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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Zustand: New. Christian-Islamic encounters through religious arts, architecture, and material culture in the medieval eraThe coexistence of Christianity and Islam in the medieval Mediterranean led to an interchange of knowledge in architecture and material culture that went well beyond religious and geographical boundaries. The use of Islamic objects in Christian contexts, the conversion of churches into mosques, and the mobility of craftsmen are only some manifestations of this process. From crosses found in mosques to European-Christian coins with pseudo-shahada inscriptions, medieval material culture is rich with visual evidence of the two faiths intermingling in both individual objects and monuments. In this volume, thirteen international scholars explore various aspects of pan-Mediterranean Christian-Islamic encounters in material culture and art, from textiles to precious oils, and from metalwork to ceramics, covering most of the Mediterranean, as well as parts of its extended hinterland, from Spain and Italy to Egypt and Georgia. Within this frame, one of the most relevant, yet underexplored lines of investigation is that of the "aesthetic space," the notion that aesthetic pleasure transcends boundaries, paving the way to a cross-religious experience and appreciation. "Indeed, God is beautiful, and He loves beauty," as mentioned in a Hadith narration, a universal cry of visual beauty that resonates with all cultures and civilizations.Contributors:Paschalis Androudis Aristotle University of Thessaloniki, Thessaloniki, GreeceFaruk Bilici Inalco, Paris, FranceMaria Bormpoudaki Hellenic Ministry of Culture and Sports, Piraeus, GreeceSami Luigi De Giosa University of Sharjah, Sharjah, United Arab EmiratesHélène Fragaki University of Augsburg, Augsburg, GermanyHani Hamza Independent scholar, Cairo, EgyptAna Cabrera Lafuente Instituto de Turismo de España (Turespaña/Tourspain), Madrid, Spain Alison Ohta Royal Asiatic Society of Great Britain and Ireland, London, United KingdomRichard Piran McClary University of York, York, United Kingdom Nino Simonishvili Ivane Javakhishvili Tbilisi State University, Tbilisi, GeorgiaNikolaos Vryzidis University of West Attica, Athens, GreeceArielle Winnik Yale University Art Gallery, New Haven, United States.

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Hardcover. Zustand: Brand New. 376 pages. 9.01x6.00x9.00 inches. In Stock.

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Hardcover. Zustand: new. Hardcover. Christian-Islamic encounters through religious arts, architecture, and material culture in the medieval eraThe coexistence of Christianity and Islam in the medieval Mediterranean led to an interchange of knowledge in architecture and material culture that went well beyond religious and geographical boundaries. The use of Islamic objects in Christian contexts, the conversion of churches into mosques, and the mobility of craftsmen are only some manifestations of this process. From crosses found in mosques to European-Christian coins with pseudo-shahada inscriptions, medieval material culture is rich with visual evidence of the two faiths intermingling in both individual objects and monuments. In this volume, thirteen international scholars explore various aspects of pan-Mediterranean Christian-Islamic encounters in material culture and art, from textiles to precious oils, and from metalwork to ceramics, covering most of the Mediterranean, as well as parts of its extended hinterland, from Spain and Italy to Egypt and Georgia. Within this frame, one of the most relevant, yet underexplored lines of investigation is that of the "aesthetic space," the notion that aesthetic pleasure transcends boundaries, paving the way to a cross-religious experience and appreciation. "Indeed, God is beautiful, and He loves beauty," as mentioned in a Hadith narration, a universal cry of visual beauty that resonates with all cultures and civilizations.Contributors:Paschalis Androudis Aristotle University of Thessaloniki, Thessaloniki, GreeceFaruk Bilici Inalco, Paris, FranceMaria Bormpoudaki Hellenic Ministry of Culture and Sports, Piraeus, GreeceSami Luigi De Giosa University of Sharjah, Sharjah, United Arab EmiratesHelene Fragaki University of Augsburg, Augsburg, GermanyHani Hamza Independent scholar, Cairo, EgyptAna Cabrera Lafuente Instituto de Turismo de Espana (Turespana/Tourspain), Madrid, Spain Alison Ohta Royal Asiatic Society of Great Britain and Ireland, London, United KingdomRichard Piran McClary University of York, York, United Kingdom Nino Simonishvili Ivane Javakhishvili Tbilisi State University, Tbilisi, GeorgiaNikolaos Vryzidis Aristotle University of Thessaloniki, Thessaloniki, GreeceArielle Winnik Yale University Art Gallery, New Haven, United States Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Hardback. Zustand: New. Christian-Islamic encounters through religious arts, architecture, and material culture in the medieval eraThe coexistence of Christianity and Islam in the medieval Mediterranean led to an interchange of knowledge in architecture and material culture that went well beyond religious and geographical boundaries. The use of Islamic objects in Christian contexts, the conversion of churches into mosques, and the mobility of craftsmen are only some manifestations of this process. From crosses found in mosques to European-Christian coins with pseudo-shahada inscriptions, medieval material culture is rich with visual evidence of the two faiths intermingling in both individual objects and monuments. In this volume, thirteen international scholars explore various aspects of pan-Mediterranean Christian-Islamic encounters in material culture and art, from textiles to precious oils, and from metalwork to ceramics, covering most of the Mediterranean, as well as parts of its extended hinterland, from Spain and Italy to Egypt and Georgia. Within this frame, one of the most relevant, yet underexplored lines of investigation is that of the "aesthetic space," the notion that aesthetic pleasure transcends boundaries, paving the way to a cross-religious experience and appreciation. "Indeed, God is beautiful, and He loves beauty," as mentioned in a Hadith narration, a universal cry of visual beauty that resonates with all cultures and civilizations.Contributors:Paschalis Androudis Aristotle University of Thessaloniki, Thessaloniki, GreeceFaruk Bilici Inalco, Paris, FranceMaria Bormpoudaki Hellenic Ministry of Culture and Sports, Piraeus, GreeceSami Luigi De Giosa University of Sharjah, Sharjah, United Arab EmiratesHélène Fragaki University of Augsburg, Augsburg, GermanyHani Hamza Independent scholar, Cairo, EgyptAna Cabrera Lafuente Instituto de Turismo de España (Turespaña/Tourspain), Madrid, Spain Alison Ohta Royal Asiatic Society of Great Britain and Ireland, London, United KingdomRichard Piran McClary University of York, York, United Kingdom Nino Simonishvili Ivane Javakhishvili Tbilisi State University, Tbilisi, GeorgiaNikolaos Vryzidis University of West Attica, Athens, GreeceArielle Winnik Yale University Art Gallery, New Haven, United States.

