virginia woolf, Signiert (112 Ergebnisse)

Zustand: Very Good. Vivas, Julie (illustrator). Signed Copy . Very Good dust jacket. Hardcover edition. Inscribed by illustrator Julie Vivas on front endpage.

Reprinted. Good paperback copy; edges somewhat dust-dulled, nicked and rubbed as with age. Slightly stained cover. Remains quite well-preserved overall. Physical description; xii, 242 pages ; 18 cm. Notes; "Introduction" signed: D.M. Hoare. "First published 1927. First published in this edition 1938"--Title page verso. Subjects; English fiction Scotland. Loss (Psychology) ; Fiction. Mothers Death ; Fiction. Summer resorts ; Fiction. Married people ; Fiction. Lighthouses ; Fiction. Widowers ; Fiction. Loss (Psychology). 1 Kg.

Reprinted. Good paperback copy; edges somewhat dust-dulled, nicked and rubbed as with age. Slightly stained cover. Remains quite well-preserved overall. Physical description; xii, 242 pages ; 18 cm. Notes; "Introduction" signed: D.M. Hoare. "First published 1927. First published in this edition 1938"--Title page verso. Subjects; English fiction Scotland. Loss (Psychology) ; Fiction. Mothers Death ; Fiction. Summer resorts ; Fiction. Married people ; Fiction. Lighthouses ; Fiction. Widowers ; Fiction. Loss (Psychology). 1 Kg.

Encuadernación de tapa dura. Zustand: Como Nuevo. Zustand des Schutzumschlags: Como Nuevo. Narrativa (illustrator). Sello del anterior propietario.

Soft cover. Zustand: As New. 1st Edition. First printing thus. The Hours & Mrs. Dalloway printed dos a dos style. With an introduction by Michael Cunningham and signed by him on the title page of The Hours. Signed by Author(s).

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. First edition, first printing of this collection of classic stories of ghosts and the supernatural. Featured are The Ghost and the Bone-Setter by Joseph Sheridan Le Fanu, M. Anastasius by Dinah Mulock, The Lost Room by Fitz-James O'Brien, The Cold Embrace by Mary Elizabeth Braddon, The Phantom Couch by Amelia B. Edwards, An Uncommon Sort of Spectre by Edward Page Mitchell, Man-Size in Marble by Edith Nesbit, The Canterville Ghost by Oscar Wilde, The Haunted Organist of Hurly Burly by Rose Mulholland, Death by Mary Wilkins Freeman, An Original Revenge by W.C. Morrow, The Story of the Spaniards, Hammersmith by E. and H. Heron, The Story of the Inexperienced Ghost by H.G. Wells, Jikininki by Lafcadio Hearn, They by Rudyard Kipling, The Bus-Conductor by E.F. Benson, The Kit-Bug by Algernon Blackwood, The Screaming Skull by F. Marion Crawford, A Haunted House by Virginia Woolf, The Laughing Thing by G.G. Pendarves. SIGNED by Leslie S. Klinger on the title page. In fine / fine unread condition. Signed by Author(s).

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First edition. A wonderful new volume which celebrates the publishing of "Two Stories" by Leonard and Virginia Woolf in 1917. With this volume Virginia's story "The Mark On The Wall" is featured along with the original illustrations of Dora Carrington. The other story featured in this volume is by Mark Haddon entitled "St Bride's Bay." It is signed by Mark Haddon on the title page. Also included is a brief history of the Hogarth Press and a note on the text. A lovely addition and a lovely edtion. Fine / Fine.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Good. 1st Edition. First Edition (first printing). This copy inscribed by the editor at the head of the half-title and dated the year after publication (the signing occasion was a promotional event at the National Portrait Gallery). Small 4to. 205pp. Green boards lettered in gold at the spine. Illustrated throughout with drawings, paintings, wood engravings, photographs and manuscript reproductions, including thirteen in colour. A fine copy in non-price-clipped dust wrapper, with some fading to the spine panel and a further vertical strip of fading to one margin of the front panel. A five-page introduction by the editor (the grandson of Gwen and Jacques Raverat) precedes a selection of letters and journal entries (including many hitherto unprinted) charting the relationship between Woolf and the Raverats. Inscribed by Author(s).

