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Zustand: Fine. The book is in fine condition.

Zustand: Fine. The book is in fine condition.

Unknown Binding. Zustand: Used: Like New. NEW.

LeatherBound. Zustand: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1588 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 48 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: frm.

Stipple engraving representing a boy standing in the center, holding a vase and with his left arm stretched out with a bunch of flowers in his hand. Behind him a wooded landscape. A dog following the boy and on the bottom left another open vase with smoke. In the style of Francesco Bartolozzi (1727-1815). In oval frame. It's likely that this impression comes from a set of five plates illustrating the senses. Not signed. Stipple engraving and etched frame; oval; trimmed within plate; total: 94 x 72 mm; mounted on passepartout; cardboard mat with pencil indications. In very good condition. Print made between 1750-1800.

Plate nr. 10 from the serie SYLVAE SACRAE MONUMENTA . ANACHORETAUM published by Johannes I and Raphael I Sadeler in 1594. This plate is in reverse and slighly wider than the original. Possibly by Charles van Boeckel (fl. 1597-1617) [Hollstein de Vos, 1004a], or by Marcus Christoph Sadeler (1614-1650), Giacomo Piccini (ca. 1617- ca.1669) and Giovanni Merlo (17th cent.) from the first half of the seventeenth century [Hollstein de Vos, 1004f]. Besides the latin verses beneath the picture no other signatures are to be found on the plate. Lettered under the picture: '[M]ARTIVS Aruvernae pater & contemptor honoris / Permutat sacram sponte ligone pedum. / Atass sibi caueam fodit in qua Vivere possit / Immo mori cui mors nil nisi vita fuit'; plate is numbered '10'. l Engraving on paper; platemark: 170 x 202 mm, total: 213 x 265. Broad margins, close to the top margin two holes, probably for it was bound with oher plates. PB01SS(Martius-Martinus).

Peasants in an inn, dancing by the sound of a transverse flute. A print hanging on the wall in the background. l Engraving on paper, trimmed within plate; total: 184 x 244 mm; on verso damages repaired, traces of previous mounting, scribbles in pencil.

A picture of a statue of St. Publio, patron of the island of Malta. Publio was the first bishop in the island and according to the Scriptures, it was him to welcome St Paul on his journey to the center of Europe. The address on the bottom left suggests that this litho was produced by the Turgis publishers in Paris along with other prints with religious subjects: "PARIS L. TURGIS & FILS, EDIT. IMP.R. DES ECOLES, 60 / ET A NEW YORK LEONARD St. 83". The publishing house was founded in 1828 and was very prolific throughout the century: it started out in Toulouse to move to Paris and from 1856 a branch was opened in New York. This latter was active until the very beginning of the twentieth century. This St. Publio belongs to the "400" series (479) and should be dated around 1860. Hand-colored lithography; total: 418 x 292 mm; despite some light smudges and small tears on the margins, in great condition.

Bust portrait of theologian Lucas Trelcatius II (1573-1607), turned towards the right, looking at the observer. In oval frame, lettered at the top: "PRUDENTIA ET SIMPLICITATE", within further rectangular frames. Inscribed under the portrait: "LUCAS TRELCATIUS FILIUS, S.S.Theologiae Professor." With address of van der AA: "Lugd. Bat. ex Officina Petri Vander Aa." Included in Van der Aa's "Fundatoris, Curatorum et Professorum celeberrimorum aliorumque illustrium virorum." published in Leiden between 1715 and 1716. ".Lucas Trelcatius, was een theoloog en schrijver uit Noord-Nederland. Engraving with some etching on paper from three plates; trimmed on plate mark, total: 358 x 258 mm; mounted on larger sheet of laid paper; light yellowing of the paper; small lacuna on the right; some light foxing. Van Someren 147.

Bust portrait of theologian Johannes Polyander van Kerckhove (1568-1646), turned towards the left. In oval frame and further rectangular frames. Inscribed under the portrait: "IOANNES POLYANDER. S.S. Theologiae Professor"Listed among the professors in Leiden, collected by van der Aa in the "Fundatoris, Curatorum et Professorum celeberrimorum aliorumque illustrium virorum." published in Leiden between 1715 and 1716, nr. 38. Address added below: "Lugd. Bat. ex Officina Petri Vander Aa." Engraving with some etching on paper from three plates; larger plate mark: 350 x 254 mm, total: 420 x 328 mm; despite some very light staining on the most external margin, in very good condition. The paper of the central plate more cooked, visible from verso. Van Someren 147.