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Paperback. Zustand: Very Good. Card covers in bright condition, contents clean, 303pp, uncommon Size: 8vo - over 7¾" - 9¾" tall.

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Paperback. Zustand: new. Paperback. The book contains published papers of the conference 'Textiles & Identity in the Medieval and Early Modern Mediterranean: Paradigms of Contexts and Cross-Cultural Exchanges' of the British School at Athens held at the (Benaki) Museum of Islamic Art in 2016, as well as some new contributions. The focus in this varied collection of studies by key scholars in the field is on textiles and their functions in various Mediterranean contexts (and beyond) during Medieval and Post-Medieval times (ca. 10th-19th c.). The scope of the contributions encompasses archaeological, anthropological and art historical perspectives on diverse subjects, such as textiles from the Byzantine Empire and the Medieval Islamic World (e.g. Spain, Mamluk Egypt, Seljuk Anatolia), Italy, the Ottoman Empire, Armenia and Ethiopia. The volume offers a state-of-the-art of an often still hardly known scope in studies of textiles as historical and cultural sources of information, which makes it essential reading for scholars and a larger audience alike. The book includes contributions by Avinoam Shalem, Scott Redford, Marielle Martiniani-Reber, Dickran Kouymjian, Laura Rodriguez Peinado, Ana Cabrera-Lafuente, Vera-Simone Schulz, Nikolaos Vryzidis, Elena Papastavrou, Jacopo Gnisci and Maria Sardi. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Zustand: NEW.

Zustand: New.

Hardcover. Zustand: Brand New. 376 pages. 9.01x6.00x9.00 inches. In Stock.

Zustand: New. 2020. Paperback. . . . . .

