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Verlag: Aspen Art Museum, 2006
ISBN 10: 385780145XISBN 13: 9783857801457
Anbieter: Robert S. Brooks, Bookseller, Bristol, WI, USA
Buch
Soft cover. Zustand: As New. First Edition (US) First Printing.
Verlag: Pfaffenweiler : Centaurus-Verl.-Ges., 1994
ISBN 10: 389085835XISBN 13: 9783890858357
Anbieter: books4less (Versandantiquariat Petra Gros GmbH & Co. KG), Welling, Deutschland
Buch
Broschiert. Zustand: Gut. 279 S. ; Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber. Es befindet sich neben dem Rückenschild lediglich ein Bibliotheksstempel im Buch; ordnungsgemäß entwidmet. Sprache: Deutsch Gewicht in Gramm: 370.
Verlag: The Catalog Comittee of Artists Meeting for Cultural Change, New York, 1977
Anbieter: Better Read Than Dead, Brooklyn, NY, USA
Erstausgabe
Good, soiled wraps are edge worn, spine lightly twisted with a small tear to heel. Perfectbound quarto in printed card wrappers.
Verlag: centaurus, 1994
Anbieter: buchkontor warburg, Warburg, Deutschland
gut bis sehr gut pages.
Verlag: The Renaissance Society, University of Chicago, Chicago IL, 2006
ISBN 10: 385780145XISBN 13: 9783857801457
Anbieter: Exquisite Corpse Booksellers, Houston, TX, USA
Buch
Stiff Wrappers. Zustand: Near Fine. 128 pages color illustrations throughout. A minor rippling to the bottom edges. Foreword by Susanne Ghez, Heidi Zuckerman Jacobson and Philippe Pirotte. Text is in English and German. Biography. Bibliography.
Verlag: FH Mainz Inst. f. Mediengestaltung u. Medientechnologie, 2021
ISBN 10: 3936483027ISBN 13: 9783936483024
Anbieter: Antiquariat Buchhandel Daniel Viertel, Diez, Deutschland
Buch
Gebundene Ausgabe. Zustand: Sehr gut. 1. 108 S. in gutem Zustand 22491 ISBN 9783936483024 Sprache: Englisch Gewicht in Gramm: 700.
Verlag: the Catalog Committee, 1977
Anbieter: Aeon Bookstore, New York, NY, USA
Buch Erstausgabe Signiert
Soft cover. Zustand: Very Good. 1st Edition. with signed letter from Joseph Kosuth to critic and curator John Perreault, writen on on Catalog Committee letterhead Foxing to covers, lightly bumped corner An Anti-Catalog was the work of the Catalog Committee of the group Artists Meeting for Cultural Change (AMCC). A landmark publication of the 1970s, its purpose was to protest the Whitney Museum of American Art s bicentennial exhibition, which was titled Three Centuries of American Art. The Whitney show featured John D. Rockefeller III s collection of mainly eighteenth and nineteenth-century American art a collection that featured only one African American and one woman artist. "The Catalog Committee, which consisted of fifteen artists and two art historians, spent almost a year producing an eighty-page book containing articles and documents. Originally conceived as a critique of art historian E.P. Richardson s catalog for the Whitney exhibition, the committee evolved ideas for pictorial essays that would encompass native American art, African-American art, art by women, critiques of pervasive class bias in the art world, and critical examinations of cultural institutions. As the committee wrote in its description of its project, we share the belief that culture should no longer exist merely as an extension of the economic interests or the personal tastes of the wealthy and powerful. Nor can we hope to transform culture outside of a struggle to transform the society from which it springs. Strong words that have lost little of their relevance for today s cultural scene.". Inscribed by Author(s).