Bust portrait of Jacobus Perizonius (1651-1715), professor of Greek language, History and Eloquence, turned towards the right, with a long hair wig. In oval frame and further rectangular frames. Inscribed under the portrait: "IACOBUS PERIZONIUS Historiarum, Eloquentiae & Linguae Grecae Professor"Listed among the professors in Leiden, collected by van der Aa in the "Fundatoris, Curatorum et Professorum celeberrimorum aliorumque illustrium virorum." published in Leiden between 1715 and 1716, nr. 143. Engraving with some etching on paper from three plates; larger plate mark: 350 x 254 mm, total: 413 x 326 mm; paper in very good condition. Muller nr.4145, Van Someren 147.

Bust portrait of law Professor Anthonius Mattheus III (1635-1710), turned towards the right, with a long hair wig. In oval frame and further rectangular frames. Inscribed under the portrait: "ANTHONIUS MATTHAEUSJuris Professor Lugd. Bat."Listed among the professors in Leiden, collected by van der Aa in the "Fundatoris, Curatorum et Professorum celeberrimorum aliorumque illustrium virorum." published in Leiden between 1715 and 1716, nr. 75. Engraving with some etching on paper from three plates; larger plate mark: 350 x 254 mm, total: 420 x 331 mm; despite some very light staining on the most external margin, in very good condition. The paper of the central plate more cooked, visible from verso. Van Someren 147.

Bust portrait of theologian Lucas Trelcatius (1542-1602), turned towards the right, looking at the observer. In oval frame, lettered at the top: "LILIUM INTER SPINAS", within further rectangular frames. Inscribed under the portrait: "LUCAS TRELCATIUS PATER, S.S.Theologiae Professor." With address of van der AA: "Lugd. Bat. ex Officina Petri Vander Aa." Included in Van der Aa's "Fundatoris, Curatorum et Professorum celeberrimorum aliorumque illustrium virorum." published in Leiden between 1715 and 1716. ". Engraving with some etching on paper from three plates; with broad margins; plate mark: 350 x 254 mm, total: 417 x 328 mm: some browning on the most external margins; mounted on cardboard with pen and black ink inscriptions. Van Someren 147.

Bust portrait of theologian Lucas Trelcatius II (1573-1607), turned towards the right, looking at the observer. In oval frame, lettered at the top: "PRUDENTIA ET SIMPLICITATE", within further rectangular frames. Inscribed under the portrait: "LUCAS TRELCATIUS FILIUS, S.S.Theologiae Professor." With address of van der AA: "Lugd. Bat. ex Officina Petri Vander Aa." Included in Van der Aa's "Fundatoris, Curatorum et Professorum celeberrimorum aliorumque illustrium virorum." published in Leiden between 1715 and 1716. ". Engraving with some etching on paper from three plates; with broad margins; plate mark: 352 x 254 mm, total: 418 x 330 mm; browning paper with some light staining, traces of previous mountings on verso; smudges due to handling on the right side; on verso some pencil scribbling on the bottom corners. Van Someren 147.

Bust portrait of law Professor Cornelis Pynacker, turned towards the left. In oval frame and further rectangular frames. Inscribed under the portrait: "CORNELIUS PYNACKER Juris Professor"Listed among the professors in Leiden, collected by van der Aa in the "Fundatoris, Curatorum et Professorum celeberrimorum aliorumque illustrium virorum." published in Leiden between 1715 and 1716, nr. 66. Address added below: "Lugd. Bat ex Officina Petri Vander Aa". Engraving with some etching on paper from three plates; larger plate mark: 351 x 254 mm, total: 417 x 327 mm; paper of the central plate rather cooked, also visible on the forehead of the portrayed, otherwise in good condition, despite a small spot on the bottom right. Van Someren 147.

Bust portrait of theologian Lucas Trelcatius (1542-1602), turned towards the right, looking at the observer. In oval frame, lettered at the top: "LILIUM INTER SPINAS", within further rectangular frames. Inscribed under the portrait: "LUCAS TRELCATIUS PATER, S.S.Theologiae Professor." With address of van der AA: "Lugd. Bat. ex Officina Petri Vander Aa." Included in Van der Aa's "Fundatoris, Curatorum et Professorum celeberrimorum aliorumque illustrium virorum." published in Leiden between 1715 and 1716. ". Engraving with some etching on paper from three plates; with broad margins; plate mark: 350 x 254 mm, total: 420 x 328 mm: despite some light brown stains and very light smudges on the margins, in very good condition. Van Someren 147.