Hardback. Zustand: New. Christian-Islamic encounters through religious arts, architecture, and material culture in the medieval eraThe coexistence of Christianity and Islam in the medieval Mediterranean led to an interchange of knowledge in architecture and material culture that went well beyond religious and geographical boundaries. The use of Islamic objects in Christian contexts, the conversion of churches into mosques, and the mobility of craftsmen are only some manifestations of this process. From crosses found in mosques to European-Christian coins with pseudo-shahada inscriptions, medieval material culture is rich with visual evidence of the two faiths intermingling in both individual objects and monuments. In this volume, thirteen international scholars explore various aspects of pan-Mediterranean Christian-Islamic encounters in material culture and art, from textiles to precious oils, and from metalwork to ceramics, covering most of the Mediterranean, as well as parts of its extended hinterland, from Spain and Italy to Egypt and Georgia. Within this frame, one of the most relevant, yet underexplored lines of investigation is that of the "aesthetic space," the notion that aesthetic pleasure transcends boundaries, paving the way to a cross-religious experience and appreciation. "Indeed, God is beautiful, and He loves beauty," as mentioned in a Hadith narration, a universal cry of visual beauty that resonates with all cultures and civilizations.Contributors:Paschalis Androudis Aristotle University of Thessaloniki, Thessaloniki, GreeceFaruk Bilici Inalco, Paris, FranceMaria Bormpoudaki Hellenic Ministry of Culture and Sports, Piraeus, GreeceSami Luigi De Giosa University of Sharjah, Sharjah, United Arab EmiratesHélène Fragaki University of Augsburg, Augsburg, GermanyHani Hamza Independent scholar, Cairo, EgyptAna Cabrera Lafuente Instituto de Turismo de España (Turespaña/Tourspain), Madrid, Spain Alison Ohta Royal Asiatic Society of Great Britain and Ireland, London, United KingdomRichard Piran McClary University of York, York, United Kingdom Nino Simonishvili Ivane Javakhishvili Tbilisi State University, Tbilisi, GeorgiaNikolaos Vryzidis University of West Attica, Athens, GreeceArielle Winnik Yale University Art Gallery, New Haven, United States.

Hardback. Zustand: New. Christian-Islamic encounters through religious arts, architecture, and material culture in the medieval eraThe coexistence of Christianity and Islam in the medieval Mediterranean led to an interchange of knowledge in architecture and material culture that went well beyond religious and geographical boundaries. The use of Islamic objects in Christian contexts, the conversion of churches into mosques, and the mobility of craftsmen are only some manifestations of this process. From crosses found in mosques to European-Christian coins with pseudo-shahada inscriptions, medieval material culture is rich with visual evidence of the two faiths intermingling in both individual objects and monuments. In this volume, thirteen international scholars explore various aspects of pan-Mediterranean Christian-Islamic encounters in material culture and art, from textiles to precious oils, and from metalwork to ceramics, covering most of the Mediterranean, as well as parts of its extended hinterland, from Spain and Italy to Egypt and Georgia. Within this frame, one of the most relevant, yet underexplored lines of investigation is that of the "aesthetic space," the notion that aesthetic pleasure transcends boundaries, paving the way to a cross-religious experience and appreciation. "Indeed, God is beautiful, and He loves beauty," as mentioned in a Hadith narration, a universal cry of visual beauty that resonates with all cultures and civilizations.Contributors:Paschalis Androudis Aristotle University of Thessaloniki, Thessaloniki, GreeceFaruk Bilici Inalco, Paris, FranceMaria Bormpoudaki Hellenic Ministry of Culture and Sports, Piraeus, GreeceSami Luigi De Giosa University of Sharjah, Sharjah, United Arab EmiratesHélène Fragaki University of Augsburg, Augsburg, GermanyHani Hamza Independent scholar, Cairo, EgyptAna Cabrera Lafuente Instituto de Turismo de España (Turespaña/Tourspain), Madrid, Spain Alison Ohta Royal Asiatic Society of Great Britain and Ireland, London, United KingdomRichard Piran McClary University of York, York, United Kingdom Nino Simonishvili Ivane Javakhishvili Tbilisi State University, Tbilisi, GeorgiaNikolaos Vryzidis University of West Attica, Athens, GreeceArielle Winnik Yale University Art Gallery, New Haven, United States.

Buch. Zustand: Neu. Neuware - 'This volume offers an exploration of the Christian-Islamic encounter in a pan-Mediterranean context, through an array of new research papers based on micro-historical case studies of the religious arts, architecture, and material culture. The new Mediterraneanism forged during the last decades has opened the door to approaches that reveal Christian-Islamic interchange in its full complexity, as well as diversity. Within this frame, one of the most relevant, yet underexplored lines of investigation is that of the 'aesthetic space': the notion that aesthetic pleasure transcends boundaries, paving the way to a cross-religious experience and appreciation. 'Indeed, God is beautiful, and He loves beauty', as mentioned in a Hadith narration, a universal cry of visual beauty that resonates with all cultures and civilizations. This concept finds perfect application in the case of textiles, ceramics, metalware, and other artifacts that traveled across the medieval Mediterranean. Commodities such as the balsam oil further expand this shared space, to also encompass the sensory aspect in its broadest sense. What is more, the appropriation of spolia and symbols bring visual appeal through the meaning they produce and convey, opening up the conceptualization of this space even more'--.