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 1st Printing. Signed. 496 pages. Published in 1996. The author's book-length account on subject. David Denby's finest achievement. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions, of which there are many. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. Presents David Denby's "Great Books: My Adventures With Homer, Rousseau, Woolf, And Other Indestructible Writers of The Western World". Brilliant Living Author re-enrolls in Columbia University's "core curriculum" course. In preserving the notion of the Western Canon, it has been an unlikely focus of America's ideological "culture wars". "Celebrates his re-discovery and new appreciation of such authors as Homer, Plato, the Biblical writers, Augustine, Boccaccio, Hegel, Austen, Marx, Nietzsche, and Virginia Woolf. Where other universities caved and revised or enlarged the canon, Columbia's course has remained intact. Denby's intention as a writer and protagonist is to record the experience and personal impact of the course" (Publisher's blurb). "Does a Great Books Canon exist? This superb book suggests an answer. Denby, the film critic of New Yorker Magazine, returned to his alma mater after 30 years to re-take the courses, grapple with the world's classics, and regenerate his own lapsed reading habit. It is a heartening portrait of American education, and a substantial, enthralling read. The book's richest moments are when the mature Denby engages with the texts. Reading the tragedy of 'Oedipus Rex', he feels anxious, recognizing the uncomfortable, ironic truth: 'What we avoid, we become' " (Publishers Weekly). Among other mainstream, non-academic writers, only Michael Dirda comes to mind as unapologetically - therefore controversially - committed to the Western tradition at a time when it is under relentless assault from mind-less ideologues. It is easy to miss the real "lesson" of David Denby's nostalgic project: Serious reading is a lifelong engagement with books, with the Great Books. In the end, one pursues learning auto-didactically; being self-taught is unavoidable, not just ideal or necessary. An absolute "must-have" title for David Denby collectors. This copy is very prominently, neatly, and beautifully signed, dated (very shortly after publication), and inscribed in black ink-pen on the title page by the author: "To Beth - Part of an obviously brilliant family. Best, David Denby September 20, 1996". It is signed directly on the page itself, not on a tipped-in page. David Denby's handwriting is unusually elegant and beautiful. This title is a contemporary classic. As far as we know, this is the only such signed, publication-month dated, and inscribed copy of the First Hardcover Edition/First Printing available online and despite its imperfection (one bump on lower back board corner) is still in fine condition overall: Every single internal page is clean, crisp, and bright. Please note: Copies available online have very serious flaws or are in multiple subsequent printings. This is surely an accessible alternative. A rare signed copy thus. One of the most brilliant writers of our time. A fine copy. ISBN 0684809753. Signed by Author.

Hardcover. Dust Jacket Included. 1st Edition. 1st Edition. Hardcover. Signed by Author(s). First Edition. 8vo. 208 pp. A fine copy in fine dustwrapper inscribed by the author on the title-page. A fascinating study focusing on Virginia Woolf's war consciousness and how her sensitivity to representations of war in the popular press and authorized histories affected both the development of characters in her fiction, nonfictional and personal writings.

First edition. Printed wrappers, very good, edges lightly browned. Proof copy. Inscribed by Stansky for Drew Ponder-Greene. Contains previously unpublished extracts of writings by Virginia Woolf (Kirkpatrick B13).

Soft cover. 1st Edition. 1st Edition. Soft cover. Signed by Author(s). First Edition Signed by Anna Snaith on the title-page. A Limited Edition of 250 copies of which 50 were Signed. Fine in royal blue wrappers, as issued. 8vo. 19 pp. The Sixth Annual Virginia Woolf Birthday Lecture examining Virginia Woolf's anti-imperialist sentiments through her novels and essays. "Colonies are perishing and dispersing in spray of inconceivable beauty and terror.The Empire is perishing, the bands are playing, the Exhibition is in ruins.".

Hardcover. Zustand: Fine. First Edition. Original red cloth, gilt title, (9.75 x 6 inches), 159 pages, plus numbered colophon. Signed limited first edition of 492 copies signed by Woolf in purple ink on the half title page, of which only 450 were for sale. Printed in U.S. by Robert Josephy and published on October 21, 1929, this edition preceded the English edition, both signed and trade, by three days (Kirkpatrick A12. Woolmer 215A). Exterior is fine condition, cloth is clean, and bright, the corners tight, fine interior. Signed by Author(s).

Hardcover. Zustand: As New. Limited Edition. Splendid small press slipcased limited edition, with colour reproductions of paintings by Gwen and Jacques Raverat and some wonderful letters from Virginia Woolf. Cloth-backed hand marbled boards, slipcase in Ingres paper, and this is number 68 of 500 copies signed by the editor. With the book, in a separate folder, comes a numbered wood engraving by Gwen Raverat printed by Simon Lawrence at the Fleece Press from the original block. As New in As New slipcase. A distinguished example of the very best in small press work, and RARE. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng. Signed by Author.

