William hogarth david bindman (4 Ergebnisse)
- Softcover
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Oversized Paperback. Zustand: Good. Catalogue to the traveling exhibition (1997-1999) marking the tercentenary of the artist's birth hosts varied reactions to Hogarth's prints and the different identities imposed upon the artist over the centuries - from wittysatirist to aggressive self-promoter. Illus., 129 b&w plate reproducti…ons. 208p. Pap.
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Exhibition catalogue. First paperback edition first impression 1997. 208 pages. Illustrated in black and white. Paperback. Very good. We are specialists in Artists Monographs, Catalogues and Illustrated items. All items are as described and dispatched within 24 hours in a secure package. We are professional booksellers with near…ly 40 years experience, you may order with confidence. Other titles by this artist maybe in stock, please ask for our list or link.
William Hogarth and "the Beggar's Opera : "Among the Whores and Thieves" Issued 1997. Exhibition Catalog Issued by The Yale Center for British Art. Edited by David Bindman and Scott Wilcox. Now OP
David Bindman and Scott Wilcox (Editors) / Swan, Roberts, Ray, Waggoner, Schneider, Jacobson, Smith (Contributing Authors)
Sprache: Englisch
Verlag: Yale Center for British Art / Lewis Walpole Libraary, New Haven CT 1997
- Softcover
- Erstausgabe
Anbieter: Brothertown Books, Deansboro, USABrothertown Books
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In den WarenkorbSoft cover. Zustand: Fine. No Jacket. 1st Edition. Here is " 'Among the Whores and Thieves', William Hogarth and 'The Beggar's Opera' ", Published in 1997 by the Yale Center for British Art. David Bindman and Scott Wilcox were the editors, and the text consists of seven Monographs by various authors. The book, a stiff paperback…Exhibition Catalogue, was published on the occasion of an exhibition at the Yale Center for British art held from February 1 through April 6, 1997. This is the First Edition, now Out of Print - OP. The Yale Center for British Art keeps a copy in their Reference Library. "John Gay's 'The Beggar's Opera' was the theatrical sensation of 1728. Its underworld of prostitutes and thieves burlesqued the heroic visions of history and mythology offered by the reigning form of the Italian opera, as its simple songs offered a popular alternative to the Italian opera's florid arias and recitatives. Between 1728 and 1731, William Hogarth painted at least five versions of the scene from 'The Beggar's Opera' in which the imprisoned highwayman, Macheath, stands between his two wives while they appeal to their fathers to save him from execution." [This was excerpted from the Yale Center for British Art's web page on the Exhibition, for which thank you!] CONTENTS : * Hogarth's Paintings of "The Beggar's Opera" --- by Christopher Swan * Inscrutible Space: Hogarth on Stage --- by Jennifer L. Roberts * "Voluti in Speculum" : Spectatorship in William Hogarth's "The Beggar's Opera" --- by Romita Ray * Hogarth's "Beggar's Opera" Paintings and the Italian Opera --- by Diane Waggoner * Hogarth and Early Eighteenth-Century Punishment --- by Wendie Schneider * Hogarth's "The Beggar's Opera" and the Ideology of the Country Party --- by Andrew Jacobson * Hogarth, Boydell, Blake, and "The Beggar's Opera --- by Jessica Todd Smith SERIES : Exhibition Catalogue EXHIBITION DATES : February 1 to April 6, 1997 PLACE : Yale Center for British Art TITLE : Among the Whores and Thieves, William Hogarth and 'The Beggar's Opera EDITORS : David Bindman and Scott Wilcox INTRODUCTION : David Bindman IMPRINT : Yale Center for British Art / Lewis Walpole Library PLACE : New Haven, CT DATE : 1997 STATUS : Out of Print - OP DETAILS : Oversize paper-bound Catalog; size = 7 1/2" x 10"; color-pictorial wraps, glued ( on front) - on rear cover the illustration is monochrome - title printed in black on spine and front cover; contains numerous illustrations (mostly by Hogarth) produced in monochrome; contains seven monographs, an Introduction, notes [bibliographic and otherwise], for each individual essay; the Catalog of the Exhibition; 112 pages. CONDITION -- This is a previously owned book that remains clean, tight, and attractive : IN FINE CONDITION WITH NEGLIGIBLE SIGNS OF HANDLING. William Hogarth (illustrator).
