willard maas (30 Ergebnisse)

Hardcover. Zustand: UsedGood. Hardcover; stated first printing; fading and shelf wear to exterior, with wrinkling to cloth at spine; light soiling and spotting to page edges; in good condition with clean text, firm binding. Dust jacket shows scuffing, soiling, and edge tears, with wrinkling at spine.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Dust Jacket Missing. Alternate Edition. 748 pp. Solidly bound copy with moderate wear. Clean text, no markings. Lightly worn along edges and surfaces.

hardcover. Zustand: Very Good. VG+/G. Minor edge wear and rubbing to dust jacket. Book is in excellent condition with minimal wear. Interior is clean. No writing or markings of any kind. Ships securely in a box.

Hard Cover. Zustand: Good. Zustand des Schutzumschlags: Fair. Jacket chipped and scuffed. Boards have rubbed edges. Pages are clean, text has no markings, binding is sound. Size: 8vo - 7¾" - 9¾" Tall.

Hard Cover. Zustand: Good. Zustand des Schutzumschlags: Good. First Printing. Jacket is chipped with small tears and is lightly rubbed, Boards have only slight wear. Pages are clean, text has no markings, binding is sound. Size: 8vo - 7¾" - 9¾" Tall.

Paperback. Zustand: Very Good. Text is unmarked; pages are bright, though the page edges are a little age toned. Stapled binding is sturdy. Covers show very little wear, though the back cover is age toned all over and the front cover is toned around the edges.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. First Edition. Minor shelf wear to binding. Tanning on pastedowns & endpapers. Pages toned with age, otherwise Text is unmarked. DJ shelf worn with scuffs, creases, light soiling, toning & small tears in a mylar cover.

Hardcover. Zustand: Very Good. First edition. 1225pp. Slightly cocked with a bowed front board and slight spotting else very good, lacking the dust jacket.

hardcover. Zustand: good. Tanning to pages. Some scratches and smudges to cloth.

Soft cover. Zustand: Good. 1st edition. Good+. 8vo, 40pp, stapled wrappers. Prime 1930s magazine of verse, includes work by Delmore Schwartz, Wallace Stevens (Edelstein C119), et al. Juvenile markings to covers and two later pages; ink marginal note to one poem. Wrappers have some wear and covers are pulling at staples. Not Signed.

Softcover. Zustand: Near Fine. First edition. No. 3. Near fine in wrappers.

Softcover. Zustand: Good. Vol. XXIII, No. 3, Autumn 1934. 165-213pp. Wrappers. Front wrapper detached but present, edgewear, and toning, good only. Contains the first appearance of three poems by Wallace Stevens "Gallant Chateau," "Gray Stones and Gray Pigeons," and "Polo Ponies Practicing." (Edelstein C92). Also prints contributions by William Carlos Williams, George Oppen, Parker Tyler, H. R. Hays, Arthur Machen and others.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. 1st Edition. Clean grey boards with gilt print on cover and along spine. Extremities are lightly rubbed. Some soiling to page edges. Binding is tight. Interior is clean and clear. Dust-jacket is in decent shape, price sticker at bottom of spine, faded, scuffed and lightly worn and chipped along extremities.

Hardcover. Alternate Edition; First Printing. Very Good+ in a Very Good+ dust jacket. Few open tears along front/rear panel edges. Van Ghent, Dorothy & Willard Maas - Plato, Homer, Maxim Gorky, D. H. Lawrence, Stendhal, Rainer Maria Rilke, Franz Kafka, Et Al.

Hardcover. Alternate Edition; First Printing. Very Good+ in a Very Good+ dust jacket. Few open tears along front/rear panel edges. Van Ghent, Dorothy & Willard Maas - Plato, Homer, Maxim Gorky, D. H. Lawrence, Stendhal, Rainer Maria Rilke, Franz Kafka, Et Al.

Hardcover. Alternate Edition; First Printing. Very Good in a Good dust jacket. Open tear to jacket crown at front panel with creasing. Rubbing to edges of boards. ; 8vo 8" - 9" tall.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition. First Printing. A Fine copy in black cloth, in a Fine jacket, not price-clipped, with tiny nicks to spine points. Text clean and unmarked. 70pp. Maas's second collection of verse. Q12928.

Hard Cover. Zustand: Fine. No Jacket. First Edition. 1225 pages. Book appears to have hardly been read and is in Fine condition throughout. This Has Two General Aims; To Provide Materials For The Teaching Of Discursive Writing, And At The Same Time To Give The Student A Fairly Broad And Various Acquaintenance With His Cultural Heritage.

Soft cover. Zustand: Fair. 1st edition. Fair (generally sound, but 4 pages blank). 8vo, [xviii]+254pp, printed wrappers. Thick fourth issue of this connected sixties magazine, edited by Gerard Malanga, includes very early reproductions of Marilyn Monroe images by Andy Warhol (and a piece on Warhol by Henry Geldzahler), poetry by Berrigan, Brainard, Padgett, et al. Plus full-page ads for La Monte Young's Anthology of Chance Operations, C Magazine, etc. Copy would be VG+ but 4 pages are misprinted blank (affects George Herbert and Adrienne Kennedy content) and the cover lamination has a corner loss on back cover. Not Signed.

Soft cover. Zustand: Fine. 1st edition. Near Fine. 8vo, 58pp, printed wrappers. Scarce little magazine from 1948, includes two poems by Wallace Stevens (Edelstein C179), four plates by Morris Graves, and a very early review of Celine's "Death on the Installment Plan" by Allen Ginsberg. Very nice copy with just a little toning to wrappers. Not Signed.