Hardcover. Zustand: Fine. First edition. Preface and introduction by Suzanne Henig. Slim octavo. viii, 11pp. Fine in blue buckram with cover titled in gilt. Signed by Henig on the title page. Copy 10 of 2,000 numbered copies issued. A work of fiction written by Virginia Woolf in 1892, aged ten, printed here for the first time in book form with its sequel: "The Experiences of a Pater-Familias." Kirkpatrick A41a; not published in England until 1994.

First, limited edition. Yellow card stapled wrappers, paper label. 28 pp. Published in a limited edition of 300 copies, of which 50 copies have been signed by the author on the title page. This is the fourth in the Virginia Woolf Society's printed Annual Virginia Woolf Birthday Lectures. A fine, unmarked copy of an elegantly presented lecture that makes clear that Woolf never wrote a sentence that didn't have a connection or ramification in the greater world experience of her imagined characters. Scarce. .

1st Edition. 1st Edition. By Author. First Edition. Signed by Dr. Dorothy Brewster noted for her modern fiction and short story writing. A fine copy in the publisher's turquoise cloth covered boards, gilt to the spine in a fine pictorial dustwrapper. A guide to Woolf's London with detailed references to its influence on her work. Small 8vo. 120 pp.

Zustand: Sehr gut. Original cloth with unclipped dust jacket, x, 372 pp., dust jacket at top and bottom with very small loss, spine of dustjacket browned, rear flap of dustjacket with few small spots, endpapers and edges slightly foxed, also the first few pages, otherwise very good condition. Signed by Leonard Woolf on the title page and quite scarce as such, we do not find any auction record for such an autographed copy. First edition. Sprache: Englisch Gewicht in Gramm: 1050.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. First Edition. First Edition. Hardcover. Signed by Author. First Edition Signed by Richard Kennedy on the title page. An engaging and historic memoir by the author, recalling his tenure at Leonard and Virginia Woolf's Hogarth Press. 4to. 86 pp. With a magnificent pull-out floor plan of the Hogarth Press, printed in black and red, at the rear of the book. A fine copy in nubby beige cloth, gilt titles on black in a near fine neatly price-clipped pictorial dustwrapper with some very light use and depicting a youthful Leonard Woolf and Kennedy. Sterling black and white line drawings of Virginia and Leonard Woolf and Bloomsbury Group personalities throughout. Size: 4to - over 9¾" - 12" tall.

Zustand: Gut. 447 S. Mit Widmung des Herausgebers für Iris Schnebel-Kaschnitz und Dieter Schnebel. Umschlag berieben, sonst gutes Exemplar. - Nach einer behüteten Kindheit bei ihren »kleinen, ziemlich blassen« Tanten in Richmond, bricht Rachel Vinrace auf dem Schiff ihres Vaters, der »Euphrosyne«, nach Südamerika auf. Auf dieser Fahrt hinaus erfährt sie zum erstenmal »die Vision ihrer eigenen Persönlichkeit, ihrer selbst als etwas, das konkret und ewigwährend war und das sich von allem anderen unterschied, unver-schmelzbar wie das Meer oder der Wind«. In Santa Marina wird Rachel in den privilegierten englischen Zirkel aufgenommen, aber sie ist abgestoßen von der sterilen Selbstzufriedenheit der Menschen, denen sie dort begegnet. Selbst die Liebe und das Glück, die sie mit dem jungen Schriftsteller Terence Hewett findet, kann sie nicht völlig befriedigen, denn »sie wollte noch ganz andere Dinge als die I.iebe eines einzigen Menschen«. Rachels plötzlicher Tod unterstreicht die Hoffnungslosigkeit und zugleich die Schönheit ihres romantischen Idealismus. Der Roman verweist aber auch auf die Schwierigkeiten einer jungen Frau, die versucht, in den gesellschaftlichen Umständen ihrer Zeit größere Freiheit zu finden und das Unkonventionelle zu verwirklichen. Die autobiographischen Züge dieses Textes sind deutlich. ISBN 9783100925503 Sprache: Deutsch Gewicht in Gramm: 719 Originalleinen mit Schutzumschlag.

