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Hardcover. Zustand: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Paperback. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Zustand: New. Reassesses the post-revolutionary Iranian Cinema from a new mnemo-political perspectiveEstablishes a new framework of understanding the tensions between hegemonial and excluded aesthetics and rhetorics, between censorship and resistance, carving out resistant points of remembering within and outside state-controlled cinemaExposes silenced experiences and suppressed struggles that nevertheless articulate themselves in cinematic formsLooks for ruptures, frictions and sudden re-distributions within the trauma- and memoryscapes of Iranian CinemaIntroduces new readings of Iranian films and thus suggest a theory of trauma and memory inspired by cinematic procedures and orientated towards specific materialsFar?d ad-D?n-e ?A???r's Persian folk tale The Conference of the Birds relates the quest by thousands of pilgrim birds for an ideal king, the mythical bird called S?morgh. At the end of the quest, the surviving birds recognise that the longed-for king is nothing other than the reflection of their own existence. But what about those other birds that were not able to become part of the final representation? This groundbreaking book calls them 'counter-memories'; memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. Due to the strategic and artistic interventions of a range of Iranian filmmakers, such as Abbas Kiarostami and Shahram Mokri, Ali Hatami and Tahmineh Milani, Kianoush Ayari and Rakshan Banietemad, the history of post-revolutionary Iranian Cinema is also structured by counter-memories, with the potential to destabilise officially fabricated success stories of revolution, war and sacred defence. Counter-Memories in Iranian Cinema establishes a new framework for understanding the tensions between censorship and resistance, helping to carve out resistant points of remembering both within and outside state-controlled cinema.…

hardcover. Zustand: Very Good. Paperback--excellent condition.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New.

Paperback. Zustand: new. Paperback. Fard ad-Dn-e Ar's Persian folk tale The Conference of the Birds relates the quest by thousands of pilgrim birds for an ideal king, the mythical bird called Smorgh. At the end of the quest, the surviving birds recognise that the longed-for king is nothing other than the reflection of their own existence. But what about those other birds that were not able to become part of the final representation? This groundbreaking book calls them 'counter-memories'; memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. Due to the strategic and artistic interventions of a range of Iranian filmmakers, such as Abbas Kiarostami and Shahram Mokri, Ali Hatami and Tahmineh Milani, Kianoush Ayari and Rakshan Banietemad, the history of post-revolutionary Iranian Cinema is also structured by counter-memories, with the potential to destabilise officially fabricated success stories of revolution, war and sacred defence. Counter-Memories in Iranian Cinema establishes a new framework for understanding the tensions between censorship and resistance, helping to carve out resistant points of remembering both within and outside state-controlled cinema. Reassesses the post-revolutionary Iranian Cinema from a new mnemo-political perspective. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Softcover. Zustand: Wie neu. Zustand des Schutzumschlags: Ohne Schutzumschlag. 1. Auflage. 176 pages with many illustrations, partly coloured.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Zustand: new.

Paperback. Zustand: New. Reassesses the post-revolutionary Iranian Cinema from a new mnemo-political perspectiveEstablishes a new framework of understanding the tensions between hegemonial and excluded aesthetics and rhetorics, between censorship and resistance, carving out resistant points of remembering within and outside state-controlled cinemaExposes silenced experiences and suppressed struggles that nevertheless articulate themselves in cinematic formsLooks for ruptures, frictions and sudden re-distributions within the trauma- and memoryscapes of Iranian CinemaIntroduces new readings of Iranian films and thus suggest a theory of trauma and memory inspired by cinematic procedures and orientated towards specific materialsFar?d ad-D?n-e ?A???r's Persian folk tale The Conference of the Birds relates the quest by thousands of pilgrim birds for an ideal king, the mythical bird called S?morgh. At the end of the quest, the surviving birds recognise that the longed-for king is nothing other than the reflection of their own existence. But what about those other birds that were not able to become part of the final representation? This groundbreaking book calls them 'counter-memories'; memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. Due to the strategic and artistic interventions of a range of Iranian filmmakers, such as Abbas Kiarostami and Shahram Mokri, Ali Hatami and Tahmineh Milani, Kianoush Ayari and Rakshan Banietemad, the history of post-revolutionary Iranian Cinema is also structured by counter-memories, with the potential to destabilise officially fabricated success stories of revolution, war and sacred defence. Counter-Memories in Iranian Cinema establishes a new framework for understanding the tensions between censorship and resistance, helping to carve out resistant points of remembering both within and outside state-controlled cinema.…

Zustand: New.

Paperback. Zustand: Brand New. 384 pages. 8.25x6.00x1.50 inches. In Stock.

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

hardcover. Zustand: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Zustand: New. 2023. Paperback. . . . . .

Zustand: New. 1st edition NO-PA16APR2015-KAP.

Hardcover. Zustand: fine. Quarto. (11" x 9") Fine copy in original shrinkwrap.

Zustand: New.

Zustand: New. 2023. Paperback. . . . . . Books ship from the US and Ireland.

Paperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days.

Zustand: New. Brand New.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - Das Radio als entscheidende Kommunikationsform des 20. Jahrhunderts durchläuft gegenwärtig Prozesse fundamentaler Reorganisation unter dem Schlagwort »Digitalisierung«. Unter dem älteren Begriff der Radiophonie betrachtet, setzen diese Prozesse konzeptuelle Möglichkeiten frei, die weit u¿ber eine Ökonomisierung von Produktions- und Sendeformen hinausgehen. Radiophonie als Kulturtechnik integriert die Unterscheidung von musikalischem Klanggeschehen und von Effekten und Sounds zu einem neuen Konzept von Klangkunst. Diesen Themen widmen sich die Ausstellung RadiophonicSpaces und die Tagung Radiophonic Cultures - Sonic Environments and Archives in Hybrid Media Systems ebenso wie die begleitende Publikation in drei Bänden:Bd. 1 Radiophonic Cultures (Texte) gibt den aktuellen Stand der Diskussion um Radiophonie, deren Geschichte und mögliche Zukunft, entlang der auf der Tagung fokussierten Fragestellungen wieder.Bd. 2 Radiophonic Materials (Dokumente) versammelt entscheidende Texte aus der Geschichte der Radiophonie, die insbesondere im deutschen Sprachraum noch kaum rezipiert worden sind. Bd. 3 Radiophonic Spaces (Ausstellungskatalog)lädt ein, dem kreativen Zusammenspiels von Kunst und Wissenschaft zu folgen und Einblicke in heutige Sammlungen sowie sonst nur schwer zugängliche Radiokunstarchive zu bekommen.…

Paperback. Zustand: Brand New. gld edition. 272 pages. 9.21x6.14x0.57 inches. In Stock.

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.