Turpin solveig (25 Ergebnisse)

No Binding. Zustand: Very Good. ORIGINAL 1998 Article, disbound from journal; no covers; in very good condition. Journal.

Zustand: Very Good. 1989, Second Printing. South America, Native Americans, Journals. Instituter of Archaeology, Monograph (27) XXVII, University of California Los Angeles, 238 p., very good paperback. 1/26.

No Binding. Zustand: Very Good. ORIGINAL Article, disbound from journal; no covers; in very good condition. Journal.

Soft cover. Zustand: Very Good. 1st Edition.

No Binding. Zustand: Very Good. ORIGINAL 1994 Article, disbound from journal; no covers; in very good condition. Journal.

No Binding. Zustand: Very Good. ORIGINAL Article, disbound from journal; no covers; in very good condition. Journal.

Pamphlet. Zustand: Very Good. Vol 34, No 124, Pt 1, pp. 105-110, Illus, Extracted from orig vol, thus begins with title page, trimmed & stapled pamphlet, else VG.

Paperback. Zustand: Fine.

Pamphlet. Zustand: Very Good. Vol 31, No 112, pp. 153-161, Illus, Extracted from orig vol, thus begins with title page, trimmed & stapled pamphlet, else VG.

Paperback. From the library of Anthropologist Robert J. Squier. Size: 8.5"x10.75", 238pp. Squier's tidy name stamp x 2, else very good, clean & sound condition.

paperback. Zustand: near fine. 8 3/8 x 10 3/4" 238 pages. contributors: Tom D. Dillehay, Glendon H. Weir and J. Philip Dering, Robert A Benfer, Lucy Salazar-Burger, Martha B. Anders, Susan E. Ramirz and others.

Zustand: New. In English.

Soft cover. Zustand: Near Fine. No Jacket. AMERICAN INDIAN ROCK ART VOL. 16 (Proceedings of The International Rock Art Conference And 16th Annual Meeting of The American Rock Art Research Association), edited by Solveig A. Turpin, softcover, illustrated, 1990. BOOK CONDITION: near fine. The text block and illustrations are in fine condition with no tears, marks, or dog-ears. There is no bookplate nor signature of a prior owner. This is not a library book nor a remainder. The wraps are in near fine condition. 10 ¾ x 8 1/2, 252 pages, 25 ounces XX Table of Contents: Preface, The Protection of Rock Art Sites, Research on The Rock Art Of Southern Africa In The 1980s, Experiments To Remove Wax Crayon From Petroglyphs In Marble, A Review Of An Attempt To Restore Petroglyphs Using Artificial Desert Varnish At Petrified Forest, Arizona, Geologic And Management Considerations In The Preservation Of The Maya Naj Tunich Cave Paintings, Peten, Guatemala, Repainting In Kumeyaay Rock Art: Vandalism, Defacement, Or Renewal?, Rock Art Management Considerations At Lake Perris State Recreation Area, Riverside County, California, Current Rock Art Research At Amistad Recreation Area, Southwest Texas, Seminole Canyon State Historic Park: An Inventory Of Rock Art Conservation, Speculations On The Age And Origin Of The Pecos River Style, Southwest Texas, Aboriginal Rock Art Of Justiceburg Reservoir: A Regional Perspective For The Texas Panhandle-Plains, Formal Qualities Of The Jornada Style And Pueblo Iv Anasazi Rock Art: A Comparison With Implications For The Origins Of Pueblo Ceremonialism, Caballito Blanco (Oaxaca): Rock Art And Astronomy In Context, Current State Of Research On Petroglyphs And Pictographs In The Northern Mexican States Of Coahuila And Nuevo Leon, The Rock Painting Of Lajasmayu, Betanzos, Department Of Potosi, Bolivia, Bear Country: Likeness In Rock Art, Cupule Petroglyphs In Tulare County, California, Modoc Rock Art: A Reevaluation.…

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Black faux leather with embossed design on the front cover that matches the dust jacket art. Slight bowing to the boards. The dust jacket has light shelf wear at the foot of the spine and lower corners. Protected in an archival Mylar sleeve. 70 pages with Additional Readings and Index to Photos. Illustrated with 66 color plates. An oversized book featuring the photography of Jim Zintgraff with text by archaeologist Solveig A. Turpin on the subject of prehistoric pictographs found in the Lower Pecos Canyonlands of West Texas and northern Mexico. Turpin's interpretation places the Pecos River Style art within an archaeological and cultural framework, viewing the images as spiritual content related to shamanism and the social life of ancient hunter-gatherers. B45. Signed by Publisher.…

Hardcover. Zustand: As New. Zustand des Schutzumschlags: Very Good. First edition. A small chip missing to edge of dustjacket, and a short tear. Native Texan cultures painted or carved art on the rocks at thousands of sites across southwestern portions of Texas. Much of the art is concentrated in the canyons of the lower Pecos River. In 1953, while on a hunting trip to the Pecos River, Jim Zintgraff first saw the ancient pictographs that were to become his life's work. Little did he know he would spend the rest of his life on the track of the elusive rock art hidden in the deep canyons and dry rock shelters of the Lower Pecos River region, photographing thousands of images in hundreds of sites in Texas and Mexico. Dr. Solveig Turpin (The University of Texas at Austin), was a leader in the study of Texas rock art, and visited and catalogued scores of sites. She is also a founder of the Rock Art Foundation, which is preserving Texas rock art.…