Hardcover. Dust Jacket Included. 1st Edition. 1st Edition. Hardcover. First Edition. A near fine copy in blue cloth, black titles to the spine in a near fine pictorial dustwrapper. 8vo. 142 pp. Spilka explores Woolf's personal realtionships and "emotional attachments" enhancing this "psycholiterary biography". Inscribed and signed: "To Jerzy Strzelecki with best wishes Mark Spilka 12-3-86" Jerzy Strzelecki (1931-2013) was an actor.

Hardcover. Dust Jacket Included. 1st Edition. 1st Edition. Hardcover. First Edition. Signed by James King on the title page. A fine copy in original black cloth covered boards, gilt lettering on the spine in a near fine pictorial dustwrapper, depicting Man Ray's stunning photograph of Woolf. Thick 8vo. 699 pp. 'The great writer's embrace life in all its complexities; we find ourselves and each other in their pages. Virginia Woolf is among this select company. In her books the great joys and sorrows of her life are immortalized. This biography is in large part about the joys and sorrows of her existence, exploring her inner landscape, the abundant source of her creative genius.'.

Hardcover. 1st Edition. 1st Edition. Hardcover. First Edition Penguin Lives. Signed by Nigel Nicolson on the title-page to my family. A fine copy in maroon cloth, gilt titles to the spine in a near fine pictorial dustwrapper portraying Virginia Woolf. 8vo. 165 pp. A compassionate and insightful biography of Virginia Woolf written by the son of Vita Sackville-West. Illustrated with black and white and colour photographs.

Hard Cover. First Edition. First Edition. Hard Cover. Signed. First American Edition Inscribed by Editor Andrew McNeillie on the title page. "D- from Andrew, Andover October '89, with best wishes, A McNeillie". A fine copy in 1/4 wine cloth over beige paper covered boards, gilt titles to the spine in a fine pictorial dustwrapper. 8vo. 381 pp. A brilliant collection, spanning the years 1912 to 1918, again proving Woolf at her critical best. Includes her now famous, Hours In A Library, Philosophy In Fiction and A Scribbling Dame. Kirkpatrick And Clarke A63b. Size: 8vo - over 7¾" - 9¾" tall.

Softcover. Zustand: Near Fine. First edition. Text in French. Small quarto. 484pp. Printed wrappers. Advance Review Copy, with publisher's complimentary slip (stating "Hommage de L'Editeur"), and a printed review slip (on 'The Times Literary Supplement" letterhead, addressed in ink holograph to "Mrs. Joan Bennett," stating: "The Editor will be glad to receive a review. as arranged"). Author Joan Bennett's copy, with her pencil notations on rear cover, light wear at the extremities, with two short closed tears at base of spine, a very good copy. Inscribed by Jean Guiguet on the front flyleaf: "With the author's compliments, Jean Guiguet." Bennett is a Virginia Woolf scholar and critic, and the author of the book, *Virginia Woolf: Her Art as a Novelist* (published in 1945). The rear cover contains approximately twenty-five lines of pencil notes, with citations to various pages of text, by Joan Bennett, presumably in preparation of a review of *Virginia Woolf et Son Oeuvre*.

First Edition. VIRGINIA WOOLF & BLOOMSBURY / INSCRIBED FIRST EDITIONS AND ART WORK, Glenn Horowitz, 2005, first edition, slight and minor soiling to small areas of the rear cover, else just about fine without dust-wrapper as issued. Illustrated in color. 1/750 hard-cover copies of this auction catalogue detailing the collection of Robert Reedman with prices realized laid in.