Bust portrait of Jacobus Perizonius (1651-1715), professor of Greek language, History and Eloquence, turned towards the right, with a long hair wig. In oval frame and further rectangular frames. Inscribed under the portrait: "IACOBUS PERIZONIUS Historiarum, Eloquentiae & Linguae Grecae Professor"Listed among the professors in Leiden, collected by van der Aa in the "Fundatoris, Curatorum et Professorum celeberrimorum aliorumque illustrium virorum." published in Leiden between 1715 and 1716, nr. 143. Engraving with some etching on paper from three plates; larger plate mark: 350 x 254 mm, total: 398 x 299 mm; paper in very good condition; traces of previous mountings on verso, especially on top with remainings of an older mat. A tear below was repaired with a paper patch and inscribed in pen and blck ink: "4ne: Perizonius". Muller nr.4145, Van Someren 147.

Bust portrait of theologian Lucas Trelcatius II (1573-1607), turned towards the right, looking at the observer. In oval frame, lettered at the top: "PRUDENTIA ET SIMPLICITATE", within further rectangular frames. Inscribed under the portrait: "LUCAS TRELCATIUS FILIUS, S.S.Theologiae Professor." With address of van der AA: "Lugd. Bat. ex Officina Petri Vander Aa." Included in Van der Aa's "Fundatoris, Curatorum et Professorum celeberrimorum aliorumque illustrium virorum." published in Leiden between 1715 and 1716. ". Engraving with some etching on paper from three plates; with broad margins; plate mark: 352 x 254 mm, total: 420 x 330 mm; some very light stains and foxing, though in very good condition. Van Someren 147.

Bust portrait of theologian Lucas Trelcatius (1573-1607), turned towards the right, looking at the observer. In oval frame, lettered at the top: "LILIUM INTER SPINAS", within further rectangular frames. Inscribed under the portrait: "LUCAS TRELCATIUS PATER, S.S.Theologiae Professor." With address of van der AA: "Lugd. Bat. ex Officina Petri Vander Aa." Included in Van der Aa's "Fundatoris, Curatorum et Professorum celeberrimorum aliorumque illustrium virorum." published in Leiden between 1715 and 1716. ". Engraving with some etching on paper from three plates; trimmed to plate edge, total: 349 x 253 mm: mounted on a larger sheet; despite some light brown stains in very good condition. Scribblings in pen and black ink, namely dates. Van Someren 147.

Bust portrait of law Professor Adriaan Beeckerts van Thienen, turned towards the viewer. In oval frame and further rectangular frames. Inscribed under the portrait: "ADRIANUS BEECKERTS VAN THIENEN Juris Professor"Listed among the professors in Leiden, collected by van der Aa in the "Fundatoris, Curatorum et Professorum celeberrimorum aliorumque illustrium virorum." published in Leiden between 1715 and 1716, nr. 73. Address below: "Lugd. Bat ex Officina Petri Vander Aa". Engraving with some etching on paper from three plates; larger plate mark: 351 x 254 mm, total: 420 x 327 mm; paper of the central plate rather cooked, otherwise in good condition, despite a small spot on the bottom. Van Someren 147.

Bust portrait of law Professor Johannes Linderhausen (1571-1645) , turned towards the left, looking at the observer. In oval frame and further rectangular frames. Inscribed under the portrait: "IOHANNES LINDERHAUSEN Juris Professor."Listed among the professors in Leiden, collected by van der Aa in the "Fundatoris, Curatorum et Professorum celeberrimorum aliorumque illustrium virorum." published in Leiden between 1715 and 1716, nr. 68. Engraving with some etching on paper from three plates; larger plate mark: 347 x 252 mm, total: 420 x 331 mm; despite some very light staining on the most external margin, in very good condition. The paper of the central plate more cooked, visible from verso. Van Someren 147.

Frontispiece with a monument with several inscriptions and decorations: 'MONS / PIETA / TIS' above and towards the bottom: 'Alberti et Isabellae S.S. principu[m] / auspicijs feliciter / erectus'on the bottom the epigaph reads: 'Beatus qui intelligi super egenum et pauperem / in die mala liberabit eum dominus.' further address and publication date: 'BRUXELLAE / In officina Hub. Antonij Typ. Iur. / Ad Aquilam Auream / Anno 1619 / St. Sc. '. This engraving introduces a publication by Wenzel Coebergher (1560-1634) who was an architect, engeneer, antiquarian, a painter and even an economist. In 1618 he was appointed as General Superintendent of the public Pawn Shop: he was in fact in charge of letting people in Flanders acquainted with the 'Monti di Pietá' system which was developed in Italy. These pawnshops introduced the modern concept of allowing a credit loan against the deposition of a collateral. The publication in itself was a copy of the letter of appointment. l Etching and engraving on paper with very small margins; plate mark: 183 x 136 mm, total: 188 x 143 mm; hole due to burning on the left margin, slightly affecting the hatched background; staining on the bottom; very nice impression. On the verso traces of.

