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660 pages, over 300 colour and black and white illustrations. Hardback ISBN: 9781915487421. A study of Ruben's depictions of the Virgin's pre-Annunciation life and the Holy Trinity. A catalogue of 18 works, each illustrated in the second volume, and discussed at length. Particular attention is given to the commission, execution, and distribution of 'The Gonzaga Family in Adoration of the Holy Trinity'. Also analysed are 'The Immaculate Conception' once owned by Philip IV of Spain and the 'Virgin as the Woman of the Apocalypse'. In addition to over 300 illustrations, volume two presents excerpts from sources relating to the Holy Trinity Cycle for Santissima Trinita in Mantua and for 'The Virgin as the Woman of the Apocalypse'. . Text in English. Catalogue raisonné.…

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Buch. Zustand: Neu. Neuware - Whereas other volumes in the Corpus Rubenianum series address a single topic, Part IV (The Holy Trinity, The Life of the Virgin, Madonnas and The Holy Family) deals with very distinct topics, two of which, The Trinity and The Life of the Virgin, form the subject of the present book. More precisely, the book deals with the Virgin's pre-Annunciation life, as those episodes involving her son - the Annunciation itself, Mary's suffering during Christ's passion, her assumption, and coronation - have been treated in the parts of the Corpus that deal with Christ's life. The focus here is on Mary's birth, upbringing and marriage, events described in varying detail in Early Christian and medieval texts. Not all the works discussed are by Rubens himself, but all show his artistic ingenuity, evident in his novel treatment of well-known subjects, often with a long visual tradition, as well as in his ability to devise new ones. Also catalogued here are such important altarpieces as The Immaculate Conception once owned by Philip IV of Spain and the magnificent Virgin as the Woman of the Apocalypse. The very different theme of The Holy Trinity comprises just four entries, which, however, constitute half the volume. During the occupation of Mantua by Napoleonic troops, the three enormous paintings which Duke Vincenzo I Gonzaga had commissioned from Rubens were removed from the Church of Santissima Trinita. The Transfiguration and The Baptism of Christ, both prime examples of the Trinity's manifestation on earth, have survived intact. The Gonzaga Family in Adoration of The Trinity was, by contrast, cut into fragments. The large central section with the portraits of Vincenzo, his wife and parents looking up at the angels displaying a tapestry with the Trinity was, however, rescued for Mantua. Other fragments, primarily with portraits of the children and halberdiers, were dispersed, though some have since resurfaced. The analysis of this commission offers the first comprehensive treatment of the material in English and highlights this project as the earliest indication of Rubens's creative potential in designing large-scale decorative programmes.…

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