Zustand: New. 2020. Paperback. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: new. Hardcover. Christian-Islamic encounters through religious arts, architecture, and material culture in the medieval eraThe coexistence of Christianity and Islam in the medieval Mediterranean led to an interchange of knowledge in architecture and material culture that went well beyond religious and geographical boundaries. The use of Islamic objects in Christian contexts, the conversion of churches into mosques, and the mobility of craftsmen are only some manifestations of this process. From crosses found in mosques to European-Christian coins with pseudo-shahada inscriptions, medieval material culture is rich with visual evidence of the two faiths intermingling in both individual objects and monuments. In this volume, thirteen international scholars explore various aspects of pan-Mediterranean Christian-Islamic encounters in material culture and art, from textiles to precious oils, and from metalwork to ceramics, covering most of the Mediterranean, as well as parts of its extended hinterland, from Spain and Italy to Egypt and Georgia. Within this frame, one of the most relevant, yet underexplored lines of investigation is that of the "aesthetic space," the notion that aesthetic pleasure transcends boundaries, paving the way to a cross-religious experience and appreciation. "Indeed, God is beautiful, and He loves beauty," as mentioned in a Hadith narration, a universal cry of visual beauty that resonates with all cultures and civilizations.Contributors:Paschalis Androudis Aristotle University of Thessaloniki, Thessaloniki, GreeceFaruk Bilici Inalco, Paris, FranceMaria Bormpoudaki Hellenic Ministry of Culture and Sports, Piraeus, GreeceSami Luigi De Giosa University of Sharjah, Sharjah, United Arab EmiratesHelene Fragaki University of Augsburg, Augsburg, GermanyHani Hamza Independent scholar, Cairo, EgyptAna Cabrera Lafuente Instituto de Turismo de Espana (Turespana/Tourspain), Madrid, Spain Alison Ohta Royal Asiatic Society of Great Britain and Ireland, London, United KingdomRichard Piran McClary University of York, York, United Kingdom Nino Simonishvili Ivane Javakhishvili Tbilisi State University, Tbilisi, GeorgiaNikolaos Vryzidis Aristotle University of Thessaloniki, Thessaloniki, GreeceArielle Winnik Yale University Art Gallery, New Haven, United States Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Zustand: New. This edited volume represents the research results of two international conferences organized and sponsored by the Annemarie Schimmel Kolleg: Environmental Approaches in Pre-Modern Middle Eastern Studies and Material Culture Methods in the Middle Islamic.

paperback. Zustand: New.

Paperback. Zustand: new. Paperback. The book contains published papers of the conference 'Textiles & Identity in the Medieval and Early Modern Mediterranean: Paradigms of Contexts and Cross-Cultural Exchanges' of the British School at Athens held at the (Benaki) Museum of Islamic Art in 2016, as well as some new contributions. The focus in this varied collection of studies by key scholars in the field is on textiles and their functions in various Mediterranean contexts (and beyond) during Medieval and Post-Medieval times (ca. 10th-19th c.). The scope of the contributions encompasses archaeological, anthropological and art historical perspectives on diverse subjects, such as textiles from the Byzantine Empire and the Medieval Islamic World (e.g. Spain, Mamluk Egypt, Seljuk Anatolia), Italy, the Ottoman Empire, Armenia and Ethiopia. The volume offers a state-of-the-art of an often still hardly known scope in studies of textiles as historical and cultural sources of information, which makes it essential reading for scholars and a larger audience alike. The book includes contributions by Avinoam Shalem, Scott Redford, Marielle Martiniani-Reber, Dickran Kouymjian, Laura Rodriguez Peinado, Ana Cabrera-Lafuente, Vera-Simone Schulz, Nikolaos Vryzidis, Elena Papastavrou, Jacopo Gnisci and Maria Sardi. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Brossura. Zustand: nuovo. 25pp. Estratto da ORIENTALIA CHRISTIANA PERIODICA 84 (2018), fasc. I-II --- This essay offers an overview of Ottoman luxury textiles woven for the Christian market with a focus on their status as remnants of Christian-Islamic symbiosis. From the evidence available it can be suggested that these silks were probably produced by a religiously mixed workforce who catered to a Christian demand both in the Ottoman Empire and abroad. Furthermore, it will be seen that their pluralist visual language drew on elements from diverse artistic traditions, creating patterns of artistic confluence. If they were not plain, these patterns usually blended Christian iconography with Ottoman motifs. Essentially, by discussing a specific production's context and style I intend to illuminate another corner of Ottoman Christian material culture and discuss some aspects of cultural history which arise.