Weitere BilderHogarth and his times : serious comedy. [Hogarth's Public: Finding An Audience; Politeness and Roman Satire; Hogarth and 'The Spirit of Party'; Disenchantment: Hogarth, God and Science; Hogarthomania and the Collecting of Hogarth; Redefining Hogarth: Twentieth to Eighteenth Centuries; The Satirical Engraver and His Public; The Targets of Satire: The Orders of Society; The Political Stage; Intellectual Warfare: The Analysis of Beauty and Its Reception; Last Battles; Index of Hogarth's Works Illustrated]
Bindman, David, 1940- [book design, Harry green ; art, Hogarth, William, 1697-1764, Thomas Rowlandson, James Gillray, Raphael, Michael Sweerts, David Hockney, W P Frith, Giles King, David Chodowiecki, John Trusler, L P Boitard, P L Ghezzi, George Townshend, G Scotin, B Baron, Arthur Pond, Robert Pranker, Marcellus Laroon, James Thornhill, George Bickham, B Picart, Francis Hayman, Giles Hussey, Paul Sandby; prefaces, Jacquelynn Baas; Antony Griffiths]
Sprache: Englisch
Verlag: Berkeley : University of California Press, 1997 1997
- Softcover
Anbieter: Joseph Valles - Books, Stockbridge, USAJoseph Valles - Books
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Soft cover. Zustand: Fine. No Jacket. 208 p. : ill. ; 29 cm. ; ISBN: 0520213009 (pbk.); 9780520213005 (pbk.) LCCN: 97-20496 ; OCLC: 36900938 ; LC: NC1479.H613; Dewey: 741.5/942 ; pictorial stiff paper wrappers ; Contents: 1. Whose Hogarth? -- 2. Hogarth's Public: Finding An Audience -- 3. Politeness and Roman Satire -- 4. Hogart…h and 'The Spirit of Party' -- 5. Disenchantment: Hogarth, God and Science -- App. Hogarthomania and the Collecting of Hogarth / Sheila O'Connell -- Catalogue -- Redefining Hogarth: Twentieth to Eighteenth Centuries -- The Satirical Engraver and His Public -- The Targets of Satire: The Orders of Society -- The Political Stage -- Intellectual Warfare: The Analysis of Beauty and Its Reception -- Last Battles -- Index of Hogarth's Works Illustrated. ; Catalog of exhibitions held at the British Museums, London, from 26 Sept. 1997 to 4 Jan. 1998, and other North American museums from 28 Jan. to 21 Nov. 1998./ Includes bibliographical references (p. 204-205) and indexes. ; "This volume.looks at the varied reactions's to Hogarth's prints and the different identities imposed upon the artist over the centuries: witty satirist, stern moralist, libertine, aggressive self-promoter, detached observer, and man of the people."--Jacket. ; exhibition dates . British Museum, London, from 26 September 1997 to 4 January 1998 . Berkeley Art Museum, University of California: 28 January - 19 April 1998, National Gallery of Canada, Ottawa: 18 June - 23 August 1998, Miriam and Ira D. Wallach Art Gallery, Columbia University, New York: 15 September - 21 November 1998] ; "The reputation of William Hogarth (1697-1764) rests largely on his pictorial stories, a series of engravings that he called "modern Moral Subjects," the most famous being the Harlot's and the Rake's Progress. In this catalog, David Bindman works backward from Hogarth's reputation today--where he is seen by some as a conservative populist and by others as a political radical--and examines his impact on various artists over the past three centuries. Bindman also sets Hogarth's prints firmly in their historical context, discussing the artist's public and the different influences on his work, from Roman satire to the politics of the day. The result is an engaging and insightful portrayal not only of William Hogarth, but also of the middle years of the eighteenth century. Art lovers will enjoy this book, but so too will anyone with an interest in the literature and history of the mid-eighteenth century. " ; FINE. Book.