Hardcover. Zustand: New. Limited Edition. VERY FINE. Sealed and mint without any flaws. Personally signed by Edward Albee on a special page. A luxurious leather bound collectible for your library that would also make a great gift for someone special. Easton Press, Norwalk, CT. Edward Albee "Who's Afraid of Virginia Woolf?" Leather bound. Signed Limited Edition. Illustrated by Alan Phillips. Sealed without any flaws. "Twelve times a week," answered Uta Hagen, when asked how often she'd like to play Martha in Who's Afraid of Virginia Woolf? Like her, neither audiences nor critics could get enough of Edward Albee's masterful play. A dark comedy, it portrays husband and wife George and Martha in a searing night of dangerous fun and games. By the evening's end, a stunning, almost unbearable revelation provides a climax that has shocked audiences for years. With the play's razor-sharp dialogue and the stripping away of social pretense, Newsweek rightly foresaw Who's Afraid of Virginia Woolf? as "a brilliantly original work of art-an excoriating theatrical experience, surging with shocks of recognition and dramatic fire [that] will be igniting Broadway for some time to come." Who's Afraid of Virginia Woolf? won the 1963 Tony Award for Best Play. "Albee can.be placed high among the important dramatists of the contemporary world theatre." -- New York Post FEATURES. Includes all the classic Easton Press qualities: * Premium Leather * Silk Moire Endleaves * Distinctive Cover Design * Hubbed Spine, Accented in Real 22KT Gold * Satin Ribbon Page Marker * Gilded Page Edges * Long-lasting, High Quality Acid-neutral Paper * Smyth-sewn Pages for Strength and Durability * Beautiful Illustrations ABOUT THE AUTHOR. Edward Franklin Albee III (born March 12, 1928) is an American playwright best known for works, Who's Afraid of Virginia Woolf?, The Zoo Story, The Sandbox and The American Dream. His works are considered well-crafted and often unsympathetic examinations of the modern condition. His early works reflect a mastery and Americanization of the Theatre of the Absurd that found its peak in works by European playwrights such as Jean Genet, Samuel Beckett, and Eugène Ionesco. Younger American playwrights, such as Pulitzer Prize-winner Paula Vogel, credit Albee's daring mix of theatricalism and biting dialogue with helping to reinvent the post-war American theatre in the early 1960s. Albee's dedication to continuing to evolve his voice as evidenced in later productions such as The Goat: or, Who Is Sylvia? (2002) also routinely marks him as distinct from other American playwrights of his era. Signed by Author(s).

Hardcover. 1st Edition. 1st Edition. Hardcover. Signed by Mitchell A. Leaska. True First Edition. Signed and Inscribed by Leaska on the ffe to Jay Redfield who was one of the people who read his original typescript. Publisher's errata slip laid-in. 8vo. 167 pp. A pristine copy in the publisher's original deep pink cloth covered boards, gilt lettering on the spine in a lovely dust wrapper. In 1931, after delivering a lecture to the Society for Women's Service, during which Woolf discussed women and employment, the notion of an, essay cum novel, espousing her beliefs on feminism, politics, education and 'life' captured her imagination. The final result was one of Woolf's most highly regarded novels, The Years. Kirkpatrick and Clarke A22i.

Hard Cover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. First Edition. First Edition. Hard Cover. Signed. First American Edition, Review Copy with the publisher's material laid-in, Inscribed by Editor Andrew McNeillie on the title page. "D- from Andrew, Andover October '89, with best wishes, A McNeillie". A fine copy in 1/4 sea green cloth over pink paper covered boards, silver titles to the spine in a just about fine pictorial dustwrapper. 8vo. 551 pp. A compelling collection, spanning the years 1919 to 1924, again proving Woolf at her critical best. Includes Woolf's now landmark essay, Mr. Bennett And Mrs. Brown, The Lives Of The Obscure, The Anatomy Of Fiction, Wilcoxiana and Character In Fiction, derived from her essay, Mr. Bennett And Mrs. Brown and delivered as a lecture to the Cambridge Heretics Society, Sunday, May 18, 1924. Kirkpatrick And Clarke A65b.

Royal octavo, single quire hand-sewn into printed mulberry wrappers. Bookplate of the noted Virginia Woolf/Hogarth Press collector William Beekman affixed to the verso of the upper panel. Text consists of a letter written by Leslie Stephen to C. E. Norton, dated 7 December 1892, relating to his being elected President of the London Library over the candidacy of Mr. Gladstone, taken from Frederic W. Maitland, The Life and Letters of Leslie Stephen, 1906, and a related news article written by "Virginia Stephen (aged 10)" for the Stephen children's sporadically produced family newspaper, "The Hyde Park Gate News, vol. ii, no.45, Monday, 21 November 1892." Fine, in protective acetate dust jacket. First edition, limited, as the colophon states, to "[f]ifty copies printed by Will and Sebastian Carter at the Rampant Lions Press, Cambridge â. 11." None of the copies was offered for sale. Inscribed and signed on the first free endsheet, "Leon Edel, scholar-student of Virginia Woolf, this first chip from Headington Quarry, with affection. Gay Head, September 1967. Simon Nowell-Smith." Nowell-Smith (1909-96) was a book collector, librarian, and writer who wrote, notably among others, "The Legend of the Master: Henry James As Others Saw Him,"(1947); the recipient of this pamphlet, Edel, had written a bibliography of James and was to go on to write a five-part biography of James. A fine association copy. KIRKPATRICK A40.