Weiwei gregg moore (4 Ergebnisse)

- Hardcover
Anbieter: HPB-Ruby, Dallas, TX, USAHPB-Ruby
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut
EUR 16,42
EUR 3,23 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
hardcover. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

- Hardcover
Anbieter: ANARTIST, New York, NY, USAANARTIST
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EUR 57,65
EUR 4,31 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
Hardcover with bellyband; 126 pages; in English with Chinese at rear; very good condition; small bumps to top corners of spine; otherwise clean and crisp; no internal marks. Foreign shipping may be extra.

- Hardcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 77,60
EUR 14,55 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
Hardcover. Zustand: Brand New. 125 pages. Chinese language. 10.50x7.50x0.60 inches. In Stock.

- Hardcover
Anbieter: BWS BKS, Ferndale, NY, USABWS BKS
Verkäufer/-in kontaktierenVerkäufer/-in mit 2 SternenZustand: Neu
EUR 1.752,46
EUR 2,58 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
Hardcover. Zustand: New. You get the idea early on, with photos of Chinese-born, New York-based artist Ai Weiwei dropping a 2000-year old Han Dynasty urn. Oops. No, that's the point. This exhibition catalog/monograph from Ai's first solo exhibition outside New York gives a comprehensive picture of this unconventional artist's ap…proach to the undoing of assumptions about rare and old ceramics. Whether it's his famous Coca-Cola vase (with the Coke logo painted over the ancient surface of the pot) or other violations of the surfaces of ancient artifacts, this is a clear expression of iconoclastic modernism. Includes the first English translation of an interview with Ai Weiwei, and an essay by the Beijing-based critic, Philip Tinari. Additonal essays by Glenn Adamson, Dario Gamboni and Stacey Pierson.