Softcover. Zustand: Very Good. First separate edition. Octavo. [28]pp. Stapled wrappers tanned with a bit of soil, very good or better. First separate edition of the text of a symposium held in 1953 and published in *Film Culture* in 1963.

Soft cover. Zustand: Very Good. 1st Edition. 8vo, Glossy Pink wrappers, a sophisticated college-lit mag., SIGNED by Albee with his usual scrawl and also SIGNED by Malanga with an early elegant undergrad Signature, Maas the faculty advisor supposedly was the basis for the male academic in Who's Afraid of.& Malanga was Maas' 'protégé' in any case an interesting cross-web of relationships. a Very Good copy with a small stain on bottom fore-edge. laid in a printed small slip of encomiums for this project from many in the art community.(SG10).

Revue internationale de littérature contemporaine. Rome, directeur: Giorgio Bassani. Un volume 14,3x23,2cm broché, de 496 pages. Bon état. Les textes sont publiés dans leur langue d'origine. Fondée en 1948 par Marguerite Caetani, princesse de Bassiano, également mécène de la revue Commerce de 1924 à 1932, dont le palais se trouvait à Rome via delle Botteghe oscure. Excellente revue internationale dont tous les textes sont inédits. Les meilleurs écrivains, notamment les poètes, du monde entier y auront publié au cours des 25 livraisons semestrielles éditées jusqu?en 1960. Livres.

First Edition. First printing of 1000 signed copies. Octavo. Cloth boards; dustjacket; 70pp. Gentle toning to text; a bit of paste offsetting to endpapers , still a tight, Near Fine copy in the original dustwrapper, unclipped, a shade sunned on spine panel, Near Fine. Second published collection by the poet, experimental filmmaker, and tangential Warhol Factory figure, Willard Maas (1906-1971). Maas and his partner/collaborator Marie Menken produced, among many other projects, two biographical short films about Andy Warhol (Andy Warhol's Silver Flotations, 1966; and Andy Warhol, 1965). Maas and Menken have been described as ".a legendary couple in the New York art world, not only for their influential underground films, but also for their lavish parties and salons, which brought together artists, writers, filmmakers and intellectuals. According to Warhol, "Willard and Marie were the last of the great bohemians. They wrote and filmed and drank (their friends called them 'scholarly drunks') and were involved with all the modern poets" (see Electronic Arts Intermix, "Visions of Warhol" online resource).

Soft cover. Zustand: Near Fine. 1st Edition. 8vo, stapled wrappers, 74pp.about Fine laid in is a separate memorandum from Carl Sandburg not found in many copies. Maas was Gerard Malanga's teacher and the future editor of this mag. when he hosted the famous poets and writers conference when Robert Lowell complained that Frank O'hara wrote a poem on the Staten Island Ferry on the way to the conference.vvclstfloor0.

Paperback. Zustand: Very good. Paperback. IX of 20 copies [of 165 total] printed on Duca Di Modena for presentation. Prelims foxed, ink name on front free endpaper, else a very good example in the original glassine jacket [tanned as usual].

8vo. Original printed wrappers; glassine. FIRST EDITION, LIMITED ISSUE, an unnumbered copy from the edition of 165 signed by Maas. PRESENTATION COPY, INSCRIBED in pencil on the front free endpaper to the playwright and poet Jane Dransfield: "To Jane Dransfield / belatedly but no less affectionately / Willard Maas.". Glassine chipped at corners, toned.

First Edition, 1935. Limited Edition. 1/20 copies (of a total of 165cc) printed on Duca de Modena, an Italian handmade paper, for presentation, Numbered and SIGNED by Maas on the colophon page (#XVI). Bound in frenchfold wrappers with covering gl assine. This copy additionally INSCRIBED by Maas on the half-title leaf "For Buzzy--/Through/the years--/Willard". In addition, there are ten pages of original typescript on onionskin stock, with Maas's name and address, on the upper right corner. None of the poems typed is reproduced in this collection. Book is Fine--glassine browned and fragmenting from oxidation. An interesting copy--the typescript poems may correspond to versions published elsewhere--we have not checked.

Maas, poet and avant-garde filmmaker, and model with his wife Marie Mencken for Edward Albee's Who's Afraid of Virginia Woolf? as well as object of Warhol's camera in Chelsea Girls, and tutor to Gerard Malanga. Edition of 165 signed and numbered copies, this being no. 120. On handmade Duca di Modena paper, beautifully laid out poems, near new condition but for some small chips of the outer parchment-toned glassine at three edges, but the rest so fine it hardly matters. Additionally dedicated on ffep (front free end-paper) by Maas to Sylvia, with the words either "Poem is here" or "Police is here". Obscure and elusive.

Original Poster for a night of Avant-Garde Films hosted by the Gryphon Film Group at the Living Theatre on April 27, 1959. Filmmakers were present to introduce their works, including Stan Brakhage with his landmark short "Desistfilm" (1954). The Gryphon Film Group was founded by Marie Menken and her husband Willard Maas in the mid-1950s with the help of Charles Boultenhouse and Gregory Markopoulos. It was one of the earliest attempts, with Amos and Marcia Vogel's Cinema 16, at setting up a experimental film society in the United States. The group's primary interest was furthering the poetic and lyrical qualities of film, often focusing on the perception of corporeality, which is reflected in the film's presented, both of the human form, in "Geography of the Body" (Maas, 1943), and sculpted object, "Visual Variations on Noguchi" (Menken, 1945). Poster 8.5 x 12 inches. Near Fine.