Watercolor representing a view of Rotterdam. Dated on the botttom left: "Canal in Rotterdam / 1930."Sailingboats and rowingboats on a canal with various buildings in the background. On verso: "door / B. Zdichinoc". Chalk and watercolor on thick cotton paper; total: 480 x 322 mm; despite the traces of the previous mounting both on the front and on the verso, in good condition.

Portrait of Margaret II, Countess of Holland and Hainault; whole-length standing against an architectural background with a scene from her life, wearing a dress and a veiled crown, a shield on her right shoulder.Within decorated frame with flowers, musical instruments (harp, lyre, lute, cornett, horn, viola da gamba among others) and vanitas motifs (a skull in the bottom foreground).Illustration used in François Halma's "Toneel der Vereenigde Nederlanden, en onderhoorige landschappen."Titled below, within the portrait-plate: "MARGARETA" and in pen and ink: "Jaar na Christ: 1346", in 18th or 19th century handwriting. Date of publishing 1725, by Hendrick Halma in Leeuwarden. Etching and engraving on paper, two plates; interior plate: 234 x 161 mm, external plate: 337 x 250 mm, in very fine condition, despite few scribbling on verso. Interesting impression.

Wooded landscape with peasants walking towards the foreground. Mountains on the right, high clouds in the sky.Numbered on bottom right '6'.[NL] Boeren bij een stroom. Aan weerszijden van een beek zijn enkele wandelende figuren te zien. Etching on laid paper, with some margin; plate mark: 154 x 205, total: 159 x 209 mm; Hollstein nr. 8 (After H. Swanevelt).

Wooded landscape with peasants walking towards the foreground. Mountains on the right, high clouds in the sky.Numbered on bottom right '6'.[NL] Boeren bij een stroom. Aan weerszijden van een beek zijn enkele wandelende figuren te zien. Etching on paper, trimmed within platemark, pasted on another sheet of paper; total: 156 x 203 mm; Hollstein nr. 8 (After H. Swanevelt) PL3a.

Bust portrait of theologian Taco Hajo van den Honert (1666-1740), turned towards the right, slightly smiling. In oval frame and further rectangular frames.Inscribed under the portrait: "TACO HAJO VANDEN HONERT., SS. Theologiae Professor Lugd Bat."Listed among the 36 Philosophy professors in Leiden, collected by van der Aa in the "Fundatoris, Curatorum et Professorum celeberrimorum aliorumque illustrium virorum." published in Leiden between 1715 and 1716.[NL] Bust portret van theoloog Taco Hajo van den Honert. Door onbekende kunstenaar naar Houbraken. Engraving with some etching on paper from three plates; total: 396 x 297 mm; slightly yellowing paper, otherwise in very good condition. Watermark with Amsterdam coat of arms. Van Someren 147.

Bust portrait of theologian Taco Hajo van den Honert (1693-1758), bust turned towards the left, head to the right slightly smiling.In oval frame and further square frame.Inscribed on plinth under the portrait: TACO HAJO VANDEN HONERT., SS. Theologiae Professor Lugd. Bat.Dutch Reformed theologian, professor at the University of Leiden.[NL] Portret van theoloog Taco Hajo van den Honert, professor in Leiden. Gemaakt door onbekende meester. Engraving on laid paper, wide margins; total: 376 x 251 mm; some rubbing and minor damages, otherwise in very good condition.

Page from a book with a peculiar illustration of a Solar Eclypse.The inscription below is the same that was included in Théodore de Bèze's 1580 edition of the "Icones", a collection of portraits of the major European Protestant theologians and emblems that refer to the tyranny of the Roman Catholic Church.The inscription below reads: "Luna velut fratri propius coniuncta, perisse / Stultis videtur funditus, / Quae tamen admoti spectat qua lumina Solis, / Longe refulget clarior. / Sic periisse pii vulgo qui morte videntur, / Absit perisse dixerim, / Ipso qui potius Christo propriore potiti, / Quod quaesierunt obtinent." which translates in " When the moon gets closer to her brother (the Sun), seemes to disappear in the eyes of the foolish; yet the side facing the sun and thus closer to it gets actually brighter; in the same way the dead seem just dead to the common people. Yet these, now closer to Christ, have obtained what they wished for."Therefore the moon that stands closer to the sun represents the reformed man, who can stand up close to Christ, without the intercession of the Roman Church.From Hendrik Hondius's 'Icones virorum'. Etching and engraving on paper, on verso text in letterpress; plate mark: 173 x 122 mm, total: 217 x 170 mm; some damages along the external margins, not affecting the plate. Overall in good condition.

Watercolor representing the outskirts of Haarlem, showing fields, windmills, houses, and churches in the background. On the verso a cloudy sky. Watercolor on laid paper; total: 244 x 387 mm; in very good condition.