first American to be elected a Fellow of the prestigious Society of Scribes and Illuminators, London. A vivid expression of the modern calligraphy movement, his work can be found in public and private collections around the world; it is the subject of Michael Gullick's Words of Risk: The Art of Thomas Ingmire (1989) and codici 1: a teacher's notebook on modern calligraphy & lettering art (2003). His teaching experience and influence extends throughout the United States to Canada, Europe, Australia, Japan and Hong Kong. His first commission in 1972 was from John Windle for a book of Blake's Poems; 45 years later we are still presenting Blake calligraphically.

San Francisco: 2016. 13 x 9 ins. Original calligraphic manuscript in blue and green heightened with gold. Signed and dated. Fine condition. § Original calligraphic presentation of Blake's aphorism "He who Sees the Infinite in all Things sees God," taken from There is No Natural Religion. Thomas Ingmire (San Francisco) was the first American to be elected a Fellow of the prestigious Society of Scribes and Illuminators, London. A vivid expression of the modern calligraphy movement, his work can be found in public and private collections around the world; it is the subject of Michael Gullick's Words of Risk: The Art of Thomas Ingmire (1989) and codici 1: a teacher's notebook on modern calligraphy & lettering art (2003). His teaching experience and influence extends throughout the United States to Canada, Europe, Australia, Japan and Hong Kong. His first commission in 1972 was from John Windle for a book of Blake's poems; 45 years later we are still presenting Blake calligraphically.