Quarto hardcover (Nr FINE) in d/w (15mm closed tear to top left corner of front cover, otherwise VG); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book may reduce your overall postage costs.…

hardcover. Zustand: Near fine. near fine. first edition, as stated. Quarto,(approx. 9 1/4" wide by 12 1/4" tall) black leatherette covers, 71 [1] pages. Color photo reproductions. Signed by both authors on the title page. Former owner name on front free endpaper. Book and dust jacket are in near fine condition. "In 1953, while on a hunting trip to the Pecos River, he (Jim Zintgraff) first saw the ancient pictographs that were to become his life's work. Little did he know he would spend the rest of his life on the track of the elusive rock art hidden in the deep canyons and dry rock shelters of the Lower Pecos River region, photographing thousands of images in hundreds of sites in Texas and Mexico." This oversize book will incur additional charges for international shipping. Studio. Zintgraff, Jim (illustrator).…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. Quarto. Pp. 71. For 40 Years Jim Zintgraff explored the canyons of the Lower Pecos River region finding and photographing ancient rock art. With 56 color photographs. Text by S. A. Turpin. Fine in fine pictorial jacket, with mylar.…

paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

Stapled. Zustand: Very Good. Stapled softcover shows only light cover wear. Text is unmarked and binding tight. Ships FAST.

Zustand: New. Satisfaction Guaranteed or your money back.

hardcover. Zustand: New. In shrink wrap. Looks like an interesting title.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. 71 pages : color illustrations ; 32 cm. ; black textured boards with silver decorations ; dj. Zintgraff, Jim (illustrator). Signed by Author(s).

Zustand: Used - Very Good. VG paperback. 1994 1st edition with B&W illustrations; spine and cover uncreased, apart from crease to bottom front corner; light wear to edges and corners; just a few small annotations by owner, Professor Roger Cardinal, whose name appears on first page; otherwise, a clean, tidy copy. Used - Very Good. VG paperback.…

black, white & silver metallic illustrated ( prehistoric shaman figures) faux leather "leatherette" hardbound folio. very large (9.25" x 12" ~"coffee table" size book), int'l or priority shipping will cost extra. dustwrapper in protective plastic. very fine cond. binding square & tight. covers clean. edges clean. contents free of all markings. dustwrapper in fine cond. 1cm tear top of front, minor wrinkle bottom of front, not corner clipped. first edition so stated. first printing ( nap). Signed On The Title Pg. by Jim Zintgraff. nice clean copy. no library markings, store stamps, stickers, no names, inking , underlining, remainder markings etc ~ full color glossy photo. illustrated ½ title pg. color illustrated title pg. 72p. 56 glossy full color photo illustrations. mostly full page. list of additional reading & articles. prehistory. archaeology. art history. ancient religion. shamanism. cosmology. paleo~indian culture of the southwest. rattlesnake canyon. panther cave. diablo cliffs. mystic shelter. ~ "In the fall of 1952. I was in Val Verde County. (in Southwest Texas) with a group of friends. When we walked into Fate Bell Shelter I saw my first cave paintings. I did not realize at the time that this chance encounter would change my life forever. A commitment to photograph ing the rare and endangered rock art of the lower Pecos River area was born that day. It grew to maturity when plans were conceived to impound the Rio Grande below the mouths of the Devils and Pecos rivers. and I realized the loss that loomed ahead. Many of the photo graphs of the classic Pecos River style pictographs in this book were taken before Amistad Dam was completed in 1969 and scores of sites were inundated. I will always regret that I did not have time to cap ture all of them on film. Hundreds, unphotographed, are lost forever. While working on the book, Ancient Texans, I met my friend and colleague, Dr. Solveig Turpin. She and her team from the University of Texas at Austin were dedicated to the task of tracking down previ ously unrecorded pictograph sites. In the ten years since they had be gun their work at Seminole Canyon State Historical Park, the inventory of cave paintings had doubled in Val Verde County. They were extend ing their search into northern Mexico. We soon became a team documenting cave paintings wherever they could be found. We lugged equipment up mountains, down canyons, across rivers, and through the brush in Texas and Mexico. Though it was hard work, each new find of art from antiquity provided reward enough. This photographic essay is the culmination of my forty year love affair with the Pecos River rock art. The sixty~six color plates are only a mere fraction of the thousands of negatives in my collection. The text and captions are the result of thousands of hours of scholarly research, observation, and contemplation. Through pictures and words. we hope to convey to you the sense of these long~vanished people whom we have come to know and respect, people who sought answers to many of the same questions we ask today, people who would speak to us through their art~if only we could hear them. As you read this book, listen, perhaps you will be the one to whom they speak. "~Jim Zintgraff.…